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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Creating and Execution
|
Netball - Introduction to macramé technique
Netball - Making a ball using macramé technique (1) |
By the end of the
lesson, the learner
should be able to:
- Explain what macramé technique is - Identify materials used in macramé technique - Observe safety measures when collecting materials |
- Learn that macramé is a type of art involving knotting techniques
-Identify decorative patterns and items made using macramé -Observe safety measures when using macramé materials -Collect clean materials for making a ball |
What is macramé technique and how is it used?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 25
-Macramé materials (yarns, strings, fabrics) -Scissors - Mentor Creative Arts Grade 4 Learner's Book, pg. 26 |
- Observation
-Oral questions
-Written assignments
|
|
| 1 | 2 |
Creating and Execution
|
Netball - Making a ball using macramé technique (2)
|
By the end of the
lesson, the learner
should be able to:
- Continue the ball-making process using macramé - Tie horizontal knots across vertical strings - Observe safety when using scissors |
- Continue tying knots vertically around the ball
-Overlap the strings as shown -Begin to tie horizontal strings -Tie horizontal strings across vertical strings -Ensure horizontal strings are firmly secured |
How are vertical and horizontal strings combined in macramé?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 26
-Macramé materials (yarns, strings, fabrics) -Scissors |
- Observation
-Project work
-Peer assessment
|
|
| 1 | 3 |
Creating and Execution
|
Netball - Completing a ball using macramé
Netball - Practicing Netball skills |
By the end of the
lesson, the learner
should be able to:
- Complete making a ball using macramé technique - Cut excess rope or string neatly - Show pride in completed work |
- Complete the criss-crossing pattern
-Cut excess rope or string using scissors -Show completed ball in class -Clean working space after completing the project |
How is a macramé ball project finalized?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 26
-Macramé materials (yarns, strings, fabrics) -Scissors - Mentor Creative Arts Grade 4 Learner's Book, pg. 27 -Netball balls -Open space -Markers |
- Observation
-Project work
-Peer assessment
|
|
| 1 | 4 |
Creating and Execution
|
Netball - Drawing playing Netball
|
By the end of the
lesson, the learner
should be able to:
- Draw a picture of family members playing Netball - Paint the picture using secondary colors - Value family recreational activities |
- Draw a picture of siblings and self playing Netball
-Paint the picture using secondary colors -Present the drawing to classmates -Discuss the importance of family recreational activities |
How can secondary colors be used effectively in painting?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 28
-Drawing paper -Paint -Brushes |
- Observation
-Project work
-Portfolio assessment
|
|
| 1 | 5 |
Creating and Execution
|
Netball - Color classification
Netball - Preparing materials for mixing colors |
By the end of the
lesson, the learner
should be able to:
- Classify colors into primary and secondary - Identify primary and secondary colors - Appreciate colors in the environment |
- Study primary colors (yellow, red, blue)
-Study secondary colors (green, orange, purple) -Observe pictures showing primary and secondary colors -Identify materials used in making secondary colors |
Why is color classification important?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 30
-Primary and secondary color charts -Paint -Brushes - Mentor Creative Arts Grade 4 Learner's Book, pg. 31 -Palettes -Water containers |
- Observation
-Oral questions
-Written assignments
|
|
| 1 | 6 |
Creating and Execution
|
Netball - Mixing primary colors (yellow and blue)
|
By the end of the
lesson, the learner
should be able to:
- Mix yellow and blue to create a secondary color - Identify the secondary color created - Show interest in color mixing |
- Pour a small amount of yellow paint on a palette
-Add an equal amount of blue paint -Mix the two colors using a paintbrush -Identify the secondary color created (green) -Clean brushes after mixing |
What secondary color is created by mixing yellow and blue?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 31
-Paint (yellow and blue) -Brushes -Palettes -Water containers |
- Observation
-Project work
-Oral questions
|
|
| 2 | 1 |
Creating and Execution
|
Netball - Mixing primary colors (red and yellow)
Netball - Mixing primary colors (red and blue) |
By the end of the
lesson, the learner
should be able to:
- Mix red and yellow to create a secondary color - Identify the secondary color created - Clean working area after mixing colors |
- Pour a small amount of red paint on a palette
-Add an equal amount of yellow paint -Mix the two colors using a paintbrush -Identify the secondary color created (orange) -Clean brushes after mixing |
What secondary color is created by mixing red and yellow?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 32
-Paint (red and yellow) -Brushes -Palettes -Water containers -Paint (red and blue) |
- Observation
-Project work
-Oral questions
|
|
| 2 | 2 |
Creating and Execution
|
Netball - Creating a color wheel
|
By the end of the
lesson, the learner
should be able to:
- Draw a color wheel - Color a color wheel using primary and secondary colors - Appreciate the relationship between colors |
- Draw a color wheel as shown
-Understand the key for the color wheel -Color the wheel using primary and secondary colors -Discuss the relationship between primary and secondary colors |
How does a color wheel show the relationship between colors?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 32
-Drawing paper -Paint -Brushes |
- Observation
-Project work
-Portfolio assessment
|
|
| 2 | 3 |
Creating and Execution
|
Netball - Color tones (light tones)
Netball - Mixing orange with white |
By the end of the
lesson, the learner
should be able to:
- Explain what tone is in color - Create light tones by adding white to a color - Value the importance of tonal variation |
- Learn that tone is the lightness or darkness of a color
-Understand that adding white makes a color lighter -Draw five equal rectangles to make a color strip -Prepare to mix secondary colors with white |
How does adding white affect the tone of a color?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 33
-Paint (secondary colors and white) -Brushes -Palettes -Drawing paper -Paint (orange and white) |
- Observation
-Oral questions
-Written assignments
|
|
| 2 | 4 |
Creating and Execution
|
Rhythm and Pattern Making - Introduction to rhythmic patterns
|
By the end of the
lesson, the learner
should be able to:
- Identify rhythmic activities - Clap or tap while counting - Show interest in rhythmic activities |
- Look at pictures of children doing rhythmic activities
-Clap hands or tap the table while counting 1, 2, 3, and 4 -Discuss different rhythmic activities -Share experiences of rhythmic activities |
How are rhythmic patterns created through clapping and tapping?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 42
-Digital devices |
- Observation
-Oral questions
-Demonstration
|
|
| 2 | 5 |
Creating and Execution
|
Rhythm and Pattern Making - Rhythm in songs
Rhythm and Pattern Making - Rhythm in words |
By the end of the
lesson, the learner
should be able to:
- Identify rhythm in a song - Clap the rhythm of words in a song - Appreciate rhythm in songs |
- Sing the song "Mary had a little lamb"
-Read the first line of the song -Read and clap the rhythm of the words -Sing while clapping the rhythm of the song -Discuss the importance of rhythm in songs |
How is rhythm identified in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 42
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 43 -Word cards |
- Observation
-Performance assessment
-Oral questions
|
|
| 2 | 6 |
Creating and Execution
|
Rhythm and Pattern Making - French rhythm names
|
By the end of the
lesson, the learner
should be able to:
