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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Creating and Execution
|
Composing Melody - Introduction to melody
|
By the end of the
lesson, the learner
should be able to:
- Sing a lullaby - Hum the melody of a song - Identify high and low sounds in a song |
- Sing the song "Go to sleep"
-Hum the song -Compare singing and humming the song -Identify parts of the song that sound high -Identify parts of the song that sound low -Learn about pitch in music |
How are high and low sounds identified in a melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 65
-Song charts |
- Observation
-Performance assessment
-Oral questions
|
|
| 2 | 2 |
Creating and Execution
|
Composing Melody - Sol-fa syllables and ladder
Composing Melody - Performing melodies |
By the end of the
lesson, the learner
should be able to:
- Identify sol-fa syllables d, r, m - Sing up and down the sol-fa ladder - Value the importance of sol-fa in music |
- Observe the sol-fa ladder
-Sing d r m up the ladder -Sing m r d down the ladder -Identify which sol-fa syllable sounds the highest -Identify which sol-fa syllable sounds the lowest |
How does the sol-fa ladder represent pitch?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 66
-Sol-fa ladder chart -Charts showing melodies |
- Observation
-Performance assessment
-Oral questions
|
|
| 2 | 3 |
Creating and Execution
|
Composing Melody - Sol-fa in "Go to sleep"
Composing Melody - Sol-fa in "Hot cross bun" |
By the end of the
lesson, the learner
should be able to:
- Identify sol-fa syllables in "Go to sleep" - Sing the song using sol-fa syllables - Hum the melody of the song |
- Study the sol-fa syllables for "Go to sleep"
-Sing the song -Sing the sol-fa syllables for the song -Hum the song -Discuss patterns in the sol-fa syllables |
How are sol-fa syllables used in lullabies?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 67
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 68 -Digital devices -Song charts |
- Observation
-Performance assessment
-Oral questions
|
|
| 2 | 4 |
Creating and Execution
|
Composing Melody - Hand signs for sol-fa syllables
Composing Melody - Practicing sol-fa with hand signs |
By the end of the
lesson, the learner
should be able to:
- Watch a video of Kodaly hand signs - Imitate hand signs for sol-fa syllables - Show correct hand signs to friends |
- Watch a video of Kodaly hand signs
-Imitate the hand signs for sol-fa syllables d, r, m -Show friends the hand signs for sol-fa syllables -Learn the correct hand position for each sol-fa syllable |
How do hand signs help in learning sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 69
-Digital devices -Charts showing hand signs |
- Observation
-Demonstration
-Peer assessment
|
|
| 3 | 1 |
Creating and Execution
|
Composing Melody - Hand signs in "Mary had a little lamb"
Composing Melody - Free hand lettering of sol-fa |
By the end of the
lesson, the learner
should be able to:
- Sing "Mary had a little lamb" with hand signs - Follow sol-fa syllables in the song - Appreciate hand signs as learning tools |
- Sing "Mary had a little lamb" while performing hand signs
-Follow the sol-fa syllables provided for the song -Perform the song in groups -Give feedback on each other's performance |
How can hand signs be applied to familiar songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 70
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 71 -Writing materials |
- Observation
-Performance assessment
-Peer assessment
|
|
| 3 | 2 |
Creating and Execution
|
Composing Melody - Identifying sol-fa in songs
Composing Melody - Steps to identify sol-fa |
By the end of the
lesson, the learner
should be able to:
- Sing a simple song to classmates - Identify sol-fa syllables in the song - Record self using digital device |
- Sing a simple song to classmates
-Let friends identify the sol-fa syllables -Sing the sol-fa pitches using hand signs -Record self using a digital device -Share recording with teacher |
How can sol-fa syllables be identified in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 71
-Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 72 -Song recordings |
- Observation
-Performance assessment
-Project work
|
|
| 3 | 3 |
Creating and Execution
|
Composing Melody - Stepwise motion
Composing Melody - Sound duration in melody Composing Melody - Starting and ending melodies |
By the end of the
lesson, the learner
should be able to:
- Sing a song with stepwise motion - Identify how sol-fa syllables are connected - Identify repeated sol-fa syllables |
- Sing the song "All through the night"
-Identify how sol-fa syllables are connected -Identify which sol-fa syllables are repeated -Show sol-fa syllables following each other using hand signs -Learn about stepwise motion in melody |
