If this scheme pleases you, click here to download.
| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 3 |
Creating and Performing in Creative Arts and Sports
|
Fabric Decoration - Identifying decorated fabric
|
By the end of the
lesson, the learner
should be able to:
- Identify fabric decoration techniques including tie and dye (marbling, pleating) and stencil printing - Distinguish between the different methods used in fabric decoration - Show curiosity in exploring how fabric decoration enhances appearance and value of fabric |
In groups, learners are guided to:
- Study pictures of decorated fabrics and identify the technique used in each: tie and dye or stencil printing - Search online for information on marbling, pleating and stencil techniques and discuss findings - Mount cut-out pictures of each technique in journals labelled by method and display in class |
How does fabric decoration change the appearance and value of plain fabric?
|
- Champion Creative Arts and Sports Grade 8 pg. 67
- Digital devices - Reference books |
- Oral questions
- Observation
- Class discussion
|
|
| 1 | 4 |
Creating and Performing in Creative Arts and Sports
|
Fabric Decoration - Marbling technique introduction
Fabric Decoration - Decorating fabric with marbling |
By the end of the
lesson, the learner
should be able to:
- Describe the marbling technique in tie and dye and explain how it produces unique patterns - Prepare a natural dye from green leaves for use in the marbling process - Show patience and care when preparing materials for fabric decoration |
In groups, learners are guided to:
- Research and discuss marbling in tie and dye and why different colours create vibrant patterns - Prepare natural green dye: chop leaves, simmer in water with baking soda for 30 minutes and strain - Wash, iron and lay cotton fabric flat in preparation for the dyeing process |
What makes the marbling technique produce unique and unpredictable patterns on fabric?
|
- Champion Creative Arts and Sports Grade 8 pg. 68
- Cotton fabric, rubber bands - Natural dye materials (leaves, baking soda) - Champion Creative Arts and Sports Grade 8 pg. 69 - Cotton fabric, rubber bands, dye, salt - Squeeze bottles |
- Observation
- Practical assessment
- Oral questions
|
|
| 1 | 5 |
Creating and Performing in Creative Arts and Sports
|
Fabric Decoration - Pleating technique introduction
|
By the end of the
lesson, the learner
should be able to:
- Describe the pleating technique and explain how it differs from marbling in tie and dye - Prepare a natural red dye from flower petals for use in the pleating process - Appreciate how different tie and dye techniques produce distinct design outcomes |
In groups, learners are guided to:
- Look at pictures of T-shirts decorated with pleating and discuss how horizontal and vertical pleats are created - Prepare natural red dye by simmering flower petals in water until liquid turns red, then strain - Discuss how the direction of pleating affects the final pattern produced on the fabric |
How does the direction of pleating (horizontal or vertical) affect the pattern produced on the fabric?
|
- Champion Creative Arts and Sports Grade 8 pg. 70
- Cotton fabric, rubber bands - Natural dye materials (red flowers) |
- Oral questions
- Observation
- Class discussion
|
|
| 2 | 1 |
Creating and Performing in Creative Arts and Sports
|
Fabric Decoration - Applying the pleating technique
|
By the end of the
lesson, the learner
should be able to:
- Apply pleating technique on fabric following correct step-by-step procedure - Secure folds tightly with rubber bands and apply dye accurately between bands - Show creativity by experimenting with different pleat patterns and colour combinations |
In groups, learners are guided to:
- Lay fabric flat, create horizontal or vertical pleats and secure tightly with rubber bands - Add salt to dye mixture, apply red dye between rubber bands, leave for 30 minutes then rinse with cold water - Untie fabric, dry in shade, display different pleat patterns and colours in class for peer review |
How does the position of rubber bands in pleating determine the final design of the dyed fabric?
|
- Champion Creative Arts and Sports Grade 8 pg. 71
- Cotton fabric, rubber bands, dye, salt - Squeeze bottles |
- Practical assessment
- Observation
- Peer feedback
|
|
| 2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Fabric Decoration - Printing fabric using stencil
Fabric Decoration - Making a decorated tote bag |
By the end of the
lesson, the learner
should be able to:
- Describe the stencil printing technique and explain how stencils are made and used on fabric - Apply stencil printing on fabric following correct step-by-step procedure - Develop creativity and precision in creating stencil patterns on fabric |
In groups, learners are guided to:
- Look at pictures of stencils and discuss materials used and locally available alternatives - Draw or print leaf and flower patterns to create personal stencils of varying complexity - Position stencil on fabric, dab ink through openings, lift carefully, allow to dry completely then iron |
How does the choice of stencil design affect the overall appearance of the decorated fabric?
