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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Indigenous Kenyan percussion instruments
Picture Making (Percussion Instruments) - Method of playing percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Identify percussion instruments from different Kenyan communities - Name communities where percussion instruments originate from - Appreciate percussion instruments from different Kenyan communities |
- Observe pictures of percussion instruments from different Kenyan communities
-Identify percussion instruments from different Kenyan communities -Name the communities where percussion instruments originate from -Discuss how each instrument is played -Watch a video clip on the performance of Kenyan percussion instruments |
How are percussion instruments from different Kenyan communities identified?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 3
-Digital devices -Percussion instruments - Mentor Creative Arts Grade 4 Learner's Book, pg. 4 |
- Observation
-Oral questions
-Written assignments
|
|
| 1 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Classifying percussion instruments
Picture Making (Percussion Instruments) - Parts of percussion instruments Picture Making (Percussion Instruments) - Functions of parts of percussion instruments Picture Making (Percussion Instruments) - Researching parts of percussion instruments Picture Making (Percussion Instruments) - Improvising rhythmic patterns |
By the end of the
lesson, the learner
should be able to:
- Classify percussion instruments as melodic and non-melodic - Differentiate between melodic and non-melodic percussion instruments - Appreciate various types of percussion instruments |
- Study pictures of different percussion instruments
-Listen to sounds from melodic and non-melodic percussion instruments -Classify percussion instruments as melodic and non-melodic -Fill in a table with melodic and non-melodic percussion instruments |
How are percussion instruments classified?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 5
-Melodic and non-melodic percussion instruments -Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 6 -Drums - Mentor Creative Arts Grade 4 Learner's Book, pg. 7 -Percussion instruments - Mentor Creative Arts Grade 4 Learner's Book, pg. 8 -Drawing materials -Drums and other percussion instruments |
- Observation
-Oral questions
-Written tests
|
|
| 1 | 3 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Making charcoal sticks
Picture Making (Percussion Instruments) - Procedure for making charcoal sticks Picture Making (Percussion Instruments) - Tonal value in art |
By the end of the
lesson, the learner
should be able to:
- Identify materials used for making charcoal sticks - Collect materials for making charcoal sticks - Show interest in making charcoal sticks |
- Study pictures of charcoal sticks
-Identify materials used for making charcoal sticks -Collect materials for making charcoal sticks (green sticks, tin, nail, hammer, matchbox, sand, pan, cutting tools) -Store collected materials safely |
Why are charcoal sticks important in drawing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 10
-Materials for making charcoal sticks - Mentor Creative Arts Grade 4 Learner's Book, pg. 11 - Mentor Creative Arts Grade 4 Learner's Book, pg. 12 -Digital devices -Charts showing tonal values |
- Observation
-Oral questions
-Project work
|
|
| 1 | 4 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Drawing shapes with charcoal sticks
Picture Making (Percussion Instruments) - Creating tonal shading |
By the end of the
lesson, the learner
should be able to:
- Draw simple shapes using charcoal sticks - Create tonal variations through pressure application - Show interest in using charcoal sticks for drawing |
- Draw simple shapes in exercise books
-Shade shapes using charcoal sticks -Create dark parts by drawing thick lines -Create light parts by drawing thin lines -Apply varied pressure to create different tones |
How can different tones be created with charcoal sticks?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 12
-Charcoal sticks -Drawing paper - Mentor Creative Arts Grade 4 Learner's Book, pg. 13 |
- Observation
-Project work
-Portfolio assessment
|
|
| 1 | 5 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Drawing percussion instruments
Picture Making (Percussion Instruments) - Smudging technique Picture Making (Percussion Instruments) - Creating a portfolio |
By the end of the
lesson, the learner
should be able to:
- Sketch a percussion instrument using charcoal sticks - Determine where light falls on the object - Create highlight and shadow areas in a drawing |
- Place a drum on a table
-Sketch the drum using charcoal sticks -Determine where light falls on the drum -Identify the highlight and shadow areas -Begin shading the darker areas |
How can highlights and shadows be created in a drawing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 14
-Percussion instruments -Charcoal sticks -Drawing paper -Cloths for smudging - Mentor Creative Arts Grade 4 Learner's Book, pg. 15 -Drawings -Colored manila paper -Glue |
- Observation
-Project work
-Portfolio assessment
|
|
| 1 | 6 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Drawing different percussion instruments
Picture Making (Percussion Instruments) - Drawing Kenyan percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Identify different percussion instruments - Draw percussion instruments using the smudging technique - Show interest in drawing percussion instruments |
- Study pictures of different percussion instruments
-Identify the instruments shown -Draw and color the instruments using the smudging technique -Display drawings in class |
How can different percussion instruments be drawn effectively?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 15
-Pictures of percussion instruments -Charcoal sticks -Drawing paper - Mentor Creative Arts Grade 4 Learner's Book, pg. 16 |
- Observation
-Project work
-Portfolio assessment
|
|
| 2 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Identifying percussion instruments by playing method
Picture Making (Percussion Instruments) - Making percussion instruments Picture Making (Percussion Instruments) - Assembling percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Identify instruments played by scraping - Identify communities that play marimba - Draw and name a percussion instrument |
- Identify instruments played by scraping
-Discuss communities that play marimba -Draw and name a percussion instrument from a Kenyan community -Share drawings with classmates |
How do different communities play their percussion instruments?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 16
-Pictures of percussion instruments -Charcoal sticks -Drawing paper - Mentor Creative Arts Grade 4 Learner's Book, pg. 3-7 -Locally available materials for making percussion instruments -Materials for making percussion instruments -Tools for assembling |
- Observation
-Oral questions
-Written assignments
|
|
| 2 | 2 |
Creating and Execution
|
Netball - Introduction to Netball skills
Netball - Chest pass technique |
By the end of the
lesson, the learner
should be able to:
- Identify the game of Netball - State the number of players in a Netball team - Develop interest in playing Netball |
- Study a picture of learners playing Netball
-Identify the game being played -Discuss the number of players in each team -Share experiences of playing Netball |
Why is Netball played as a team sport?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 17
-Pictures of Netball games -Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 18 -Netball balls |
- Observation
-Oral questions
-Written assignments
|
|
| 2 | 3 |
Creating and Execution
|
Netball - Demonstrating chest pass
Netball - Practicing chest pass Netball - Overhead pass technique |
By the end of the
lesson, the learner
should be able to:
- Demonstrate chest pass in Netball following proper technique - Observe safety measures when performing chest pass - Show interest in mastering chest pass technique |
- Hold the ball at chest level using both hands
