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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Indigenous Kenyan percussion instruments
Picture Making (Percussion Instruments) - Classification of instruments |
By the end of the
lesson, the learner
should be able to:
- Identify indigenous Kenyan percussion instruments by name and community - Describe the methods of playing percussion instruments - Show interest in learning about indigenous percussion instruments |
- Watch virtual or actual samples of percussion instruments to identify name, community and method of playing
-Discuss the characteristics of different percussion instruments -Draw and label parts of a percussion instrument |
How is a percussion instrument made?
|
KLB Visionary Creative Arts, pg. 2 Digital devices with internet access
KLB Visionary Creative Arts, pg. 4 Realia: indigenous percussion instruments |
Observation Oral questions Written assignments
|
|
| 1 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Parts of percussion instruments
Picture Making (Percussion Instruments) - Rhythmic patterns |
By the end of the
lesson, the learner
should be able to:
- Identify the parts of a percussion instrument - Explain the role of each part in sound production - Value the contribution of each part to the overall sound |
- Research and discuss the parts of a percussion instrument and their roles
-Examine actual percussion instruments identifying their parts -Discuss how each part contributes to sound production |
Why is it important to know about parts of an instrument?
|
KLB Visionary Creative Arts, pg. 5 Realia: percussion instruments
KLB Visionary Creative Arts, pg. 7 Indigenous percussion instruments |
Observation Project work Written assignments
|
|
| 1 | 3 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Making charcoal sticks
|
By the end of the
lesson, the learner
should be able to:
- Collect materials for making charcoal sticks - Make charcoal sticks using locally available resources - Observe safety precautions when making charcoal sticks |
- Collaboratively collect materials and tools for making charcoal sticks
-Make charcoal sticks following the correct procedure -Observe safety when burning the sticks -Test the charcoal sticks by drawing lines |
How are charcoal sticks made?
|
KLB Visionary Creative Arts, pg. 9 Thin sticks, cutting tools, tin container, fire
|
Observation Project work Self-assessment
|
|
| 1 | 4-5 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Drawing with charcoal sticks
Picture Making (Percussion Instruments) - Tonal value in drawing Picture Making (Percussion Instruments) - Creating tone strips Picture Making (Percussion Instruments) - Drawing a percussion instrument |
By the end of the
lesson, the learner
should be able to:
- Draw lines of varied thickness using charcoal sticks - Experiment with pressure to create different line weights - Show creativity in using charcoal as a drawing medium - Create a continuous tonal strip from dark to light - Apply smudging technique to create smooth gradation - Show patience in creating gradual tonal changes |
- Experiment by drawing simple shapes and lines using charcoal sticks
-Practice applying different pressure to create varied line thickness -Create a variety of marks and textures using the charcoal sticks - Draw rectangular strips on paper -Apply charcoal heavily on one end of the strip -Create a gradual change from dark to light -Compare different tonal strips created |
How can we use charcoal sticks to create different lines?
What is the importance of tonal variation in drawing? |
KLB Visionary Creative Arts, pg. 11 Charcoal sticks, drawing paper
KLB Visionary Creative Arts, pg. 13 Charcoal sticks, drawing paper KLB Visionary Creative Arts, pg. 13 Charcoal sticks, drawing paper KLB Visionary Creative Arts, pg. 14 Percussion instruments, charcoal sticks, drawing paper |
Observation Portfolio Practical test
Observation Project work Portfolio |
|
| 1 | 6 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Adding details
|
By the end of the
lesson, the learner
should be able to:
- Add fine details to a percussion instrument drawing - Create surface textures using charcoal techniques - Show attention to detail in artwork |
- Study different surface textures on percussion instruments
-Practice drawing different textures using charcoal -Add detailed textures to percussion instrument drawings -Create shadows to ground the object |
How do details enhance a drawing?
|
KLB Visionary Creative Arts, pg. 14 Charcoal sticks, drawing paper
|
Observation Project work Display and critique
|
|
| 2 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Making a percussion instrument
|
By the end of the
lesson, the learner
should be able to:
- Collect materials for making a percussion instrument - Assemble parts to make a simple percussion instrument - Observe safety when making an instrument |
- Collect materials for making percussion instruments
-Assemble materials to make a simple instrument -Test the sound produced by the instrument -Make adjustments to improve sound quality |
What materials can be used to make percussion instruments?
