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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Introduction to Passing
|
By the end of the
lesson, the learner
should be able to:
- Identify the three types of passes in Basketball: overhead pass, bounce pass and chest pass. - Describe when each type of pass is most effectively used in a game of Basketball. - Appreciate passing as a fundamental skill for creating team scoring opportunities in Basketball. |
In groups, learners are guided to:
- Watch a live or virtual Basketball game and observe how players pass the ball then discuss what an overhead pass, bounce pass and chest pass are. - Research from sports materials what each type of pass is, when it is used and how it is executed. - Discuss the general rules for passing in Basketball and record key findings in exercise books. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 93
- Digital devices - Sports reference materials |
- Oral questions
- Observation
|
|
| 1 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Chest Pass
|
By the end of the
lesson, the learner
should be able to:
- Describe the chest pass as the quickest pass that moves in a straight line from chest level to a teammate who is not tightly marked. - Demonstrate the chest pass by bending elbows close to the chest and releasing the ball in a straight line to a partner. - Value the chest pass as the most efficient pass for quick ball distribution when space is available. |
In groups, learners are guided to:
- Discuss what a chest pass is, when it is used and how it is executed then demonstrate without a ball first. - Perform the chest pass by bending elbows close to the chest and releasing the ball in a straight line ensuring the receiver gets the ball around chest area. - Take turns practising the chest pass in pairs focusing on accuracy, hand position and follow-through. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 93
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 1 | 3 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Bounce Pass
|
By the end of the
lesson, the learner
should be able to:
- Describe the bounce pass as a pass used when opponents have hands raised over the ball carrier making an air pass impossible. - Demonstrate the bounce pass by bouncing the ball with force using two hands to reach a teammate stepping forward with the release. - Value the bounce pass as a skill for bypassing high defensive hands and delivering the ball safely to a teammate. |
In groups, learners are guided to:
- Discuss when the bounce pass is used and how it differs from the chest pass in execution and purpose. - Practise the bounce pass by bouncing the ball with force using two hands stepping forward and following through with fingers pointing to the bounce point. - Take turns practising the bounce pass in pairs focusing on force, target point and follow-through. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 93
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 1 | 4 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Overhead Pass
|
By the end of the
lesson, the learner
should be able to:
- Describe the overhead pass as a pass made by holding the ball over the head with both hands and throwing it to a teammate at a distance. - Demonstrate the overhead pass by holding the ball over the head and releasing it to a distant teammate. - Appreciate the overhead pass as the most effective pass for reaching teammates over a long distance or over defensive players. |
In groups, learners are guided to:
- Discuss what an overhead pass is, when it is used and how it differs from the chest and bounce passes. - Demonstrate the overhead pass by holding the ball over the head with both hands and throwing it to a teammate at a distance. - Take turns to perform the overhead pass in pairs repeating to ensure confidence in correct execution. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 93
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 1 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Pass Demonstrations and Practice
|
By the end of the
lesson, the learner
should be able to:
- Perform all three pass types — chest, bounce and overhead — in a combined passing drill. - Apply passing skills with accuracy, correct technique and effective communication with teammates. - Value teamwork and clear communication as essential components of effective passing in Basketball. |
- Combine all three pass types in a structured passing drill practising chest, bounce and overhead passes in sequence.
- Communicate effectively with teammates to coordinate passes during the drill ensuring ball direction and height are accurate. - Observe all safety rules during the drill and ensure all learners participate actively. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 93
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 2 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Passing Games
|
By the end of the
lesson, the learner
should be able to:
- Apply all three pass types in a structured passing game that simulates game conditions. - Demonstrate decision-making by selecting the most appropriate pass type based on the position of teammates and defenders. - Appreciate the importance of passing accuracy and decision-making in creating scoring opportunities during a Basketball game. |
- Organise learners into teams and set up a passing game that requires use of all three pass types in game-like conditions.