|
- Champion Creative Arts and Sports Grade 8 pg. 73
- Stencil, fabric ink, brushes - Fabric, scissors - Champion Creative Arts and Sports Grade 8 pg. 74 - Decorated fabric, sewing thread - Scissors and needle |
- Practical assessment
- Observation
- Peer feedback
|
|
| 2 | 3 |
Creating and Performing in Creative Arts and Sports
|
Fabric Decoration - Assessment and review
|
By the end of the
lesson, the learner
should be able to:
- Compare tie and dye and stencil printing and describe how their outcomes differ - Write a detailed report on combining tie and dye with stencil printing to create a unique design - Reflect on personal progress across all three fabric decoration techniques |
In groups, learners are guided to:
- Study and compare tie and dye and stencil-printed fabric samples side by side - Write a report on combining tie and dye with stencil printing and read it to the class - Answer assessment questions and complete a self-assessment checklist on all three techniques |
How do tie and dye and stencil printing techniques each contribute uniquely to fabric decoration?
|
- Champion Creative Arts and Sports Grade 8 pg. 75
- Fabric samples - Exercise books |
- Written assignments
- Self-assessment
- Peer feedback
|
|
| 2 | 4 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Techniques of playing a descant recorder
|
By the end of the
lesson, the learner
should be able to:
- Identify the five techniques used when playing the descant recorder: embouchure, fingering, pinching, blowing, tonguing and slurring - Read and interpret a fingering chart for the descant recorder - Show interest in learning recorder techniques as a foundation for music performance |
In groups, learners are guided to:
- Study the fingering chart and practise positioning fingers using open, closed and pinched positions - Watch video tutorials on G major fingering and practise the skills demonstrated - Take turns playing notes E', F#' and G' in G major while classmates observe and comment |
What are the key techniques required to produce a clear and accurate sound on the descant recorder?
|
- Champion Creative Arts and Sports Grade 8 pg. 81
- Descant recorders - Finger charts |
- Oral questions
- Observation
- Practical assessment
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Embouchure and breath control
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct embouchure when playing the descant recorder - Apply steady controlled breath using the word "tu" to produce a clear tone - Show patience in practising breath control and embouchure for improved sound quality |
In groups, learners are guided to:
- Place mouthpiece on the bottom lip, close lips firmly creating an airtight seal and blow using "tu" - Practise long sustained notes to develop control over breath and embouchure, using a mirror to self-check - Practise breath control exercises to strengthen the diaphragm and maintain consistent airflow |
How does correct embouchure and breath control affect the quality of sound on the descant recorder?
|
- Champion Creative Arts and Sports Grade 8 pg. 83
- Descant recorders - Mirror for self-correction |
- Observation
- Practical assessment
- Peer feedback
|
|
| 3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Fingering and pinching technique
Descant Recorder - Blowing and tonguing |
By the end of the
lesson, the learner
should be able to:
- Apply correct fingering for all notes in the G major scale on the descant recorder - Use the pinching (half-holing) technique accurately to produce upper register notes - Develop precision and coordination in fingering transitions during scale playing |
In groups, learners are guided to:
- Cover the thumb hole halfway and practise pinching for upper notes E', F#' and G' - Play notes G, A, B, C', D', E', F#' and G' applying correct fingering from the finger chart - Practise slowly, observe each other's finger placement and provide positive feedback |
Why is the pinching technique necessary for producing upper register notes on the descant recorder?
|
- Champion Creative Arts and Sports Grade 8 pg. 85
- Descant recorders - Finger charts - Champion Creative Arts and Sports Grade 8 pg. 86 - Reference books |
- Practical assessment
- Observation
- Peer feedback
|
|
| 3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Slurring technique
|
By the end of the
lesson, the learner
should be able to:
- Explain the slurring technique and distinguish it from tonguing in recorder playing - Apply slurring by tonguing only the first note and connecting subsequent notes with continuous breath - Appreciate slurring as a technique that creates smooth and expressive musical flow |
In groups, learners are guided to:
- Discuss what a slur is and how it differs from tonguing using staff examples - Practise transitioning between notes G, A, B, C', D', E', F#' and G' with smooth finger changes and one breath - Play slurred passages slowly for accuracy then increase speed while maintaining smooth note connections |
How does slurring change the expressive quality of a melody compared to tonguing each note separately?