- Identify the French rhythm name 'taa' - Identify the French rhythm name 'ta-te' - Match words with appropriate French rhythm names |
- Learn that words are made of syllables
-Learn that the French rhythm name 'taa' represents a long sound -Learn that the French rhythm name 'ta-te' represents two short sounds -Match words with their French rhythm names |
How are French rhythm names used to represent sounds?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 44
-Charts showing French rhythm names |
- Observation
-Oral questions
-Written assignments
|
|
| 3 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - Practicing French rhythm names
Rhythm and Pattern Making - Identifying rhythm in words |
By the end of the
lesson, the learner
should be able to:
- Recite French rhythm names - Clap rhythms while reciting French rhythm names - Show interest in rhythmic patterns |
- Recite French rhythm names
-Practice clapping rhythms while reciting -Sound the beat while clapping -Perform rhythmic patterns in groups |
How can French rhythm names be practiced through clapping?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 44
-Charts showing rhythmic patterns - Mentor Creative Arts Grade 4 Learner's Book, pg. 45 -Word cards |
- Observation
-Performance assessment
-Peer assessment
|
|
| 3 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Clapping syllables of words
|
By the end of the
lesson, the learner
should be able to:
- Clap as they recite words - Identify words with long sounds - Identify words with short sounds |
- Clap as they recite words (lion, sugarcane, pesa, ice)
-Identify words with long sounds -Identify words with short sounds -Fill in a table with words, syllables, and French rhythm names |
How are long and short sounds identified in words?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 45
-Word cards |
- Observation
-Oral questions
-Written assignments
|
|
| 3 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Note values and their French names
Rhythm and Pattern Making - Steady beat (clock) |
By the end of the
lesson, the learner
should be able to:
- Identify note values (crotchet and quavers) - Match note values with their French rhythm names - Value the importance of note values in music |
- Learn that long sounds and short sounds can be given French names
-Learn that the French rhythm name for a crotchet is 'taa' -Learn that a quaver has half a beat -Learn that the French rhythm name for a pair of quavers is 'ta-te' |
How are note values represented by French rhythm names?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 46
-Charts showing note values and French rhythm names - Mentor Creative Arts Grade 4 Learner's Book, pg. 47 -Clock |
- Observation
-Oral questions
-Written assignments
|
|
| 3 | 4 |
Creating and Execution
|
Rhythm and Pattern Making - Heartbeat rhythm
|
By the end of the
lesson, the learner
should be able to:
- Feel heartbeat - Imitate the sound of heartbeat - Compare heartbeat before and after running |
- Place hands on the left side of the chest
-Imitate the sound of the heartbeat -Clap the sound while reciting the crotchet French rhythm name -Feel heartbeat before and after running -Compare the difference in heartbeat |
How does the heartbeat relate to rhythm?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 47
-Open space for running |
- Observation
-Demonstration
-Oral questions
|
|
| 3 | 5 |
Creating and Execution
|
Rhythm and Pattern Making - Rhythm in children's song
Rhythm and Pattern Making - Note symbols and rests |
By the end of the
lesson, the learner
should be able to:
- Sing a children's song - Fill in a table with correct French rhythm names - Clap rhythm while saying French rhythm names |
- Sing the song "Rain Rain Go Away"
-Fill in a table with correct French rhythm names -Identify words with long sounds -Identify words with short sounds -Clap the rhythm while saying French rhythm names |
How can French rhythm names be applied to children's songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 48
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 49 -Charts showing note symbols and rests |
- Observation
-Performance assessment
-Written assignments
|
|
| 3 | 6 |
Creating and Execution
|
Rhythm and Pattern Making - Singing rhythm in songs
|
By the end of the
lesson, the learner
should be able to:
- Sing a song following rhythm - Recite French rhythm names of a song - Clap rhythm of a song |
- Sing the song "Peas Porridge Hot"
-Talk about the song's message -Recite the French rhythm names of the song -Sing while clapping the rhythm of the song -Perform the song in groups |
How can rhythm enhance the performance of songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 50
-Song charts |
- Observation
-Performance assessment
-Peer assessment
|
|
| 4 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - Clapping rhythm of songs
Rhythm and Pattern Making - Free hand lettering (1) |
By the end of the
lesson, the learner
should be able to:
- Sing songs while clapping the beat - Use French rhythm names while clapping - Work together in group performances |
- Sing the song "Are You Sleeping" while clapping the beat
-Clap using French rhythm names -Take turns to sing the song in groups -One group sings while the other claps the rhythm -Sing familiar songs and clap the rhythm |
How do singing and clapping complement each other?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 51
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 52 -Charts showing letters of the alphabet -Writing materials |
- Observation
-Performance assessment
-Peer assessment
|
|
| 4 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Free hand lettering (2)
|
By the end of the
lesson, the learner
should be able to:
- Understand what free hand lettering is - Identify ascending and descending letters - Value proper letter formation |
- Learn that free hand lettering refers to writing letters without using tools
-Learn about proper letter position -Understand that ascenders include d, f, h, k, l, t -Understand that descenders include g, j, p, q, y -Identify letters without ascenders or descenders |
Why is proper letter formation important in free hand lettering?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 53
-Charts showing letters with ascenders and descenders -Writing materials |
- Observation
-Oral questions
-Written assignments
|
|
| 4 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Writing French rhythm names
Composing Melody - Introduction to melody |
By the end of the
lesson, the learner
should be able to:
- Observe examples of written French rhythm names - Write French rhythm names using free hand lettering - Value neat presentation of written work |
- Observe examples of written French rhythm names
-Practice writing French rhythm names using free hand lettering -Write various rhythm patterns using French rhythm names -Share work with friends and give feedback |
How are French rhythm names written correctly using free hand lettering?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 54
-Writing materials -Charts showing French rhythm names - Mentor Creative Arts Grade 4 Learner's Book, pg. 65 -Song charts |
- Observation
-Written work
-Peer assessment
|
|
| 4 | 4 |
Creating and Execution
|
Composing Melody - Sol-fa syllables and ladder
|
By the end of the
lesson, the learner
should be able to:
- Identify sol-fa syllables d, r, m - Sing up and down the sol-fa ladder - Value the importance of sol-fa in music |
- Observe the sol-fa ladder
-Sing d r m up the ladder -Sing m r d down the ladder -Identify which sol-fa syllable sounds the highest -Identify which sol-fa syllable sounds the lowest |
How does the sol-fa ladder represent pitch?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 66
-Sol-fa ladder chart |
- Observation
-Performance assessment
-Oral questions
|
|
| 4 | 5 |
Creating and Execution
|
Composing Melody - Performing melodies
Composing Melody - Sol-fa in "Go to sleep" |
By the end of the
lesson, the learner
should be able to:
- Perform simple melodies using sol-fa syllables - Work together in group performances - Give constructive feedback on performances |
- Perform three given melodies
