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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Writing and Performing Rhythms on Monotone
|
By the end of the
lesson, the learner
should be able to:
- Write rhythmic patterns in 2/4 time using correct bar lines and double bar lines - Perform rhythmic patterns on monotone by stamping or tapping while reciting French rhythm names - Appreciate the precision needed in both writing and reading musical rhythm |
In groups, learners are guided to:
- Discuss the meaning of monotone and identify strong and weak beats in 2/4 time - Study given rhythms and group them using bar lines and double bar lines correctly in 2/4 time - Write French rhythm names for each pattern then stamp or tap while reciting them; listen to teacher-played rhythms, clap back and write the note symbols |
How does writing rhythmic patterns in 2/4 time develop accuracy in music performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 45
- Exercise books, pencils |
- Oral performance Observation
|
|
| 1 | 2 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Song-Based Rhythm Identification
|
By the end of the
lesson, the learner
should be able to:
- Identify accented syllables, bar lines and beats per bar in a song - Write the rhythm of a song by noting the note value above each syllable - Show enjoyment in discovering rhythmic structure through song |
In groups, learners are guided to:
- Sing 'Bounce High' with teacher guidance and write the words in exercise books - Count the beats, underline accented syllables and place bar lines before each accented note - Write the rhythm of the song placing the note value above each syllable and count beats per bar as beat 1 and 2 |
How does a song help us understand how rhythm and bar lines work in 2/4 time?
|
- Champion Creative Arts and Sports Grade 7 pg. 46)
|
- Oral performance
- Written assignment
- Observation
|
|
| 1 | 3 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Sight Reading Rhythmic Patterns
|
By the end of the
lesson, the learner
should be able to:
- Identify the features to observe when sight reading a rhythmic pattern: time signature, note values and repeated notes - Sight read given rhythmic patterns on a monotone pitch by clapping then humming - Show confidence and consistency when performing rhythmic patterns from notation |
In groups, learners are guided to:
- Read and discuss the definition of sight reading and the three features to observe before reading a pattern - In groups, clap or tap five different rhythmic patterns in 2/4 time, then perform each on a monotone - In pairs, take turns sight reading different patterns from print or digital resources and give feedback on timing and consistency |
What skills are needed to sight read a rhythmic pattern accurately and confidently?
|
- Champion Creative Arts and Sports Grade 7 pg. 48
- Exercise books, music notation charts |
- Oral performance - Observation
|
|
| 1 | 4 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Creating and Performing Original Rhythmic Patterns
|
By the end of the
lesson, the learner
should be able to:
- Create a four-bar rhythmic pattern using claps, snaps or percussion instruments - Perform their rhythmic pattern confidently in front of the class - Value teamwork, creativity and positive feedback in musical performance |
In groups, learners are guided to:
- In pairs, create an original four-bar rhythmic pattern using body percussion or available instruments - Practise the pattern several times ensuring accuracy and steady tempo before performing - Perform for the class; after each performance give positive and constructive feedback focusing on rhythm, creativity and timing |
How does creating and performing your own rhythm develop musical creativity and confidence?
|
- Champion Creative Arts and Sports Grade 7 pg. 49
- Percussion instruments, clapping, snapping - |
- Practical performance
- Observation
|
|
| 1 | 5 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Review of Note Values, Composition and Sight Reading
|
By the end of the
lesson, the learner
should be able to:
- Summarise all topics covered in Rhythm: note values, bar lines, composing in 2/4, monotone performance and sight reading - Answer assessment questions covering all concepts in the sub-strand - Reflect on personal growth and skill gained in musical rhythm |
In groups, learners are guided to:
- Review note values and French rhythm names, bar lines and beams, composing in 2/4, monotone performance and sight reading - Complete a written assessment covering all topics in the sub-strand - In pairs, share what was most interesting and what they would like to improve in their rhythm performance |
What key skills and knowledge have you gained from studying Rhythm?
|
- Champion Creative Arts and Sports Grade 7 pg. 40
- Exercise books - |
- Written test
- Oral questions
- Observation
|
|
| 2 | 1 |
Creating and Performing in Creative Arts and Sports
|
Handball - Passing Skills
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe the four Handball passing skills: side, jump, overhead and flick pass - Demonstrate correct side pass technique aiming for the partner's chest with accurate follow-through - Show teamwork and communication during passing drills |
In groups, learners are guided to:
- Watch video clips or live demonstration of different Handball passing types and list each type identified - In pairs, stand shoulder-width apart and practise the side pass focusing on grip, aim and follow-through direction - Discuss how each pass type can be used effectively during a game; share findings with the class |
How do effective passing skills contribute to teamwork and ball control in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 74
- Handballs, open court or field - |
- Practical performance
- Observation
- Oral questions
|
|
| 2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Handball - Jump Pass and Overhead Pass
Handball - Dribbling Skills |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the jump pass and overhead pass with correct take-off, ball control and release - Apply jump and overhead passes appropriately in drill situations - Value precision, timing and coordination in developing advanced Handball passing skills |
In groups, learners are guided to:
- Observe teacher demonstration of jump pass (take-off, ball grip, mid-air release) and overhead pass (two-hand grip above head, forward release) - Practise both passes in pairs focusing on footwork, timing and accuracy of release - Give each other structured feedback on body position, grip, release point and accuracy after each drill |
When would a player use a jump pass or overhead pass instead of a side pass in Handball?