What is stepwise motion in a melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 72
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 73 -Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 74 |
- Observation
-Performance assessment
-Oral questions
|
|
| 3 | 4 |
Creating and Execution
|
Composing Melody - Creating short melodies
Composing Melody - Creating melodies with rhythm |
By the end of the
lesson, the learner
should be able to:
- Follow guidelines for creating melodies - Complete given melody patterns - Create original melodies using d, r, m |
- Learn guidelines for creating melodies using d, r, m
-Complete given melody patterns -Compose original melodies using d, r, m -Ensure melodies start and end on 'd' -Share melodies with classmates |
How can short melodies be created using d, r, m?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 75
-Writing materials |
- Observation
-Project work
-Peer assessment
|
|
| 4 | 1 |
Creating and Execution
|
Composing Melody - Making clay slabs (1)
Composing Melody - Making clay slabs (2) |
By the end of the
lesson, the learner
should be able to:
- Identify techniques for making sol-fa syllables with clay - Prepare clay for making slabs - Show interest in clay work |
- Learn about two techniques for making sol-fa syllables
-Prepare clay by kneading to make it smooth -Cut a lump of clay and place on polythene paper -Discuss clay preparation techniques |
What techniques are used for making sol-fa syllables with clay?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 76
-Clay -Polythene paper -Ruler -Rolling pin -Cutting tools |
- Observation
-Project work
-Oral questions
|
|
| 4 | 2 |
Performance and Display
|
Athletics - Introduction to sprint starts and sprinting techniques
Athletics - Medium sprint start technique demonstration Athletics - Medium sprint start technique demonstration Athletics - Medium sprint start technique practice Athletics - Elongated sprint start technique demonstration |
By the end of the
lesson, the learner
should be able to:
- Define sprinting as running at high speed over short distances - Describe different types of sprint starts for races - Show interest in learning about athletics |
- Observe pictures of learners in sprinting positions
- Discuss different types of sprint starts (medium and elongated) - Share personal experiences about participating in sprinting activities - Watch demonstration/video clips of different sprint starts |
Why is appropriate posture important in sprinting?
|
- Mentor Creative Arts pg. 80
- Digital devices for video demonstrations - Open space for practical activities - Mentor Creative Arts pg. 82 - Open space with marked lines - Digital devices for recording performances - Mentor Creative Arts pg. 83 - Open space with marked starting line - Whistle - Mentor Creative Arts pg. 84 - Open space with marked starting and finishing lines - Mentor Creative Arts pg. 85 - Open space for practice |
- Observation
- Oral questions
- Written assignments
|
|
| 4 | 3 |
Performance and Display
|
Athletics - Elongated sprint start technique practice
Athletics - Body posture, acceleration, transition, and finish in sprinting Athletics - Sprinting techniques practice Athletics - Reading and understanding the Kenya National Anthem |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the "on your marks" position in elongated sprint start - Execute the "set" and "go" positions in elongated sprint start - Show interest in mastering different sprint start techniques |
- Practice the elongated sprint start "on your marks" position
- Practice the "set" position with raised hips and bent knees - Practice the "go" command with proper takeoff technique - Mark starting and finishing lines for practice |
Which sprint start technique provides better acceleration?
|
- Mentor Creative Arts pg. 86
- Open space with marked starting and finishing lines - Whistle - Mentor Creative Arts pg. 87 - Digital devices for video clips - Open space for demonstration - Mentor Creative Arts pg. 88 - Open space with marked lines - Stopwatch - Mentor Creative Arts pg. 91 - Chart with Kenya National Anthem words - Audio recording of Kenya National Anthem |
- Observation
- Performance analysis
- Peer assessment
|
|
| 4 | 4 |
Performance and Display
|
Athletics - Singing the Kenya National Anthem in groups
Athletics - Studying the Kenyan flag colors and arrangement |
By the end of the
lesson, the learner
should be able to:
- Sing the Kenya National Anthem with proper pronunciation - Apply appropriate tempo when singing the anthem - Show respect while singing the national anthem |
- Practice singing the Kenya National Anthem in groups
- Focus on accuracy in tune and proper pronunciation - Maintain appropriate tempo during singing - Observe appropriate etiquette during anthem performance |
How does singing the national anthem promote patriotism?