-Spread fingers around the ball -Stand with feet shoulder-width apart facing partner -Bend knees slightly -Step in the direction of the pass -Release the ball to partner's chest level -Keep arms extended forward with palms facing outward |
What is the correct progression when performing chest pass?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 19
-Netball balls -Open space - Mentor Creative Arts Grade 4 Learner's Book, pg. 20 -Digital devices |
- Observation
-Demonstration
-Peer assessment
|
|
| 2 | 4 |
Creating and Execution
|
Netball - Demonstrating overhead pass
Netball - Practicing overhead pass |
By the end of the
lesson, the learner
should be able to:
- Demonstrate overhead pass in Netball following proper technique - Observe safety measures when performing overhead pass - Show interest in mastering overhead pass technique |
- Hold the ball firmly above head level using both hands
-Spread fingers well -Stand with one foot slightly forward -Bend knees slightly -Release the ball forward using wrist and fingers -Keep arms and fingers pointing in the direction of the pass |
What is the correct progression when performing overhead pass?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 21
-Netball balls -Open space - Mentor Creative Arts Grade 4 Learner's Book, pg. 22 |
- Observation
-Demonstration
-Peer assessment
|
|
| 2 | 5 |
Creating and Execution
|
Netball - Double-handed catching
Netball - Demonstrating double-handed catching |
By the end of the
lesson, the learner
should be able to:
- Explain how to perform double-handed catching - Identify games that involve catching skills - Show interest in learning double-handed catching |
- Study a picture of a person catching a ball
-Discuss how the ball is caught -Identify games that involve the catching skill -Discuss the importance of double-handed catching in ball games |
Why is correct hand positioning important in catching?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 23
-Netball balls -Digital devices -Open space |
- Observation
-Oral questions
-Written assignments
|
|
| 2 | 6 |
Creating and Execution
|
Netball - Practicing double-handed catching
Netball - Introduction to macramé technique Netball - Making a ball using macramé technique (1) |
By the end of the
lesson, the learner
should be able to:
- Practice double-handed catching with a partner - Catch the ball accurately using double-handed technique - Observe safety measures when practicing catching |
- Mark two circles on the ground 2 meters apart
-Stand in each circle as shown -Throw and catch the ball using double-handed catching -Repeat the activity several times -Observe safety measures |
How can double-handed catching be practiced effectively?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 24
-Netball balls -Open space -Markers - Mentor Creative Arts Grade 4 Learner's Book, pg. 25 -Macramé materials (yarns, strings, fabrics) -Scissors - Mentor Creative Arts Grade 4 Learner's Book, pg. 26 |
- Observation
-Performance assessment
-Peer assessment
|
|
| 3 | 1 |
Creating and Execution
|
Netball - Making a ball using macramé technique (2)
Netball - Completing a ball using macramé |
By the end of the
lesson, the learner
should be able to:
- Continue the ball-making process using macramé - Tie horizontal knots across vertical strings - Observe safety when using scissors |
- Continue tying knots vertically around the ball
-Overlap the strings as shown -Begin to tie horizontal strings -Tie horizontal strings across vertical strings -Ensure horizontal strings are firmly secured |
How are vertical and horizontal strings combined in macramé?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 26
-Macramé materials (yarns, strings, fabrics) -Scissors |
- Observation
-Project work
-Peer assessment
|
|
| 3 | 2 |
Creating and Execution
|
Netball - Practicing Netball skills
Netball - Drawing playing Netball Netball - Color classification |
By the end of the
lesson, the learner
should be able to:
- Apply passing, catching and shooting skills in a mini-game - Play a mini-game of Netball following the rules - Show teamwork during the game |
- Form two groups with equal number of players
-Play a mini-game of Netball -Apply the skills of passing and catching -Start the game at the center -Attempt to score into opponent's side -Restart game from center after each score |
How are Netball skills applied in a game situation?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 27
-Netball balls -Open space -Markers - Mentor Creative Arts Grade 4 Learner's Book, pg. 28 -Drawing paper -Paint -Brushes - Mentor Creative Arts Grade 4 Learner's Book, pg. 30 -Primary and secondary color charts |
- Observation
-Performance assessment
-Peer assessment
|
|
| 3 | 3 |
Creating and Execution
|
Netball - Preparing materials for mixing colors
Netball - Mixing primary colors (yellow and blue) |
By the end of the
lesson, the learner
should be able to:
- Identify materials needed for mixing colors - Collect materials for color mixing - Show interest in color mixing activities |
- Study pictures of materials used for mixing colors
-Identify the materials (palette, paintbrushes, water containers) -Collect materials needed for mixing colors -Store materials in the Creative Arts corner -Discuss painting tips |
What materials are necessary for effective color mixing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 31
-Paint -Brushes -Palettes -Water containers -Paint (yellow and blue) |
- Observation
-Oral questions
-Written assignments
|
|
| 3 | 4 |
Creating and Execution
|
Netball - Mixing primary colors (red and yellow)
Netball - Mixing primary colors (red and blue) |
By the end of the
lesson, the learner
should be able to:
- Mix red and yellow to create a secondary color - Identify the secondary color created - Clean working area after mixing colors |
- Pour a small amount of red paint on a palette
-Add an equal amount of yellow paint -Mix the two colors using a paintbrush -Identify the secondary color created (orange) -Clean brushes after mixing |
What secondary color is created by mixing red and yellow?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 32
-Paint (red and yellow) -Brushes -Palettes -Water containers -Paint (red and blue) |
- Observation
-Project work
-Oral questions
|
|
| 3 | 5 |
Creating and Execution
|
Netball - Creating a color wheel
Netball - Color tones (light tones) Netball - Mixing orange with white |
By the end of the
lesson, the learner
should be able to:
- Draw a color wheel - Color a color wheel using primary and secondary colors - Appreciate the relationship between colors |
- Draw a color wheel as shown
-Understand the key for the color wheel -Color the wheel using primary and secondary colors -Discuss the relationship between primary and secondary colors |
How does a color wheel show the relationship between colors?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 32
-Drawing paper -Paint -Brushes - Mentor Creative Arts Grade 4 Learner's Book, pg. 33 -Paint (secondary colors and white) -Palettes -Paint (orange and white) |
- Observation
-Project work
-Portfolio assessment
|
|
| 3 | 6 |
Creating and Execution
|
Rhythm and Pattern Making - Introduction to rhythmic patterns
Rhythm and Pattern Making - Rhythm in songs |
By the end of the
lesson, the learner
should be able to:
- Identify rhythmic activities - Clap or tap while counting - Show interest in rhythmic activities |
- Look at pictures of children doing rhythmic activities
-Clap hands or tap the table while counting 1, 2, 3, and 4 -Discuss different rhythmic activities -Share experiences of rhythmic activities |
How are rhythmic patterns created through clapping and tapping?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 42
-Digital devices -Song charts |
- Observation
-Oral questions
-Demonstration
|
|
| 4 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - Rhythm in words
Rhythm and Pattern Making - French rhythm names Rhythm and Pattern Making - Practicing French rhythm names |
By the end of the
lesson, the learner
should be able to:
- Clap the rhythm sounds of words - Identify short and long sounds in words - Show interest in rhythms of different words |
- Clap the rhythm sound of given words (plum, grape, mango, baba)