|
- Champion Creative Arts and Sports Gradee74
|
- Practical performance
- Observation
- Peer feedback
|
|
| 2 | 3 |
Creating and Performing in Creative Arts and Sports
|
Handball - Jump Shot
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the jump shot technique with correct approach, take-off, ball release and follow-through - Execute a jump shot with accuracy targeting specific areas of the goal - Show determination, accuracy and fair play during jump shot practice |
In groups, learners are guided to:
- Watch teacher demonstrate the jump shot focusing on approach run, take-off height, ball grip and release angle - Practise jump shots from different positions in front of the goal focusing on technique over power - Observe each other and give structured feedback on approach, take-off, release and follow-through |
What are the key technical elements of an effective jump shot in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 76
- Handballs, |
- Practical performance
- Observation
- Oral questions
|
|
| 2 | 4 |
Creating and Performing in Creative Arts and Sports
|
Handball - Combined Passing and Shooting Drill
|
By the end of the
lesson, the learner
should be able to:
- Combine passing, dribbling and shooting skills in structured drills - Apply correct technique and decision-making when choosing which pass or shot to use - Show teamwork, communication and positive sportsmanship during combined drills |
- Set up a passing relay course: dribble through cones, choose appropriate pass type to a teammate then attempt a shot at goal
- Rotate positions so every learner practises dribbling, passing and shooting in sequence - Discuss as a group which skills felt most natural and which need more practice; celebrate improvements |
How do dribbling, passing and shooting work together to create scoring opportunities in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 77
- Handballs, cones, goal posts, bibs - Open court or field |
- Practical performance
- Observation
-
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Handball - Handball Game
|
By the end of the
lesson, the learner
should be able to:
- Apply passing, dribbling and jump shot skills in a full Handball game - Demonstrate knowledge of Handball rules and fair play throughout the game - Show sportsmanship, teamwork and a positive attitude in game play |
In groups, learners are guided to:
- Organise into two teams of seven players; conduct a warm-up before the game begins - Play a full Handball game applying all skills; assign positions such as goalkeeper, defenders, midfielders and forwards - Cool down after the game; discuss as a team what went well and identify at least two areas for improvement |
How do all Handball skills combine in an actual game situation to create effective team play?
|
- Champion Creative Arts and Sports Grade 7 pg. 78
- Handballs, goal posts, bibs, cones - Open court or field |
- Practical performance
- Observation
- Oral questions
|
|
| 3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Handball - Rules and Tactics
|
By the end of the
lesson, the learner
should be able to:
- State the basic rules of Handball including court dimensions, goal area rules and fouls - Identify simple attacking and defensive tactics used in Handball - Appreciate the importance of rules and tactics in making Handball fair and competitive |
In groups, learners are guided to:
- Read and discuss basic Handball rules: team composition, goal area, throw-off, dribbling rules and fouls - Watch a recorded Handball game clip and identify attacking tactics (fast break, screen) and defensive tactics (zone defence, man-to-man) - In groups, design a simple attacking play and demonstrate it in a short drill |
Why are rules and tactics essential for fair and effective play in Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 79
- Digital devices for Handball gam |
- Oral questions
- Observation
- Written assignment
|
|
| 3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Handball - Review of Passing, Dribbling, Shooting and Game Play
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Handball skills and concepts covered: passing types, dribbling, jump shot, rules and game play - Demonstrate at least two Handball skills in a practical assessment drill - Reflect on personal improvement and teamwork developed during the sub-strand |
In groups, learners are guided to:
- Review passing types, dribbling technique, jump shot phases, Handball rules and basic tactics - Complete a written assessment; perform a practical drill combining at least two skills for teacher assessment - In pairs, discuss personal improvement and what teamwork element was most valuable during the sub-strand |
What skills and understanding have you developed through playing Handball?
|
- Champion Creative Arts and Sports Grade 7 pg. 80
- Exercise books, handballs, court or field - |
- Written test
- Practical performance
- Observation
|
|
| 3 | 3 |
Creating and Performing in Creative Arts and Sports
|
Handball - Fitness and Warm-Up for Handball
|
By the end of the
lesson, the learner
should be able to:
- Describe the importance of warm-up and cool-down routines in preventing injury during Handball - Demonstrate a structured warm-up routine applicable to Handball including jogging, stretching and ball familiarisation - Value physical fitness and injury prevention as essential components of sports participation |
In groups, learners are guided to:
- Discuss why warm-up and cool-down routines are important in Handball and sports generally - Lead a structured warm-up: jog two laps, dynamic stretches (leg swings, arm circles), then ball familiarisation drills (toss and catch, solo dribble) - Cool down with static stretches after the activity and reflect on how the warm-up affected their performance readiness |
Why is a proper warm-up and cool-down essential for safe and effective Handball performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 74
- Handballs, open field or court - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 3 | 4 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Parts of the Recorder and Posture
|
By the end of the
lesson, the learner
should be able to:
- Identify and label the parts of a descant recorder: mouthpiece, windway, thumb hole, finger holes and bell - Demonstrate correct posture and left-hand and right-hand positioning when holding the recorder - Show care and responsibility in handling the descant recorder |
- Identify and label the parts of the descant recorder using a diagram in the learner's book
- Study how to hold the recorder: left thumb on back hole, left index, middle and ring fingers on top three front holes; right thumb as support and right fingers on lower holes - Practise holding the recorder correctly in pairs; give each other feedback on hand position and posture |
How does correct posture and hand positioning affect the sound produced on the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 82
- Descant recorders, parts diagram - Exercise books |
- Observation
- Oral questions
- Practical performance
|
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Finger Positions for C Major
|
By the end of the
lesson, the learner
should be able to:
- State the correct finger positions for each note of the C major scale on the descant recorder - Play the C major scale slowly and smoothly with clear tone and correct fingering - Show patience and persistence in practising correct finger placement |
In groups, learners are guided to:
- Study the finger position chart for C D E F G A B C' on the descant recorder: which holes are covered or uncovered for each note - Practise covering and uncovering holes for each note individually before combining into a scale - Play the C major scale slowly upward and downward ensuring each note is clear and each transition is smooth |
Why is correct finger placement essential for producing clear notes on the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 83
- Descant recorders, finger position chart - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Sight Reading for Recorder
|
By the end of the
lesson, the learner
should be able to:
- Identify notes on the treble staff including time signature, key signature and highest and lowest notes before playing - Apply sight reading skills when preparing to play a melody on the recorder - Appreciate how sight reading skills improve readiness and accuracy in musical performance |
In groups, learners are guided to:
- Read the excerpt on sight reading the descant recorder and identify the features to check: notes, time signature, key signature and dynamics - Identify given notes on the treble staff from two examples and name each note on sol-fa and letter names - Write simple melodies in C major on the treble staff in exercise books and identify all features before attempting to play |