|
KLB Visionary Creative Arts Various materials for making instruments
|
Observation Project work Peer evaluation
|
|
| 2 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Making a percussion instrument
|
By the end of the
lesson, the learner
should be able to:
- Collect materials for making a percussion instrument - Assemble parts to make a simple percussion instrument - Observe safety when making an instrument |
- Collect materials for making percussion instruments
-Assemble materials to make a simple instrument -Test the sound produced by the instrument -Make adjustments to improve sound quality |
What materials can be used to make percussion instruments?
|
KLB Visionary Creative Arts Various materials for making instruments
|
Observation Project work Peer evaluation
|
|
| 2 | 3 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Tuning a percussion instrument
|
By the end of the
lesson, the learner
should be able to:
- Identify ways of tuning percussion instruments - Tune a percussion instrument for better sound quality - Value well-tuned instruments |
- Explore different methods of tuning percussion instruments
-Practice tuning techniques on made instruments -Test sound quality before and after tuning -Compare sound from different tuned instruments |
How can we improve the sound of a percussion instrument?
|
KLB Visionary Creative Arts Percussion instruments
|
Observation Practical assessment Performance
|
|
| 2 | 4-5 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Performing rhythms
Picture Making (Percussion Instruments) - Environmental conservation |
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns on a percussion instrument - Perform created rhythms to accompany a song - Show confidence when performing - Explain the importance of environmental conservation - Reuse materials in making percussion instruments - Value sustainable use of resources |
- Create rhythmic patterns on made percussion instruments
-Practice performing rhythms individually and in groups -Accompany songs with percussion rhythms -Record performances for evaluation - Discuss environmental conservation in relation to making instruments -Identify recyclable materials that can be used for instruments -Make instruments using recycled materials -Discuss sustainable resource use |
How do percussion instruments enhance musical performances?
How can we conserve the environment when making instruments? |
KLB Visionary Creative Arts Made percussion instruments
KLB Visionary Creative Arts Recyclable materials |
Observation Performance assessment Recording
Observation Oral questions Project work |
|
| 2 | 6 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Creating a portfolio
|
By the end of the
lesson, the learner
should be able to:
- Select best artworks for a portfolio - Create a decorated portfolio folder - Show pride in presenting artwork |
- Select best drawings and photographs of instruments
-Create a decorated portfolio folder -Organize artworks in the portfolio -Present portfolios to the class |
Why is it important to keep a portfolio of artworks?
|
KLB Visionary Creative Arts Colored paper, fabric, glue
|
Observation Portfolio Display and critique
|
|
| 3 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Display and critique
|
By the end of the
lesson, the learner
should be able to:
- Display created percussion instruments and drawings - Critique own and others' work constructively - Appreciate feedback for improvement |
- Display percussion instruments and drawings
-Take turns talking about work process and challenges -Give and receive constructive feedback -Identify areas for improvement |
How can we improve our artwork through critique?
|
KLB Visionary Creative Arts Display area, instruments, drawings
|
Observation Oral presentation Peer evaluation
|
|
| 3 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Display and critique
|
By the end of the
lesson, the learner
should be able to:
- Display created percussion instruments and drawings - Critique own and others' work constructively - Appreciate feedback for improvement |
- Display percussion instruments and drawings
-Take turns talking about work process and challenges -Give and receive constructive feedback -Identify areas for improvement |
How can we improve our artwork through critique?
|
KLB Visionary Creative Arts Display area, instruments, drawings
|
Observation Oral presentation Peer evaluation
|
|
| 3 | 3 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Percussion in cultural events
|
By the end of the
lesson, the learner
should be able to:
- Explain the role of percussion in cultural events - Relate instruments to specific cultural ceremonies - Respect cultural diversity |
- Discuss the role of percussion instruments in cultural events
-Research specific cultural ceremonies where percussion is used -Present findings to the class -Appreciate cultural diversity |
Why are percussion instruments important in cultural ceremonies?
|
KLB Visionary Creative Arts Resource persons
|
Observation Oral presentation Written assignment
|
|
| 3 | 4-5 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Community involvement
Picture Making (Percussion Instruments) - Technology in music |
By the end of the
lesson, the learner
should be able to:
- Identify ways to share knowledge about percussion - Plan a community presentation of instruments - Show willingness to share cultural knowledge - Use digital devices to record percussion performances - Edit and share recordings - Appreciate technology in music preservation |
- Plan ways to share knowledge about percussion instruments
-Create posters or invitations for a community event -Rehearse presentations for community members -Reflect on the importance of cultural preservation - Use digital devices to record percussion performances -Learn basic editing of audio recordings -Share recordings with peers -Discuss how technology helps preserve cultural music |
How can we share our knowledge about percussion instruments?