-Identify words that sound short when read -Identify words that sound long when read -Learn about syllables in words |
How do syllables affect the rhythm of words?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 43
-Word cards - Mentor Creative Arts Grade 4 Learner's Book, pg. 44 -Charts showing French rhythm names -Charts showing rhythmic patterns |
- Observation
-Oral questions
-Demonstration
|
|
| 4 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Identifying rhythm in words
Rhythm and Pattern Making - Clapping syllables of words |
By the end of the
lesson, the learner
should be able to:
- Read words aloud - Clap the rhythm of words - Count the number of claps for each word |
- Read words aloud (avocado, crocodile, watermelon)
-Clap the rhythm of the words -Discuss how many times each word is clapped -Fill in a table with words and their French rhythm names |
How is the rhythm of multi-syllable words identified?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 45
-Word cards |
- Observation
-Oral questions
-Written assignments
|
|
| 4 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Note values and their French names
Rhythm and Pattern Making - Steady beat (clock) Rhythm and Pattern Making - Heartbeat rhythm |
By the end of the
lesson, the learner
should be able to:
- Identify note values (crotchet and quavers) - Match note values with their French rhythm names - Value the importance of note values in music |
- Learn that long sounds and short sounds can be given French names
-Learn that the French rhythm name for a crotchet is 'taa' -Learn that a quaver has half a beat -Learn that the French rhythm name for a pair of quavers is 'ta-te' |
How are note values represented by French rhythm names?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 46
-Charts showing note values and French rhythm names - Mentor Creative Arts Grade 4 Learner's Book, pg. 47 -Clock -Open space for running |
- Observation
-Oral questions
-Written assignments
|
|
| 4 | 4 |
Creating and Execution
|
Rhythm and Pattern Making - Rhythm in children's song
Rhythm and Pattern Making - Note symbols and rests |
By the end of the
lesson, the learner
should be able to:
- Sing a children's song - Fill in a table with correct French rhythm names - Clap rhythm while saying French rhythm names |
- Sing the song "Rain Rain Go Away"
-Fill in a table with correct French rhythm names -Identify words with long sounds -Identify words with short sounds -Clap the rhythm while saying French rhythm names |
How can French rhythm names be applied to children's songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 48
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 49 -Charts showing note symbols and rests |
- Observation
-Performance assessment
-Written assignments
|
|
| 4 | 5 |
Creating and Execution
|
Rhythm and Pattern Making - Singing rhythm in songs
Rhythm and Pattern Making - Clapping rhythm of songs |
By the end of the
lesson, the learner
should be able to:
- Sing a song following rhythm - Recite French rhythm names of a song - Clap rhythm of a song |
- Sing the song "Peas Porridge Hot"
-Talk about the song's message -Recite the French rhythm names of the song -Sing while clapping the rhythm of the song -Perform the song in groups |
How can rhythm enhance the performance of songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 50
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 51 |
- Observation
-Performance assessment
-Peer assessment
|
|
| 4 | 6 |
Creating and Execution
|
Rhythm and Pattern Making - Free hand lettering (1)
Rhythm and Pattern Making - Free hand lettering (2) Rhythm and Pattern Making - Writing French rhythm names |
By the end of the
lesson, the learner
should be able to:
- Identify letters of the alphabet with different heights - Identify ascenders and descenders in letters - Show interest in free hand lettering |
- Look at letters of the alphabet
-Discuss differences in letter shapes -Identify letters with parts that go up (ascenders) -Identify letters with parts that go down (descenders) -Identify letters that fit in the middle |
What are ascenders and descenders in letter writing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 52
-Charts showing letters of the alphabet -Writing materials - Mentor Creative Arts Grade 4 Learner's Book, pg. 53 -Charts showing letters with ascenders and descenders - Mentor Creative Arts Grade 4 Learner's Book, pg. 54 -Charts showing French rhythm names |
- Observation
-Oral questions
-Written assignments
|
|
| 5 | 1 |
Creating and Execution
|
Composing Melody - Introduction to melody
Composing Melody - Sol-fa syllables and ladder |
By the end of the
lesson, the learner
should be able to:
- Sing a lullaby - Hum the melody of a song - Identify high and low sounds in a song |
- Sing the song "Go to sleep"
-Hum the song -Compare singing and humming the song -Identify parts of the song that sound high -Identify parts of the song that sound low -Learn about pitch in music |
How are high and low sounds identified in a melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 65
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 66 -Sol-fa ladder chart |
- Observation
-Performance assessment
-Oral questions
|
|
| 5 | 2 |
Creating and Execution
|
Composing Melody - Performing melodies
Composing Melody - Sol-fa in "Go to sleep" Composing Melody - Sol-fa in "Hot cross bun" |
By the end of the
lesson, the learner
should be able to:
- Perform simple melodies using sol-fa syllables - Work together in group performances - Give constructive feedback on performances |
- Perform three given melodies
-Sing in groups -Comment on each group's performance -Discuss challenges faced during performance -Suggest ways to improve |
How can melodies be performed effectively?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 66
-Charts showing melodies - Mentor Creative Arts Grade 4 Learner's Book, pg. 67 -Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 68 -Digital devices -Song charts |
- Observation
-Performance assessment
-Peer assessment
|
|
| 5 | 3 |
Creating and Execution
|
Composing Melody - Hand signs for sol-fa syllables
Composing Melody - Practicing sol-fa with hand signs |
By the end of the
lesson, the learner
should be able to:
- Watch a video of Kodaly hand signs - Imitate hand signs for sol-fa syllables - Show correct hand signs to friends |
- Watch a video of Kodaly hand signs
-Imitate the hand signs for sol-fa syllables d, r, m -Show friends the hand signs for sol-fa syllables -Learn the correct hand position for each sol-fa syllable |
How do hand signs help in learning sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 69
-Digital devices -Charts showing hand signs |
- Observation
-Demonstration
-Peer assessment
|
|
| 5 | 4 |
Creating and Execution
|
Composing Melody - Hand signs in "Mary had a little lamb"
Composing Melody - Free hand lettering of sol-fa |
By the end of the
lesson, the learner
should be able to:
- Sing "Mary had a little lamb" with hand signs - Follow sol-fa syllables in the song - Appreciate hand signs as learning tools |
- Sing "Mary had a little lamb" while performing hand signs
-Follow the sol-fa syllables provided for the song -Perform the song in groups -Give feedback on each other's performance |
How can hand signs be applied to familiar songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 70
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 71 -Writing materials |
- Observation
-Performance assessment
-Peer assessment
|
|
| 5 | 5 |
Creating and Execution
|
Composing Melody - Identifying sol-fa in songs
Composing Melody - Steps to identify sol-fa Composing Melody - Stepwise motion |
By the end of the
lesson, the learner
should be able to:
- Sing a simple song to classmates - Identify sol-fa syllables in the song - Record self using digital device |
- Sing a simple song to classmates
-Let friends identify the sol-fa syllables -Sing the sol-fa pitches using hand signs -Record self using a digital device -Share recording with teacher |
How can sol-fa syllables be identified in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 71
-Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 72 -Song recordings -Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Project work