-Sing in groups -Comment on each group's performance -Discuss challenges faced during performance -Suggest ways to improve |
How can melodies be performed effectively?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 66
-Charts showing melodies - Mentor Creative Arts Grade 4 Learner's Book, pg. 67 -Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Peer assessment
|
|
| 4 | 6 |
Creating and Execution
|
Composing Melody - Sol-fa in "Hot cross bun"
|
By the end of the
lesson, the learner
should be able to:
- Search for the melody of "Hot cross bun" - Fill in correct sol-fa syllables - Sing with correct pitching |
- Search for the melody of "Hot cross bun" using digital devices
-Sing the song -Fill in the correct sol-fa syllables -Note that the melody begins on 'm' -Sing the sol-fa syllables correctly |
How can digital devices help in learning melodies?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 68
-Digital devices -Song charts |
- Observation
-Performance assessment
-Written assignments
|
|
| 5 | 1 |
Creating and Execution
|
Composing Melody - Hand signs for sol-fa syllables
Composing Melody - Practicing sol-fa with hand signs |
By the end of the
lesson, the learner
should be able to:
- Watch a video of Kodaly hand signs - Imitate hand signs for sol-fa syllables - Show correct hand signs to friends |
- Watch a video of Kodaly hand signs
-Imitate the hand signs for sol-fa syllables d, r, m -Show friends the hand signs for sol-fa syllables -Learn the correct hand position for each sol-fa syllable |
How do hand signs help in learning sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 69
-Digital devices -Charts showing hand signs |
- Observation
-Demonstration
-Peer assessment
|
|
| 5 | 2 |
Creating and Execution
|
Composing Melody - Hand signs in "Mary had a little lamb"
|
By the end of the
lesson, the learner
should be able to:
- Sing "Mary had a little lamb" with hand signs - Follow sol-fa syllables in the song - Appreciate hand signs as learning tools |
- Sing "Mary had a little lamb" while performing hand signs
-Follow the sol-fa syllables provided for the song -Perform the song in groups -Give feedback on each other's performance |
How can hand signs be applied to familiar songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 70
-Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Peer assessment
|
|
| 5 | 3 |
Creating and Execution
|
Composing Melody - Free hand lettering of sol-fa
Composing Melody - Identifying sol-fa in songs |
By the end of the
lesson, the learner
should be able to:
- Study artwork showing lettering - Write letters neatly in exercise book - Value neatness in written work |
- Study artwork showing lettering
-Identify what is shown in the pictures -Write letters neatly in exercise book -Practice writing sol-fa syllables using free hand lettering |
How can free hand lettering be applied to sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 71
-Writing materials -Digital devices |
- Observation
-Written work
-Peer assessment
|
|
| 5 | 4 |
Creating and Execution
|
Composing Melody - Steps to identify sol-fa
|
By the end of the
lesson, the learner
should be able to:
- Follow steps to identify sol-fa notes - Sing along to recordings - Identify 'd' syllable in songs |
- Learn steps to identify sol-fa notes in a song
-Sing along to recordings or hum to melodies -Practice singing sol-fa syllables up and down -Identify the 'd' syllable as a reference point -Note down sol-fa syllables in songs |
What steps help in identifying sol-fa notes in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 72
-Digital devices -Song recordings |
- Observation
-Oral questions
-Demonstration
|
|
| 5 | 5 |
Creating and Execution
|
Composing Melody - Stepwise motion
Composing Melody - Sound duration in melody |
By the end of the
lesson, the learner
should be able to:
- Sing a song with stepwise motion - Identify how sol-fa syllables are connected - Identify repeated sol-fa syllables |
- Sing the song "All through the night"
-Identify how sol-fa syllables are connected -Identify which sol-fa syllables are repeated -Show sol-fa syllables following each other using hand signs -Learn about stepwise motion in melody |
What is stepwise motion in a melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 72
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 73 -Song charts |
- Observation
-Performance assessment
-Oral questions
|
|
| 5 | 6 |
Creating and Execution
|
Composing Melody - Starting and ending melodies
|
By the end of the
lesson, the learner
should be able to:
- Sing "Go to sleep" with sol-fa syllables - Identify starting and ending sol-fa syllables - Value proper melody construction |
- Sing "Go to sleep" with sol-fa syllables
-Identify which syllable the song starts on -Identify which syllable the song ends on -Discuss how the song sounds when ending -Learn about starting and ending on 'd' |
Why is starting and ending on 'd' important in melodies?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 74
-Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Oral questions
|
|
| 6 | 1 |
Creating and Execution
|
Composing Melody - Creating short melodies
Composing Melody - Creating melodies with rhythm |
By the end of the
lesson, the learner
should be able to:
- Follow guidelines for creating melodies - Complete given melody patterns - Create original melodies using d, r, m |
- Learn guidelines for creating melodies using d, r, m
-Complete given melody patterns -Compose original melodies using d, r, m -Ensure melodies start and end on 'd' -Share melodies with classmates |
How can short melodies be created using d, r, m?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 75
-Writing materials |
- Observation
-Project work
-Peer assessment
|
|
| 6 | 2 |
Creating and Execution
|
Composing Melody - Making clay slabs (1)
|
By the end of the
lesson, the learner
should be able to:
- Identify techniques for making sol-fa syllables with clay - Prepare clay for making slabs - Show interest in clay work |
- Learn about two techniques for making sol-fa syllables
-Prepare clay by kneading to make it smooth -Cut a lump of clay and place on polythene paper -Discuss clay preparation techniques |
What techniques are used for making sol-fa syllables with clay?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 76
-Clay -Polythene paper -Ruler |
- Observation
-Project work
-Oral questions
|
|
| 6 | 3 |
Creating and Execution
Performance and Display Performance and Display |
Composing Melody - Making clay slabs (2)
Athletics - Introduction to sprint starts and sprinting techniques Athletics - Medium sprint start technique demonstration |
By the end of the
lesson, the learner
should be able to:
- Roll clay to create even slabs - Mark out rectangular shapes of different sizes - Cut out clay slabs neatly |
- Take a rolling pin and roll clay
-Mark out rectangular shapes of different sizes -Cut out the shapes carefully -Ensure the slabs are of even thickness -Set aside to partially dry |
How are clay slabs prepared for making sol-fa models?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 76
-Clay -Rolling pin -Cutting tools - Mentor Creative Arts pg. 80 - Digital devices for video demonstrations - Open space for practical activities - Mentor Creative Arts pg. 82 - Open space with marked lines - Digital devices for recording performances |
- Observation
-Project work
-Peer assessment
|
|
| 6 | 4 |
Performance and Display
|
Athletics - Medium sprint start technique demonstration
Athletics - Medium sprint start technique practice Athletics - Elongated sprint start technique demonstration |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the "set" position in medium sprint start - Execute the starting movement following "go" command - Value the importance of proper technique in athletic performance |
- Practice the "set" position with hips raised higher than shoulders
- Practice the starting movement on "go" command - Practice the complete sequence: "on your marks, set, go" - Give feedback to peers on their medium sprint start technique |
How does the "set" position prepare a runner for an effective start?