What should you check on a piece of sheet music before you begin playing on the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 84
- Descant recorders, printed music notation - Exercise books, pencils |
- Written assignment
- Observation
- Oral questions
|
|
| 4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Playing Melodies in C Major
|
By the end of the
lesson, the learner
should be able to:
- Play simple pieces in C major and 2/4 time on the descant recorder with clear tone and steady rhythm - Gradually increase playing speed from slow to comfortable tempo while maintaining note clarity - Show confidence and steady improvement in recorder performance |
In groups, learners are guided to:
- Warm up by playing the C major scale ascending and descending - Play each measure of three short pieces in C major slowly then combine measures; focus on clear tone and playing in time - Gradually increase speed as comfort improves; in groups, play all three pieces and give each other feedback on clarity and rhythm |
How does practising a piece slowly before increasing speed improve the quality of recorder performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 85
- Descant recorders, printed music notation - Exercise books |
- Practical performance
- Observation
- Peer feedback
|
|
| 4 | 3 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Performing with Dynamics and Tempo
|
By the end of the
lesson, the learner
should be able to:
- Define dynamics (loud and soft) and tempo (fast and slow) as performance directions - Apply dynamics and tempo markings when performing a simple melody on the recorder - Appreciate how dynamics and tempo make a musical performance more expressive and engaging |
In groups, learners are guided to:
- Define performance directions and identify dynamics (forte, piano) and tempo (allegro, adagio) in a piece of music - Practise 'Rain Rain Go Away' on the recorder adding dynamics and tempo instructions gradually as comfort increases - Reflect on how adding dynamics and tempo changed the way the music sounded and what was most challenging about the exercise |
How do dynamics and tempo transform a simple melody into an expressive musical performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 86
- Descant recorders, printed music with performance directions - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 4 | 4 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Solo and Group Recorder Performance
|
By the end of the
lesson, the learner
should be able to:
- Perform a complete simple melody on the descant recorder from start to finish applying dynamics and tempo - Evaluate own and peers' recorder performances using criteria of tone clarity, rhythm, dynamics and tempo - Show confidence and pride in presenting a polished recorder performance to the class |
In groups, learners are guided to:
- In pairs, practise a chosen piece in C major and 2/4 time focusing on all performance directions - Present the best performance in class; teacher and peers observe for tone clarity, steady rhythm and correct application of dynamics and tempo - Note areas for improvement and record them in a personal improvement chart stored in the portfolio |
What does a polished recorder performance look and sound like?
|
- Champion Creative Arts and Sports Grade 7 pg. 87
- Descant recorders - Improvement chart, portfolio folder |
- Practical performance
- Observation
- Peer feedback
|
|
| 4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Review of Fingering, Sight Reading and Performance
|
By the end of the
lesson, the learner
should be able to:
- Summarise all recorder topics covered: parts, hand position, C major scale, sight reading, dynamics and tempo - Demonstrate competence in playing the C major scale and a short piece with performance directions - Reflect on personal growth and improvement as a recorder player |
In groups, learners are guided to:
- Review recorder parts, hand positioning, C major finger positions, sight reading steps and performance directions - Complete a written assessment on recorder knowledge and perform the C major scale and a short piece for the teacher - Write a reflection on the improvement chart noting progress made and areas still to develop |
What knowledge and performance skills have you developed through learning the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 88
- Descant recorders, exercise books - Assessment worksheets, improvement chart |
- Written test
- Practical performance
- Observation
|
|
| 5 | 1 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Storytelling Techniques
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe storytelling techniques: use of voice, gestures, audience involvement and props/costumes - Demonstrate use of voice and gesture in telling a short story - Appreciate storytelling as a powerful performing arts technique for communication and cultural preservation |
In groups, learners are guided to:
- Observe a live or recorded storytelling session and identify how voice, gestures, props and audience involvement are used - In pairs, practise telling a short story using exaggerated gestures and varied tone, pitch and volume for different characters - Ask a small audience questions or invite participation at key moments; discuss how each technique made the story more engaging |
How do storytelling techniques make a story more engaging and memorable?
|
- Champion Creative Arts and Sports Grade 7 pg. 92
- Digital devices for recorded storytelling - Props and costumes (optional), exercise books |
- Observation
- Oral questions
- Peer feedback
|
|
| 5 | 2 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Use of Voice
Storytelling and Animation - Gestures and Audience Engagement |
By the end of the
lesson, the learner
should be able to:
- Explain how tone, pitch and volume are used to convey characters and emotions in storytelling - Demonstrate distinct voice changes for at least three different characters in a story - Show confidence and creativity in using vocal variety to bring characters to life |
In groups, learners are guided to:
- Discuss how a storyteller uses tone (warmth, sternness), pitch (high for children, low for elders) and volume (loud for excitement, soft for mystery) in storytelling - In pairs, choose a short story and practise using different voice qualities for each character - Perform to a small group; audience gives feedback on whether character voices were distinct and believable |
How does varying tone, pitch and volume make characters in a story more believable?
|
- Champion Creative Arts and Sports Grade 7 pg. 93
- Short story texts - Exercise books - Open performance space |
- Oral performance
- Observation
- Peer feedback
|
|
| 5 | 3 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Analysing Storytelling
|
By the end of the
lesson, the learner
should be able to:
- Identify the elements used to evaluate a storytelling performance: theme, plot, confidence, voice, body, costume and audience involvement - Analyse a recorded storytelling performance using structured evaluation criteria - Appreciate the craft involved in a well-executed storytelling performance |
In groups, learners are guided to:
- Watch a recorded storytelling session and observe how the storyteller uses all techniques discussed in previous lessons - Discuss as a class what made the performance effective and what could be improved using evaluation criteria - Write a short analytical reflection on the most important elements of the performance and how they worked together |
What are the key elements that make a storytelling performance effective and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 94
- Digital devices for storytelling recordings - Exercise books, evaluation criteria |
- Written reflection
- Oral questions
- Observation
|
|
| 5 | 4 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Props, Costumes and Social Storytelling
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe how props and costumes enhance a storytelling performance - Explain how storytelling can be used to raise awareness and inspire change on social issues - Show creativity in choosing appropriate props and costumes for a story performance |
In groups, learners are guided to:
- Use digital or print resources to find examples of props and costumes used in storytelling and discuss how each enhances realism and narrative - Read examples of stories that address social issues and discuss how storytelling can educate, inspire and encourage action - Plan a short story addressing a social issue in school or community; outline the props, costumes and techniques to be used |
How can storytelling with the right props and costumes be used to address important issues in society?