|
|
| 5 | 6 |
Creating and Execution
|
Composing Melody - Sound duration in melody
Composing Melody - Starting and ending melodies |
By the end of the
lesson, the learner
should be able to:
- Identify short and long sounds in a song - Clap the rhythm of a song - Understand sound duration in melody |
- Study the words of "Pease porridge hot"
-Sing the first line of the song -Clap the rhythm of the song while reading the words -Identify short and long sounds in the song -Learn about sound duration in melody |
How does sound duration affect melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 73
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 74 -Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Oral questions
|
|
| 6 | 1 |
Creating and Execution
|
Composing Melody - Creating short melodies
Composing Melody - Creating melodies with rhythm Composing Melody - Making clay slabs (1) |
By the end of the
lesson, the learner
should be able to:
- Follow guidelines for creating melodies - Complete given melody patterns - Create original melodies using d, r, m |
- Learn guidelines for creating melodies using d, r, m
-Complete given melody patterns -Compose original melodies using d, r, m -Ensure melodies start and end on 'd' -Share melodies with classmates |
How can short melodies be created using d, r, m?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 75
-Writing materials - Mentor Creative Arts Grade 4 Learner's Book, pg. 76 -Clay -Polythene paper -Ruler |
- Observation
-Project work
-Peer assessment
|
|
| 6 | 2 |
Creating and Execution
Performance and Display Performance and Display Performance and Display |
Composing Melody - Making clay slabs (2)
Athletics - Introduction to sprint starts and sprinting techniques Athletics - Medium sprint start technique demonstration Athletics - Medium sprint start technique demonstration |
By the end of the
lesson, the learner
should be able to:
- Roll clay to create even slabs - Mark out rectangular shapes of different sizes - Cut out clay slabs neatly |
- Take a rolling pin and roll clay
-Mark out rectangular shapes of different sizes -Cut out the shapes carefully -Ensure the slabs are of even thickness -Set aside to partially dry |
How are clay slabs prepared for making sol-fa models?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 76
-Clay -Rolling pin -Cutting tools - Mentor Creative Arts pg. 80 - Digital devices for video demonstrations - Open space for practical activities - Mentor Creative Arts pg. 82 - Open space with marked lines - Digital devices for recording performances - Mentor Creative Arts pg. 83 - Open space with marked starting line - Whistle |
- Observation
-Project work
-Peer assessment
|
|
| 6 | 3 |
Performance and Display
|
Athletics - Medium sprint start technique practice
Athletics - Elongated sprint start technique demonstration Athletics - Elongated sprint start technique practice Athletics - Body posture, acceleration, transition, and finish in sprinting Athletics - Sprinting techniques practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the complete medium sprint start sequence - Run a short distance using the medium sprint start technique - Show confidence in executing sprint starts |
- Mark starting and finishing lines on the ground
- Practice the complete medium sprint start sequence - Run to the finishing line upon "go" command - Repeat the activity several times for mastery |
How can practice improve sprint start performance?
|
- Mentor Creative Arts pg. 84
- Open space with marked starting and finishing lines - Whistle - Mentor Creative Arts pg. 85 - Digital devices for video demonstrations - Open space for practice - Mentor Creative Arts pg. 86 - Mentor Creative Arts pg. 87 - Digital devices for video clips - Open space for demonstration - Mentor Creative Arts pg. 88 - Open space with marked lines - Stopwatch |
- Observation
- Performance analysis
- Exit tickets
|
|
| 6 | 4 |
Performance and Display
|
Athletics - Reading and understanding the Kenya National Anthem
Athletics - Singing the Kenya National Anthem in groups |
By the end of the
lesson, the learner
should be able to:
- Read through the words of the Kenya National Anthem - Discuss the meaning and message of the anthem - Appreciate the role of the national anthem during athletic events |
- Read the words of the Kenya National Anthem
- Discuss the meaning and message of each stanza - Explore the importance of the anthem during athletic events - Learn about proper etiquette during anthem performance |
Why is the Kenya National Anthem performed during an athletic event?
|
- Mentor Creative Arts pg. 91
- Chart with Kenya National Anthem words - Audio recording of Kenya National Anthem - Audio recording of Kenya National Anthem - Chart with Kenya National Anthem words |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 5 |
Performance and Display
|
Athletics - Studying the Kenyan flag colors and arrangement
Athletics - Sketching and painting the Kenyan flag Athletics - Attaching the flag to a suitable handle |
By the end of the
lesson, the learner
should be able to:
- Identify the colors of the Kenyan flag - Describe the arrangement of colors on the flag - Appreciate the symbolism of the Kenyan flag |
- Search for images of the Kenyan flag from virtual sources
- Study the colors and their arrangement on the flag - Discuss the symbolism of each color and the shield - Watch video clips about the Kenyan flag |
What does the Kenyan flag symbolize?
|
- Mentor Creative Arts pg. 90
- Digital devices for searching images - Chart showing the Kenyan flag - Mentor Creative Arts pg. 91 - Paper, pencils, rulers - Paints (black, red, green, white) - Brushes - Mentor Creative Arts pg. 92 - Completed painted flags - Materials for handles (sticks, dowels) - Glue |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 6 |
Performance and Display
|
Athletics - Practicing medium starts in pairs
Athletics - Practicing sprinting technique in pairs |
By the end of the
lesson, the learner
should be able to:
- Demonstrate medium start technique in pairs - Give constructive feedback to peers on their technique - Show willingness to improve through practice |
- Work in pairs to practice medium sprint starts
- Focus on proper arm and leg action during starts - Give feedback to partners on their technique - Refine technique based on feedback received |
How does partnered practice improve sprint start technique?
|
- Mentor Creative Arts pg. 89
- Open space with marked starting lines - Whistle - Open space with marked lines - Stopwatch |
- Observation
- Peer assessment
- Skill progression charts
|
|
| 7 | 1 |
Performance and Display
|
Athletics - Participating in sprint competitions
Athletics - Recording and critiquing sprint performances |
By the end of the
lesson, the learner
should be able to:
- Apply sprint start and sprinting techniques in competition - Participate actively in organized sprint events - Demonstrate sportsmanship during competition |
- Organize sprint competitions in groups
- Apply learned sprint starts and running techniques - Participate in hurray, back and forth activity - Practice two push-ups and run activity |
How does competition enhance learning of athletic skills?
|
- Mentor Creative Arts pg. 89
- Open space with marked track - Whistle - Stopwatch - Mentor Creative Arts pg. 90 - Open space with marked lines - Stopwatch - Whistle - Digital devices for recording - Open space for sprint activities - Playback equipment |
- Observation
- Performance analysis
- Competition results
|
|
| 7 | 2 |
Performance and Display
|
Athletics - Importance of the flag and anthem during events
Athletics - Sprint competition with flag and anthem |
By the end of the
lesson, the learner
should be able to:
- Explain why the flag is raised during athletic events - Describe the importance of singing the anthem at events - Value national symbols during sporting events |
- Study pictures of flag raising during athletic events
- Discuss the significance of raising the flag during events - Explore the importance of singing the anthem at events - Role-play a flag raising and anthem singing ceremony |
Why is flying the flag important during athletics events?