|
- Mentor Creative Arts pg. 83
- Open space with marked starting line - Whistle - Mentor Creative Arts pg. 84 - Open space with marked starting and finishing lines - Mentor Creative Arts pg. 85 - Digital devices for video demonstrations - Open space for practice |
- Observation
- Peer assessment
- Skill progression charts
|
|
| 6 | 5 |
Performance and Display
|
Athletics - Elongated sprint start technique practice
Athletics - Body posture, acceleration, transition, and finish in sprinting Athletics - Sprinting techniques practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the "on your marks" position in elongated sprint start - Execute the "set" and "go" positions in elongated sprint start - Show interest in mastering different sprint start techniques |
- Practice the elongated sprint start "on your marks" position
- Practice the "set" position with raised hips and bent knees - Practice the "go" command with proper takeoff technique - Mark starting and finishing lines for practice |
Which sprint start technique provides better acceleration?
|
- Mentor Creative Arts pg. 86
- Open space with marked starting and finishing lines - Whistle - Mentor Creative Arts pg. 87 - Digital devices for video clips - Open space for demonstration - Mentor Creative Arts pg. 88 - Open space with marked lines - Stopwatch |
- Observation
- Performance analysis
- Peer assessment
|
|
| 6 | 6 |
Performance and Display
|
Athletics - Reading and understanding the Kenya National Anthem
Athletics - Singing the Kenya National Anthem in groups |
By the end of the
lesson, the learner
should be able to:
- Read through the words of the Kenya National Anthem - Discuss the meaning and message of the anthem - Appreciate the role of the national anthem during athletic events |
- Read the words of the Kenya National Anthem
- Discuss the meaning and message of each stanza - Explore the importance of the anthem during athletic events - Learn about proper etiquette during anthem performance |
Why is the Kenya National Anthem performed during an athletic event?
|
- Mentor Creative Arts pg. 91
- Chart with Kenya National Anthem words - Audio recording of Kenya National Anthem - Audio recording of Kenya National Anthem - Chart with Kenya National Anthem words |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 1 |
Performance and Display
|
Athletics - Studying the Kenyan flag colors and arrangement
|
By the end of the
lesson, the learner
should be able to:
- Identify the colors of the Kenyan flag - Describe the arrangement of colors on the flag - Appreciate the symbolism of the Kenyan flag |
- Search for images of the Kenyan flag from virtual sources
- Study the colors and their arrangement on the flag - Discuss the symbolism of each color and the shield - Watch video clips about the Kenyan flag |
What does the Kenyan flag symbolize?
|
- Mentor Creative Arts pg. 90
- Digital devices for searching images - Chart showing the Kenyan flag |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 2 |
Performance and Display
|
Athletics - Sketching and painting the Kenyan flag
Athletics - Attaching the flag to a suitable handle |
By the end of the
lesson, the learner
should be able to:
- Sketch the Kenyan flag on paper - Paint the flag using the correct colors - Value the importance of neatness in artwork |
- Sketch the Kenyan flag on paper
- Paint the flag observing the correct color arrangement - Apply proper painting techniques for neat results - Display completed flags for peer feedback |
How should colors be arranged on the Kenyan flag?
|
- Mentor Creative Arts pg. 91
- Paper, pencils, rulers - Paints (black, red, green, white) - Brushes - Mentor Creative Arts pg. 92 - Completed painted flags - Materials for handles (sticks, dowels) - Glue |
- Observation
- Project assessment
- Peer critique
|
|
| 7 | 3 |
Performance and Display
|
Athletics - Practicing medium starts in pairs
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate medium start technique in pairs - Give constructive feedback to peers on their technique - Show willingness to improve through practice |
- Work in pairs to practice medium sprint starts
- Focus on proper arm and leg action during starts - Give feedback to partners on their technique - Refine technique based on feedback received |
How does partnered practice improve sprint start technique?
|
- Mentor Creative Arts pg. 89
- Open space with marked starting lines - Whistle |
- Observation
- Peer assessment
- Skill progression charts
|
|
| 7 | 4 |
Performance and Display
|
Athletics - Practicing sprinting technique in pairs
Athletics - Participating in sprint competitions |
By the end of the
lesson, the learner
should be able to:
- Execute sprinting technique with proper body alignment - Maintain maximum speed during a sprint - Value the role of practice in improving performance |
- Practice proper sprinting technique in pairs
- Focus on start, arm and leg action, and finish - Mark lines to practice sprinting for short distances - Provide feedback to partners on technique |
What are the key elements of proper sprinting technique?
|
- Mentor Creative Arts pg. 89
- Open space with marked lines - Stopwatch - Open space with marked track - Whistle |
- Observation
- Performance analysis
- Peer assessment
|
|
| 7 | 5 |
Performance and Display
|
Athletics - Participating in sprint competitions
|
By the end of the
lesson, the learner
should be able to:
- Apply learned techniques in sprint races - Run to and from marked points with maximum speed - Show enthusiasm for athletic competitions |
- Mark starting and finishing lines for races
- Take turns to run races with maximum speed - Cheer for classmates during races - Use a stopwatch to time performances |
How can timing performances help improve sprint technique?
|
- Mentor Creative Arts pg. 90
- Open space with marked lines - Stopwatch - Whistle |
- Observation
- Performance analysis
- Timed results
|
|
| 7 | 6 |
Performance and Display
|
Athletics - Recording and critiquing sprint performances
Athletics - Importance of the flag and anthem during events |
By the end of the
lesson, the learner
should be able to:
- Record sprint performances using digital devices - Critique application of sprint techniques in recordings - Appreciate the use of technology in improving performance |
- Use digital devices to record sprint performances
- Play back recordings for analysis - Critique application of starting and sprinting techniques - Identify areas for improvement based on recordings |
How can recording performances help improve athletic technique?
|
- Mentor Creative Arts pg. 90
- Digital devices for recording - Open space for sprint activities - Playback equipment - Mentor Creative Arts pg. 92 - Pictures of athletic events with flag raising - Painted flags with handles - Audio recording of Kenya National Anthem |
- Observation
- Performance analysis
- Self-assessment
|
|
| 8 | 1 |
Performance and Display
|
Athletics - Sprint competition with flag and anthem
Athletics - Athletic event appreciation |
By the end of the
lesson, the learner
should be able to:
- Participate in organized sprint competition - Sing the Kenya National Anthem before competition - Display appropriate behavior during flag raising ceremony |
- Organize a complete sprint competition event
- Begin with flag raising and anthem singing - Participate in sprint races applying learned techniques - Award winners at the end of the competition |
How do ceremonial elements enhance athletic competitions?
|
- Mentor Creative Arts pg. 92
- Open space with marked track - Kenyan flags - Audio equipment for anthem - Stopwatch - Charts showing sprint techniques - Digital devices with recorded performances |
- Observation
- Performance analysis
- Competition results
|
|
| 8 | 2 |
Performance and Display
|
Athletics - Sprint skills assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate mastery of sprint starts and techniques - Explain the symbolism of the Kenyan flag - Show pride in national symbols during athletic events |
- Demonstrate medium and elongated sprint starts
- Show proper sprinting technique in short races - Explain the importance of the flag and anthem in athletics - Demonstrate proper flag handling and anthem etiquette |
How do athletics and national symbols connect to form a complete sporting experience?