|
- Champion Creative Arts and Sports Grade 8 pg. 87
- Descant recorders - Music flashcards |
- Observation
- Practical assessment
- Peer feedback
|
|
| 3 | 3 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Playing the G major scale
|
By the end of the
lesson, the learner
should be able to:
- Play the complete G major scale applying all five techniques: pinching, embouchure, fingering, tonguing and slurring - Evaluate own performance of the G major scale using peer observation and recordings - Show confidence and musicality when performing the G major scale in class |
In groups, learners are guided to:
- Practise the G major scale on the recorder applying all techniques in sequence - Record each other's performance on digital devices and review for technique evaluation - Share recordings with peers and ask for specific feedback on areas for improvement |
How does combining all recorder techniques when playing the G major scale improve overall performance quality?
|
- Champion Creative Arts and Sports Grade 8 pg. 89
- Descant recorders - Digital devices |
- Practical assessment
- Observation
- Peer feedback
|
|
| 3 | 4 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Performance directions and performing melodies
Verses - Language use in a verse |
By the end of the
lesson, the learner
should be able to:
- Define Da Capo al Fine and Dal Segno al Fine and apply them when performing a melody - Perform simple solo and group melodies in G major observing correct performance directions - Show pride in performing prepared recorder pieces before an audience |
In groups, learners are guided to:
- Discuss the meaning of D.C. al Fine and D.S. al Fine and study melodies with these directions on the staff - Perform melodies observing D.C. al Fine: play to the direction, return to beginning, continue to Fine - Sight-read simple pieces in G major, present solo performances in class and record for self-review |
Why are performance directions such as Da Capo al Fine important for interpreting a piece of music correctly?
|
- Champion Creative Arts and Sports Grade 8 pg. 90
- Descant recorders - Music flashcards - Champion Creative Arts and Sports Grade 8 pg. 91 - Reference books - Digital devices |
- Oral questions
- Practical assessment
- Self-assessment
|
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Verses - Figurative language in a verse
|
By the end of the
lesson, the learner
should be able to:
- Define and identify alliteration, rhyme and repetition as sound devices in verse - Explain how diction, line and stanza contribute to the structure and meaning of a verse - Appreciate how figurative language makes verse more expressive and engaging |
In groups, learners are guided to:
- Identify examples of alliteration and repetition in the provided verse and discuss their sound effect - Discuss how end-of-line rhyme creates musical quality and aids memory in verse - Study definitions of diction, line and stanza and find examples of each in the provided verse |
How do sound devices like alliteration, rhyme and repetition give a verse its musical quality?
|
- Champion Creative Arts and Sports Grade 8 pg. 92
- Reference books - Exercise books |
- Oral questions
- Written assignments
- Observation
|
|
| 4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Verses - Analysing language in a verse
|
By the end of the
lesson, the learner
should be able to:
- Analyse a verse to identify and explain its use of imagery, sound, diction, line and stanza - Complete a structured analysis table identifying specific language features from a given verse - Develop critical thinking through close reading and interpretation of verse |
In groups, learners are guided to:
- Read the provided verse and discuss the language features used to make it effective - Identify the format of the verse and write examples of language use in each category from the text - Complete an analysis table and share with classmates, comparing identified language features |
What language features in a verse most effectively communicate the poet's intended message?
|
- Champion Creative Arts and Sports Grade 8 pg. 93
- Exercise books - Reference books |
- Written assignments
- Observation
- Peer feedback
|
|
| 4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Verses - Composing a verse on a societal issue
|
By the end of the
lesson, the learner
should be able to:
- Select a societal issue and develop ideas that form the basis of a verse - Express a message about the chosen issue in a simple verse using appropriate language devices - Show responsibility and awareness of community issues through verse composition |
In groups, learners are guided to:
- Search for and discuss emerging societal issues affecting youth such as child labour, pollution or abuse - Identify the key message of the chosen issue and express it in essay-style notes - Transform notes into a simple verse using imagery, repetition and rhyme, share verses in class |
How can composing a verse about a societal issue raise awareness and inspire positive change?