- Apply decision-making by selecting chest, bounce or overhead pass based on the position of teammates and defenders. - Reflect on the game discussing which pass types were most effective and what improvements are needed. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 93
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Dribbling Introduction and Low Dribble
Basketball and Logo Design - High Dribble and Demonstrations |
By the end of the
lesson, the learner
should be able to:
- Describe dribbling in Basketball as a skill allowing a player to move while maintaining ball possession, shield the ball from defenders and create break-away opportunities. - Demonstrate low dribbling by keeping the ball close to the ground for maximum protection from defenders. - Value dribbling as a key skill for individual and team offensive play in Basketball. |
In groups, learners are guided to:
- Discuss what dribbling is in Basketball identifying when low dribbling and high dribbling are used in a game. - Demonstrate low dribbling by keeping the ball close to the ground protecting it from defenders while moving. - Practise low dribbling in pairs moving across the court while maintaining ball control and observing safety. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 98
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 2 | 3 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Dribbling Practice
|
By the end of the
lesson, the learner
should be able to:
- Combine high and low dribbling in a continuous practice drill switching between both techniques in response to changing game scenarios. - Apply dribbling skills in combination with passing in game-like drills. - Value consistent dribbling practice as essential to developing ball control, spatial awareness and individual court skills. |
In groups, learners are guided to:
- Set up a combined dribbling drill that requires switching between high and low dribbling in response to changing scenarios. - Integrate dribbling with passing: dribble to a position then execute the most appropriate pass to a teammate. - Observe all safety rules during dribbling practice and peer-evaluate technique for accuracy, control and appropriate dribble selection. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 98
- Basketball - Open court |
- Observation
- Practical demonstration
|
|
| 2 | 4 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Logo Introduction and Research
|
By the end of the
lesson, the learner
should be able to:
- Describe what a logo is and explain what a good logo consists of including symbol, colour, text and emotional connection with fans. - Research actual and virtual samples of Basketball team logos to identify features that make them effective. - Appreciate the role of a logo in representing a team's identity, spirit and values. |
In groups, learners are guided to:
- Study sample team logos in Figure 2.9.8 and discuss what each logo communicates about the team's identity. - Research actual and virtual team logos discussing the features that make each effective including colour, symbol and text. - Identify the logos of at least five sports teams and explain how the design elements support the team's identity. |
How can a poster be made an effective means of communicating?
|
- Oxford CAS Today Grade 9 pg. 101
- Digital devices - Sample team logos |
- Oral questions
- Observation
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Logo Characteristics and Sketching
|
By the end of the
lesson, the learner
should be able to:
- Describe the characteristics of an effective Basketball team logo including clear symbol, meaningful colour selection and readable team name or letter combination. - Sketch a logo design for a Basketball team selecting the name or letter combination, colours and layout. - Value creativity and originality in logo design as a means of creating a distinctive team identity. |
In groups, learners are guided to:
- Discuss the characteristics that make a logo effective: clear symbol, purposeful colour selection, readable text and emotional connection. - Sketch a logo for a Basketball team on paper selecting the team name or letter combination, colours and overall layout. - Share sketches with a classmate for feedback on clarity, originality and effectiveness of the design concept. |
How can a poster be made an effective means of communicating?
|
- Oxford CAS Today Grade 9 pg. 101
- Drawing materials, paper, ruler, marker pens |
- Practical demonstration
- Observation
|
|
| 3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Logo Finalization and Critique
|
By the end of the
lesson, the learner
should be able to:
- Develop and finalise a Basketball team logo by refining the sketch, selecting final colours and completing the design on paper. - Display the completed logo in the classroom and present it to other groups explaining design choices. - Appreciate peer critique as a constructive tool for evaluating and improving visual communication design. |
In groups, learners are guided to:
- Develop the logo by refining the sketch based on feedback selecting final colours and completing the design on paper with letters, symbol and colour fill. - Display the completed logo in the classroom and present it to other groups explaining the team name, symbol, colour choices and what the logo communicates. - Evaluate peers' logos using the effectiveness criteria discussed earlier and provide polite and constructive feedback. |
How can a poster be made an effective means of communicating?
|
- Oxford CAS Today Grade 9 pg. 101
- Drawing materials, paper, ruler, marker pens |
- Practical demonstration
- Peer review
|
|
| 3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Mini Basketball Game
|
By the end of the
lesson, the learner
should be able to:
- Apply passing and dribbling skills learnt in Basketball in a mini-Basketball game in teams displaying their designed logos. - Observe safety measures during the mini game and demonstrate fair play and team spirit. - Appreciate each other's skills in Basketball and value unity, integrity and fair play during the game. |
- Organise learners into teams with each team displaying their designed logo during the game.