|
- Mentor Creative Arts pg. 91
- Audio recording of Kenya National Anthem - Chart with Kenya National Anthem words - Mentor Creative Arts pg. 90 - Digital devices for searching images - Chart showing the Kenyan flag |
- Observation
- Performance analysis
- Peer assessment
|
|
| 5 | 1 |
Performance and Display
|
Athletics - Sketching and painting the Kenyan flag
Athletics - Attaching the flag to a suitable handle |
By the end of the
lesson, the learner
should be able to:
- Sketch the Kenyan flag on paper - Paint the flag using the correct colors - Value the importance of neatness in artwork |
- Sketch the Kenyan flag on paper
- Paint the flag observing the correct color arrangement - Apply proper painting techniques for neat results - Display completed flags for peer feedback |
How should colors be arranged on the Kenyan flag?
|
- Mentor Creative Arts pg. 91
- Paper, pencils, rulers - Paints (black, red, green, white) - Brushes - Mentor Creative Arts pg. 92 - Completed painted flags - Materials for handles (sticks, dowels) - Glue |
- Observation
- Project assessment
- Peer critique
|
|
| 5 | 2 |
Performance and Display
|
Athletics - Practicing medium starts in pairs
Athletics - Practicing sprinting technique in pairs |
By the end of the
lesson, the learner
should be able to:
- Demonstrate medium start technique in pairs - Give constructive feedback to peers on their technique - Show willingness to improve through practice |
- Work in pairs to practice medium sprint starts
- Focus on proper arm and leg action during starts - Give feedback to partners on their technique - Refine technique based on feedback received |
How does partnered practice improve sprint start technique?
|
- Mentor Creative Arts pg. 89
- Open space with marked starting lines - Whistle - Open space with marked lines - Stopwatch |
- Observation
- Peer assessment
- Skill progression charts
|
|
| 5 | 3 |
Performance and Display
|
Athletics - Participating in sprint competitions
|
By the end of the
lesson, the learner
should be able to:
- Apply sprint start and sprinting techniques in competition - Participate actively in organized sprint events - Demonstrate sportsmanship during competition |
- Organize sprint competitions in groups
- Apply learned sprint starts and running techniques - Participate in hurray, back and forth activity - Practice two push-ups and run activity |
How does competition enhance learning of athletic skills?
|
- Mentor Creative Arts pg. 89
- Open space with marked track - Whistle - Stopwatch - Mentor Creative Arts pg. 90 - Open space with marked lines - Stopwatch - Whistle |
- Observation
- Performance analysis
- Competition results
|
|
| 5 | 4 |
Performance and Display
|
Athletics - Recording and critiquing sprint performances
Athletics - Importance of the flag and anthem during events Athletics - Sprint competition with flag and anthem |
By the end of the
lesson, the learner
should be able to:
- Record sprint performances using digital devices - Critique application of sprint techniques in recordings - Appreciate the use of technology in improving performance |
- Use digital devices to record sprint performances
- Play back recordings for analysis - Critique application of starting and sprinting techniques - Identify areas for improvement based on recordings |
How can recording performances help improve athletic technique?
|
- Mentor Creative Arts pg. 90
- Digital devices for recording - Open space for sprint activities - Playback equipment - Mentor Creative Arts pg. 92 - Pictures of athletic events with flag raising - Painted flags with handles - Audio recording of Kenya National Anthem - Open space with marked track - Kenyan flags - Audio equipment for anthem - Stopwatch |
- Observation
- Performance analysis
- Self-assessment
|
|
| 6 | 1 |
Performance and Display
|
Athletics - Athletic event appreciation
Athletics - Sprint skills assessment |
By the end of the
lesson, the learner
should be able to:
- Identify the sprint starts learned in sprinting - Describe the sprinting techniques learned - Appreciate the value of athletics in physical development |
- Review different sprint starts learned (medium, elongated)
- Summarize sprinting techniques learned throughout the unit - Discuss the importance of recovery after athletic activities - Share experiences from participating in sprint events |
What have we learned about sprint techniques that can help us in future athletic activities?
|
- Mentor Creative Arts pg. 92
- Charts showing sprint techniques - Digital devices with recorded performances - Open space with marked track - Kenyan flags - Assessment sheets |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 2 |
Performance and Display
|
Gymnastics - Introduction to balances and rolls in gymnastics
Gymnastics - Crab balance demonstration and practice |
By the end of the
lesson, the learner
should be able to:
- Define gymnastic balances and rolls - Identify different types of balances and rolls - Show interest in learning gymnastic skills |
- Observe pictures/videos of gymnastic balances and rolls
- Discuss different types of balances (head, crab) and rolls (backward, side) - Share personal experiences with gymnastics - Explore safety considerations in gymnastics |
How does performance of rolls and balances enhance gymnastics?