|
- Mentor Creative Arts pg. 92
- Pictures of athletic events with flag raising - Painted flags with handles - Audio recording of Kenya National Anthem - Open space with marked track - Kenyan flags - Audio equipment for anthem - Stopwatch |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 3 |
Performance and Display
|
Athletics - Athletic event appreciation
Athletics - Sprint skills assessment Gymnastics - Introduction to balances and rolls in gymnastics |
By the end of the
lesson, the learner
should be able to:
- Identify the sprint starts learned in sprinting - Describe the sprinting techniques learned - Appreciate the value of athletics in physical development |
- Review different sprint starts learned (medium, elongated)
- Summarize sprinting techniques learned throughout the unit - Discuss the importance of recovery after athletic activities - Share experiences from participating in sprint events |
What have we learned about sprint techniques that can help us in future athletic activities?
|
- Mentor Creative Arts pg. 92
- Charts showing sprint techniques - Digital devices with recorded performances - Open space with marked track - Kenyan flags - Assessment sheets - Mentor Creative Arts pg. 94 - Digital devices for video demonstrations - Pictures of gymnastic positions - Safe practice area with mats |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 4 |
Performance and Display
|
Gymnastics - Crab balance demonstration and practice
Gymnastics - Crab balance technique practice |
By the end of the
lesson, the learner
should be able to:
- Describe the steps of performing crab balance - Demonstrate initial positioning for crab balance - Appreciate the importance of balance in gymnastics |
- Watch video clip/demonstration of crab balance
- Observe body positioning of head, hands, and feet - Discuss how to maintain balance during the pose - Practice sitting position with knees bent for crab balance |
How is weight distributed in the crab balance position?
|
- Mentor Creative Arts pg. 95
- Digital devices for video demonstrations - Safe practice area with mats - Safe practice area with mats - Demonstration charts |
- Observation
- Skill progression chart
- Peer assessment
|
|
| 7 | 5 |
Performance and Display
|
Gymnastics - Side roll demonstration and practice
Gymnastics - Side roll technique practice |
By the end of the
lesson, the learner
should be able to:
- Describe the steps of performing side roll - Demonstrate starting position for side roll - Value the importance of proper technique in gymnastics |
- Watch video clip/demonstration of side roll
- Observe body positioning, starting and finishing positions - Discuss how to maintain balance during the roll - Practice sitting position with bent knees for side roll |
How does tucking the head affect the side roll movement?
|
- Mentor Creative Arts pg. 96
- Digital devices for video demonstrations - Safe practice area with mats - Mentor Creative Arts pg. 97 - Safe practice area with mats - Demonstration charts |
- Observation
- Skill progression chart
- Peer assessment
|
|
| 7 | 6 |
Performance and Display
|
Gymnastics - Singing patriotic songs during warm-up
Gymnastics - Playing rhythmic percussion instruments Gymnastics - Practicing the crab balance and side roll in pairs |
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs suitable for warm-up - Sing patriotic songs with proper diction during warm-up - Appreciate the role of music in physical activities |
- Select appropriate patriotic songs for warm-up
- Practice singing songs with proper diction and rhythm - Perform general warm-up exercises while singing - Discuss how music enhances physical activities |
How does music support the performance of gymnastics?
|
- Mentor Creative Arts pg. 100
- Audio recordings of patriotic songs - Charts with song lyrics - Open space for warm-up activities - Mentor Creative Arts pg. 97 - Percussion instruments (shakers, rattles, drums) - Demonstration charts of rhythmic patterns - Safe practice area with mats - Markers (lime or ash) for circles - Assessment checklists |
- Observation
- Performance assessment
- Peer feedback
|
|
| 8 | 1 |
Performance and Display
|
Gymnastics - Group performance with percussion
Gymnastics - Relay performance practice |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance and side roll in sequence - Accompany performances with percussion instruments - Demonstrate teamwork in group performances |
- Form two groups for alternate performances
- One group performs while the other plays percussion - Mark circles on the ground for performance areas - Alternate roles between performing and playing instruments |
How does group performance enhance individual skills?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for circles - Percussion instruments - Markers for lines - Whistle |
- Observation
- Group performance assessment
- Peer feedback
|
|
| 8 | 2 |
Performance and Display
|
Gymnastics - Reciting French rhythm names during roll performance
Gymnastics - Crab balance with rhythmic patterns Gymnastics - Peer assessment of gymnastics skills |
By the end of the
lesson, the learner
should be able to:
- Recite French rhythm names 'taa' and 'ta-te' - Coordinate recitation with side roll performance - Appreciate the connection between rhythm and movement |
- Form groups and stand in lines
- Mark line and place cones for activity - Recite 'taa' in ready position for side roll - Recite 'ta-te' while performing side roll - Repeat until reaching the cones |
How do rhythmic patterns enhance gymnastic movements?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for lines - Cones for targets - Mentor Creative Arts pg. 99 - Markers for square - Rhythm charts - Assessment checklists - Pencils |
- Observation
- Performance analysis
- Rhythmic coordination assessment
|
|
| 8 | 3 |
Performance and Display
|
Gymnastics - Group game with gymnastic skills
Gymnastics - Using digital devices to photograph gymnastics performances |
By the end of the
lesson, the learner
should be able to:
- Integrate gymnastic skills into group games - Sing songs during group activities - Show enjoyment in combining skills with games |
- Form two groups (taggers and runners)
- Sing "Watoto Wangu" song during activity - Run from taggers after song - Perform crab balance when tagged - Pass under crab balance to save tagged players |
How do games enhance the practice of gymnastic skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area - Audio recording of song - Open space for game - Mentor Creative Arts pg. 97 - Digital devices with cameras - Safe practice area for gymnastics - Display equipment for reviewing photos |
- Observation
- Participation assessment
- Group dynamics evaluation
|
|
| 8 | 4 |
Performance and Display
|
Gymnastics - Creating a portfolio of gymnastics photographs
Gymnastics - Home practice and documentation |
By the end of the
lesson, the learner
should be able to:
- Select appropriate photographs for portfolio - Store photographs in organized manner - Appreciate visual documentation of physical activities |
- Review photographs taken of gymnastic activities
- Select best photographs showing clear technique - Create digital folder/portfolio for storage - Organize photographs by skill type |
How can photography help improve gymnastic technique?
|
- Mentor Creative Arts pg. 98
- Digital devices with photography - Computer for portfolio organization - Photographs from previous lesson - Mentor Creative Arts pg. 100 - Planning templates - Digital devices for recording - List of safe home activities |
- Observation
- Portfolio assessment
- Self-evaluation
|
|
| 8 | 5 |
Performance and Display
|
Gymnastics - Skills assessment
Gymnastics - Self and peer assessment Gymnastics - Skills integration |
By the end of the
lesson, the learner
should be able to:
- Demonstrate mastery of crab balance and side roll - Perform to rhythmic accompaniment - Show confidence in gymnastic abilities |
- Demonstrate crab balance and side roll individually
- Perform to rhythmic accompaniment of percussion or chanting - Evaluate own performance against criteria - Receive feedback from teacher and peers |
What progress have you made in gymnastics skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment checklists - Percussion instruments - Assessment forms - Pencils - Percussion instruments - Audio equipment |
- Observation
- Performance assessment
- Self-evaluation
|
|
| 8 | 6 |
Performance and Display
|
Descant Recorder - Exploring and identifying parts of a descant recorder
Descant Recorder - Learning to hold and blow the descant recorder |
By the end of the
lesson, the learner
should be able to:
- Identify the parts of a descant recorder - Name the function of each part - Show interest in learning about musical instruments |
- Observe pictures/actual descant recorder
- Identify front and back views of the recorder - Name the parts (head joint, middle joint, foot joint) - Discuss the function of each part |
How can one identify the parts of a descant recorder?