How can technology help preserve traditional music? |
KLB Visionary Creative Arts Poster materials
KLB Visionary Creative Arts Digital recording devices |
Observation Oral presentation Project work
Observation Project work Recording |
|
| 3 | 6 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate knowledge of percussion instruments - Show skills in drawing and creating instruments - Value the learning journey in this substrand |
- Complete assessment activities on percussion instruments
-Demonstrate drawing skills using charcoal -Play rhythmic patterns on made instruments -Reflect on learning journey |
What have we learned about percussion instruments and drawing?
|
KLB Visionary Creative Arts Assessment tools
|
Observation Written test Performance test
|
|
| 4 | 1 |
Creating and Execution
|
Netball - Skills of passing in Netball
|
By the end of the
lesson, the learner
should be able to:
- Describe the skills of passing in Netball - Demonstrate the chest pass technique - Value teamwork when practising passing skills |
- Observe demonstrations of chest pass technique
-Practice the stance, grip, release and follow through -Work in groups to practice passing skills -Discuss the importance of proper technique |
Why are the skills of passing important in the game of Netball?
|
KLB Visionary Creative Arts, pg. 16 Netballs or improvised balls Open space
|
Observation Skills test Oral questions
|
|
| 4 | 2 |
Creating and Execution
|
Netball - Skills of passing in Netball
|
By the end of the
lesson, the learner
should be able to:
- Describe the skills of passing in Netball - Demonstrate the chest pass technique - Value teamwork when practising passing skills |
- Observe demonstrations of chest pass technique
-Practice the stance, grip, release and follow through -Work in groups to practice passing skills -Discuss the importance of proper technique |
Why are the skills of passing important in the game of Netball?
|
KLB Visionary Creative Arts, pg. 16 Netballs or improvised balls Open space
|
Observation Skills test Oral questions
|
|
| 4 | 3 |
Creating and Execution
|
Netball - Chest pass technique
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate proper stance for chest pass - Execute chest pass with correct technique - Show responsibility in following instructions |
- Practice standing with feet shoulder width apart
-Hold the ball with thumbs behind and fingers spread -Step forward in the direction of the pass -Push and release the ball with proper follow-through |
What makes a good chest pass in Netball?
|
KLB Visionary Creative Arts, pg. 17 Netballs or improvised balls Open space
|
Observation Skills test Peer assessment
|
|
| 4 | 4-5 |
Creating and Execution
|
Netball - Overhead pass
Netball - Underarm pass |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the overhead pass technique - Execute proper finger position and arm movement - Show confidence in performing the skill - Demonstrate the underarm pass technique - Execute proper hand position and arm movement - Show perseverance in mastering the skill |
- Observe demonstrations of overhead pass technique
-Practice holding the ball above the head with proper grip -Step forward while executing the pass -Follow through with hands pointing at target - Observe demonstrations of underarm pass technique -Practice the stance and arm position for underarm pass -Execute the pass with proper follow-through -Practice in pairs at varying distances |
How is the overhead pass useful in Netball?
When is the underarm pass most effective? |
KLB Visionary Creative Arts, pg. 18 Netballs or improvised balls Open space
KLB Visionary Creative Arts, pg. 19 Netballs or improvised balls Open space |
Observation Skills test Practical assessment
|
|
| 4 | 6 |
Creating and Execution
|
Netball - Double-handed catching
|
By the end of the
lesson, the learner
should be able to:
- Describe the technique for double-handed catching - Demonstrate the double-handed catching technique - Show confidence when catching the ball |
- Observe demonstrations of double-handed catching
-Practice the hand position and body stance for catching -Work in pairs to practice catching passes -Combine passing and catching in sequence |
What makes a good catch in Netball?
|
KLB Visionary Creative Arts, pg. 20 Netballs or improvised balls Open space
|
Observation Skills test Self-assessment
|
|
| 5 | 1 |
Creating and Execution
|
Netball - Standing shot
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the standing shot technique - Execute proper hand position and arm movement - Show determination in developing shooting skills |
- Observe demonstrations of standing shot technique
-Practice the stance and arm position for shooting -Execute the shot with proper follow-through -Practice shooting at varying distances from the goal |
What is the correct technique for shooting in Netball?