|
- Champion Creative Arts and Sports Grade 7 pg. 95
- Digital/print resources, props and costumes (available items) - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 5 | 5 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Flipbook Animation Introduction
|
By the end of the
lesson, the learner
should be able to:
- Explain what a flipbook is and describe how sequential images create the illusion of movement - Identify the features of a good flipbook versus a poor one - Show curiosity and enthusiasm about animation as a form of visual storytelling |
In groups, learners are guided to:
- Read about the history of flipbooks and how they create animation through rapidly flipped sequential drawings - Compare features of a good flipbook (smooth animation, consistent positioning) with a poor one (choppy animation, inconsistent images) - Discuss how flipbooks relate to modern animation films; brainstorm a simple storyline for their own flipbook |
How does a flipbook create the illusion of movement through sequential drawings?
|
- Champion Creative Arts and Sports Grade 7 pg. 96
- Digital devices for flipbook examples - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Creating Flipbook Sequences
|
By the end of the
lesson, the learner
should be able to:
- Draw a sequence of images for a flipbook where each image shows a slight and consistent change from the previous one - Apply consistency in object positioning across frames using a ruler for alignment - Show creativity and patience in designing an engaging flipbook storyline |
In groups, learners are guided to:
- Write a brief storyline outline for the flipbook noting key actions per frame - Draw a sequence of 10–11 images showing gradual movement of a character or object; use a ruler to keep positions consistent across pages - Add details and expressions to make the story engaging; keep drawings clear and consistent for smooth animation |
How does careful sequencing of drawings create a convincing animation in a flipbook?
|
- Champion Creative Arts and Sports Grade 7 pg. 97
- Blank paper, pencils, erasers, coloured pencils, ruler - Flipbook sequence reference |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Completing and Presenting the Flipbook
|
By the end of the
lesson, the learner
should be able to:
- Bind completed flipbook pages neatly using stapling, string binding or gluing - Demonstrate the completed flipbook animation by riffling through pages at different speeds - Show pride in craftsmanship and ability to share a self-made animation with others |
In groups, learners are guided to:
- Make two simple flipbooks from A4 paper by folding; arrange sequence drawings in correct order and align properly - Bind pages using stapling, string or gluing; draw a bouncing circle on each page as a test animation - Hold the flipbook and riffle at different speeds to see how speed affects the smoothness of animation; present to the class |
Why does the speed of riffling through a flipbook affect the quality of the animation?
|
- Champion Creative Arts and Sports Grade 7 pg. 98
- Completed sequence drawings, good quality paper, scissors, glue or tape, stapler or hole punch and string - Coloured pencils or markers |
- Practical work assessment
- Observation
- Oral questions
|
|
| 6 | 3 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Rehearsing the Story
|
By the end of the
lesson, the learner
should be able to:
- Conduct vocal and physical warm-up exercises to prepare for a storytelling performance - Rehearse a 3–5 minute story applying all storytelling techniques: voice, gestures, facial expressions, pace and pauses - Show discipline and commitment in the rehearsal process |
In groups, learners are guided to:
- Perform vocal warm-up: deep breathing, humming, tongue twisters for diction - Perform physical warm-up: stretches, hand/foot shaking, facial expression exaggeration - Rehearse the story aloud focusing on character voices, gestures, recording the rehearsal and identifying areas for improvement from playback |
How do vocal and physical warm-ups help a storyteller prepare for a confident and expressive performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 99
- Written story/script, recording device (optional) - Comfortable clothing, open space, water bottle |
- Observation
- Oral questions
- Self-assessment
|
|
| 6 | 4 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Story Performance
|
By the end of the
lesson, the learner
should be able to:
- Perform a 3–5 minute story before a class audience applying all storytelling techniques with confidence - Engage the audience effectively through eye contact, vocal variety, gestures and interaction - Value constructive feedback as a tool for growth as a performer |
In groups, learners are guided to:
- Warm up, then introduce the story confidently with a brief overview before beginning the performance - Perform the story using vocal variety, gestures, expressions, pauses and audience engagement throughout - Record the performance; after all performances write a reflection in the portfolio gathering feedback from teacher and classmates |
How does performing a story before a live audience develop confidence and communication skills?
|
- Champion Creative Arts and Sports Grade 7 pg. 100
- Written story/script, performance space, recording device (optional) - Portfolio folder |
- Practical performance
- Oral feedback
- Written reflection
|
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Review of Techniques, Flipbook and Performance
|
By the end of the
lesson, the learner
should be able to:
- Summarise all topics covered in Storytelling and Animation: techniques, analysis, flipbook and performance - Answer assessment questions covering all sub-strand concepts - Reflect on personal growth as a storyteller and animator |
In groups, learners are guided to:
- Review storytelling techniques (voice, gestures, audience involvement, props), flipbook animation steps and performance evaluation criteria - Complete a written assessment covering all topics in the sub-strand - Share what was most enjoyable about the sub-strand and what they would like to develop further in storytelling |
What key skills have you developed as a storyteller and animator during this sub-strand?
|
- Champion Creative Arts and Sports Grade 7 pg. 101
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Football - Foot Trapping
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate ball trapping using the inside and sole of the foot with correct body positioning and cushioning - Apply the foot trap in a passing drill with a partner sending the ball at different speeds - Show responsibility and safety awareness during football practice |
- Watch teacher demonstrate foot trapping using the inside and sole of the foot; study technique diagrams in the learner's book
- In pairs, practise foot trapping: position in line with the ball, lift trapping foot with toes up, cushion impact by pulling foot back - Give each other feedback on positioning, cushioning technique and ball control after each trapping repetition |
Why is correct cushioning technique important when trapping a ball with the foot in Football?