|
- Mentor Creative Arts pg. 125
- Descant recorders - Charts showing recorder parts - Pictures of recorders - Mentor Creative Arts pg. 129 - Charts showing correct posture - Disinfectant wipes |
- Observation
- Oral questions
- Labeling activities
|
|
| 9 | 1 |
Performance and Display
|
Descant Recorder - Assembling and disassembling the recorder
Descant Recorder - Learning care and maintenance of the recorder Descant Recorder - Health considerations with recorders |
By the end of the
lesson, the learner
should be able to:
- Separate recorder into its component parts - Reassemble recorder correctly - Value careful handling of musical instruments |
- Practice separating recorder into three pieces
- Connect head joint to middle joint correctly - Attach foot joint to assembled parts - Position finger holes correctly for playing - Test assembled recorder by gentle blowing |
Why is correct assembly important for recorder playing?
|
- Mentor Creative Arts pg. 128
- Descant recorders - Charts showing assembly steps - Demonstration models - Mentor Creative Arts pg. 129 - Cleaning rods - Clean cloths - Storage cases - Mentor Creative Arts pg. 130 - Cleaning supplies - Charts on hygiene |
- Observation
- Performance assessment
- Sequential task evaluation
|
|
| 9 | 2 |
Performance and Display
|
Descant Recorder - Practicing holding and blowing with appropriate fingering
Descant Recorder - Collecting materials for making a recorder case |
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly on the recorder - Demonstrate correct hand position - Show interest in developing proper technique |
- Study finger position charts
- Practice left hand position on upper holes - Position right hand correctly on lower holes - Practice thumb placement for back hole - Blow gently to produce sound |
What is the correct fingering position for the descant recorder?
|
- Mentor Creative Arts pg. 130
- Descant recorders - Finger position charts - Demonstration models - Mentor Creative Arts pg. 132 - Sample materials (fabric, leather, yarn) - Recyclable materials - Storage containers |
- Observation
- Performance assessment
- Fingering tests
|
|
| 9 | 3 |
Performance and Display
|
Descant Recorder - Making a decorated case
Descant Recorder - Embellishing the case with found objects Descant Recorder - Learning to play note B |
By the end of the
lesson, the learner
should be able to:
- Create a case using appropriate technique - Apply color variation in case design - Value creativity in instrument accessories |
- Demonstrate stitching technique for fabric/leather case
- Practice crocheting technique for yarn case - Apply color variation in design - Size case appropriately for recorder |
What techniques can be used to create a functional recorder case?
|
- Mentor Creative Arts pg. 132
- Collected materials - Needles, thread - Crochet hooks - Scissors - Completed recorder cases - Found objects for decoration - Adhesives, thread - Mentor Creative Arts pg. 133 - Descant recorders - Charts showing B fingering - Digital devices for demonstrations |
- Observation
- Project assessment
- Creativity evaluation
|
|
| 9 | 4 |
Performance and Display
|
Descant Recorder - Learning to play note A
Descant Recorder - Learning to play note G |
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note A - Produce correct sound for note A - Show confidence in playing musical notes |
- Watch demonstrations/videos of playing note A
- Practice closing back hole with left thumb - Place first and second fingers on appropriate holes - Support recorder with right hand thumb - Blow gently to produce A note |
How is note A played on the descant recorder?
|
- Mentor Creative Arts pg. 134
- Descant recorders - Charts showing A fingering - Digital devices for demonstrations - Mentor Creative Arts pg. 135 - Charts showing G fingering |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
| 9 | 5 |
Performance and Display
|
Descant Recorder - Practicing appropriate playing techniques
Descant Recorder - Playing combined note patterns |
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct posture when playing - Apply appropriate blowing technique - Show perseverance in developing skills |
- Practice correct sitting/standing posture
- Focus on gentle blowing for clear tone - Practice correct finger positioning for each note - Apply appropriate breath control |
What contributes to good tone production on the recorder?
|
- Mentor Creative Arts pg. 136
- Descant recorders - Charts showing proper technique - Mirror for self-observation - Mentor Creative Arts pg. 137 - Combined note pattern charts - Transition exercises |
- Observation
- Performance assessment
- Technique evaluation
|
|
| 9 | 6 |
Performance and Display
|
Descant Recorder - Playing simple melodies
Descant Recorder - Playing additional melodies Swimming - Introduction to crouch and standing surface dives |
By the end of the
lesson, the learner
should be able to:
- Play "Merrily We Roll Along" melody - Follow rhythm notation while playing - Value accuracy in musical performance |
- Study the notation for "Merrily We Roll Along"
- Identify note patterns in the melody - Practice playing sections of the melody - Combine sections into complete melody - Focus on rhythm and note accuracy |
How do note patterns form a complete melody?
|
- Mentor Creative Arts pg. 138
- Descant recorders - Notation for "Merrily We Roll Along" - Audio recording of melody - Mentor Creative Arts pg. 139 - Notation for "Hot Cross Buns" and other melodies - Audio recordings of melodies - Mentor Creative Arts pg. 144 - Digital devices for video demonstrations - Pictures of surface dives - Charts showing dive progressions |
- Observation
- Performance assessment
- Melody completion evaluation
|
|
| 10 | 1 |
Performance and Display
|
Swimming - Watching demonstrations of surface dives
Swimming - Learning the progression of surface dives |
By the end of the
lesson, the learner
should be able to:
- Observe key elements of surface dive techniques - Identify the body positioning in surface dives - Value proper technique in swimming skills |
- Watch video clips/demonstrations of surface dives
- Observe body positioning of head and hands - Note starting and finishing positions - Discuss how to maintain balance during dives - Identify safety considerations |
What are the key elements of successful surface dives?
|
- Mentor Creative Arts pg. 144
- Digital devices for video demonstrations - Pictures of surface dive positions - Safety charts - Mentor Creative Arts pg. 146 - Charts showing dive progressions - Pictures of dive positions - Video demonstrations |
- Observation
- Oral questions
- Note-taking assessment
|
|
| 10 | 2 |
Performance and Display
|
Swimming - Water entry safety considerations
Swimming - Practicing the crouch surface dive with safety considerations Swimming - Practicing the standing surface dive with safety considerations |
By the end of the
lesson, the learner
should be able to:
- Identify important safety rules for swimming - Explain why pool depth must be checked before diving - Show responsibility regarding water safety |
- Discuss essential swimming safety rules
- Explore the importance of supervision - Learn about checking pool depth before diving - Discuss the danger of pushing others in water - Role-play safe water entry scenarios |
Why are safety precautions essential in swimming?