|
- Champion Creative Arts and Sports Grade 8 pg. 95
- Exercise books - Digital devices |
- Written assignments
- Observation
- Oral questions
|
|
| 4 | 3 |
Creating and Performing in Creative Arts and Sports
|
Verses - Developing and performing a verse
Verses - Verse as communication and assessment |
By the end of the
lesson, the learner
should be able to:
- Develop a verse draft using carefully selected imagery, diction, lines and stanzas - Perform a verse using appropriate vocal variation, body language and expression - Develop confidence and stage presence when performing before an audience |
In groups, learners are guided to:
- Reread notes on the chosen issue and develop a verse draft focusing on imagery and diction - Read the verse aloud to assess rhythm and emotional impact and revise accordingly - Practise vocalisation and breathing exercises, rehearse with costumes and props, perform solo in class |
How does the use of voice, body and expression transform a written verse into a compelling live performance?
|
- Champion Creative Arts and Sports Grade 8 pg. 96
- Costumes and props - Digital devices - Champion Creative Arts and Sports Grade 8 pg. 97 - Exercise books |
- Practical assessment
- Observation
- Peer feedback
|
|
| 4 | 4 |
Creating and Performing in Creative Arts and Sports
|
Volleyball - Introduction to Volleyball and overarm serve
|
By the end of the
lesson, the learner
should be able to:
- Describe Volleyball as a team sport and identify the objective of the game - Demonstrate the three components of the overarm serve: correct stance, toss and hitting action - Show enthusiasm for learning Volleyball skills and applying them in a game |
In groups, learners are guided to:
- Study pictures of Volleyball activities and identify the overarm serve technique shown - Read and discuss Juma's poster on overarm service: stance (feet apart, knees bent), toss (above hitting shoulder) and serve (palm and fingers) - Use an improvised ball to demonstrate the overarm serve and observe each other, providing feedback |
How does correct stance and toss technique contribute to an accurate overarm serve in Volleyball?
|
- Champion Creative Arts and Sports Grade 8 pg. 99
- Volleyball or improvised ball - Open playing space |
- Oral questions
- Observation
- Practical assessment
|
|
| 4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Volleyball - Volleying skill and mini Volleyball game
|
By the end of the
lesson, the learner
should be able to:
- Perform net serve exercises at 7–8 metres and partner serve drills at 15–20 feet applying correct technique - Demonstrate the volleying skill in Volleyball using correct stance and contact - Apply all learned skills in a mini Volleyball game showing sportsmanship and teamwork |
In groups, learners are guided to:
- Conduct net serve drills standing 7–8 metres from the net, serve multiple times focusing on net clearance - Conduct partner serve drills at 15–20 feet, each partner catching and returning the serve alternately - Form two teams of six, wear appropriate sports gear and play a Volleyball game applying all skills |
How do serving and volleying skills work together during an actual Volleyball game?
|
- Champion Creative Arts and Sports Grade 8 pg. 101
- Volleyball and net - Open playing space |
- Observation
- Practical assessment
- Peer feedback
|
|
| 5 | 1 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Dance - Folk dances from Kenyan communities
Kenyan Folk Dance - Classifying folk dances |
By the end of the
lesson, the learner
should be able to:
- Identify folk dances from different Kenyan communities including Isikuti, Mwomboko and Orutu dances - Describe the community origin, costumes, instruments and occasion of at least three Kenyan folk dances - Show appreciation for the cultural diversity expressed through Kenyan folk dances |
In groups, learners are guided to:
- Study pictures of folk dance performers and identify communities, costumes and instruments represented - Watch video clips of Mwomboko, Isikuti and Mwinjiro dances and discuss movements, costumes and instruments - Complete a folk dance table noting community, dance name, age, gender, occasion and instruments |
What makes folk dances important for preserving and celebrating Kenyan cultural identity?