|
- Champion Creative Arts and Sports Grade 7 pg. 106
- Footballs, open field - Cones for organisation |
- Practical performance
- Observation
- Oral questions
|
|
| 7 | 2 |
Creating and Performing in Creative Arts and Sports
|
Football - Thigh and Chest Trapping
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate ball trapping using the thigh and chest with correct positioning and cushioning - Apply thigh and chest trapping techniques in partner drills with lofted passes - Value the importance of mastering multiple trapping techniques for versatile Football play |
In groups, learners are guided to:
- Watch teacher demonstrate thigh trap (raise thigh at upward angle, cushion by lowering as ball contacts) and chest trap (lift chest, lean back as ball contacts) - In pairs, practise thigh trapping with lofted passes focusing on positioning, angle and cushioning - Alternate between thigh and chest trapping; observe and give structured feedback on body position and control |
How do thigh and chest trapping techniques differ from foot trapping and when should each be used?
|
- Champion Creative Arts and Sports Grade 7 pg. 107
- Footballs, open field - Cones for drill organisation |
- Practical performance
- Observation
- Peer feedback
|
|
| 7 | 3 |
Creating and Performing in Creative Arts and Sports
|
Football - Dribbling Skills
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate dribbling technique maintaining close ball control while moving and changing direction - Perform dribbling drills through a cone course alternating feet and varying speed - Value coordination, persistence and creative movement in developing Football dribbling skills |
In groups, learners are guided to:
- Watch demonstrations of dribbling technique and identify key elements: body lean, foot contact point and eye direction - Practise dribbling through a cone relay course alternating feet and changing direction on signal - Discuss how close ball control during dribbling creates space and scoring opportunities; share reflections with the team |
How does effective dribbling create space and advantage for a player in a Football game?
|
- Champion Creative Arts and Sports Grade 7 pg. 108
- Footballs, cones, open field - Digital reference clips (optional) |
- Practical performance
- Observation
- Peer feedback
|
|
| 7 | 4 |
Creating and Performing in Creative Arts and Sports
|
Football - Low Drive Shooting
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the low drive shot with correct approach, foot contact, follow-through and targeting - Apply the low drive shot from different positions aiming for the bottom corners of the goal - Show determination, accuracy and responsible behaviour during shooting practice |
In groups, learners are guided to:
- Watch teacher demonstrate the low drive shot focusing on approach angle, non-kicking foot placement, laced contact and low follow-through - Practise low drive shots from different positions around the penalty area aiming for the bottom corners with power - Give structured feedback on approach, foot contact point, power and accuracy; discuss what makes the low drive effective |
What makes a low drive shot difficult for a goalkeeper to stop?
|
- Champion Creative Arts and Sports Grade 7 pg. 110
- Footballs, goal posts, open field - Cones for shooting positions |
- Practical performance
- Observation
- Oral questions
|
|
| 7 | 5 |
Creating and Performing in Creative Arts and Sports
|
Football - Placed Shot
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the placed shot with correct inside-foot contact, controlled power and corner targeting - Apply the placed shot from different positions aiming for specific goal areas - Appreciate the difference between power and placement as strategic shooting options |
In groups, learners are guided to:
- Review the difference between a low drive (power, low corners) and placed shot (precision, specific corners) from previous lesson notes - Practise placed shots using the inside of the foot from different positions; focus on accuracy over power and consistent follow-through - Give structured feedback comparing accuracy of placed shots from different positions; discuss when a placed shot is better than a low drive |
When should a footballer choose a placed shot over a low drive shot?
|
- Champion Creative Arts and Sports Grade 7 pg. 111
- Footballs, goal posts, cones, open field - Exercise books |
- Practical performance
- Observation
- Peer feedback
|
|
| 8 | 1 |
Creating and Performing in Creative Arts and Sports
|
Football - Football Game
Football - Making Improvised Crayons |
By the end of the
lesson, the learner
should be able to:
- Apply trapping, dribbling and shooting skills in a full Football game - Demonstrate knowledge of Football positions and basic rules during the game - Show teamwork, sportsmanship and a positive attitude throughout game play |
In groups, learners are guided to:
- Organise into two teams; assign positions (goalkeeper, defenders, midfielders, forwards) and warm up before the game - Play a full Football game applying all skills learned; encourage each other throughout and follow the rules of fair play - Cool down after the game; discuss as a team what went well and identify two areas for improvement |
How do all Football skills come together in a real game situation to create effective team play?
|
- Champion Creative Arts and Sports Grade 7 pg. 112
- Footballs, goal posts, bibs, cones, open field - Whistle - Champion Creative Arts and Sports Grade 7 pg. 113 - Wax/used candles, pigments/food colouring, heat-safe container, stove or hot plate, moulds, stirring stick - Safety gloves, teacher supervision |
- Practical performance
- Observation
- Oral questions
|
|
| 8 | 2 |
Creating and Performing in Creative Arts and Sports
|
Football - Crayon Etching Composition
|
By the end of the
lesson, the learner
should be able to:
- Create a crayon etching pictorial composition depicting a Football scene - Apply the etching technique by scratching through a black-coated surface to reveal vibrant crayon colours underneath - Show creativity, precision and teamwork in producing and discussing the finished composition |
In groups, learners are guided to:
- Cut out Football skill images from magazines or printouts; choose sturdy paper and fill it with vibrant crayon layers using improvised crayons from the previous lesson - Cover the entire crayon surface with black paint/ink mixed with dish soap and allow to dry completely - Use a toothpick or scratching tool to etch the Football scene into the black surface revealing the coloured layer; display and discuss compositions in class |
How does the crayon etching technique create an unexpected and vibrant visual effect?