|
- Mentor Creative Arts pg. 94
- Digital devices for video demonstrations - Pictures of gymnastic positions - Safe practice area with mats - Mentor Creative Arts pg. 95 |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 3 |
Performance and Display
|
Gymnastics - Crab balance technique practice
Gymnastics - Side roll demonstration and practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate pushing up into crab balance position - Maintain the crab balance position for several seconds - Show confidence in performing gymnastic skills |
- Practice placing hands below shoulders with fingers pointing to feet
- Practice lifting hips up into full crab position - Maintain the position while shifting weight to hands and legs - Practice lowering from the position safely |
What muscles are engaged during the crab balance?
|
- Mentor Creative Arts pg. 95
- Safe practice area with mats - Demonstration charts - Mentor Creative Arts pg. 96 - Digital devices for video demonstrations - Safe practice area with mats |
- Observation
- Performance analysis
- Self-assessment
|
|
| 6 | 4 |
Performance and Display
|
Gymnastics - Side roll technique practice
Gymnastics - Singing patriotic songs during warm-up |
By the end of the
lesson, the learner
should be able to:
- Demonstrate shifting weight to shoulders during side roll - Execute complete side roll with proper technique - Show perseverance in mastering gymnastic skills |
- Practice lowering shoulder and head to either side
- Practice shifting body weight to shoulders - Execute full side roll with proper technique - Practice standing back to starting position after roll |
What is the importance of sequence in performing side roll?
|
- Mentor Creative Arts pg. 97
- Safe practice area with mats - Demonstration charts - Mentor Creative Arts pg. 100 - Audio recordings of patriotic songs - Charts with song lyrics - Open space for warm-up activities |
- Observation
- Performance analysis
- Self-assessment
|
|
| 7 | 1 |
Performance and Display
|
Gymnastics - Playing rhythmic percussion instruments
Gymnastics - Practicing the crab balance and side roll in pairs |
By the end of the
lesson, the learner
should be able to:
- Identify percussion instruments for accompaniment - Play simple rhythms on percussion instruments - Show interest in combining music with gymnastics |
- Select appropriate percussion instruments (shakers, rattles, drum)
- Practice playing simple rhythmic patterns - Discuss how rhythm can complement gymnastic movements - Play instruments to accompany simple movements |
How do percussion instruments enhance gymnastic activities?
|
- Mentor Creative Arts pg. 97
- Percussion instruments (shakers, rattles, drums) - Demonstration charts of rhythmic patterns - Safe practice area with mats - Markers (lime or ash) for circles - Assessment checklists |
- Observation
- Performance assessment
- Peer feedback
|
|
| 7 | 2 |
Performance and Display
|
Gymnastics - Group performance with percussion
Gymnastics - Relay performance practice Gymnastics - Reciting French rhythm names during roll performance |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance and side roll in sequence - Accompany performances with percussion instruments - Demonstrate teamwork in group performances |
- Form two groups for alternate performances
- One group performs while the other plays percussion - Mark circles on the ground for performance areas - Alternate roles between performing and playing instruments |
How does group performance enhance individual skills?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for circles - Percussion instruments - Markers for lines - Whistle - Cones for targets |
- Observation
- Group performance assessment
- Peer feedback
|
|
| 7 | 3 |
Performance and Display
|
Gymnastics - Crab balance with rhythmic patterns
Gymnastics - Peer assessment of gymnastics skills |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance with rhythmic movement - Coordinate movement with French rhythm names - Value the integration of rhythm and gymnastics |
- Mark a square on the ground for activity
- Stand at corners of the square - Perform crab balance on command - Move in crab walk while chanting 'taa' and 'ta-te' - Match steps to rhythm pattern |
How does rhythmic chanting improve coordination during crab walk?