|
- Champion Creative Arts and Sports Grade 8 pg. 103
- Digital devices - Reference books - Champion Creative Arts and Sports Grade 8 pg. 104 |
- Oral questions
- Observation
- Written assignments
|
|
| 5 | 2 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Dance - Classifying by occasion and instruments
|
By the end of the
lesson, the learner
should be able to:
- Classify folk dances according to occasion of performance, instruments used and props or costumes - Describe the significance of the occasion in determining which folk dance is performed - Show respect for the cultural significance of folk dance occasions |
In groups, learners are guided to:
- Study the folk dance table and discuss occasions for each dance: weddings, funerals, initiation, festivals - Identify the instruments, costumes and props associated with at least three classified folk dances - Discuss why folk dances are named after accompanying instruments such as Isikuti and Kilumi |
Why is the occasion of performance an important factor in classifying Kenyan folk dances?
|
- Champion Creative Arts and Sports Grade 8 pg. 105
- Reference books - Digital devices |
- Oral questions
- Written assignments
- Observation
|
|
| 5 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Dance - Researching and rehearsing a folk dance
|
By the end of the
lesson, the learner
should be able to:
- Research a selected folk dance focusing on community, gender, age, occasion, mood and movements - Collect and improvise costumes and instruments from locally available materials - Practise individual body movements and connect them into a continuous sequence with music |
In groups, learners are guided to:
- Choose a folk dance, research its origin, occasion, instruments and movements - Collect environmental materials and improvise the costumes and instruments needed for the dance - Listen to the folk dance song, practise movements individually then connect them into a full sequence |
What key information and preparation does a learner need before performing a folk dance authentically?
|
- Champion Creative Arts and Sports Grade 8 pg. 107
- Locally available materials - Digital devices |
- Observation
- Practical assessment
- Peer feedback
|
|
| 5 | 4 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Dance - Performing and assessment
Indigenous Kenyan Craft – Basketry - Basketry items and coiling technique |
By the end of the
lesson, the learner
should be able to:
- Perform a Kenyan folk dance before the class with costumes, props and musical accompaniment - Write a report on a researched folk dance covering title, theme, community, gender, occasion and function - Appreciate folk dance as a living repository of Kenyan cultural values and history |
In groups, learners are guided to:
- Conduct body warm-up, introduce the dance explaining its cultural background then perform with costumes and music - Record performance on a digital device and discuss each other's mood, movements and quality of execution - Answer assessment questions on folk dance meaning and classification; write and present a folk dance report |
How does a live performance of a folk dance communicate the cultural values and identity of its community?
|
- Champion Creative Arts and Sports Grade 8 pg. 108
- Improvised costumes and instruments - Digital devices - Champion Creative Arts and Sports Grade 8 pg. 109 - Reference books |
- Practical assessment
- Written assignments
- Self-assessment
|
|
| 5 | 5 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Craft – Basketry - Materials and tools in basketry
|
By the end of the
lesson, the learner
should be able to:
- Identify natural and recyclable synthetic materials used in basketry including grass, reeds, sisal and banana fibre - Distinguish between natural materials and recyclable synthetic materials used in modern basketry - Show respect for the natural environment through responsible material collection |
In groups, learners are guided to:
- Discuss the range of natural materials used: grass, reeds, willow, bamboo, straw, sisal and banana fibre - Identify tools: needle, raffia, scissors, thimble and clips used in coiling basketry - Study pictures of basketry materials, classify them as natural or recyclable and complete a classification table |
Why is it important for a basketry maker to know the properties of different natural and synthetic materials?
|
- Champion Creative Arts and Sports Grade 8 pg. 111
- Basketry material samples - Reference books |
- Oral questions
- Observation
- Written assignments
|
|
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Craft – Basketry - Collecting and preparing basketry materials
|
By the end of the
lesson, the learner
should be able to:
- Collect locally available basketry materials from the school environment safely - Clean, dry, measure, cut and dye collected materials in preparation for weaving - Develop environmental awareness and patience in preparing materials to the required standard |
In groups, learners are guided to:
- Collect straws, grass, sticks and banana fibre from the community while observing safety measures - Clean and dry collected materials, measure and cut to required length using scissors safely - Apply dye in different colours to materials and take progress pictures as classmates work |
Why is proper preparation of materials an essential first step before beginning a basketry project?