|
- Champion Creative Arts and Sports Grade 7 pg. 114
- Improvised crayons, black paint or ink, dish soap, toothpicks, sturdy paper, scissors, magazines - Ruler, pencils |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 8 | 3 |
Creating and Performing in Creative Arts and Sports
|
Football - Review of Trapping, Dribbling, Shooting and Crayon Etching
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Football skills and art concepts covered: foot/thigh/chest trapping, dribbling, low drive, placed shot, game play and crayon etching - Complete a practical Football skills drill and a written assessment - Reflect on personal skill development and the link between Football and visual art |
In groups, learners are guided to:
- Review all trapping techniques, dribbling steps, shooting types, Football rules and crayon etching process - Complete a written assessment on all Football topics; demonstrate two Football skills in a practical drill for the teacher - Complete the self-assessment checklist on all Football learning outcomes and discuss as a class the link between sport and visual art |
What is the connection between Football skills and visual art in this sub-strand?
|
- Champion Creative Arts and Sports Grade 7 pg. 115
- Footballs, cones, open field - Self-assessment checklist, exercise books |
- Written test
- Practical performance
- Self-assessment
|
|
| 8 | 4 |
Creating and Performing in Creative Arts and Sports
|
Football - Relay Drills and Team Tactics
|
By the end of the
lesson, the learner
should be able to:
- Execute a football relay drill combining dribbling and passing through a cone course - Describe simple attacking and defensive tactics in Football - Show teamwork, communication and encouragement during relay and tactical drills |
In groups, learners are guided to:
- Set up a relay course with cones; each team member dribbles through the cones then passes to the next teammate and continues until all have completed the course - Discuss simple tactics: creating space through movement, supporting the ball carrier and defensive positioning - Reflect on how teamwork helped complete the relay efficiently and which tactics were most effective |
How do relay drills and simple tactics develop teamwork and football intelligence?
|
- Champion Creative Arts and Sports Grade 7 pg. 116
- Footballs, cones, bibs, open field - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 8-9 |
Midterm break |
||||||||
| 10 | 1 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Defining Folk Songs
|
By the end of the
lesson, the learner
should be able to:
- Define a folk song and distinguish between solo and group folk songs - Identify folk songs from at least three Kenyan communities and the occasions during which they are performed - Show respect and appreciation for the diversity of Kenya's folk song traditions |
In groups, learners are guided to:
- Discuss what a folk song is and how folk songs are passed from one generation to the next - Identify examples of Kenyan folk songs from communities such as Agikuyu, Akamba, Maasai and Luo and name the occasions they are sung - Distinguish between solo folk songs (herding songs, lullabies) and group folk songs; share examples in class |
Why are folk songs described as an important part of a community's cultural heritage?
|
- Champion Creative Arts and Sports Grade 7 pg. 117
- Digital devices for folk song recordings - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 10 | 2 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Classifying Folk Songs
|
By the end of the
lesson, the learner
should be able to:
- Classify folk songs by type (solo/group), occasion, community of origin and age group - Study pictures of folk song performers and identify their community from attire and instruments - Appreciate how classification helps understand the rich variety of Kenyan folk song traditions |
In groups, learners are guided to:
- Study pictures of folk song performers and identify the communities from attire, instruments and body movements - Read the Agikuyu folk song 'Nguina Ndina Tha' and discuss its meaning and occasion; identify similar songs from three other communities - Create a table classifying at least five folk songs by community, occasion, type and age group |
How does classifying folk songs by occasion, community and type deepen our appreciation of Kenyan culture?
|
- Champion Creative Arts and Sports Grade 7 pg. 118
- Digital/print resources on Kenyan folk songs - Exercise books |
- Written assignment
- Observation
- Oral presentation
|
|
| 10 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Folk Song Performance Techniques
|
By the end of the
lesson, the learner
should be able to:
- Describe folk song performance techniques: voice projection, tempo, dynamics, gestures and body movement - Identify the role of musical instruments and authentic idioms in folk song performance - Value the technical skill and cultural knowledge required to perform folk songs authentically |
In groups, learners are guided to:
- Visit or watch a recording of a folk song performance noting voice projection, tempo, dynamics, gestures, instruments and authentic idioms used - Identify the role of instruments such as obokano, orutu, drums and shakers in introducing, identifying community and providing tempo - Discuss how each performance technique contributes to expressing the mood, occasion and cultural identity of the folk song |
What performance techniques make a folk song performance authentic and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 120
- Digital devices for folk song recordings - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 10 | 4 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Rehearsing a Folk Song
|
By the end of the
lesson, the learner
should be able to:
- Take on roles of lead singer, chorus and instrumentalist in a folk song rehearsal - Rehearse a Kenyan folk song with correct tune, tone, mood and cultural body movements - Show teamwork, cultural pride and commitment during the rehearsal process |
In groups, learners are guided to:
- In groups, choose a Kenyan folk song and research its cultural background, occasion and significance using digital or print resources - Listen to recordings of the chosen song and practise taking on roles: lead singer starts and guides, chorus responds - Rehearse the song with correct mood and gestures; use digital devices to check pronunciation and cultural accuracy |
How does understanding the cultural background of a folk song improve the quality of the performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 121
- Digital devices for folk song recordings - Traditional instruments (optional), exercise books |
- Observation
- Oral performance
- Peer feedback
|
|
| 10 | 5 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Folk Song Performance
|
By the end of the
lesson, the learner
should be able to:
- Perform a Kenyan folk song before the class applying correct technique, tone, gestures and cultural body movements - Evaluate each other's folk song performances using structured criteria: voice projection, tempo, dynamics, gestures and cultural elements - Appreciate and celebrate the cultural value of folk songs across different Kenyan communities |
In groups, learners are guided to:
- Perform the rehearsed folk song in class with full cultural presentation including costumes, gestures and movements - After each performance classmates complete a peer evaluation noting voice projection, tempo, gestures, mood and cultural authenticity - Reflect as a class on what made the best performances stand out and discuss the value of preserving folk songs |
How does performing a folk song with authentic technique and cultural expression preserve Kenya's heritage?