|
- Mentor Creative Arts pg. 146
- Water safety charts - Pictures of safe water practices - Safety equipment displays - Mentor Creative Arts pg. 147 - Safe practice area - Pictures of dive positions - Position markers |
- Observation
- Oral questions
- Role-play assessment
|
|
| 10 | 3 |
Performance and Display
|
Swimming - Water games for confidence
Swimming - Floating techniques |
By the end of the
lesson, the learner
should be able to:
- Describe water games that build swimming confidence - Explain the purpose of each game - Show interest in water activities |
- Explore different water games for confidence
- Discuss picking objects in water - Learn about water splash games - Explore ball games in water - Focus on safety during all activities |
How do water games help develop swimming confidence?
|
- Mentor Creative Arts pg. 145
- Pictures of water games - Props for games (balls, floating objects) - Safety charts - Mentor Creative Arts pg. 147 - Pictures of floating positions - Safe practice area - Demonstration models |
- Observation
- Oral questions
- Game comprehension assessment
|
|
| 10 | 4 |
Performance and Display
|
Swimming - Mushroom float technique practice
Swimming - Supine floating technique |
By the end of the
lesson, the learner
should be able to:
- Demonstrate mushroom float on land - Describe the counting procedure for float - Show confidence in float technique |
- Practice proper mushroom float position on land
- Focus on hugging knees and tucking head - Practice counting to 10 while in position - Work in groups for balloon toss activity - Perform mushroom float when balloon touches water |
How does the mushroom float support water confidence?
|
- Mentor Creative Arts pg. 148
- Safe practice area - Balloons for activity - Demonstration models - Pictures of supine floating |
- Observation
- Position demonstration assessment
- Group activity participation
|
|
| 10 | 5 |
Performance and Display
|
Swimming - Prone floating technique
Swimming - Gliding techniques introduction Swimming - Prone gliding technique |
By the end of the
lesson, the learner
should be able to:
- Demonstrate prone floating position on land - Compare prone with supine floating - Appreciate various floating techniques |
- Study prone floating technique
- Practice horizontal position with face down - Extend arms forward with legs together - Align head with spine, eyes looking down - Compare with supine floating position |
How does the prone position differ from supine floating?
|
- Mentor Creative Arts pg. 149
- Pictures of prone floating - Safe practice area - Demonstration models - Pictures of gliding positions - Mentor Creative Arts pg. 150 - Pictures of prone gliding - Wall surface for practice |
- Observation
- Position demonstration assessment
- Technique comparison evaluation
|
|
| 10 | 6 |
Performance and Display
|
Swimming - Supine gliding technique
Swimming - Using digital devices to photograph diving performances |
By the end of the
lesson, the learner
should be able to:
- Demonstrate supine gliding position on land - Compare supine with prone gliding - Show confidence in gliding techniques |
- Practice horizontal body position for supine gliding
- Position head facing up in line with spine - Extend body in streamlined position - Simulate wall push action on land - Maintain position without arm or leg movement |
How does supine gliding differ from prone gliding?
|
- Mentor Creative Arts pg. 151
- Pictures of supine gliding - Safe practice area - Wall surface for practice - Digital devices with cameras - Models demonstrating dive positions - Photo composition guides |
- Observation
- Position demonstration assessment
- Technique comparison evaluation
|
|
| 11 | 1 |
Performance and Display
|
Swimming - Selecting appropriate photographs for e-portfolio
Swimming - Discussing own and others' photographs Swimming - Culminating assessment |
By the end of the
lesson, the learner
should be able to:
- Select photographs that display technique clearly - Organize photographs in digital portfolio - Show creativity in visual presentation |
- Review photographs taken of diving positions
- Select photographs that show technique clearly - Create digital folder/portfolio for storage - Organize photographs by technique type - Label photographs appropriately |
How can photography help analyze swimming technique?
|
- Mentor Creative Arts pg. 151
- Digital devices with photographs - Computer for portfolio organization - Selection criteria charts - Digital devices for displaying photographs - Presentation space - Feedback forms - Assessment forms - Visual aids of swimming techniques - Photographs from portfolio |
- Observation
- Selection assessment
- Organization evaluation
|
|
| 11 | 2 |
Performance and Display
|
Swimming - Water safety review
Swimming - Swimming skills documentation |
By the end of the
lesson, the learner
should be able to:
- Summarize key water safety rules - Explain importance of supervision in swimming - Value safety in aquatic environments |
- Review all water safety rules covered
- Create water safety posters in groups - Present safety guidelines to class - Role-play emergency response scenarios - Discuss importance of pool hygiene |
How does understanding safety enhance swimming enjoyment?
|
- Mentor Creative Arts pg. 151
- Water safety charts - Poster-making materials - Safety equipment displays - Drawing materials - Booklet templates - Reference pictures of techniques |
- Observation
- Poster assessment
- Role-play evaluation
- Oral presentation
|
|
| 11 | 3 |
Performance and Display
|
Swimming - Water activities planning
Swimming - Community water safety Songs - Introduction to different types of songs |
By the end of the
lesson, the learner
should be able to:
- Plan safe water activities with peers - Incorporate learned swimming skills - Value planning for water safety |
- Work in groups to plan water activities
- Include safety considerations in plans - Incorporate floating, gliding, and games - Create illustrated activity guides - Present plans to classmates |
How does planning enhance water activity safety?
|
- Mentor Creative Arts pg. 151
- Planning templates - Drawing materials - Reference materials on water activities - Local area maps - Poster-making materials - Information on local water bodies - Mentor Creative Arts pg. 101 - Pictures of people singing in different settings - Audio recordings of different song types - Chart showing song categories |
- Observation
- Plan assessment
- Presentation evaluation
- Safety consideration review
|
|
| 11 | 4 |
Performance and Display
|
Songs - Sacred songs
Songs - Singing sacred songs expressively |
By the end of the
lesson, the learner
should be able to:
- Identify sacred songs and their settings - Discuss the purpose of sacred songs - Appreciate sacred songs from different traditions |
- Study pictures of worship settings
- Discuss types of songs sung in worship places - Listen to various sacred songs - Identify messages in sacred songs - Discuss appropriate behavior during sacred songs |
What moods can be expressed when singing sacred songs?
|
- Mentor Creative Arts pg. 102
- Audio recordings of sacred songs - Pictures of worship settings - Chart with song lyrics - Chart with song lyrics - Rhythm instruments |
- Observation
- Oral questions
- Listening assessment
|
|
| 11 | 5 |
Performance and Display
|
Songs - Patriotic songs
Songs - Singing patriotic songs expressively |
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs and their purpose - Describe characteristics of patriotic songs - Show pride in national songs |
- Study pictures of patriotic performances
- Listen to "Tuishangilie Kenya" and other patriotic songs - Discuss the message in patriotic songs - Explore the tempo and dynamics of patriotic songs - Learn about occasions for patriotic songs |
What messages are conveyed through patriotic songs?