|
- Mentor Creative Arts pg. 99
- Safe practice area with mats - Markers for square - Rhythm charts - Assessment checklists - Pencils |
- Observation
- Performance analysis
- Coordination assessment
|
|
| 7 | 4 |
Performance and Display
|
Gymnastics - Group game with gymnastic skills
Gymnastics - Using digital devices to photograph gymnastics performances |
By the end of the
lesson, the learner
should be able to:
- Integrate gymnastic skills into group games - Sing songs during group activities - Show enjoyment in combining skills with games |
- Form two groups (taggers and runners)
- Sing "Watoto Wangu" song during activity - Run from taggers after song - Perform crab balance when tagged - Pass under crab balance to save tagged players |
How do games enhance the practice of gymnastic skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area - Audio recording of song - Open space for game - Mentor Creative Arts pg. 97 - Digital devices with cameras - Safe practice area for gymnastics - Display equipment for reviewing photos |
- Observation
- Participation assessment
- Group dynamics evaluation
|
|
| 8 |
Midterm break |
||||||||
| 9 | 1 |
Performance and Display
|
Gymnastics - Creating a portfolio of gymnastics photographs
Gymnastics - Home practice and documentation |
By the end of the
lesson, the learner
should be able to:
- Select appropriate photographs for portfolio - Store photographs in organized manner - Appreciate visual documentation of physical activities |
- Review photographs taken of gymnastic activities
- Select best photographs showing clear technique - Create digital folder/portfolio for storage - Organize photographs by skill type |
How can photography help improve gymnastic technique?
|
- Mentor Creative Arts pg. 98
- Digital devices with photography - Computer for portfolio organization - Photographs from previous lesson - Mentor Creative Arts pg. 100 - Planning templates - Digital devices for recording - List of safe home activities |
- Observation
- Portfolio assessment
- Self-evaluation
|
|
| 9 | 2 |
Performance and Display
|
Gymnastics - Skills assessment
Gymnastics - Self and peer assessment |
By the end of the
lesson, the learner
should be able to:
- Demonstrate mastery of crab balance and side roll - Perform to rhythmic accompaniment - Show confidence in gymnastic abilities |
- Demonstrate crab balance and side roll individually
- Perform to rhythmic accompaniment of percussion or chanting - Evaluate own performance against criteria - Receive feedback from teacher and peers |
What progress have you made in gymnastics skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment checklists - Percussion instruments - Assessment forms - Pencils |
- Observation
- Performance assessment
- Self-evaluation
|
|
| 9 | 3 |
Performance and Display
|
Gymnastics - Skills integration
Descant Recorder - Exploring and identifying parts of a descant recorder Descant Recorder - Learning to hold and blow the descant recorder |
By the end of the
lesson, the learner
should be able to:
- Combine crab balance and side roll in sequence - Perform to musical or rhythmic accompaniment - Show creativity in gymnastic performance |
- Create short sequences combining crab balance and side roll
- Add musical or rhythmic accompaniment - Perform sequences individually or in pairs - Provide feedback on integrated performances |
How does combining skills enhance gymnastic routines?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Percussion instruments - Audio equipment - Mentor Creative Arts pg. 125 - Descant recorders - Charts showing recorder parts - Pictures of recorders - Mentor Creative Arts pg. 129 - Charts showing correct posture - Disinfectant wipes |
- Observation
- Performance assessment
- Creativity evaluation
|
|
| 9 | 4 |
Performance and Display
|
Descant Recorder - Assembling and disassembling the recorder
Descant Recorder - Learning care and maintenance of the recorder |
By the end of the
lesson, the learner
should be able to:
- Separate recorder into its component parts - Reassemble recorder correctly - Value careful handling of musical instruments |
- Practice separating recorder into three pieces
- Connect head joint to middle joint correctly - Attach foot joint to assembled parts - Position finger holes correctly for playing - Test assembled recorder by gentle blowing |
Why is correct assembly important for recorder playing?
|
- Mentor Creative Arts pg. 128
- Descant recorders - Charts showing assembly steps - Demonstration models - Mentor Creative Arts pg. 129 - Cleaning rods - Clean cloths - Storage cases |
- Observation
- Performance assessment
- Sequential task evaluation
|
|
| 10 | 1 |
Performance and Display
|
Descant Recorder - Health considerations with recorders
Descant Recorder - Practicing holding and blowing with appropriate fingering |
By the end of the
lesson, the learner
should be able to:
- Explain the importance of hygiene with recorders - Identify diseases that can be caused by sharing - Value personal hygiene in music activities |
- Discuss importance of avoiding sharing recorders
- Identify communicable diseases related to sharing - Demonstrate proper cleaning before and after use - Practice proper storage to maintain hygiene |
Why is hygiene important when using the descant recorder?