|
- Champion Creative Arts and Sports Grade 8 pg. 113
- Collected natural materials, dye - Scissors and cutting tools |
- Observation
- Practical assessment
- Peer feedback
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Craft – Basketry - Making a tray using coiling technique
|
By the end of the
lesson, the learner
should be able to:
- Follow step-by-step procedure to make a coiled basketry tray using grass and yarn - Apply the coiling stitch correctly to build up sides of the tray to the desired height - Show precision and perseverance in producing a neat and structurally sound coiled tray |
In groups, learners are guided to:
- Bundle long grass, tie with yarn at one end and form a tight starting loop as the base - Stitch the coil by wrapping yarn around the grass bundle and through the previous row using a needle - Continue adding grass to maintain bundle thickness and coil to the desired base diameter and height |
What skills and techniques are most important for producing a well-made coiled basketry tray?
|
- Champion Creative Arts and Sports Grade 8 pg. 114
- Grass, banana fibre, needle, scissors - Yarn or raffia |
- Practical assessment
- Observation
- Peer feedback
|
|
| 6 | 3 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Craft – Basketry - Making a mat using coiling technique
Indigenous Kenyan Craft – Basketry - Safety measures in basketry |
By the end of the
lesson, the learner
should be able to:
- Follow step-by-step procedure to make a coiled mat from braided fabric strips - Coil and stitch braided strips into a flat spiral mat to the desired size - Develop creativity using different fabric colours to produce a visually attractive mat |
In groups, learners are guided to:
- Cut fabric into 2-inch strips, braid three strands tightly and continue to desired length - Coil the braided cord into a tight spiral, stitching each row to the previous one with needle and thread - Continue coiling to desired size, tuck the end under the coil and sew it; display and critique in class |
How does the choice of fabric colours and tightness of coiling affect the appearance and durability of the finished mat?
|
- Champion Creative Arts and Sports Grade 8 pg. 115
- Old fabric strips, needle, thread - Scissors - Champion Creative Arts and Sports Grade 8 pg. 116 - Basketry projects in progress - Reference books |
- Practical assessment
- Observation
- Peer feedback
|
|
| 6 | 4 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Craft – Basketry - Assessment and review
|
By the end of the
lesson, the learner
should be able to:
- Weave a traditional basket using the coiling technique and display it with a written description of its use - Evaluate basketry products using polite and constructive critique language - Appreciate the cultural and functional significance of basketry in Kenyan communities |
In groups, learners are guided to:
- Use the coiling technique to weave a traditional basket and set up a display in class with descriptions - Provide constructive feedback on each other's baskets using polite language and structured criteria - Answer assessment questions on basketry materials, tools, techniques and cultural significance |
How does completing a full basketry project develop patience, creativity and cultural appreciation?
|
- Champion Creative Arts and Sports Grade 8 pg. 117
- Completed basketry items - Exercise books |
- Practical assessment
- Peer feedback
- Self-assessment
|
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Introduction to swimming and water treading
|
By the end of the
lesson, the learner
should be able to:
- Define water treading and describe the upright body position used during this technique - Identify the key benefits of swimming as a full-body workout - Show willingness to follow safety measures when participating in swimming activities |
In groups, learners are guided to:
- Study pictures of swimming techniques and identify water treading and inverted breaststroke - Watch demonstrations of water treading and discuss body, arms and legs positioning required - Discuss safety measures to observe in and around the swimming pool at all times |
Why is water treading a useful swimming skill for safety and physical fitness?
|
- Champion Creative Arts and Sports Grade 8 pg. 118
- Swimming pool - Digital devices |
- Oral questions
- Observation
- Class discussion
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Body position and breathing in water treading
Swimming - Arms and legs action in water treading |
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct upright body position and breathing control during water treading - Describe how head and shoulders are maintained above the water surface during treading - Develop confidence and composure when practising water treading in the pool |
In groups, learners are guided to:
- Demonstrate upright body position in pool with head and shoulders above the water surface - Practise steady breathing control while maintaining position — inhale above water, exhale steadily - Observe each other's body position and give feedback on posture and head height |
How does maintaining correct body position and breathing control help a swimmer stay afloat safely?