|
KLB Visionary Creative Arts Netballs or improvised balls Goal posts
|
Observation Skills test Practical assessment
|
|
| 5 | 2 |
Creating and Execution
|
Netball - Standing shot
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the standing shot technique - Execute proper hand position and arm movement - Show determination in developing shooting skills |
- Observe demonstrations of standing shot technique
-Practice the stance and arm position for shooting -Execute the shot with proper follow-through -Practice shooting at varying distances from the goal |
What is the correct technique for shooting in Netball?
|
KLB Visionary Creative Arts Netballs or improvised balls Goal posts
|
Observation Skills test Practical assessment
|
|
| 5 | 3 |
Creating and Execution
|
Netball - Shooting practice
|
By the end of the
lesson, the learner
should be able to:
- Apply proper technique in shooting practice - Improve shooting accuracy through practice - Show persistence in developing shooting skills |
- Review standing shot technique
-Practice shooting from different positions -Participate in shooting competitions -Track progress in shooting accuracy |
How can we improve our shooting accuracy?
|
KLB Visionary Creative Arts Netballs or improvised balls Goal posts
|
Observation Skills test Self-assessment
|
|
| 5 | 4-5 |
Creating and Execution
|
Netball - Combining skills
Netball - Identifying materials for ball making |
By the end of the
lesson, the learner
should be able to:
- Combine passing, catching and shooting skills - Execute skills in sequence - Show teamwork in skill practice - Identify materials for improvising a ball - Collect suitable materials from the environment - Value reusing materials from the environment |
- Practice passing, catching and shooting in sequence
-Work in small groups to create skill drills -Execute skill combinations at varying speeds -Give feedback to peers on skill execution - Identify and discuss materials suitable for making balls -Collect materials from the environment -Sort and prepare materials for ball making -Discuss environmental conservation through reusing materials |
How do we combine different skills in Netball?
What materials can be used to improvise a Netball? |
KLB Visionary Creative Arts Netballs or improvised balls Open space
KLB Visionary Creative Arts, pg. 22 Old carrier bags, clothes, string |
Observation Skills test Peer assessment
Observation Oral questions Project work |
|
| 5 | 6 |
Creating and Execution
|
Netball - Macramé technique
|
By the end of the
lesson, the learner
should be able to:
- Explain the macramé technique - Demonstrate the overhand knot - Show interest in learning the technique |
- Demonstrate the overhand knot technique
-Practice tying overhand knots with string or rope -Create simple patterns using macramé -Discuss applications of macramé technique |
What is the macramé technique and how is it used?
|
KLB Visionary Creative Arts, pg. 22 String, rope, practice materials
|
Observation Practical assessment Project work
|
|
| 6 | 1 |
Creating and Execution
|
Netball - Making a ball
|
By the end of the
lesson, the learner
should be able to:
- Make a ball using the macramé technique - Apply overhand knots correctly - Show creativity in ball making |
- Crumple papers or clothes into a ball shape
-Cover with cloth or carrier bag -Tie with string using overhand knots -Complete the ball by covering all areas |
How is a ball improvised using the macramé technique?
|
KLB Visionary Creative Arts, pg. 23 Ball making materials
|
Observation Project work Practical assessment
|
|
| 6 | 2 |
Creating and Execution
|
Netball - Making a ball
|
By the end of the
lesson, the learner
should be able to:
- Make a ball using the macramé technique - Apply overhand knots correctly - Show creativity in ball making |
- Crumple papers or clothes into a ball shape
-Cover with cloth or carrier bag -Tie with string using overhand knots -Complete the ball by covering all areas |
How is a ball improvised using the macramé technique?
|
KLB Visionary Creative Arts, pg. 23 Ball making materials
|
Observation Project work Practical assessment
|
|
| 6 | 3 |
Creating and Execution
|
Netball - Testing improvised balls
|
By the end of the
lesson, the learner
should be able to:
- Test improvised balls for functionality - Make adjustments to improve ball performance - Show persistence in creating functional balls |
- Test improvised balls for bouncing and handling
-Make adjustments to improve shape and firmness -Compare different improvised balls -Select best balls for use in practice |
How can we test and improve our improvised balls?