|
- Mentor Creative Arts pg. 130
- Descant recorders - Cleaning supplies - Charts on hygiene - Storage cases - Finger position charts - Demonstration models |
- Observation
- Oral questions
- Written assignments
|
|
| 10 | 2 |
Performance and Display
|
Descant Recorder - Collecting materials for making a recorder case
Descant Recorder - Making a decorated case |
By the end of the
lesson, the learner
should be able to:
- Identify suitable materials for recorder case - Select appropriate materials based on function - Show creativity in resource selection |
- Discuss purposes of a recorder case
- Identify suitable materials (fabric, leather, yarn) - Collect recyclable materials for case making - Sort and prepare materials for use |
What materials are suitable for making a recorder case?
|
- Mentor Creative Arts pg. 132
- Sample materials (fabric, leather, yarn) - Recyclable materials - Storage containers - Collected materials - Needles, thread - Crochet hooks - Scissors |
- Observation
- Material selection assessment
- Resource collection evaluation
|
|
| 10 | 3 |
Performance and Display
|
Descant Recorder - Embellishing the case with found objects
Descant Recorder - Learning to play note B |
By the end of the
lesson, the learner
should be able to:
- Select appropriate objects for embellishment - Attach objects securely to case - Demonstrate creative expression in design |
- Select found objects for embellishment
- Attach objects securely to recorder case - Ensure functionality is maintained - Present completed cases for feedback |
How does embellishment enhance the recorder case design?
|
- Mentor Creative Arts pg. 132
- Completed recorder cases - Found objects for decoration - Adhesives, thread - Mentor Creative Arts pg. 133 - Descant recorders - Charts showing B fingering - Digital devices for demonstrations |
- Observation
- Project assessment
- Peer critique
|
|
| 10 | 4 |
Performance and Display
|
Descant Recorder - Learning to play note A
Descant Recorder - Learning to play note G |
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note A - Produce correct sound for note A - Show confidence in playing musical notes |
- Watch demonstrations/videos of playing note A
- Practice closing back hole with left thumb - Place first and second fingers on appropriate holes - Support recorder with right hand thumb - Blow gently to produce A note |
How is note A played on the descant recorder?
|
- Mentor Creative Arts pg. 134
- Descant recorders - Charts showing A fingering - Digital devices for demonstrations - Mentor Creative Arts pg. 135 - Charts showing G fingering |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
| 11 | 1 |
Performance and Display
|
Descant Recorder - Practicing appropriate playing techniques
Descant Recorder - Playing combined note patterns Descant Recorder - Playing simple melodies |
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct posture when playing - Apply appropriate blowing technique - Show perseverance in developing skills |
- Practice correct sitting/standing posture
- Focus on gentle blowing for clear tone - Practice correct finger positioning for each note - Apply appropriate breath control |
What contributes to good tone production on the recorder?
|
- Mentor Creative Arts pg. 136
- Descant recorders - Charts showing proper technique - Mirror for self-observation - Mentor Creative Arts pg. 137 - Combined note pattern charts - Transition exercises - Mentor Creative Arts pg. 138 - Notation for "Merrily We Roll Along" - Audio recording of melody |
- Observation
- Performance assessment
- Technique evaluation
|
|
| 11 | 2 |
Performance and Display
|
Descant Recorder - Playing additional melodies
Swimming - Introduction to crouch and standing surface dives |
By the end of the
lesson, the learner
should be able to:
- Play "Hot Cross Buns" and other simple melodies - Apply correct fingering for each note - Demonstrate growing musical confidence |
- Practice playing "Hot Cross Buns" and other melodies
- Form groups for practice and performance - Take turns playing the melodies - Focus on note transitions and rhythm accuracy - Provide feedback to group members |
How does group practice enhance melody learning?
|
- Mentor Creative Arts pg. 139
- Descant recorders - Notation for "Hot Cross Buns" and other melodies - Audio recordings of melodies - Mentor Creative Arts pg. 144 - Digital devices for video demonstrations - Pictures of surface dives - Charts showing dive progressions |
- Observation
- Performance assessment
- Group participation evaluation
|
|
| 11 | 3 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Introduction to appreciation in Creative Arts
Analysis of Creative Arts works - Aesthetic appreciation |
By the end of the
lesson, the learner
should be able to:
- Explain the concept of appreciation in Creative Arts - Identify the key aspects of art appreciation - Show interest in analyzing Creative Arts works |
- Research and brainstorm on the concept of appreciation
- Discuss aspects of appreciation (behavior, aesthetic, skills, message, feedback, care) - Share personal experiences with artwork appreciation - Explore the importance of art appreciation |
What is the importance of analysis in Creative Arts?