- Apply all passing and dribbling skills in the mini-Basketball game observing safety rules and fair play. - Celebrate each other's efforts and skills during the game and reflect on individual and team performance. |
Why is it important to combine passing and dribbling in Basketball?
|
- Oxford CAS Today Grade 9 pg. 101
- Basketball, open court - Team logos |
- Observation
- Practical demonstration
|
|
| 3 | 3 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Pottery Coil Technique and Clay Preparation
|
By the end of the
lesson, the learner
should be able to:
- Describe the coil technique in pottery including sourcing clay and preparing it by drying, crushing, sieving, kneading and wedging. - Prepare clay by removing impurities, drying, crushing, sieving, mixing with water and kneading it to an even and smooth consistency. - Appreciate pottery as a traditional Indigenous Kenyan craft that connects learners to cultural heritage and responsible use of natural resources. |
In groups, learners are guided to:
- Collect and study actual pottery items made using the coil technique and discuss the stages of the technique observed. - Source clay from a stream, river or pond and prepare it by sun-drying, crushing, sieving, mixing with water and kneading until smooth. - Store excess clay in an airtight container and take a piece to mix with water to form slurry for joining coils. |
Why is clay the preferred material for pottery?
|
- Oxford CAS Today Grade 9 pg. 104
- Clay soil, stone, fine cloth or sieve, water |
- Observation
- Practical demonstration
|
|
| 3 | 4 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Modelling Vessels
|
By the end of the
lesson, the learner
should be able to:
- Make clay coils of uniform thickness using the coil technique. - Join clay coils using slurry to build the walls of a vessel and smoothen the inside surface. - Value patience and craftsmanship in building a clay vessel using the traditional coil technique. |
In groups, learners are guided to:
- Make clay coils of uniform thickness by rolling prepared clay on a flat surface. - Join coils using slurry to form the walls of a vessel building upward and smoothening the inside surface at each level. - Review the vessel shape and walls for uniformity and make corrections before the clay dries further. |
Why is clay the preferred material for pottery?
|
- Oxford CAS Today Grade 9 pg. 104
- Prepared clay, wooden surface, slurry |
- Observation
- Practical demonstration
|
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Decorating Vessels
|
By the end of the
lesson, the learner
should be able to:
- Describe incision as the process of engraving a design by cutting into the clay surface while it is still slightly damp. - Decorate a slightly dry clay vessel by incising a pattern or design on its surface. - Appreciate decoration as a cultural expression that adds aesthetic and symbolic value to a pottery vessel. |
In groups, learners are guided to:
- Discuss the technique of incision and the types of patterns traditionally used in Kenyan pottery decoration. - Decorate the slightly dry vessel by incising a chosen pattern or design into the clay surface using an appropriate tool. - Compare decorated vessels within the group discussing the patterns chosen and their cultural or personal significance. |
Why is clay the preferred material for pottery?
|
- Oxford CAS Today Grade 9 pg. 104
- Slightly dried clay vessel, incising tool |
- Observation
- Practical demonstration
|
|
| 4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Firing Pottery
|
By the end of the
lesson, the learner
should be able to:
- Describe the process of open pit kiln firing including the preparation of dry fuel, placement of vessels and monitoring of the firing process. - Collaboratively fire a completely dry clay vessel using an open pit kiln observing all safety and hygiene precautions. - Value safety, responsibility and patience in the firing process as essential to producing a strong and durable pottery vessel. |
In groups, learners are guided to:
- Discuss the steps for open pit kiln firing: preparing dry fuel, arranging vessels, lighting the kiln and monitoring the fire. - Collaboratively fire the completely dry vessel using an open pit kiln observing safety and hygiene throughout. - Allow the vessel to cool completely before removing it and discuss the changes in texture, colour and strength after firing. |
Why is clay the preferred material for pottery?
|
- Oxford CAS Today Grade 9 pg. 104
- Completely dry clay vessel, open pit kiln, dry fuel |
- Observation
- Practical demonstration
|
|
| 4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Weaving Introduction
|
By the end of the
lesson, the learner
should be able to:
- Identify types of Indigenous Kenyan crafts including pottery, weaving, beadwork and wood carving. - Describe weaving as the interlacing of warps and wefts on a loom to create a fabric and explain the basic components of a frame loom. - Appreciate weaving as a traditional Kenyan craft that reflects cultural identity and practical skill. |
In groups, learners are guided to:
- Explore actual and virtual resources to study traditional Kenyan weaving and identify the types of crafts it belongs to. - Discuss weaving as the interlacing of warps and wefts on a loom explaining what warps, wefts and the frame loom are. - Use different coloured strings to practise a basic fabric design for reference before beginning frame loom construction. |
How is a fabric woven?