|
- Champion Creative Arts and Sports Grade 7 pg. 121
- Improvised cultural costumes and props - Peer evaluation form, exercise books |
- Practical performance
- Peer assessment
- Observation
|
|
| 11 | 1 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Digital Research on Folk Songs
|
By the end of the
lesson, the learner
should be able to:
- Use digital devices to search for folk songs from different Kenyan communities attending to lyrics, melody and instruments - Note down thoughts and feelings about each song and its role in cultural preservation - Develop digital literacy skills while deepening appreciation for Kenya's folk song heritage |
In groups, learners are guided to:
- Use digital devices to search for folk songs from at least three different Kenyan communities using the provided link and other approved sources - Listen attentively to each song noting the lyrics, melody, instruments and the occasion it represents - Note down thoughts and feelings about each song; discuss as a class how these songs help preserve cultural heritage and what values they convey |
How does using digital resources to research folk songs broaden understanding of Kenya's cultural diversity?
|
- Champion Creative Arts and Sports Grade 7 pg. 117
- Digital devices / Internet access - Exercise books |
- Written assignment
- Oral questions
- Observation
|
|
| 11 | 2 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Review and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Summarise all folk song topics: definition, classification, performance techniques, rehearsal and performance - Answer assessment questions covering all Kenyan Folk Songs concepts - Reflect on what was learnt and how folk songs connect them to their cultural identity |
In groups, learners are guided to:
- Review folk song definitions, classification criteria, performance techniques and folk song roles (lead singer, chorus, instruments) - Complete a written assessment on all folk song topics - Write a personal reflection on which folk song they found most meaningful and why, sharing with a classmate |
Why is studying and performing Kenyan folk songs important for cultural identity and heritage preservation?
|
- Champion Creative Arts and Sports Grade 7 pg. 119
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 11 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Review and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Summarise all folk song topics: definition, classification, performance techniques, rehearsal and performance - Answer assessment questions covering all Kenyan Folk Songs concepts - Reflect on what was learnt and how folk songs connect them to their cultural identity |
In groups, learners are guided to:
- Review folk song definitions, classification criteria, performance techniques and folk song roles (lead singer, chorus, instruments) - Complete a written assessment on all folk song topics - Write a personal reflection on which folk song they found most meaningful and why, sharing with a classmate |
Why is studying and performing Kenyan folk songs important for cultural identity and heritage preservation?
|
- Champion Creative Arts and Sports Grade 7 pg. 119
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 11 | 4 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Function of Jewellery
|
By the end of the
lesson, the learner
should be able to:
- Identify the sociocultural, economic and symbolic functions of jewellery in Kenyan communities - Describe how jewellery communicates social status, age, marital status and cultural identity - Appreciate the cultural significance of beadwork as part of Kenya's rich heritage |
In groups, learners are guided to:
- Study pictures of jewellery from different communities and identify which community each piece belongs to - Read about beadwork functions: social stratification, ceremonies, spiritual meaning, trade and cultural preservation - In groups, brainstorm different functions of beaded jewellery and present findings in class |
What does beaded jewellery communicate about identity and culture in Kenyan communities?
|
- Champion Creative Arts and Sports Grade 7 pg. 122
- Pictures of Kenyan jewellery - Digital devices / print resources |
- Oral presentation
- Observation
- Written reflection
|
|
| 11 | 5 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Beadwork Materials
|
By the end of the
lesson, the learner
should be able to:
- Identify beadwork materials including plastic, clay, shells, bone, wood and glass and their characteristics - Match each material to the communities that commonly use it - Show appreciation for how different communities use locally available materials to create cultural jewellery |
In groups, learners are guided to:
- Study pictures of beadwork and identify the materials used in each piece - Read the materials table: plastic (lightweight, colourful), clay (durable, paintable), shells (natural, coastal), bone (strong, carvable), wood (lightweight, carvable), glass (intricate, colourful) - Match each material to the communities associated with it and discuss which materials would be easiest to source locally |
How does the choice of material reflect the cultural identity and environment of a Kenyan community?
|
- Champion Creative Arts and Sports Grade 7 pg. 124
- Pictures of beadwork, materials table - Exercise books |
- Oral questions
- Written assignment
- Observation
|
|
| 12 | 1 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Threading Materials and Sourcing
|
By the end of the
lesson, the learner
should be able to:
- Identify threading materials used in beadwork: fishing line, twine and wire and describe the properties of each - Source beadwork materials from the environment, craft stores and family resources - Show resourcefulness and environmental awareness when collecting materials for beadwork |
In groups, learners are guided to:
- Identify threading materials: fishing line (durable, clear), twine (strong, suitable for large beads) and wire (rigid beadwork) and discuss properties of each - List parts of a necklace and identify items that can be used to make each part from available resources - Plan an extended activity to source natural beads (shells, seeds, stones) and threading materials from home or environment |
Why is it important to choose the right threading material for a beadwork project?
|
- Champion Creative Arts and Sports Grade 7 pg. 125
- Fishing line, twine, wire samples - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 12 | 2 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Making Clay Beads
Beadwork - Painting Beads in Patriotic Colours |
By the end of the
lesson, the learner
should be able to:
- Make clay beads following the correct steps of rolling, shaping, smoothing, piercing and drying - Produce beads that are evenly sized and have clean pierced holes for threading - Show craftsmanship, patience and care during the clay bead-making process |
In groups, learners are guided to:
- Roll clay on a flat surface and pinch into evenly-sized balls; dip fingers in water to soften the clay if needed - Roll each ball between palms to smooth, then use a toothpick or tapestry needle to pierce a clean hole through the centre - Allow beads to dry completely; identify any that need reshaping and correct them before drying is complete |
What steps are needed to make a well-crafted clay bead suitable for beadwork?