|
- Mentor Creative Arts pg. 92
- Open space with marked track - Kenyan flags - Assessment sheets |
- Observation
- Performance assessment
- Oral evaluation
|
|
| 8 | 3 |
Performance and Display
|
Gymnastics - Introduction to balances and rolls in gymnastics
Gymnastics - Crab balance demonstration and practice |
By the end of the
lesson, the learner
should be able to:
- Define gymnastic balances and rolls - Identify different types of balances and rolls - Show interest in learning gymnastic skills |
- Observe pictures/videos of gymnastic balances and rolls
- Discuss different types of balances (head, crab) and rolls (backward, side) - Share personal experiences with gymnastics - Explore safety considerations in gymnastics |
How does performance of rolls and balances enhance gymnastics?
|
- Mentor Creative Arts pg. 94
- Digital devices for video demonstrations - Pictures of gymnastic positions - Safe practice area with mats - Mentor Creative Arts pg. 95 |
- Observation
- Oral questions
- Written assignments
|
|
| 8 | 4 |
Performance and Display
|
Gymnastics - Crab balance technique practice
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate pushing up into crab balance position - Maintain the crab balance position for several seconds - Show confidence in performing gymnastic skills |
- Practice placing hands below shoulders with fingers pointing to feet
- Practice lifting hips up into full crab position - Maintain the position while shifting weight to hands and legs - Practice lowering from the position safely |
What muscles are engaged during the crab balance?
|
- Mentor Creative Arts pg. 95
- Safe practice area with mats - Demonstration charts |
- Observation
- Performance analysis
- Self-assessment
|
|
| 8 | 5 |
Performance and Display
|
Gymnastics - Side roll demonstration and practice
Gymnastics - Side roll technique practice |
By the end of the
lesson, the learner
should be able to:
- Describe the steps of performing side roll - Demonstrate starting position for side roll - Value the importance of proper technique in gymnastics |
- Watch video clip/demonstration of side roll
- Observe body positioning, starting and finishing positions - Discuss how to maintain balance during the roll - Practice sitting position with bent knees for side roll |
How does tucking the head affect the side roll movement?
|
- Mentor Creative Arts pg. 96
- Digital devices for video demonstrations - Safe practice area with mats - Mentor Creative Arts pg. 97 - Safe practice area with mats - Demonstration charts |
- Observation
- Skill progression chart
- Peer assessment
|
|
| 8 | 6 |
Performance and Display
|
Gymnastics - Singing patriotic songs during warm-up
|
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs suitable for warm-up - Sing patriotic songs with proper diction during warm-up - Appreciate the role of music in physical activities |
- Select appropriate patriotic songs for warm-up
- Practice singing songs with proper diction and rhythm - Perform general warm-up exercises while singing - Discuss how music enhances physical activities |
How does music support the performance of gymnastics?
|
- Mentor Creative Arts pg. 100
- Audio recordings of patriotic songs - Charts with song lyrics - Open space for warm-up activities |
- Observation
- Performance assessment
- Peer feedback
|
|
| 9 | 1 |
Performance and Display
|
Gymnastics - Playing rhythmic percussion instruments
Gymnastics - Practicing the crab balance and side roll in pairs |
By the end of the
lesson, the learner
should be able to:
- Identify percussion instruments for accompaniment - Play simple rhythms on percussion instruments - Show interest in combining music with gymnastics |
- Select appropriate percussion instruments (shakers, rattles, drum)
- Practice playing simple rhythmic patterns - Discuss how rhythm can complement gymnastic movements - Play instruments to accompany simple movements |
How do percussion instruments enhance gymnastic activities?
|
- Mentor Creative Arts pg. 97
- Percussion instruments (shakers, rattles, drums) - Demonstration charts of rhythmic patterns - Safe practice area with mats - Markers (lime or ash) for circles - Assessment checklists |
- Observation
- Performance assessment
- Peer feedback
|
|
| 9 | 2 |
Performance and Display
|
Gymnastics - Group performance with percussion
|
By the end of the
lesson, the learner
should be able to:
- Perform crab balance and side roll in sequence - Accompany performances with percussion instruments - Demonstrate teamwork in group performances |
- Form two groups for alternate performances
- One group performs while the other plays percussion - Mark circles on the ground for performance areas - Alternate roles between performing and playing instruments |
How does group performance enhance individual skills?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for circles - Percussion instruments |
- Observation
- Group performance assessment
- Peer feedback
|
|
| 9 | 3 |
Performance and Display
|
Gymnastics - Relay performance practice
Gymnastics - Reciting French rhythm names during roll performance |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance as a mobility technique - Execute side roll as part of a sequence - Show enthusiasm for gymnastic activities |
- Mark two lines for relay activities
- Practice crab balance walk from one line to another - Perform side roll to return to starting position - Cheer for teammates during performances |
What coordination skills are needed for gymnastic sequences?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for lines - Whistle - Cones for targets |
- Observation
- Performance analysis
- Team assessment
|
|
| 9 | 4 |
Performance and Display
|
Gymnastics - Crab balance with rhythmic patterns
|
By the end of the
lesson, the learner
should be able to:
- Perform crab balance with rhythmic movement - Coordinate movement with French rhythm names - Value the integration of rhythm and gymnastics |
- Mark a square on the ground for activity
- Stand at corners of the square - Perform crab balance on command - Move in crab walk while chanting 'taa' and 'ta-te' - Match steps to rhythm pattern |
How does rhythmic chanting improve coordination during crab walk?
|
- Mentor Creative Arts pg. 99
- Safe practice area with mats - Markers for square - Rhythm charts |
- Observation
- Performance analysis
- Coordination assessment
|
|
| 9 | 5 |
Performance and Display
|
Gymnastics - Peer assessment of gymnastics skills
Gymnastics - Group game with gymnastic skills |
By the end of the
lesson, the learner
should be able to:
- Evaluate peers' performance of gymnastic skills - Provide constructive feedback - Demonstrate respect for others' efforts |
- Create assessment checklists for gymnastic skills
- Observe partners performing crab balance and side roll - Complete checklists indicating strengths and areas for improvement - Share feedback in supportive manner |
How does assessment contribute to skill development?
|
- Mentor Creative Arts pg. 99
- Safe practice area with mats - Assessment checklists - Pencils - Mentor Creative Arts pg. 100 - Safe practice area - Audio recording of song - Open space for game |
- Observation
- Peer assessment
- Written evaluation
|
|
| 9 | 6 |
Performance and Display
|
Gymnastics - Using digital devices to photograph gymnastics performances
|
By the end of the
lesson, the learner
should be able to:
- Take photographs of gymnastic performances - Focus on center of interest in photography - Show interest in documenting physical activities |
- Use digital devices to take photographs of crab balance and side roll
- Focus on center of interest in photographs - Take multiple shots from different angles - Review photographs for clarity and focus |
Why is the center of interest important in photography?
|
- Mentor Creative Arts pg. 97
- Digital devices with cameras - Safe practice area for gymnastics - Display equipment for reviewing photos |
- Observation
- Photo quality assessment
- Peer feedback
|
|
| 10 | 1 |
Performance and Display
|
Gymnastics - Creating a portfolio of gymnastics photographs
Gymnastics - Home practice and documentation |
By the end of the
lesson, the learner
should be able to:
- Select appropriate photographs for portfolio - Store photographs in organized manner - Appreciate visual documentation of physical activities |
- Review photographs taken of gymnastic activities
- Select best photographs showing clear technique - Create digital folder/portfolio for storage - Organize photographs by skill type |
How can photography help improve gymnastic technique?