|
- Oxford CAS Today Grade 9 pg. 104
- Actual woven articles - Digital devices - Coloured string |
- Oral questions
- Observation
|
|
| 4 | 3 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Frame Loom Making
|
By the end of the
lesson, the learner
should be able to:
- Describe the process of making a wooden mitre joint frame loom with equal spacing of nails. - Collaboratively construct a wooden mitre joint frame loom following the correct procedure and ensuring equal nail spacing. - Value responsibility and self-discipline in constructing craft tools and handling materials safely during loom making. |
In groups, learners are guided to:
- Explore actual and virtual resources to study how a wooden mitre joint frame loom is made with equal spacing of nails. - Collaboratively construct the frame loom following the correct procedure ensuring equal spacing of nails throughout. - Test the completed loom for stability and equal nail spacing before beginning to set the warps. |
How is a fabric woven?
|
- Oxford CAS Today Grade 9 pg. 109
- Wooden frame, nails, hammer, string |
- Observation
- Practical demonstration
|
|
| 4 | 4 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Twill Weaving
|
By the end of the
lesson, the learner
should be able to:
- Describe the 2/1 twill weaving technique by explaining how warps and wefts are interlaced on the loom following a 2/1 pattern. - Secure warps on the completed frame loom and begin interlacing wefts using the 2/1 twill technique. - Appreciate the disciplined pattern of twill weaving as a craft technique that creates a strong and visually interesting fabric. |
In groups, learners are guided to:
- Secure the warps on the completed frame loom ensuring even tension throughout. - Begin interlacing the wefts using the 2/1 twill technique: the weft passes over two warps then under one repeating across the row. - Review the weaving progress checking for consistent tension, even spacing and correct pattern repetition. |
How is a fabric woven?
|
- Oxford CAS Today Grade 9 pg. 109
- Frame loom, string or yarn in various colours |
- Observation
- Practical demonstration
|
|
| 4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Twill Weaving continued
Indigenous Kenyan Crafts - Display Critique and Self-Assessment |
By the end of the
lesson, the learner
should be able to:
- Continue and complete the 2/1 twill weaving to produce a finished fabric on the frame loom. - Review the completed fabric for consistency of the twill pattern, evenness of spacing and overall quality. - Value perseverance and sustained effort in completing a multi-lesson traditional craft project. |
In groups, learners are guided to:
- Continue weaving using the 2/1 twill technique completing the fabric on the frame loom. - Review the completed fabric for consistency of pattern, even spacing of wefts and overall structural integrity. - Remove the completed fabric from the loom carefully and prepare for display and critique in the next lesson. |
How is a fabric woven?
|
- Oxford CAS Today Grade 9 pg. 109
- Frame loom, string or yarn in various colours - Completed pottery and woven articles |
- Observation
- Practical demonstration
|
|
| 5 | 1 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Standing Dive Technique and Practice
|
By the end of the
lesson, the learner
should be able to:
- Describe the body position in a standing dive including arching the upper body, extending arms overhead and tucking in the chin. - Demonstrate the standing dive stance on poolside arching the upper body, extending arms overhead and tucking in the chin before entry. - Observe all safety rules during aquatic activities including not diving into the shallow end or running before diving. |
In groups, learners are guided to:
- Watch a live or virtual demonstration of the standing dive and identify the body position, arm extension and chin position. - Research the phases of a standing dive and discuss the stance, entry and gliding phases. - Demonstrate the standing dive stance on poolside arching the upper body, extending arms overhead and tucking the chin before entering. |
How can swimming skills be performed safely?
|
- Oxford CAS Today Grade 9 pg. 112
- Swimming pool - Appropriate swimwear |
- Observation
- Practical demonstration
|
|
| 5 | 2 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Land Dive Activity
|
By the end of the
lesson, the learner
should be able to:
- Describe the phases of a standing dive: stance, entry and gliding identifying the correct body position at each phase. - Demonstrate the phases of a standing dive on land as a preparatory activity before entering the water. - Value land-based practice as a safe and effective way to build confidence and correct technique before entering the pool. |
In groups, learners are guided to:
- Practise the complete standing dive sequence on land in slow motion: stance, forward lean, arm extension, chin tuck and entry position. - Perform the land dive activity several times reviewing body position at each phase. - Observe peers performing the land dive and give feedback on arm extension, body arch and chin position. |
How can swimming skills be performed safely?