|
- Mentor Creative Arts pg. 160
- Pictures of various Creative Arts works - Digital devices for research - Charts showing appreciation aspects - Mentor Creative Arts pg. 161 - Samples of various Creative Arts works - Charts showing aesthetic elements - Digital devices for viewing art examples |
- Observation
- Oral questions
- Written assignments
|
|
| 11 | 4 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Skills appreciation
Analysis of Creative Arts works - Message appreciation |
By the end of the
lesson, the learner
should be able to:
- Identify skills displayed in Creative Arts works - Describe techniques used by artists - Appreciate craftsmanship in artwork |
- Examine skills demonstrated in various artworks
- Discuss techniques used in different art forms - Compare skill levels in different examples - Practice identifying techniques and skills - Express appreciation for craftsmanship |
How can we recognize skills in Creative Arts works?
|
- Mentor Creative Arts pg. 161
- Samples of artworks showing different skills - Charts showing various techniques - Videos of artists demonstrating skills - Mentor Creative Arts pg. 162 - Samples of message-rich artworks - Charts showing communication techniques - Cultural context information - Discussion prompts |
- Observation
- Oral questions
- Skills identification assessment
|
|
| 12 | 1 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Giving constructive feedback
Analysis of Creative Arts works - Proper care of artwork |
By the end of the
lesson, the learner
should be able to:
- Explain the importance of constructive feedback - Give specific and helpful feedback on artwork - Respect others' creative expressions |
- Discuss the purpose and value of feedback
- Learn techniques for constructive criticism - Practice giving specific and helpful comments - Explore how feedback helps artists improve - Role-play feedback scenarios |
How does constructive feedback contribute to artistic growth?
|
- Mentor Creative Arts pg. 162
- Samples of artworks for critique - Feedback guideline charts - Role-play scenario cards - Mentor Creative Arts pg. 163 - Various artworks for demonstration - Care materials (cloths, containers) - Charts showing care procedures - Storage and display examples |
- Observation
- Feedback quality assessment
- Role-play participation
|
|
| 12 | 2 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Selecting artwork for display
Analysis of Creative Arts works - Preparing display areas and props |
By the end of the
lesson, the learner
should be able to:
- Select appropriate artworks for display - Explain criteria for artwork selection - Value the showcase of creative work |
- Discuss criteria for selecting artwork for display
- Review previously created artworks - Select pieces that meet display criteria - Explain reasons for selections - Prepare selected works for display |
What criteria determine artwork selection for display?
|
- Mentor Creative Arts pg. 163
- Previously created artworks - Selection criteria charts - Display preparation materials - Selection worksheets - Mentor Creative Arts pg. 164 - Display materials (boards, stands) - Label creation supplies - Mounting materials - Decoration materials |
- Observation
- Selection process assessment
- Justification evaluation
|
|
| 12 | 3 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Displaying artwork in the school
Analysis of Creative Arts works - Taking a gallery walk Analysis of Creative Arts works - Critiquing visual artwork |
By the end of the
lesson, the learner
should be able to:
- Arrange artwork in display areas effectively - Mount artwork securely and attractively - Demonstrate pride in creative showcase |
- Arrange artworks in designated display areas
- Mount works securely on boards or props - Create attractive groupings and arrangements - Label works with appropriate information - Ensure accessibility for viewers |
How does proper display arrangement enhance artwork viewing?
|
- Mentor Creative Arts pg. 164
- Selected artworks for display - Mounting materials (tape, pins) - Labels and information cards - Display areas and boards - Mentor Creative Arts pg. 165 - Displayed artwork in gallery areas - Observation worksheets - Note-taking materials - Behavior guideline charts - Displayed visual artwork - Critique framework charts - Art terminology guides - Feedback forms |
- Observation
- Display arrangement assessment
- Security and accessibility evaluation
|
|
| 12 | 4 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Describing Kenyan folk songs
Analysis of Creative Arts works - Participating in folk song performances |
By the end of the
lesson, the learner
should be able to:
- Describe folk songs using appropriate terminology - Analyze community origin, type, and instrumentation - Appreciate musical diversity in Kenya |
- Brainstorm on critical analysis of folk songs
- Identify community of origin for songs - Categorize by type/occasion (work, funeral, etc.) - Analyze instrumentation and participants - Use appropriate terminology in descriptions |
How can we critically analyze Kenyan folk songs?