|
- Mentor Creative Arts pg. 98
- Digital devices with photography - Computer for portfolio organization - Photographs from previous lesson - Mentor Creative Arts pg. 100 - Planning templates - Digital devices for recording - List of safe home activities |
- Observation
- Portfolio assessment
- Self-evaluation
|
|
| 10 | 2 |
Performance and Display
|
Gymnastics - Skills assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate mastery of crab balance and side roll - Perform to rhythmic accompaniment - Show confidence in gymnastic abilities |
- Demonstrate crab balance and side roll individually
- Perform to rhythmic accompaniment of percussion or chanting - Evaluate own performance against criteria - Receive feedback from teacher and peers |
What progress have you made in gymnastics skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment checklists - Percussion instruments |
- Observation
- Performance assessment
- Self-evaluation
|
|
| 10 | 3 |
Performance and Display
|
Gymnastics - Self and peer assessment
Gymnastics - Skills integration |
By the end of the
lesson, the learner
should be able to:
- Evaluate own gymnastic performance - Assess peers' performances objectively - Appreciate the value of assessment in learning |
- Review criteria for successful gymnastic skills
- Perform crab balance and side roll for assessment - Complete self-assessment forms - Provide constructive feedback to peers |
How does assessment contribute to skill mastery?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment forms - Pencils - Percussion instruments - Audio equipment |
- Self-assessment
- Peer assessment
- Teacher observation
|
|
| 10 | 4 |
Performance and Display
|
Descant Recorder - Exploring and identifying parts of a descant recorder
|
By the end of the
lesson, the learner
should be able to:
- Identify the parts of a descant recorder - Name the function of each part - Show interest in learning about musical instruments |
- Observe pictures/actual descant recorder
- Identify front and back views of the recorder - Name the parts (head joint, middle joint, foot joint) - Discuss the function of each part |
How can one identify the parts of a descant recorder?
|
- Mentor Creative Arts pg. 125
- Descant recorders - Charts showing recorder parts - Pictures of recorders |
- Observation
- Oral questions
- Labeling activities
|
|
| 10 | 5 |
Performance and Display
|
Descant Recorder - Learning to hold and blow the descant recorder
Descant Recorder - Assembling and disassembling the recorder |
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct posture for holding recorder - Position mouth correctly on the mouthpiece - Appreciate the importance of proper technique |
- Study pictures of correct recorder holding position
- Practice holding the recorder with proper hand position - Position mouth correctly on the mouthpiece - Practice producing sound by gentle blowing |
How is a good tone produced on the descant recorder?
|
- Mentor Creative Arts pg. 129
- Descant recorders - Charts showing correct posture - Disinfectant wipes - Mentor Creative Arts pg. 128 - Charts showing assembly steps - Demonstration models |
- Observation
- Performance assessment
- Peer feedback
|
|
| 10 | 6 |
Performance and Display
|
Descant Recorder - Learning care and maintenance of the recorder
|
By the end of the
lesson, the learner
should be able to:
- Describe methods of caring for a descant recorder - Demonstrate cleaning of the recorder - Show responsibility in instrument care |
- Study pictures of recorder cleaning
- Discuss ways of caring for and maintaining recorder - Demonstrate using cleaning rod and cloth - Discuss importance of not sharing recorders - Practice safe storage techniques |
Why is proper care of the descant recorder important?
|
- Mentor Creative Arts pg. 129
- Descant recorders - Cleaning rods - Clean cloths - Storage cases |
- Observation
- Oral questions
- Demonstration assessment
|
|
| 11 | 1 |
Performance and Display
|
Descant Recorder - Health considerations with recorders
Descant Recorder - Practicing holding and blowing with appropriate fingering |
By the end of the
lesson, the learner
should be able to:
- Explain the importance of hygiene with recorders - Identify diseases that can be caused by sharing - Value personal hygiene in music activities |
- Discuss importance of avoiding sharing recorders
- Identify communicable diseases related to sharing - Demonstrate proper cleaning before and after use - Practice proper storage to maintain hygiene |
Why is hygiene important when using the descant recorder?
|
- Mentor Creative Arts pg. 130
- Descant recorders - Cleaning supplies - Charts on hygiene - Storage cases - Finger position charts - Demonstration models |
- Observation
- Oral questions
- Written assignments
|
|
| 11 | 2 |
Performance and Display
|
Descant Recorder - Collecting materials for making a recorder case
|
By the end of the
lesson, the learner
should be able to:
- Identify suitable materials for recorder case - Select appropriate materials based on function - Show creativity in resource selection |
- Discuss purposes of a recorder case
- Identify suitable materials (fabric, leather, yarn) - Collect recyclable materials for case making - Sort and prepare materials for use |
What materials are suitable for making a recorder case?
|
- Mentor Creative Arts pg. 132
- Sample materials (fabric, leather, yarn) - Recyclable materials - Storage containers |
- Observation
- Material selection assessment
- Resource collection evaluation
|
|
| 11 | 3 |
Performance and Display
|
Descant Recorder - Making a decorated case
Descant Recorder - Embellishing the case with found objects |
By the end of the
lesson, the learner
should be able to:
- Create a case using appropriate technique - Apply color variation in case design - Value creativity in instrument accessories |
- Demonstrate stitching technique for fabric/leather case
- Practice crocheting technique for yarn case - Apply color variation in design - Size case appropriately for recorder |
What techniques can be used to create a functional recorder case?
|
- Mentor Creative Arts pg. 132
- Collected materials - Needles, thread - Crochet hooks - Scissors - Completed recorder cases - Found objects for decoration - Adhesives, thread |
- Observation
- Project assessment
- Creativity evaluation
|
|
| 11 | 4 |
Performance and Display
|
Descant Recorder - Learning to play note B
|
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note B - Produce correct sound for note B - Show interest in playing musical notes |
- Watch demonstrations/videos of playing note B
- Practice closing back hole with left thumb - Place first finger of left hand on first hole - Support recorder with right hand thumb - Blow gently to produce B note |
How is note B played on the descant recorder?
|
- Mentor Creative Arts pg. 133
- Descant recorders - Charts showing B fingering - Digital devices for demonstrations |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
| 11 | 5 |
Performance and Display
|
Descant Recorder - Learning to play note A
Descant Recorder - Learning to play note G |
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note A - Produce correct sound for note A - Show confidence in playing musical notes |
- Watch demonstrations/videos of playing note A
- Practice closing back hole with left thumb - Place first and second fingers on appropriate holes - Support recorder with right hand thumb - Blow gently to produce A note |
How is note A played on the descant recorder?