|
- Oxford CAS Today Grade 9 pg. 113
- Open space for land practice - Appropriate sports wear |
- Observation
- Practical demonstration
|
|
| 5 | 3 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Butterfly Stroke Introduction and Body Position
|
By the end of the
lesson, the learner
should be able to:
- Describe the butterfly stroke as a swimming style involving simultaneous circular arm movement and a dolphin-like leg kick. - Identify the correct body position in the butterfly stroke including face down in the water, hips near the surface and body undulating in a wave-like motion. - Appreciate the butterfly stroke as a demanding but disciplined swimming style that requires synchrony and coordination. |
In groups, learners are guided to:
- Watch a live or virtual demonstration of the butterfly stroke and note the key arm and leg movements. - Discuss the butterfly stroke body position: face down in the water, hips near the surface and body moving in a wave-like undulation. - Identify the phases of the butterfly stroke and describe the correct body position at each phase. |
Why is synchrony important in butterfly stroke?
|
- Oxford CAS Today Grade 9 pg. 117
- Swimming pool - Appropriate swimwear |
- Oral questions
- Observation
|
|
| 5 | 4 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Butterfly Stroke Arm Action
|
By the end of the
lesson, the learner
should be able to:
- Describe the arm action in butterfly stroke as both arms moving simultaneously in a circular motion over the water to push the body forward. - Demonstrate the butterfly stroke arm action in the water focusing on simultaneous movement and circular path. - Value correct arm technique as essential to generating forward propulsion in the butterfly stroke. |
In groups, learners are guided to:
- Demonstrate the butterfly stroke arm action on poolside first without water to understand the circular motion. - Enter the water and practise the arm action only focusing on simultaneous movement and correct circular path over the water surface. - Observe peers performing the arm action and give feedback on whether both arms move simultaneously and in the correct circular path. |
Why is synchrony important in butterfly stroke?
|
- Oxford CAS Today Grade 9 pg. 117
- Swimming pool - Appropriate swimwear |
- Observation
- Practical demonstration
|
|
| 5 | 5 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Butterfly Stroke Leg Action
|
By the end of the
lesson, the learner
should be able to:
- Describe the butterfly stroke leg kick as both legs moving together in a simultaneous up-and-down motion resembling a dolphin's tail. - Demonstrate the butterfly stroke leg kick in the water focusing on simultaneous leg movement and a wave-like body undulation. - Appreciate that simultaneous leg movement is what distinguishes the butterfly stroke from all other swimming styles. |
In groups, learners are guided to:
- Discuss the butterfly stroke leg kick and how it differs from freestyle kick: both legs move together simultaneously rather than alternately. - Practise the leg kick holding the pool edge or a kickboard focusing on simultaneous movement and wave-like body undulation. - Observe peers performing the leg kick and give feedback on whether both legs move simultaneously and the body undulates correctly. |
Why is synchrony important in butterfly stroke?
|
- Oxford CAS Today Grade 9 pg. 117
- Swimming pool, kickboard - Appropriate swimwear |
- Observation
- Practical demonstration
|
|
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Butterfly Stroke Coordination and Complete Practice
|
By the end of the
lesson, the learner
should be able to:
- Combine the butterfly stroke arm action and leg kick in a coordinated complete swimming sequence. - Perform the standing dive followed by the butterfly stroke as a connected swimming sequence. - Value safety, coordination and self-efficacy in performing swimming skills confidently. |
In groups, learners are guided to:
- Combine the butterfly stroke arm action and leg kick in the water practising coordination and breathing timing. - Practise the full sequence of standing dive followed by butterfly stroke repeating to build fluency. - Take turns to perform the full sequence, observe peers and give constructive feedback on synchrony, technique and coordination. |
Why is synchrony important in butterfly stroke?