|
KLB Visionary Creative Arts Improvised balls
|
Observation Practical assessment Peer evaluation
|
|
| 6 | 4-5 |
Creating and Execution
|
Netball - Mini-game practice
Netball - Classification of colours |
By the end of the
lesson, the learner
should be able to:
- Apply the skills of passing and catching in a mini-game - Observe rules of fair play during the game - Demonstrate teamwork and cooperation - Identify primary and secondary colours - Classify colours as primary or secondary - Appreciate the role of colour in artwork |
- Review the skills of passing, catching and shooting
-Form teams for a mini Netball game -Practice applying the skills in game situations -Discuss strategies for effective play - Identify colours in the surrounding environment -Discuss the difference between primary and secondary colours -Classify various colours as primary or secondary -Create a colour wheel showing primary and secondary colours |
How do we apply the skills of passing, catching and shooting in a game?
Why is colour classification important in painting? |
KLB Visionary Creative Arts, pg. 24 Netballs or improvised balls Open space
KLB Visionary Creative Arts, pg. 27 Colour charts, paints, brushes, paper |
Observation Performance assessment Peer evaluation
Observation Written test Portfolio |
|
| 6 | 6 |
Creating and Execution
|
Netball - Mixing primary colours
|
By the end of the
lesson, the learner
should be able to:
- Mix primary colours to create secondary colours - Identify the primary colours that make each secondary colour - Show curiosity in colour mixing |
- Demonstrate mixing of primary colours to get secondary colours
-Practice mixing secondary colours in pairs -Create a chart showing colour combinations -Label primary and secondary colours |
How are secondary colours created from primary colours?
|
KLB Visionary Creative Arts, pg. 28 Primary colour paints, palettes, paper
|
Observation Project work Portfolio
|
|
| 7 |
Midterm |
||||||||
| 8 | 1 |
Creating and Execution
|
Netball - Creating light tones
|
By the end of the
lesson, the learner
should be able to:
- Create light tones by adding white to secondary colours - Create tonal strips showing gradation - Show patience in creating gradual tonal changes |
- Draw rectangular strips on paper
-Mix secondary colours with varying amounts of white -Create gradual tonal strips from original to lightest shade -Compare tonal strips created |
How do we create lighter shades of colours?
|
KLB Visionary Creative Arts, pg. 28 Secondary colours, white paint, paper
|
Observation Project work Portfolio
|
|
| 8 | 2 |
Creating and Execution
|
Netball - Creating dark tones
|
By the end of the
lesson, the learner
should be able to:
- Create dark tones by adding black to secondary colours - Create tonal strips showing gradation - Value variety in colour tones |
- Draw rectangular strips on paper
-Mix secondary colours with varying amounts of black -Create gradual tonal strips from original to darkest shade -Compare light and dark tonal strips |
How do we create darker shades of colours?
|
KLB Visionary Creative Arts, pg. 28 Secondary colours, black paint, paper
|
Observation Project work Portfolio
|
|
| 8 | 3 |
Creating and Execution
|
Netball - Creating dark tones
|
By the end of the
lesson, the learner
should be able to:
- Create dark tones by adding black to secondary colours - Create tonal strips showing gradation - Value variety in colour tones |
- Draw rectangular strips on paper
-Mix secondary colours with varying amounts of black -Create gradual tonal strips from original to darkest shade -Compare light and dark tonal strips |
How do we create darker shades of colours?
|
KLB Visionary Creative Arts, pg. 28 Secondary colours, black paint, paper
|
Observation Project work Portfolio
|
|
| 8 | 4-5 |
Creating and Execution
|
Netball - Painting a ball
Netball - Adding details to painting |
By the end of the
lesson, the learner
should be able to:
- Draw the outline of a ball - Paint using secondary colours with attention to colour value - Show creativity in applying colour - Add details to a ball painting - Create shadows and highlights - Show attention to detail in artwork |
- Draw the outline of a ball
-Mix secondary colours for painting -Apply light and dark tones to create dimension -Add details to enhance the painting - Add highlights to show light reflection -Create shadow beneath the ball -Add texture details to the surface -Complete the painting with final touches |
How is colour value used to create form in painting?