|
- Mentor Creative Arts pg. 134
- Descant recorders - Charts showing A fingering - Digital devices for demonstrations - Mentor Creative Arts pg. 135 - Charts showing G fingering |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
| 11 | 6 |
Performance and Display
|
Descant Recorder - Practicing appropriate playing techniques
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct posture when playing - Apply appropriate blowing technique - Show perseverance in developing skills |
- Practice correct sitting/standing posture
- Focus on gentle blowing for clear tone - Practice correct finger positioning for each note - Apply appropriate breath control |
What contributes to good tone production on the recorder?
|
- Mentor Creative Arts pg. 136
- Descant recorders - Charts showing proper technique - Mirror for self-observation |
- Observation
- Performance assessment
- Technique evaluation
|
|
| 12 | 1 |
Performance and Display
|
Descant Recorder - Playing combined note patterns
Descant Recorder - Playing simple melodies |
By the end of the
lesson, the learner
should be able to:
- Play simple patterns combining G, A, B - Transition smoothly between notes - Demonstrate growing confidence in playing |
- Practice combined note patterns using G, A, B
- Focus on clean transitions between notes - Play simple exercises with alternating notes - Apply proper fingering technique |
How does finger movement affect note transitions?
|
- Mentor Creative Arts pg. 137
- Descant recorders - Combined note pattern charts - Transition exercises - Mentor Creative Arts pg. 138 - Notation for "Merrily We Roll Along" - Audio recording of melody |
- Observation
- Performance assessment
- Transition fluency evaluation
|
|
| 12 | 2 |
Performance and Display
|
Descant Recorder - Playing additional melodies
|
By the end of the
lesson, the learner
should be able to:
- Play "Hot Cross Buns" and other simple melodies - Apply correct fingering for each note - Demonstrate growing musical confidence |
- Practice playing "Hot Cross Buns" and other melodies
- Form groups for practice and performance - Take turns playing the melodies - Focus on note transitions and rhythm accuracy - Provide feedback to group members |
How does group practice enhance melody learning?
|
- Mentor Creative Arts pg. 139
- Descant recorders - Notation for "Hot Cross Buns" and other melodies - Audio recordings of melodies |
- Observation
- Performance assessment
- Group participation evaluation
|
|
| 12 | 3 |
Performance and Display
|
Songs - Introduction to different types of songs
Songs - Sacred songs |
By the end of the
lesson, the learner
should be able to:
- Identify different types of songs - Discuss how songs are used to pass messages - Show interest in learning about songs |
- Discuss how songs are used to pass messages
- Identify different types of songs (sacred, patriotic, folk) - Study pictures of people singing in different settings - Share personal experiences with songs - Discuss occasions for different song types |
What contributes towards a good performance?
|
- Mentor Creative Arts pg. 101
- Pictures of people singing in different settings - Audio recordings of different song types - Chart showing song categories - Mentor Creative Arts pg. 102 - Audio recordings of sacred songs - Pictures of worship settings - Chart with song lyrics |
- Observation
- Oral questions
- Written assignments
|
|
| 12 | 4 |
Performance and Display
|
Songs - Singing sacred songs expressively
|
By the end of the
lesson, the learner
should be able to:
- Sing sacred songs with proper expression - Apply appropriate tempo and dynamics - Value expression in musical performance |
- Practice singing sacred songs with expression
- Explore fast/loud and slow/soft variations - Discuss feelings when singing different ways - Add hand clapping or table tapping for rhythm - Perform songs with appropriate expression |
How do tempo and dynamics affect the message of a song?
|
- Mentor Creative Arts pg. 102
- Audio recordings of sacred songs - Chart with song lyrics - Rhythm instruments |
- Observation
- Performance assessment
- Expression evaluation
|
|
| 12 | 5 |
Performance and Display
|
Songs - Patriotic songs
Songs - Singing patriotic songs expressively |
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs and their purpose - Describe characteristics of patriotic songs - Show pride in national songs |
- Study pictures of patriotic performances
- Listen to "Tuishangilie Kenya" and other patriotic songs - Discuss the message in patriotic songs - Explore the tempo and dynamics of patriotic songs - Learn about occasions for patriotic songs |
What messages are conveyed through patriotic songs?
|
- Mentor Creative Arts pg. 104
- Audio recordings of patriotic songs - Chart with patriotic song lyrics - Pictures of national celebrations - Performance space |
- Observation
- Oral questions
- Listening assessment
|
|
| 12 | 6 |
Performance and Display
|
Songs - Introduction to folk songs
|
By the end of the
lesson, the learner
should be able to:
- Define folk songs as traditional songs - Identify types of folk songs - Show interest in cultural musical heritage |
- Discuss meaning of folk songs
- Explore different types of folk songs (work, funeral, naming, initiation, marriage, worship) - Listen to examples of various folk songs - Identify communities of origin for songs - Discuss occasions for different folk songs |
How do Kenyan communities use folk songs?
|
- Mentor Creative Arts pg. 106
- Audio/video recordings of folk songs - Chart showing folk song categories - Map of Kenyan communities |
- Observation
- Oral questions
- Listening assessment
|
|
| 13 | 1 |
Performance and Display
|
Songs - Work folk songs
Songs - Naming folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify work folk songs and their purpose - Sing a work folk song with appropriate expression - Value cultural traditions in music |
- Listen to examples of work folk songs
- Discuss the purpose of work songs - Learn a work folk song from a Kenyan community - Practice singing with appropriate expression - Perform work-related movements while singing |
What is the purpose of work folk songs?
|
- Mentor Creative Arts pg. 106
- Audio/video recordings of work folk songs - Chart with song lyrics - Pictures of traditional work activities - Audio/video recordings of naming folk songs - Pictures of naming ceremonies |
- Observation
- Performance assessment
- Movement coordination evaluation
|
|
| 13 | 2 |
Performance and Display
|
Songs - Initiation folk songs
|
By the end of the
lesson, the learner
should be able to:
- Identify initiation folk songs and their purpose - Sing an initiation folk song with proper expression - Respect cultural transition ceremonies |
- Study pictures of initiation ceremonies
- Listen to examples of initiation folk songs - Discuss the purpose of initiation songs - Learn an initiation folk song - Perform song with appropriate expression and gestures |
What messages are conveyed in initiation folk songs?
|
- Mentor Creative Arts pg. 108
- Audio/video recordings of initiation folk songs - Chart with song lyrics - Pictures of initiation ceremonies |
- Observation
- Performance assessment
- Cultural understanding evaluation
|
|
| 13 | 3 |
Performance and Display
|
Songs - Marriage folk songs
Songs - Worship folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify marriage folk songs and their purpose - Sing a marriage folk song with appropriate expression - Value cultural marriage traditions |
- Study pictures of marriage ceremonies
- Listen to examples of marriage folk songs - Learn "Mueni" Akamba marriage folk song - Discuss the message of the song - Perform with appropriate expression and gestures |
What is the purpose of marriage folk songs?