|
- Oxford CAS Today Grade 9 pg. 118
- Swimming pool - Appropriate swimwear |
- Observation
- Practical demonstration
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Board Games Introduction
|
By the end of the
lesson, the learner
should be able to:
- Identify types of indigenous board games played in Kenya including Ajua, Bao, Shisima, Olubimbi, Uthi and Draughts. - Describe the general features of indigenous board games including the use of a board, counters, rules and critical thinking. - Appreciate indigenous board games as a meaningful part of Kenyan cultural heritage that promotes mental development. |
In groups, learners are guided to:
- Use digital devices or QR codes to identify and discuss different indigenous board games played in Kenya. - Observe pictures and video clips of board games and identify the key features including board, counters, rules and strategy. - Discuss the significance of indigenous board games to participants and communities in Kenya. |
How do indigenous board games enhance mental relaxation?
|
- Oxford CAS Today Grade 9 pg. 124
- Digital devices - QR code references |
- Oral questions
- Observation
|
|
| 6 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Bao Game
|
By the end of the
lesson, the learner
should be able to:
- Describe the Bao game as a board game played with a larger board and more holes than Ajua, most common in coastal regions like Lamu. - Demonstrate the correct procedure for setting up and playing Bao following the rules. - Value the Bao game as an expression of cultural identity and strategic thinking from Kenya's coastal communities. |
In groups, learners are guided to:
- Discuss what the Bao game is, where it originates and how it differs from Ajua in board size and number of holes. - Set up the Bao game following the rules and demonstrate the correct procedure for play. - Play the Bao game in pairs following the rules keenly and taking turns to observe and participate. |
How do indigenous board games enhance mental relaxation?
|
- Oxford CAS Today Grade 9 pg. 124
- Bao board or improvised version - Counters or stones |
- Observation
- Practical demonstration
|
|
| 6 | 4 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Shisima Game
|
By the end of the
lesson, the learner
should be able to:
- Describe the Shisima game and its rules explaining how it is played on an octagonal board with counters. - Demonstrate the correct procedure for setting up and playing Shisima following the rules. - Appreciate Shisima as a traditional Kenyan game that develops strategic thinking and cultural pride. |
In groups, learners are guided to:
- Discuss what the Shisima game is, where it originates, what it looks like and how it is played. - Set up the Shisima game and demonstrate the correct procedure for play. - Play Shisima in pairs following the rules and taking turns to observe and participate. |
Why are board games considered an indigenous game?
|
- Oxford CAS Today Grade 9 pg. 124
- Shisima board or improvised version - Counters |
- Observation
- Practical demonstration
|
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Draughts Game
|
By the end of the
lesson, the learner
should be able to:
- Describe the Draughts game as a board game played on a chequered board using pieces that move diagonally to capture opponents' pieces. - Demonstrate the correct procedure for setting up and playing Draughts following the rules. - Value Draughts as a game that builds strategic thinking, patience and decision-making skills. |
In groups, learners are guided to:
- Discuss what Draughts is, how the board is set up and the rules for moving and capturing pieces. - Set up the Draughts board and demonstrate the correct procedure for play including diagonal movement and capturing rules. - Play Draughts in pairs following rules keenly and alternating opponents. |
Why are board games considered an indigenous game?
|
- Oxford CAS Today Grade 9 pg. 124
- Draughts board or improvised version - Draughts pieces |
- Observation
- Practical demonstration
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Improvising Board Games
|
By the end of the
lesson, the learner
should be able to:
- Design a simple improvised board game inspired by Kenyan indigenous board games using locally available materials. - Explain the rules of the improvised board game to peers and demonstrate how to play it. - Appreciate creativity and resourcefulness in using locally available materials to create educational and recreational games. |
In groups, learners are guided to:
- Discuss how indigenous board games can be improvised using locally available materials such as drawn boards, stones and seeds. - Design a simple improvised board game inspired by Ajua, Bao or Shisima using available materials and write down the rules. - Explain the rules to peers and demonstrate how the improvised game is played. |
How do indigenous board games enhance mental relaxation?
|
- Oxford CAS Today Grade 9 pg. 124
- Locally available materials (paper, stones, seeds) |
- Practical demonstration
- Observation
|
|
| 7 | 2 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Games with Music
|
By the end of the
lesson, the learner
should be able to:
- Describe how background music can enhance the experience of playing indigenous board games by providing rhythm and cultural ambiance. - Play indigenous board games with appropriate background music maintaining game rules and rhythm simultaneously. - Appreciate the integration of music and indigenous games as a holistic expression of Kenyan cultural heritage. |
In groups, learners are guided to:
- Discuss how music has traditionally been incorporated into game-playing in Kenyan communities and the type of music used. - Play indigenous board games such as Bao with appropriate background musical rhythm as described in the textbook. - Reflect on how the background music affected the pace, enjoyment and cultural feel of the game. |
How do indigenous board games enhance mental relaxation?
