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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Creating and Execution
|
Melody - Solfa syllables d r m
Melody - Identifying solfa syllables |
By the end of the
lesson, the learner
should be able to:
- Identify solfa syllables d, r, and m in a simple melody - Sing patterns using solfa syllables - Show interest in pitch discrimination |
- Sing familiar songs based on solfa syllables d r m
-Identify the solfa syllables in the songs -Recognize rising and falling of sounds in melodies -Practice singing patterns using d r m |
How can one create interesting melodies?
|
KLB Visionary Creative Arts, pg. 49 Tuned percussion instruments
KLB Visionary Creative Arts, pg. 49 Audio recordings of songs |
Observation Aural tests Practical assessment
|
|
| 2 | 2 |
Creating and Execution
|
Melody - Hand signs for solfa syllables
Melody - Practicing hand signs |
By the end of the
lesson, the learner
should be able to:
- Interpret hand signs for the solfa syllables d, r, m - Perform hand signs while singing - Appreciate the use of hand signs in music |
- Watch demonstrations of Kodaly hand signs for d r m
-Practice performing the hand signs for each solfa syllable -Sing simple melodies while using the correct hand signs -Play games using hand signs and singing |
How do hand signs help in learning music?
|
KLB Visionary Creative Arts, pg. 50 Charts showing hand signs
|
Observation Performance assessment Peer evaluation
|
|
| 3 | 1 |
Creating and Execution
|
Melody - Writing solfa syllables
Melody - Stepwise motion |
By the end of the
lesson, the learner
should be able to:
- Write solfa syllables using free hand lettering - Form letters with correct proportions - Show neatness in written work |
- Draw guidelines for writing solfa syllables
-Practice writing d, r, m using free hand lettering -Ensure correct proportions of letters -Write simple melodies using solfa syllables |
How can we write solfa syllables neatly?
|
KLB Visionary Creative Arts Rulers, pencils, paper
KLB Visionary Creative Arts, pg. 51 Audio recordings of melodies |
Observation Written work Portfolio
|
|
| 3 | 2 |
Creating and Execution
|
Melody - Variation in melodies
Melody - Variation of sound duration |
By the end of the
lesson, the learner
should be able to:
- Explain how variation creates interest in melodies - Compare melodies with and without variation - Value variety in musical compositions |
- Sing melodies with and without variation of solfa syllables
-Discuss how variation creates interest -Identify variation in familiar songs -Create simple variations of given melodies |
How does variation make melodies more interesting?
|
KLB Visionary Creative Arts, pg. 52 Audio recordings of melodies
|
Observation Oral questions Creative assessment
|
|
| 4 | 1 |
Creating and Execution
|
Melody - Starting and ending on d
Melody - Creating melodies |
By the end of the
lesson, the learner
should be able to:
- Explain why melodies often start and end on d - Compare melodies that start/end on d with others - Show understanding of melodic structures |
- Sing melodies that start and end on d
-Compare with melodies that start/end on other notes -Discuss the sense of completion when ending on d -Create simple melodies that start and end on d |
Why do melodies often start and end on d?
|
KLB Visionary Creative Arts, pg. 53 Audio recordings of melodies
KLB Visionary Creative Arts, pg. 54 Manuscript paper |
Observation Oral questions Creative assessment
|
|
| 4 | 2 |
Creating and Execution
|
Melody - Collecting materials for modelling
Melody - Modelling clay slabs |
By the end of the
lesson, the learner
should be able to:
- Identify suitable clay for modelling - Prepare clay by removing impurities - Show care in material preparation |
- Collect clay from the local environment
-Remove impurities such as sticks, leaves, and stones -Prepare clay by kneading and removing air bubbles -Discuss the importance of proper preparation |
What materials are needed for clay modelling?
|
KLB Visionary Creative Arts, pg. 55 Clay, tools for preparation
KLB Visionary Creative Arts, pg. 56 Clay, rolling pins, cutting tools |
Observation Practical assessment Peer evaluation
|
|
| 5 | 1 |
Creating and Execution
|
Melody - Modelling solfa syllables
Melody - Attaching solfa models to slabs |
By the end of the
lesson, the learner
should be able to:
- Roll clay into coils for shaping - Form solfa syllables using coils - Show creativity in letter formation |
- Roll clay into coils of appropriate thickness
-Form the letters d, r, m using the coils -Ensure letters are well-formed and recognizable -Prepare for attaching to slabs |
How are clay coils used to form letters?
|
KLB Visionary Creative Arts, pg. 56 Clay, modelling tools
KLB Visionary Creative Arts, pg. 57 Clay, modelling tools, clay slip |
Observation Project work Practical assessment
|
|
| 5 | 2 |
Creating and Execution
|
Melody - Drying clay models
Melody - Painting clay models |
By the end of the
lesson, the learner
should be able to:
- Explain proper drying procedures for clay - Place models for even drying - Show patience in the drying process |
- Discuss proper drying procedures for clay
-Place models in appropriate locations for drying -Turn models periodically for even drying -Monitor models for cracking during drying |
Why is proper drying important for clay models?
|
KLB Visionary Creative Arts Clay models, drying racks
KLB Visionary Creative Arts Dried clay models, primary colour paints, brushes |
Observation Oral questions Practical assessment
|
|
| 6 | 1 |
Creating and Execution
|
Melody - Performance preparation
Melody - Assessment |
By the end of the
lesson, the learner
should be able to:
- Perform vocal warm ups - Prepare melodies for performance - Show confidence in singing |
- Perform vocal warm up exercises
-Practice melodies created using d r m -Prepare for group and individual performances -Discuss performance techniques |
Why are warm-ups important before singing?