|
- Champion Creative Arts and Sports Grade 8 pg. 119
- Swimming pool - Reference books - Champion Creative Arts and Sports Grade 8 pg. 121 |
- Observation
- Practical assessment
- Peer feedback
|
|
| 7 | 2 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Introduction to inverted breaststroke
|
By the end of the
lesson, the learner
should be able to:
- Describe the inverted breaststroke technique including body position and direction of movement - Identify differences between inverted breaststroke and conventional breaststroke - Show readiness to apply the inverted breaststroke technique safely in the pool |
In groups, learners are guided to:
- Watch video clips of inverted breaststroke and describe legs and arms action, body position and breathing - Compare inverted breaststroke (face upward, on back) with conventional breaststroke and note key differences - Discuss the advantage of inverted breaststroke — face above water allows natural breathing |
What are the key differences between the inverted breaststroke and the conventional breaststroke?
|
- Champion Creative Arts and Sports Grade 8 pg. 122
- Swimming pool - Digital devices |
- Oral questions
- Observation
- Class discussion
|
|
| 7 | 3 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Body position and legs in inverted breaststroke
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct body position (on back, face upward) in inverted breaststroke - Apply frog kick leg action: feet facing downward, kick backward and outward, recover to streamlined position - Develop confidence and coordination in performing the inverted breaststroke leg action |
In groups, learners are guided to:
- Lie on back in the water with body facing upward and practise maintaining a streamlined body position - Practise legs action: feet facing downward, kick backward and outward, bring legs together to recover - Combine body positioning with leg action and attempt a short glide across the pool with teacher guidance |
How does correct body position and leg action contribute to efficient movement in the inverted breaststroke?
|
- Champion Creative Arts and Sports Grade 8 pg. 123
- Swimming pool - Reference books |
- Observation
- Practical assessment
- Peer feedback
|
|
| 7 | 4 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Arms action and glide in inverted breaststroke
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct arms action in inverted breaststroke: extend forward, push backward and recover to sides - Combine arms and legs action to achieve a smooth glide in inverted breaststroke - Show coordination and persistence in practising the full inverted breaststroke stroke cycle |
In groups, learners are guided to:
- Practise arms action from chest level — extend toward direction of movement, push water backward, pull arms to sides - Combine arms and legs movements and attempt a short glide across the pool - Observe each other's coordination of arms and legs and provide constructive feedback |
How do the arms and legs work together in the inverted breaststroke to produce an efficient smooth glide?
|
- Champion Creative Arts and Sports Grade 8 pg. 124
- Swimming pool - Reference books |
- Observation
- Practical assessment
- Peer feedback
|
|
| 7 | 5 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Combining water treading and inverted breaststroke
Swimming - Assessment and review |
By the end of the
lesson, the learner
should be able to:
- Transition smoothly between water treading and inverted breaststroke in a continuous sequence - Apply all safety measures while combining the two techniques in the pool - Develop stamina and confidence by sustaining a combination swimming sequence |
In groups, learners are guided to:
- Begin with water treading for 10–15 seconds then transition to inverted breaststroke and swim to pool end - Alternate between treading and inverted breaststroke in a rhythmic flow with teacher guidance - Evaluate each other using a score sheet assessing arms action, legs action, body position and breathing |
How does alternating between water treading and inverted breaststroke build overall swimming endurance?
|
- Champion Creative Arts and Sports Grade 8 pg. 125
- Swimming pool - Score sheets - Champion Creative Arts and Sports Grade 8 pg. 126 - Assessment score sheets |
- Practical assessment
- Observation
- Peer feedback
|
|
| 8 | 1 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Showcasing artwork for appreciation
|
By the end of the
lesson, the learner
should be able to:
- Describe different pieces of artwork including drawings, paintings, montages, decorated fabric and basketry items - Prepare a display area within school spaces and arrange artwork neatly for appreciation - Appreciate the importance of presenting artwork in an organised and appealing manner |
- Study pictures of artworks and describe each piece, sharing what aspects are most appealing
- Watch video clips showcasing drawings, montage pictures, paintings, decorated fabric and basketry in a display and discuss how lighting, arrangement and labelling enhance appreciation - Organise a class display of learner artwork, label each piece with name and brief description, and invite teachers and peers to visit and give feedback |
Why is it important to display and present artwork in an organised and thoughtful manner for an audience to appreciate?