How do highlights and shadows enhance a painting? |
KLB Visionary Creative Arts, pg. 29 Paint, brushes, paper, water containers
KLB Visionary Creative Arts, pg. 30 Paint, brushes, paper |
Observation Project work Display and critique
|
|
| 8 | 6 |
Creating and Execution
|
Netball - Creating a montage
|
By the end of the
lesson, the learner
should be able to:
- Explain the concept of montage - Collect images related to Netball - Show creativity in composition |
- Observe samples of montage compositions
-Discuss how montage compositions are created -Collect images related to Netball -Plan a montage composition |
What is a montage and how is it created?
|
KLB Visionary Creative Arts, pg. 31 Old newspapers, magazines, calendars
|
Observation Oral questions Project work
|
|
| 9 | 1 |
Creating and Execution
|
Netball - Making a montage
|
By the end of the
lesson, the learner
should be able to:
- Create a montage based on Netball - Arrange images in an appealing composition - Show pride in creative work |
- Select and cut out images related to Netball
-Arrange images on a stiff surface -Stick images using adhesive -Add titles or captions if necessary |
How can we arrange images to create an effective montage?
|
KLB Visionary Creative Arts, pg. 32 Cut-out images, adhesive, stiff paper
|
Observation Project work Display and critique
|
|
| 9 | 2 |
Creating and Execution
|
Netball - Display and appreciation
|
By the end of the
lesson, the learner
should be able to:
- Display paintings and montage compositions - Appreciate own and others' artwork - Value constructive feedback |
- Display paintings and montage compositions
-Take turns talking about the creative process -Give constructive feedback to peers -Identify areas for improvement |
How can we improve our artwork through feedback?
|
KLB Visionary Creative Arts, pg. 32 Display area
|
Observation Oral presentation Peer evaluation
|
|
| 9 | 3 |
Creating and Execution
|
Netball - Display and appreciation
|
By the end of the
lesson, the learner
should be able to:
- Display paintings and montage compositions - Appreciate own and others' artwork - Value constructive feedback |
- Display paintings and montage compositions
-Take turns talking about the creative process -Give constructive feedback to peers -Identify areas for improvement |
How can we improve our artwork through feedback?
|
KLB Visionary Creative Arts, pg. 32 Display area
|
Observation Oral presentation Peer evaluation
|
|
| 9 | 4-5 |
Creating and Execution
|
Netball - Application in school
Netball - Community service |
By the end of the
lesson, the learner
should be able to:
- Identify ways to apply artistic skills in school - Create decorations for school spaces - Show willingness to contribute to school environment - Identify ways to share Netball skills with the community - Plan a community service activity - Show willingness to share knowledge |
- Discuss ways to apply art skills in school
-Plan decorations for classroom or office -Create simple decorations using learned techniques -Display decorations in appropriate spaces - Discuss ways to share Netball skills with the community -Plan a community service activity -Create posters or invitations for the activity -Reflect on the importance of community service |
How can we use our art skills to improve our school environment?
How can we share our Netball skills with the community? |
KLB Visionary Creative Arts Art materials
KLB Visionary Creative Arts Poster materials |
Observation Project work Display
Observation Oral presentation Project work |
|
| 9 | 6 |
Creating and Execution
|
Netball - Assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate knowledge of Netball skills - Show skills in colour mixing and painting - Value the learning journey in this substrand |
- Complete assessment activities on Netball skills
-Demonstrate colour mixing and painting skills -Perform Netball skills for assessment -Reflect on learning journey |
What have we learned about Netball, colour and painting?
|
KLB Visionary Creative Arts Assessment tools
|
Observation Written test Performance test
|
|
| 10 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - French rhythm names
|
By the end of the
lesson, the learner
should be able to:
- Identify rhythmic patterns involving crotchet and quavers - Interpret rhythms using French rhythm names (taa, ta-te) - Show interest in learning rhythmic patterns |
- March to a steady beat saying "left, right, one, two"
-Clap/tap rhythms of words involving taa and ta-te -Associate pulse with the crotchet French rhythm name -Identify rhythms in familiar songs |
How can a rhythm be created?
|
KLB Visionary Creative Arts, pg. 36 Audio recordings of rhythmic patterns
|
Observation Oral assessment Practical test
|
|
| 10 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Pulse and rhythm
|
By the end of the
lesson, the learner
should be able to:
- Distinguish between pulse and rhythm - Maintain a steady pulse while clapping rhythms - Show consistency in maintaining pulse |
- Clap/tap the pulse of the clock and heartbeat
-Associate pulse with the crotchet (taa) -Maintain a steady pulse while clapping different rhythms -Practice tapping pulse with foot while clapping rhythms |
How are rhythms applied in daily life?