|
- Champion Creative Arts and Sports Grade 7 pg. 126
- Clay, water, toothpicks, workspace - Tapestry needle, flat board - Champion Creative Arts and Sports Grade 7 pg. 127 - Dried clay beads, red/white/green/black acrylic paint, brushes - Newspaper to protect workspace |
- Practical work assessment
- Observation
- Oral questions
|
|
| 12 | 3 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - One-Way Beading Technique
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the one-way beading technique by stringing beads in a single direction onto thread or fishing wire - Create a beaded bracelet or necklace using Kenya's flag colours following a planned colour pattern - Show attention to detail and creativity in designing and completing the beadwork piece |
In groups, learners are guided to:
- Review the one-way technique: thread needle, knot one end of fishing wire or string and string beads in one direction in a planned colour sequence - String painted beads in Kenya's flag colours (black, red, green, white) following a patriotic pattern - Tie off the ends securely; display the bracelet or necklace and describe the colour pattern choice to classmates |
What pattern and colour choices make a one-way beaded piece both beautiful and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 128
- Painted clay beads, fishing wire or thread, needles, scissors - Exercise books |
- Practical work assessment
- Observation
- Oral questions
|
|
| 12 | 4 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Criss-Cross Beading Technique
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the criss-cross beading technique by crossing the thread through each bead in opposite directions - Create a beaded piece using the criss-cross technique showing Kenya's patriotic colours - Value craftsmanship and precision in applying a more advanced beading technique |
In groups, learners are guided to:
- Review the criss-cross technique: cross the thread through each bead so the thread goes through each bead from both ends creating a firmer, more structured piece - Using painted beads in Kenya's flag colours, apply the criss-cross technique to create a bracelet or necklace section - Compare the finished criss-cross piece with the one-way piece from the previous lesson; discuss differences in texture, firmness and appearance |
How does the criss-cross technique create a different effect compared to the one-way beading technique?
|
- Champion Creative Arts and Sports Grade 7 pg. 129
- Painted clay beads, fishing wire or thread, needles, scissors - One-way beaded piece from previous lesson |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 12 | 5 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Cultural Significance and Display
|
By the end of the
lesson, the learner
should be able to:
- Explain how beadwork carries cultural significance in ceremonies, social status and storytelling - Display completed beaded jewellery and present it describing design choices and patriotic meaning - Appreciate beadwork as a cultural art form that connects communities to their heritage and history |
In groups, learners are guided to:
- Read and discuss how beadwork is used in weddings, initiations, status symbols and storytelling; identify the cultural narratives communicated through patterns and colours - Display all completed beaded pieces and take turns presenting to the class: explain the technique used, colour pattern and what the piece represents - Discuss as a class how beadwork projects developed creativity, patriotism and understanding of Kenyan culture |
How does creating beadwork deepen understanding of cultural heritage and identity?
|
- Champion Creative Arts and Sports Grade 7 pg. 130
- Completed beaded jewellery pieces - Exercise books, display space |
- Oral presentation
- Observation
- Written reflection
|
|
| 13 | 1 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Review of Materials, Techniques and Cultural Significance
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Beadwork topics: functions of jewellery, materials, threading, clay bead-making, one-way and criss-cross techniques and cultural significance - Complete a written assessment and self-assessment on all Beadwork learning outcomes - Reflect on personal growth in craft skills and cultural understanding through beadwork |
In groups, learners are guided to:
- Review beadwork functions, material properties, threading types, clay bead-making steps, both beading techniques and cultural significance of beadwork - Complete written assessment and self-assessment checklist on all Beadwork learning outcomes - Write a short paragraph on what was most meaningful about the beadwork project and share with a parent or guardian |
How has making beaded jewellery developed both your craft skills and appreciation for Kenyan cultural heritage?
|
- Champion Creative Arts and Sports Grade 7 pg. 131
- Exercise books, self-assessment checklist - Assessment worksheets |
- Written test
- Self-assessment
- Oral questions
|
|
| 13 | 2 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Water Safety and Entry
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe the safety rules that must be observed before entering a swimming pool - Identify different water entry techniques and describe the body positions involved in each - Show awareness of pool safety rules and respect for supervision during all swimming activities |
In groups, learners are guided to:
- Discuss pool safety rules: check water depth, ensure area is clear, only enter under supervision, no running on pool deck - Study pictures of different water entry techniques and describe the body positions and movements shown for each - Watch teacher demonstrate water entry techniques and note safety measures observed for each; share observations in class |
Why are water safety rules essential before any swimming pool activity?
|
- Champion Creative Arts and Sports Grade 7 pg. 136
- Swimming pool, swim gear - Safety briefing checklist |
- Observation
- Oral questions
- Written assignment
|
|
| 13 | 3 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Crouch Dive
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the crouch dive starting from a crouched position and entering the water hands-first - Apply safety measures before and during the crouch dive including checking water depth and clearance - Show confidence and willingness to attempt and improve diving technique under supervision |
In groups, learners are guided to:
- Listen to teacher safety briefing on the crouch dive and watch teacher demonstration step by step - Practise the crouch dive: stand shoulder-width apart at pool edge, lower into crouch, lean forward with arms outstretched, push off and enter water hands-first - Focus on body position — crouch, push off, dive smoothly; repeat under teacher supervision giving each other feedback |
What is the correct technique for a safe and effective crouch dive?
|
- Champion Creative Arts and Sports Grade 7 pg. 138
- Swimming pool, swim gear - Qualified instructor or teacher supervision |
- Practical performance
- Observation
- Oral questions
|
|
| 13 | 4 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Pencil Dive
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the pencil dive entering the water feet-first with body straight and arms extended above head - Apply all safety measures for the pencil dive: check water depth, ensure area is clear and only dive under supervision - Show body control and safety awareness during the pencil dive |
In groups, learners are guided to:
- Discuss the pencil dive technique: stand at pool edge, feet together, body straight, arms extended above head, push off gently and enter feet-first - Practise the pencil dive under teacher supervision focusing on keeping body vertical and arms straight above head throughout entry - Give each other structured feedback after each dive; listen to teacher's additional feedback and make adjustments |
What safety measures and body positions are essential for a correct pencil dive?
|
- Champion Creative Arts and Sports Grade 7 pg. 139
- Swimming pool, swim gear - Qualified instructor or teacher supervision |
- Practical performance
- Observation
- Peer feedback
|
|
| 13-14 |
Revision and End term Assessment |
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