|
- Mentor Creative Arts pg. 166
- Audio/video recordings of folk songs - Analysis framework charts - Music terminology guides - Community information resources - Audio recordings for reference - Performance space - Traditional instruments - Costume elements |
- Observation
- Description quality assessment
- Terminology use evaluation
|
|
| 13 | 1 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Analyzing folk song performances
Analysis of Creative Arts works - Participating in netball events |
By the end of the
lesson, the learner
should be able to:
- Analyze folk song performances using criteria - Discuss performance elements and techniques - Provide constructive feedback on performances |
- Analyze folk song performances using framework
- Discuss vocal techniques and expression - Evaluate instrumentation and rhythm - Assess cultural authenticity of performances - Provide constructive feedback to performers |
What elements contribute to effective folk song performances?
|
- Mentor Creative Arts pg. 166
- Performance recordings - Analysis framework charts - Feedback forms - Cultural reference materials - Mentor Creative Arts pg. 167 - Netball court and equipment - Game rules charts - Team organization plans - Safety equipment |
- Observation
- Analysis quality assessment
- Feedback appropriateness evaluation
|
|
| 13 | 2 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Participating in athletics events
Analysis of Creative Arts works - Participating in gymnastics events |
By the end of the
lesson, the learner
should be able to:
- Participate actively in athletics events - Apply learned sprint techniques in competition - Demonstrate sporting values in events |
- Participate in organized athletics events
- Apply learned sprint starts and techniques - Observe event rules and official decisions - Demonstrate determination and effort - Show respect for competitors |
How do athletics events showcase physical skills?
|
- Mentor Creative Arts pg. 167
- Running track and equipment - Event rules charts - Starting and timing equipment - Safety materials - Gymnastics mats and equipment - Performance space - Safety materials - Sequence planning charts |
- Observation
- Technique application assessment
- Sporting behavior evaluation
- Performance assessment
|
|
| 13 | 3 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Analyzing teamwork in sports
Analysis of Creative Arts works - Analyzing safety in performances |
By the end of the
lesson, the learner
should be able to:
- Analyze the role of teamwork in sports - Identify teamwork elements in performances - Value cooperation in creative activities |
- Discuss the importance of teamwork in sports
- Identify examples of successful teamwork - Analyze communication during team activities - Evaluate support and cooperation in teams - Discuss strategies for improving teamwork |
How does effective teamwork enhance sports performance?
|
- Mentor Creative Arts pg. 167
- Videos of team sports activities - Teamwork analysis charts - Communication guide - Cooperation strategy lists - Mentor Creative Arts pg. 168 - Safety equipment examples - Risk assessment charts - Safety guideline templates - First aid information |
- Observation
- Analysis quality assessment
- Discussion participation
- Teamwork understanding evaluation
|
|
| 13 | 4 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Appreciation across cultural backgrounds
Analysis of Creative Arts works - Final exhibition preparation Analysis of Creative Arts works - Final art exhibition Analysis of Creative Arts works - Performance showcase |
By the end of the
lesson, the learner
should be able to:
- Compare Creative Arts works from different cultures - Identify cultural influences in artistic expression - Value diversity in creative traditions |
- Explore Creative Arts works from diverse cultures
- Identify influences of culture on artistic expression - Compare similarities and differences in traditions - Discuss the value of cultural diversity in art - Create cultural comparison charts |
How do cultural backgrounds influence Creative Arts?
|
- Mentor Creative Arts pg. 168
- Examples of art from different cultures - Cultural context information - Comparison chart templates - Cultural reference materials - Creative works from all strands - Exhibition planning templates - Display materials and equipment - Information creation supplies - Mentor Creative Arts pg. 169 - Display areas and equipment - Visitor guides and information - Guest feedback forms - Performance space and equipment - Musical instruments - Performance costumes and props - Program guides for audience |
- Observation
- Comparison quality assessment
- Cultural sensitivity evaluation
- Discussion participation
|
|
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