|
- Oxford CAS Today Grade 9 pg. 124
- Bao or other board game - Music source (drum or recorded music) |
- Observation
- Practical demonstration
|
|
| 7 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Mental Health Benefits and Extended Activities
Kenyan Indigenous Games - Self-Assessment |
By the end of the
lesson, the learner
should be able to:
- Explain how indigenous board games enhance mental relaxation, concentration, critical thinking and social wellbeing. - Identify the range of indigenous board games played in Kenya and their respective mental health benefits. - Appreciate indigenous board games as a culturally rooted means of promoting mental health and intergenerational bonding. |
In groups, learners are guided to:
- Discuss how playing indigenous board games enhances mental relaxation, concentration, decision-making and social interaction. - Identify the specific mental health benefits of Ajua, Bao, Shisima and Draughts connecting each to the skills it develops. - Engage in an extended board games session applying the games learnt and observing their impact on focus and relaxation. |
Why are board games considered an indigenous game?
|
- Oxford CAS Today Grade 9 pg. 124
- Various board games - Digital devices - Self-assessment table - Exercise books |
- Oral questions
- Observation
|
|
| 7 | 4 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Introduction and Criteria
|
By the end of the
lesson, the learner
should be able to:
- Identify the criteria used to analyse and evaluate performances and artworks in Creative Arts and Sports. - Distinguish between criteria for analysing Sports (skill, technique, physical fitness, fair play, tactics) and Creative Arts (use of stage, creativity, improvisation, context, originality). - Appreciate analysis as a systematic skill that adds value to Creative Arts and Sports by supporting constructive feedback and improvement. |
In groups, learners are guided to:
- Read the analysis scenarios on evaluating a Rugby game and acting as a play competition juror then discuss measurable and non-measurable aspects in each. - Discuss Table 3.2 criteria for analysing Sports and Creative Arts comparing what is evaluated in each domain. - Present findings on analysis criteria to the class and reflect on how systematic evaluation enhances the quality of performances. |
Why is analysis an important skill in Creative Arts and Sports?
|
- Oxford CAS Today Grade 9 pg. 131
- Exercise books - Digital devices |
- Oral questions
- Written assignments
|
|
| 7 | 5 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Music Analysis
|
By the end of the
lesson, the learner
should be able to:
- Describe the criteria for analysing a solo vocal piece of music including rhythm, pitch, tempo, intervals, dynamics, melody, time signature and rests. - Analyse solo vocal pieces of music using the stated criteria and complete given melodies using 2/4, 3/4 and 4/4 time signatures. - Value the role of music analysis in developing listening skills, musical understanding and the ability to give and receive constructive feedback. |
In groups, learners are guided to:
- Use books and other resources to identify the criteria for describing and analysing a solo vocal piece of music. - Listen to given pieces of music and describe each using rhythm, pitch, tempo, intervals, dynamics, melody, time signature and rests. - Complete given melodies using 2/4, 3/4 and 4/4 time signatures then play completed melodies on a descant recorder or wind instrument. |
How can analysis of creative arts and sports enhance creativity?
|
- Oxford CAS Today Grade 9 pg. 135
- Music exercise books - Descant recorder or wind instrument |
- Practical demonstration
- Oral questions
|
|
| 8 | 1 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Ethical Practices in Sports
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe ethical practices in Sports including fair play, respect, teamwork, integrity, responsibility, inclusivity, sportsmanship and empathy. - Examine the issue of anti-doping in Sports by discussing the health effects of performance-enhancing substances and their impact on the integrity of competition. - Appreciate the importance of upholding ethical conduct in Sports for the protection of players and the credibility of sport. |
In groups, learners are guided to:
- Scan QR codes or use reference materials to identify ethical practices that should be upheld in Sports then discuss each and how it can be achieved. - Discuss whether a player who uses performance-enhancing substances to win a marathon is acting ethically sharing views on health and fair play impacts. - In groups discuss how sports professionals can consistently uphold ethical practices and share personal examples of ethical conduct in sports. |
Why is analysis an important skill in Creative Arts and Sports?