|
- Champion Creative Arts and Sports Grade 8 pg. 134
- Learner artwork (drawings, paintings, montages, fabric, basketry) - Digital devices |
- Oral questions
- Observation
- Peer feedback
|
|
| 8 | 2 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Factors for displaying artworks
|
By the end of the
lesson, the learner
should be able to:
- State the specific factors to consider when displaying basketry items, drawings and paintings - Apply display techniques such as labelling, framing, appropriate lighting and grouping by size or material - Show responsibility in setting up and maintaining a creative and appealing artwork display |
In groups, learners are guided to:
- Discuss factors for displaying basketry: labelling materials and technique used, grouping by size or shape and choosing whether to hang or shelf the items - Discuss factors for drawings: framing, displaying one by one or on a board, and using lighting to reveal shading and details - Discuss factors for paintings: choosing frames, labelling with artist name and medium, and displaying in open places for good colour visibility |
What factors must be considered when displaying different types of artworks to help viewers enjoy and appreciate them fully?
|
- Champion Creative Arts and Sports Grade 8 pg. 135
- Learner artwork samples - Reference books |
- Oral questions
- Written assignments
- Observation
|
|
| 8 | 3 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Analysing a verse performance
Analysis of Creative Arts and Sports - Composing and performing a verse |
By the end of the
lesson, the learner
should be able to:
- Identify and describe the criteria for analysing a verse performance including persona, theme, language and performance style - Analyse a given verse identifying its theme, characters, use of language and emotional impact - Develop critical thinking skills through close reading and structured analysis of verse |
In groups, learners are guided to:
- Research different methods of analysing a verse and discuss what the verse is about, how language is used and which characters are represented - Read the verse "In the comfort of my room" in turns and complete an analysis table covering character, theme, costume and props, and language use (simile, metaphor, rhyme and repetition) - Compile analysis findings in a report and upload to the journal for future reference |
Why is analysis of a verse performance an important skill for understanding and appreciating creative arts?
|
- Champion Creative Arts and Sports Grade 8 pg. 136
- Digital devices - Reference books - Champion Creative Arts and Sports Grade 8 pg. 137 - Exercise books - Costumes and props |
- Written assignments
- Observation
- Class discussion
|
|
| 8 | 4 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Sportsmanship in sporting activities
|
By the end of the
lesson, the learner
should be able to:
- Define sportsmanship and identify examples of good conduct and behaviour in sporting activities - Demonstrate sportsmanship through respect for opponents, teamwork, fair play and safety during a mini game - Appreciate the importance of good sportsmanship for healthy, enjoyable and safe sporting participation |
In groups, learners are guided to:
- Study pictures showing sportsmanship (handshakes, first aid) and discuss why each action demonstrates good conduct - Research examples of sportsmanship online or in sports magazines and complete a table covering: respect for opponents, teamwork, fair play, being a good winner and loser, and observing safety - Organise a mini Volleyball game, take turns demonstrating good conduct and behaviour, and assess each other's performance providing positive feedback |
How does practising good sportsmanship contribute to fair, safe and enjoyable sporting activities for everyone involved?
|
- Champion Creative Arts and Sports Grade 8 pg. 138
- Volleyball or improvised ball - Sports magazines and reference books |
- Observation
- Oral questions
- Practical assessment
|
|
| 8 | 5 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Analysing a folk dance and cross-analysis
|
By the end of the
lesson, the learner
should be able to:
- Analyse a Kenyan folk dance by evaluating dance techniques, costumes, props, instruments, audience engagement and group coordination - Compare and analyse aspects of a verse, a folk dance and a sporting event including expression, teamwork and audience engagement - Appreciate the role of analysis in adding value to Creative Arts and Sports |
In groups, learners are guided to:
- Watch live or recorded video clips of different Kenyan folk dances, compare music, costumes, movement, occasion, community, gender and age, and discuss similarities and differences - Create or select a folk dance, practise with costumes and instruments, perform in class and use the evaluation table to analyse each other's dance techniques, props, instruments and audience engagement - Watch a verse performance, folk dance and Netball game and compile a comparative report on expression, teamwork, audience engagement and sportsmanship, then read the report in class |
Why is the ability to analyse Creative Arts and Sports performances an important skill for both performers and audiences?
|
- Champion Creative Arts and Sports Grade 8 pg. 140
- Digital devices - Improvised costumes and instruments |
- Written assignments
- Practical assessment
- Self-assessment
|
|
| 9 |
Endterm exam |
||||||||
Your Name Comes Here