|
KLB Visionary Creative Arts Created melodies
KLB Visionary Creative Arts Assessment tools |
Observation Performance assessment Self-assessment
|
|
| 6 | 2 |
Performance and Display
|
Descant Recorder - Parts
Descant Recorder - Assembly |
By the end of the
lesson, the learner
should be able to:
- Identify the parts of a descant recorder - Explain the function of each part - Show care in handling the instrument |
- Examine the descant recorder
-Identify the head joint, middle joint, and foot joint -Discuss the function of each part -Practice handling the recorder correctly |
What are the different parts of a descant recorder?
|
KLB Visionary Creative Arts, pg. 97 Descant recorders, diagrams
KLB Visionary Creative Arts, pg. 97 Descant recorders |
Observation Oral questions Labeling exercise
|
|
| 7-8 |
mid |
||||||||
| 9 | 1 |
Performance and Display
|
Descant Recorder - Care and maintenance
Descant Recorder - Holding position |
By the end of the
lesson, the learner
should be able to:
- Explain the importance of caring for the recorder - Demonstrate cleaning and maintenance procedures - Show responsibility in instrument care |
- Discuss the importance of instrument care
-Demonstrate cleaning procedures -Practice proper storage -Discuss potential damage from improper care |
Why is proper care and maintenance of the recorder important?
|
KLB Visionary Creative Arts, pg. 98 Descant recorders, cleaning materials
KLB Visionary Creative Arts, pg. 99 Descant recorders |
Observation Oral questions Practical assessment
|
|
| 9 | 2 |
Performance and Display
|
Descant Recorder - Blowing technique
Descant Recorder - Note B |
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct blowing technique - Produce a clear tone on the recorder - Show persistence in developing technique |
- Demonstrate correct mouth position
-Practice gentle blowing technique -Focus on producing a clear tone -Avoid common errors in blowing |
How is a good tone produced on the recorder?
|
KLB Visionary Creative Arts, pg. 100 Descant recorders
KLB Visionary Creative Arts, pg. 102 Descant recorders, fingering charts |
Observation Practical assessment Self-assessment
|
|
| 10 | 1 |
Performance and Display
|
Descant Recorder - Note A
Descant Recorder - Note G |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the fingering for note A - Produce a clear A note on the recorder - Show patience in mastering the note |
- Demonstrate fingering for note A
-Practice covering the correct holes -Produce a clear A note -Play repeated A notes to develop consistency |
What is the correct fingering for note A?
|
KLB Visionary Creative Arts, pg. 102 Descant recorders, fingering charts
KLB Visionary Creative Arts, pg. 103 Descant recorders, fingering charts |
Observation Practical assessment Performance
|
|
| 10 | 2 |
Performance and Display
|
Descant Recorder - Combining notes B-A
Descant Recorder - Combining notes B-A-G |
By the end of the
lesson, the learner
should be able to:
- Play combinations of notes B and A - Transition smoothly between notes - Show perseverance in practice |
- Review fingerings for B and A
-Practice transitioning between the notes -Play simple patterns using B and A -Focus on smooth finger movements |
How can we transition smoothly between notes?
|
KLB Visionary Creative Arts, pg. 103 Descant recorders, simple music
KLB Visionary Creative Arts, pg. 104 Descant recorders, simple music |
Observation Practical assessment Performance
|
|
| 11 | 1 |
Performance and Display
|
Descant Recorder - Simple melodies
Descant Recorder - Materials for case |
By the end of the
lesson, the learner
should be able to:
- Play simple melodies using notes B, A, and G - Maintain steady rhythm while playing - Show pride in musical achievement |
- Learn simple melodies using B, A, and G
-Practice playing with steady rhythm -Focus on clear tone production -Perform melodies for peers |
How do we interpret simple melodies on the recorder?
|
KLB Visionary Creative Arts, pg. 104 Descant recorders, simple music
KLB Visionary Creative Arts, pg. 105 Fabric, leather, yarn, needles, thread |
Observation Performance assessment Peer evaluation
|
|
| 11 | 2 |
Performance and Display
|
Descant Recorder - Making a case
Descant Recorder - Decorating the case |
By the end of the
lesson, the learner
should be able to:
- Make a case using collected materials - Apply appropriate construction techniques - Show craftsmanship in case making |
- Demonstrate techniques for case construction
-Stitch fabric or crochet yarn for the case -Ensure appropriate size for the recorder -Add closures or fasteners as needed |
How is a recorder case constructed?
|
KLB Visionary Creative Arts, pg. 105 Case-making materials, tools
KLB Visionary Creative Arts, pg. 105 Decorative materials, adhesives |
Observation Project work Practical assessment
|
|
| 12 | 1 |
Performance and Display
|
Descant Recorder - Group practice
Descant Recorder - Performance preparation |
By the end of the
lesson, the learner
should be able to:
- Play simple melodies in a group - Maintain ensemble coordination - Show cooperation in group music-making |
- Practice playing melodies in unison
-Focus on starting and stopping together -Listen to balance within the group -Perform as an ensemble for peers |
How does playing in a group differ from playing alone?
|
KLB Visionary Creative Arts Descant recorders, simple music
KLB Visionary Creative Arts Descant recorders, performance music |
Observation Performance assessment Group evaluation
|
|
| 12 | 2 |
Performance and Display
|
Descant Recorder - Assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate knowledge of the descant recorder - Show skills in playing notes B, A, and G - Value the learning journey in this substrand |
- Complete assessment activities on recorder knowledge
-Demonstrate playing skills for assessment -Present completed recorder cases -Reflect on learning journey |
What have we learned about the descant recorder, playing techniques, and case making?
|
KLB Visionary Creative Arts Assessment tools
|
Observation Performance test Project assessment
|
|
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