|
KLB Visionary Creative Arts, pg. 36 Audio recordings with clear rhythms
|
Observation Practical assessment Peer evaluation
|
|
| 10 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Pulse and rhythm
|
By the end of the
lesson, the learner
should be able to:
- Distinguish between pulse and rhythm - Maintain a steady pulse while clapping rhythms - Show consistency in maintaining pulse |
- Clap/tap the pulse of the clock and heartbeat
-Associate pulse with the crotchet (taa) -Maintain a steady pulse while clapping different rhythms -Practice tapping pulse with foot while clapping rhythms |
How are rhythms applied in daily life?
|
KLB Visionary Creative Arts, pg. 36 Audio recordings with clear rhythms
|
Observation Practical assessment Peer evaluation
|
|
| 10 | 4-5 |
Creating and Execution
|
Rhythm and Pattern Making - Identifying notes in songs
Rhythm and Pattern Making - Note values and rests |
By the end of the
lesson, the learner
should be able to:
- Identify crotchets and quavers in familiar songs - Clap the rhythm while reciting French rhythm names - Show accuracy in rhythm identification - Relate French rhythm names to music note symbols - Identify rests in rhythmic patterns - Appreciate silence as part of rhythm |
- Listen to familiar topical songs
-Identify crotchets and quavers in the songs -Clap the rhythm while reciting French rhythm names -Create visual representations of song rhythms - Discuss how music is made up of sounds and silences -Relate French rhythm names to music note symbols -Identify rests in rhythmic patterns -Write rhythms using music symbols |
How can we identify different note values in songs?
What is the role of silence in music? |
KLB Visionary Creative Arts, pg. 36 Audio recordings of familiar songs
KLB Visionary Creative Arts, pg. 37 Charts with note values and rests |
Observation Aural tests Practical assessment
Observation Written test Oral questions |
|
| 10 | 6 |
Creating and Execution
|
Rhythm and Pattern Making - Letter formation
|
By the end of the
lesson, the learner
should be able to:
- Identify parts of letters (ascenders, descenders, body) - Write lowercase letters with correct proportions - Show neatness in writing |
- Identify parts of letters (ascenders, descenders, body)
-Draw guidelines for ascender, body, and descender -Practice writing lowercase letters with correct proportions -Identify which letters have ascenders and descenders |
Why is proper letter formation important?
|
KLB Visionary Creative Arts, pg. 38 Rulers, pencils, paper
|
Observation Written work Portfolio
|
|
| 11 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - Free hand lettering
|
By the end of the
lesson, the learner
should be able to:
- Write letters with consistent size and shape - Maintain proper spacing between letters - Show patience in developing writing skills |
- Practice free hand lettering of lowercase letters
-Focus on consistent letter size and shape -Maintain proper spacing between letters -Create simple words using free hand lettering |
How can we improve our free hand lettering?
|
KLB Visionary Creative Arts, pg. 38 Lined paper, pencils
|
Observation Written work Portfolio
|
|
| 11 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Writing French rhythm names
|
By the end of the
lesson, the learner
should be able to:
- Write French rhythm names using free hand lettering - Form letters with correct proportions - Value neatness in written work |
- Draw guidelines for writing French rhythm names
-Practice writing 'taa' and 'ta-te' using free hand lettering -Ensure correct proportions of letters -Write rhythmic patterns using French rhythm names |
How can we write rhythmic patterns neatly?
|
KLB Visionary Creative Arts, pg. 39 Rulers, pencils, paper
|
Observation Written work Portfolio
|
|
| 11 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Rhythmic composition techniques
|
By the end of the
lesson, the learner
should be able to:
- Identify techniques used in rhythmic compositions - Analyze rhythmic patterns in familiar tunes - Show interest in analyzing music |
- Listen to rhythmic patterns in familiar tunes
-Discuss techniques used in composing rhythmic patterns -Identify variation of note values, repetition of patterns, and strong endings -Analyze rhythmic patterns in different songs |
What techniques are used to create interesting rhythms?
|
KLB Visionary Creative Arts, pg. 39 Audio recordings of songs
|
Observation Oral assessment Written analysis
|
|
| 11 | 4-5 |
Creating and Execution
|
Rhythm and Pattern Making - Rhythmic composition techniques
Rhythm and Pattern Making - Creating rhythmic patterns |
By the end of the
lesson, the learner
should be able to:
- Identify techniques used in rhythmic compositions - Analyze rhythmic patterns in familiar tunes - Show interest in analyzing music - Create original rhythmic patterns - Apply compositional techniques in creating rhythms - Show integrity in creating original work |
- Listen to rhythmic patterns in familiar tunes
-Discuss techniques used in composing rhythmic patterns -Identify variation of note values, repetition of patterns, and strong endings -Analyze rhythmic patterns in different songs - Apply composition techniques to create rhythmic patterns -Use French rhythm names taa and ta-te -Share created rhythms with peers -Give constructive feedback on rhythms |
What techniques are used to create interesting rhythms?