|
- Mentor Creative Arts pg. 109
- Audio/video recordings of marriage folk songs - Chart with "Mueni" lyrics and translation - Pictures of marriage ceremonies - Mentor Creative Arts pg. 110 - Audio/video recordings of worship folk songs - Chart with "Geithia mundu" lyrics and translation - Pictures of traditional worship settings |
- Observation
- Performance assessment
- Cultural understanding evaluation
|
|
| 13 | 4 |
Performance and Display
|
Songs - Exploring indigenous methods of costume decoration
|
By the end of the
lesson, the learner
should be able to:
- Identify indigenous costume decoration methods - Describe tie-dye and beadwork techniques - Value traditional craft techniques |
- Watch videos/observe pictures of decorated costumes
- Identify decoration techniques (tie-dye, beadwork) - Explore materials used in traditional decoration - Discuss significance of designs and colors - Examine samples of decorated costumes |
How do Kenyan communities decorate costumes for performing folk songs?
|
- Mentor Creative Arts pg. 111
- Pictures of decorated costumes - Samples of decorated fabrics - Videos of costume decoration techniques - Charts showing decoration methods |
- Observation
- Oral questions
- Written assignments
|
|
| 13 | 5 |
Performance and Display
|
Songs - Learning tie-dye techniques for costume decoration
Songs - Applying dye to fabric for costume decoration |
By the end of the
lesson, the learner
should be able to:
- Explain the process of tie-dye - Prepare fabric for tie-dye decoration - Show interest in traditional craft techniques |
- Demonstrate tie-dye circle technique
- Prepare fabric by folding and tying - Discuss use of natural vs. artificial dyes - Practice tying techniques for different patterns - Prepare fabrics for dyeing |
What traditional materials are used for dyeing fabrics?
|
- Mentor Creative Arts pg. 111
- Fabric for tie-dye - String/rubber bands for tying - Samples of tie-dye patterns - Demonstration charts - Prepared tied fabrics - Dye (artificial or natural) - Containers for dyeing - Protective gloves and aprons - Cleaning supplies |
- Observation
- Technique demonstration assessment
- Pattern preparation evaluation
|
|
| 13 | 6 |
Performance and Display
|
Songs - Learning beadwork techniques for costume decoration
|
By the end of the
lesson, the learner
should be able to:
- Explain beadwork decoration techniques - Identify recyclable materials for beadwork - Value sustainability in craft making |
- Explore traditional beadwork techniques
- Identify recyclable materials for beads - Discuss color and pattern significance - Collect materials for beadwork - Practice simple beading techniques |
What materials can be recycled to create decorative beads?
|
- Mentor Creative Arts pg. 111
- Samples of beadwork - Recyclable materials for beads - Threading materials - Pictures of traditional beadwork |
- Observation
- Material selection assessment
- Technique demonstration evaluation
|
|
| 14 | 1 |
Performance and Display
|
Songs - Creating beadwork decorations for costumes
Songs - Selecting folk songs for group performance |
By the end of the
lesson, the learner
should be able to:
- Create beadwork decorations using recyclable materials - Apply color patterns in beadwork - Show creativity in costume design |
- Create beads from recyclable materials
- String beads in patterns - Apply beadwork to costume pieces - Focus on color, type of beads, and function - Display completed beadwork decorations |
How do color patterns in beadwork convey meaning?
|
- Mentor Creative Arts pg. 111
- Prepared recyclable beads - Threading materials - Costume pieces for decoration - Display materials - Audio recordings of folk songs - Charts with song lyrics - Role assignment sheets - Performance planning templates |
- Observation
- Product assessment
- Pattern application evaluation
- Creativity assessment
|
|
| 14 | 2 |
Performance and Display
|
Songs - Group performance of folk songs with correct diction
|
By the end of the
lesson, the learner
should be able to:
- Sing folk songs with correct diction - Perform assigned roles in group - Show confidence in cultural performance |
- Practice singing selected folk songs in groups
- Focus on correct pronunciation of words - Apply appropriate facial expressions and gestures - Perform in assigned roles (soloist, chorus) - Provide constructive feedback to peers |
How does correct diction affect song meaning?
|
- Mentor Creative Arts pg. 111
- Charts with song lyrics - Audio recordings for reference - Performance space - Decorated costumes |
- Observation
- Performance assessment
- Diction evaluation
- Role fulfillment assessment
|
|
| 14 | 3 |
Performance and Display
|
Songs - Playing percussion instruments to accompany folk songs
Songs - Learning care and maintenance of instruments |
By the end of the
lesson, the learner
should be able to:
- Play simple rhythms on percussion instruments - Accompany folk songs with percussion - Value the role of instruments in performance |
- Select appropriate percussion instruments
- Demonstrate techniques (hitting, shaking, plucking) - Practice simple rhythmic patterns - Accompany folk songs with percussion - Coordinate instrumental parts with singing |
How do percussion instruments enhance folk song performances?
|
- Mentor Creative Arts pg. 111
- Percussion instruments (drums, shakers, rattles) - Charts showing rhythmic patterns - Audio recordings of accompanied songs - Mentor Creative Arts pg. 112 - Percussion instruments - Cleaning materials - Storage containers - Instrument care charts |
- Observation
- Performance assessment
- Rhythm accuracy evaluation
- Coordination assessment
|
|
| 14 | 4 |
Performance and Display
|
Songs - Integrated folk song performance
|
By the end of the
lesson, the learner
should be able to:
- Perform folk songs with instrumental accompaniment - Use decorated costumes in performance - Demonstrate cultural appreciation through performance |
- Rehearse folk songs with instrumental accompaniment
- Wear decorated costumes for performance - Apply all performance elements (expression, diction, gestures) - Perform for classmates - Receive and respond to feedback |
How do all performance elements work together in folk song presentation?
|
- Mentor Creative Arts pg. 112
- Percussion instruments - Decorated costumes - Performance space - Feedback forms |
- Observation
- Performance assessment
- Integration evaluation
- Audience feedback
|
|
| 14 | 5 |
Performance and Display
|
Songs - Recording folk song performances
Songs - Appreciation of percussion instruments in performances |
By the end of the
lesson, the learner
should be able to:
- Perform folk songs for recording - Evaluate recorded performances - Value technology in preserving cultural expressions |
- Use digital devices to record performances
- Perform folk songs for recording - Review recordings for quality and improvement - Store recordings in digital portfolio - Discuss potential uses for recordings |
How can recording technology preserve cultural heritage?
|
- Mentor Creative Arts pg. 112
- Digital recording devices - Performance space - Playback equipment - Storage devices - Audio recordings with percussion - Percussion instruments - Pictures of traditional instruments - Poster-making materials |
- Observation
- Recording quality assessment
- Performance evaluation
- Digital portfolio management
|
|
| 14 | 6 |
Performance and Display
|
Songs - Cultural exchange through folk songs
|
By the end of the
lesson, the learner
should be able to:
- Perform folk songs from different communities - Compare folk song traditions across cultures - Value cultural diversity through music |
- Share folk songs from different communities
- Identify similarities and differences in traditions - Learn elements of songs from other communities - Discuss values expressed in different traditions - Create cultural exchange performance |
How do folk songs promote cultural understanding?
|
- Mentor Creative Arts pg. 112
- Audio recordings from different communities - Charts comparing song traditions - Performance space - Cultural artifacts |
- Observation
- Comparative analysis assessment
- Performance evaluation
- Cultural sensitivity observation
|
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