|
- Oxford CAS Today Grade 9 pg. 134
- Digital devices - QR code references |
- Oral questions
- Written assignments
|
|
| 8 | 2 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Artwork Critique
|
By the end of the
lesson, the learner
should be able to:
- Distinguish between 2D and 3D artworks by describing the characteristics and giving examples of each. - Critique exhibited 2D and 3D artworks using qualities such as size, texture, material, medium, balance, colour and unity. - Value artwork critique as a tool for inspiring artistic development, cultural understanding and appreciation of creative expression. |
In groups, learners are guided to:
- Study Figure 3.1.1 showing artwork exhibition areas and distinguish between 2D and 3D artworks giving reasons. - Select and apply appropriate criteria from size, texture, material, medium, balance, colour and unity to analyse both 2D and 3D artworks. - Share and compare critique responses with classmates providing polite and constructive feedback on each other's analyses. |
Why is analysis an important skill in Creative Arts and Sports?
|
- Oxford CAS Today Grade 9 pg. 136
- Digital devices - Printed artwork samples |
- Oral questions
- Written assignments
|
|
| 8 | 3 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Creating Art Catalogues
|
By the end of the
lesson, the learner
should be able to:
- Describe the components of an art catalogue including title or description, artist's name, date completed, size or dimensions and medium or materials. - Create a personal art catalogue by printing, organising and captioning 2D and 3D artworks in a plain exercise book with cover, table of contents and description. - Value the art catalogue as a tool for documenting, organising and sharing knowledge about artworks for inspiration and mentorship. |
In groups, learners are guided to:
- Search for and print pictures of various 2D and 3D artworks in A5 size noting each artwork's title, artist's name, date completed, size and medium. - Create an art catalogue with a cover picture and captivating title, name and class on the first page, table of contents, brief catalogue description and artworks one per page with information on the back. - Ask classmates to review the completed catalogue and provide feedback then include a short personal bio on the last page. |
How can analysis of creative arts and sports enhance creativity?
|
- Oxford CAS Today Grade 9 pg. 136
- Plain exercise book, adhesive, scissors, ruler, pen - Printed artwork pictures (A5 size) |
- Practical demonstration
- Peer review
|
|
| 8 | 4 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Ethical Issues in Creative Arts and Sports
|
By the end of the
lesson, the learner
should be able to:
- Identify non-ethical practices in Creative Arts including copyright infringement, lack of authenticity, use of non-sustainable materials and doping in performing arts. - Examine how professionals in Creative Arts have an ethical responsibility to uphold integrity, originality and authenticity in their work. - Appreciate the importance of ethical conduct in Creative Arts for the protection of artists, cultural heritage and the credibility of the creative industry. |
In groups, learners are guided to:
- Discuss non-ethical practices in Creative Arts such as copyright infringement, plagiarism, lack of authenticity and use of non-sustainable materials comparing them to non-ethical practices in Sports. - In groups discuss how professionals in Creative Arts can uphold ethical responsibility and share examples of ethical and non-ethical conduct in Creative Arts. - Reflect on how ethical practices protect participants, audiences and the wider creative community and share views with the class. |
Why is analysis an important skill in Creative Arts and Sports?
|
- Oxford CAS Today Grade 9 pg. 131
- Digital devices - Reference books |
- Oral questions
- Written assignments
|
|
| 8 | 5 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Value of Analysis and Self-Assessment
|
By the end of the
lesson, the learner
should be able to:
- Explain how analysis of Creative Arts and Sports leads to enhanced critical thinking, personal gratification, cultural understanding, skill development, decision-making and positive criticism. - Complete a self-assessment of learning across the entire Appreciation strand evaluating personal understanding and growth. - Appreciate the overall role of analysis in adding value to Creative Arts and Sports by deepening understanding and inspiring continuous improvement. |
In groups, learners are guided to:
- Discuss in groups how analysis leads to enhanced critical thinking, personal gratification, cultural understanding, skill development, understanding of art forms, decision-making and positive criticism. - Complete the self-assessment table evaluating personal ability to: examine analysis criteria, analyse a play performance, analyse a solo vocal piece, evaluate an exhibition, appreciate the role of analysis and embrace ethical issues. - Share experiences of Creative Arts and Sports learning with classmates and reflect on how analysis has enriched personal understanding throughout the strand. |
How can analysis of creative arts and sports enhance creativity?
|
- Oxford CAS Today Grade 9 pg. 131
- Self-assessment table - Exercise books |
- Written assignments
- Oral questions
|
|
| 9 |
Endterm exams and closing |
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