How do we create original rhythmic patterns? |
KLB Visionary Creative Arts, pg. 39 Audio recordings of songs
KLB Visionary Creative Arts, pg. 40 Percussion instruments |
Observation Oral assessment Written analysis
Observation Creative assessment Peer evaluation |
|
| 11 | 6 |
Creating and Execution
|
Rhythm and Pattern Making - Dictation of rhythms
|
By the end of the
lesson, the learner
should be able to:
- Identify rhythmic patterns by ear - Write rhythms using French rhythm names - Show attentiveness in listening to rhythms |
- Listen to rhythmic patterns clapped by peers
-Identify the patterns by ear -Write down the rhythmic patterns using French rhythm names -Check accuracy of written rhythms |
How do we identify rhythms by ear?
|
KLB Visionary Creative Arts, pg. 41 Percussion instruments
|
Observation Dictation test Self-assessment
|
|
| 12 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - Block making
|
By the end of the
lesson, the learner
should be able to:
- Collect materials for making a printing block - Create a block from textured materials - Show creativity in block design |
- Collect materials with varied textures
-Create a block from banana stalk, wood or rubber -Prepare the block for printing -Test the block with a single print |
What materials can be used to make printing blocks?
|
KLB Visionary Creative Arts Textured materials (banana stalk, wood, rubber)
|
Observation Project work Practical assessment
|
|
| 12 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Creating repeat patterns
|
By the end of the
lesson, the learner
should be able to:
- Create an alternate repeat pattern - Print using water colours - Show neatness in printing work |
- Prepare paper for printing
-Apply water colour to the block -Print an all-over repeat pattern on paper -Create variations in the pattern through spacing and colour |
How are repeat patterns created through printing?
|
KLB Visionary Creative Arts Printing blocks, water colours, paper
|
Observation Project work Display and critique
|
|
| 12 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Hands and feet game
|
By the end of the
lesson, the learner
should be able to:
- Create a hands and feet hopscotch game - Associate movements with rhythm names - Show enjoyment in rhythm games |
- Make a playboard with hand and foot patterns
-Match hands and feet to the pictures on the ground -Associate foot steps with 'taa' and hand placements with 'ta-te' -Take turns playing the game |
How can games help us learn about rhythm?
|
KLB Visionary Creative Arts, pg. 43 Paper, materials for game board
|
Observation Practical assessment Peer evaluation
|
|
| 12 | 4-5 |
Creating and Execution
|
Rhythm and Pattern Making - Hands and feet game
Rhythm and Pattern Making - Writing rhythmic patterns |
By the end of the
lesson, the learner
should be able to:
- Create a hands and feet hopscotch game - Associate movements with rhythm names - Show enjoyment in rhythm games - Write rhythmic patterns using free hand lettering - Apply proper spacing and letter formation - Show pride in written work |
- Make a playboard with hand and foot patterns
-Match hands and feet to the pictures on the ground -Associate foot steps with 'taa' and hand placements with 'ta-te' -Take turns playing the game - Write rhythmic patterns from games using free hand lettering -Apply proper spacing and letter formation -Create a collection of written patterns -Share patterns with peers |
How can games help us learn about rhythm?
How can we document rhythmic patterns through writing? |
KLB Visionary Creative Arts, pg. 43 Paper, materials for game board
KLB Visionary Creative Arts Paper, pencils |
Observation Practical assessment Peer evaluation
Observation Written work Portfolio |
|
| 12 | 6 |
Creating and Execution
|
Rhythm and Pattern Making - Assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate knowledge of rhythmic patterns - Show skills in free hand lettering - Value the learning journey in this substrand |
- Complete assessment activities on rhythmic patterns
-Demonstrate free hand lettering skills -Perform created rhythmic patterns -Reflect on learning journey |
What have we learned about rhythmic patterns and their notation?
|
KLB Visionary Creative Arts Assessment tools
|
Observation Written test Performance test
|
|
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