|
- Mentor Creative Arts pg. 104
- Audio recordings of patriotic songs - Chart with patriotic song lyrics - Pictures of national celebrations - Performance space |
- Observation
- Oral questions
- Listening assessment
|
|
| 11 | 6 |
Performance and Display
|
Songs - Introduction to folk songs
Songs - Work folk songs Songs - Naming folk songs |
By the end of the
lesson, the learner
should be able to:
- Define folk songs as traditional songs - Identify types of folk songs - Show interest in cultural musical heritage |
- Discuss meaning of folk songs
- Explore different types of folk songs (work, funeral, naming, initiation, marriage, worship) - Listen to examples of various folk songs - Identify communities of origin for songs - Discuss occasions for different folk songs |
How do Kenyan communities use folk songs?
|
- Mentor Creative Arts pg. 106
- Audio/video recordings of folk songs - Chart showing folk song categories - Map of Kenyan communities - Audio/video recordings of work folk songs - Chart with song lyrics - Pictures of traditional work activities - Audio/video recordings of naming folk songs - Pictures of naming ceremonies |
- Observation
- Oral questions
- Listening assessment
|
|
| 12 | 1 |
Performance and Display
|
Songs - Initiation folk songs
Songs - Marriage folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify initiation folk songs and their purpose - Sing an initiation folk song with proper expression - Respect cultural transition ceremonies |
- Study pictures of initiation ceremonies
- Listen to examples of initiation folk songs - Discuss the purpose of initiation songs - Learn an initiation folk song - Perform song with appropriate expression and gestures |
What messages are conveyed in initiation folk songs?
|
- Mentor Creative Arts pg. 108
- Audio/video recordings of initiation folk songs - Chart with song lyrics - Pictures of initiation ceremonies - Mentor Creative Arts pg. 109 - Audio/video recordings of marriage folk songs - Chart with "Mueni" lyrics and translation - Pictures of marriage ceremonies |
- Observation
- Performance assessment
- Cultural understanding evaluation
|
|
| 12 | 2 |
Performance and Display
|
Songs - Worship folk songs
Songs - Exploring indigenous methods of costume decoration Songs - Learning tie-dye techniques for costume decoration |
By the end of the
lesson, the learner
should be able to:
- Identify worship folk songs and their purpose - Sing a worship folk song with proper expression - Appreciate spiritual aspects of cultural music |
- Study pictures of traditional worship settings
- Listen to examples of worship folk songs - Learn "Geithia mundu" worship folk song - Discuss the message of the song - Perform with appropriate expression and gestures |
What values are taught through worship folk songs?
|
- Mentor Creative Arts pg. 110
- Audio/video recordings of worship folk songs - Chart with "Geithia mundu" lyrics and translation - Pictures of traditional worship settings - Mentor Creative Arts pg. 111 - Pictures of decorated costumes - Samples of decorated fabrics - Videos of costume decoration techniques - Charts showing decoration methods - Fabric for tie-dye - String/rubber bands for tying - Samples of tie-dye patterns - Demonstration charts |
- Observation
- Performance assessment
- Cultural understanding evaluation
|
|
| 12 | 3 |
Performance and Display
|
Songs - Applying dye to fabric for costume decoration
Songs - Learning beadwork techniques for costume decoration |
By the end of the
lesson, the learner
should be able to:
- Apply dye to prepared fabric - Create circle patterns through tie-dye - Demonstrate creativity in costume decoration |
- Apply dye to prepared fabrics
- Use one primary color for dyeing - Ensure even application of dye - Remove ties after appropriate time - Rinse and dry decorated fabric - Clean working area thoroughly |
What factors affect the quality of tie-dye results?
|
- Mentor Creative Arts pg. 111
- Prepared tied fabrics - Dye (artificial or natural) - Containers for dyeing - Protective gloves and aprons - Cleaning supplies - Samples of beadwork - Recyclable materials for beads - Threading materials - Pictures of traditional beadwork |
- Observation
- Product assessment
- Technique application evaluation
- Working area maintenance
|
|
| 12 | 4 |
Performance and Display
|
Songs - Creating beadwork decorations for costumes
Songs - Selecting folk songs for group performance |
By the end of the
lesson, the learner
should be able to:
- Create beadwork decorations using recyclable materials - Apply color patterns in beadwork - Show creativity in costume design |
- Create beads from recyclable materials
- String beads in patterns - Apply beadwork to costume pieces - Focus on color, type of beads, and function - Display completed beadwork decorations |
How do color patterns in beadwork convey meaning?
|
- Mentor Creative Arts pg. 111
- Prepared recyclable beads - Threading materials - Costume pieces for decoration - Display materials - Audio recordings of folk songs - Charts with song lyrics - Role assignment sheets - Performance planning templates |
- Observation
- Product assessment
- Pattern application evaluation
- Creativity assessment
|
|
| 12 | 5 |
Performance and Display
|
Songs - Group performance of folk songs with correct diction
Songs - Playing percussion instruments to accompany folk songs Songs - Learning care and maintenance of instruments |
By the end of the
lesson, the learner
should be able to:
- Sing folk songs with correct diction - Perform assigned roles in group - Show confidence in cultural performance |
- Practice singing selected folk songs in groups
- Focus on correct pronunciation of words - Apply appropriate facial expressions and gestures - Perform in assigned roles (soloist, chorus) - Provide constructive feedback to peers |
How does correct diction affect song meaning?
|
- Mentor Creative Arts pg. 111
- Charts with song lyrics - Audio recordings for reference - Performance space - Decorated costumes - Percussion instruments (drums, shakers, rattles) - Charts showing rhythmic patterns - Audio recordings of accompanied songs - Mentor Creative Arts pg. 112 - Percussion instruments - Cleaning materials - Storage containers - Instrument care charts |
- Observation
- Performance assessment
- Diction evaluation
- Role fulfillment assessment
|
|
| 12 | 6 |
Performance and Display
|
Songs - Integrated folk song performance
Songs - Recording folk song performances Songs - Appreciation of percussion instruments in performances Songs - Cultural exchange through folk songs |
By the end of the
lesson, the learner
should be able to:
- Perform folk songs with instrumental accompaniment - Use decorated costumes in performance - Demonstrate cultural appreciation through performance |
- Rehearse folk songs with instrumental accompaniment
- Wear decorated costumes for performance - Apply all performance elements (expression, diction, gestures) - Perform for classmates - Receive and respond to feedback |
How do all performance elements work together in folk song presentation?
|
- Mentor Creative Arts pg. 112
- Percussion instruments - Decorated costumes - Performance space - Feedback forms - Digital recording devices - Playback equipment - Storage devices - Audio recordings with percussion - Pictures of traditional instruments - Poster-making materials - Audio recordings from different communities - Charts comparing song traditions - Cultural artifacts |
- Observation
- Performance assessment
- Integration evaluation
- Audience feedback
|
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