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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Foundation of Creative Arts and sports
|
Careers in Creative Arts And Sports - Careers in Creative Arts
|
By the end of the
lesson, the learner
should be able to:
-Identify careers in creative arts and sports -Describe the careers in creative arts and sport -Research using digital devices to identify and discuss carriers in creative arts and sports -Recognize the careers in creative arts and sports |
In groups, learners are guided to:
-Research using digital devices or print material to identify careers in creative arts -Discuss the careers in creative arts -Prepare charts showing different careers in creative arts -Watch clips on careers in creative arts and sports |
What are the careers in creative arts and sports?
|
- MENTOR pg. 1
-Video clips -Digital devices -Internet -Learners' textbook -Teachers' notes -Textbook |
- Oral questions
-Oral discussions
-Written notes
-Observation
|
|
| 2 | 2 |
Foundation of Creative Arts and sports
|
Careers in Creative Arts And Sports - Careers in Creative Arts
Components of Creative Arts and Sports - Elements of a Play |
By the end of the
lesson, the learner
should be able to:
-Illustrate entrepreneurial opportunities in creative arts and sports -Watch video recording entrepreneurial opportunities in creative arts and sports -Discuss the entrepreneurial activities -Acknowledge the entrepreneurial opportunities |
In groups or pairs, learners are guided to:
-Watch videos or recordings of entrepreneurial opportunities in creative arts -Discuss entrepreneurial opportunities in careers in creative arts -Search for more information -Write short notes on illustration -Prepare a chart on illustration of entrepreneurial opportunities |
What are your talents and areas of interest in creative arts and sports?
|
- MENTOR pg. 4
-Digital resources -Notebooks -Textbooks -Journals - MENTOR pg. 7 -Lesson notes |
- Practical activity
-Observation
-Peer assessment
-Portfolio
|
|
| 2 | 3 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Elements of a Play
Components of Creative Arts and Sports - Physical Fitness |
By the end of the
lesson, the learner
should be able to:
-Perform or Role play to show elements of a play -Express conflict and resolution -Highlight characters -Identify the language to use -Enjoy performing a short play |
In groups, learners should be guided to:
-Perform the play as they use digital devices to record -Share responsibilities -Decide and practice on language to use -Examine the elements of a play from performance |
How do you perform to show the basic elements of a play?
|
- MENTOR pg. 8
-Digital resources -Costumes -Open space or class -Textbooks -Teachers notes -Video clips - MENTOR pg. 10 -Digital devices |
- Practical activity
-Assessment rubrics
-Observation
-Oral questions
|
|
| 2 | 4 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Physical Fitness
Components of Creative Arts and Sports - Rhythm |
By the end of the
lesson, the learner
should be able to:
-Perform activities demonstrating the components of fitness -Observe actual or virtual activities on performance activities demonstrating fitness -Enjoy performing the activities |
In groups or pairs, learners are guided to:
-Demonstrate fitness exercise -Practice activities that enhance power and reaction time |
How do you perform activities demonstrating the components of fitness?
|
- MENTOR pg. 12
-Digital devices -Lesson notes - MENTOR pg. 42 -Digital resources -Descant recorder -Video clips |
- Assessment rubrics
-Checklist
-Oral questions
|
|
| 2 | 5 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Note Extension
Components of Creative Arts and Sports - Grand Staff |
By the end of the
lesson, the learner
should be able to:
-State or define note expression -Discuss notes and ties as components of note extension -Group music notes in 4/4 time including note extension -Acknowledge the importance of dots and ties in music |
In groups, learners are guided to:
-Use digital or print resources for search -Explain dot and ties as components of note extension -Write signs for tied notes -Collaborate in music notes 4/4 time incorporating note extension |
Why is note extension in music notation important?
|
- MENTOR pg. 44
-Lesson notes -Charts -Digital resources -Piano -Lesson notes -Digital devices -Textbooks - MENTOR pg. 16 -Music instruments |
- Assessment rubrics
-Checklist
-Written questionnaires
-Oral questions
|
|
| 3 | 1 |
Foundation of Creative Arts and sports
Creating And Performing |
Components of Creative Arts and Sports - Scale of F Major
Drawing and Painting - Texture, Colour, Unity and Harmony |
By the end of the
lesson, the learner
should be able to:
-Construct the scale F major on a staff -Play scales of F major ascending and descending and their tonic arpeggios -Have fun playing scales F major ascending and descending |
In groups or pairs or individually, learners are guided to:
-Construct a scale of F major on both treble and bass staff -Play or sing scales F major ascending and descending with or without key signatures -Sight read simple melodies in C, G, and F major for aural recognition |
How can you construct the scale F major on both treble and bass staff?
|
- MENTOR pg. 23
-Music instruments -Lesson notes -Digital devices - MENTOR pg. 30 -Sample drawings with textures -Drawing materials -Digital resources -Textbooks |
- Class project
-Portfolio
-Assessment rubric
-Observation
|
|
| 3 | 2 |
Creating And Performing
|
Drawing and Painting - Texture, Colour, Unity and Harmony
Drawing and Painting - Analogous Colors |
By the end of the
lesson, the learner
should be able to:
-Describe how color contributes to harmony -Identify color moods in artworks -Apply color principles in drawings -Appreciate color as an element of art |
In groups, learners are guided to:
-Study artworks to observe color usage -Discuss how colors create moods (cool/warm) -Apply color to enhance harmony in drawings -Critique use of color in sample artworks |
How does color affect the mood of an artwork?
|
- MENTOR pg. 31
-Color samples -Drawing materials -Paintings -Digital resources - MENTOR pg. 33 -Digital devices -Lesson notes -Paint -Textbook -Manila papers -Color wheel -Analogous colors -Charts/manillas |
- Portfolio assessment
-Observation
-Peer critique
|
|
| 3 | 3 |
Creating And Performing
|
Drawing and Painting - Analogous Colors
Drawing and Painting - Analogous Colors and Color Harmony |
By the end of the
lesson, the learner
should be able to:
-Identify analogous colors on a color wheel -Explain the relationship between analogous colors -Select appropriate analogous color schemes -Value color harmony in painting |
In groups, learners are guided to:
-Examine completed color wheels -Identify and list sets of analogous colors -Discuss what qualities make colors analogous -Explore how artists use analogous colors |
What qualities make colors analogous?
|
- MENTOR pg. 34
-Color wheels -Sample artworks -Digital resources -Paintings - MENTOR pg. 36 -Digital devices -Lesson notes -Paint -Textbook -Manila colors |
- Oral questions
-Written work
-Observation
-Class discussion
|
|
| 3 | 4 |
Creating And Performing
|
Drawing and Painting - Color Harmony
Drawing and Painting - Scenery Composition |
By the end of the
lesson, the learner
should be able to:
-Create a color gradation strip -Demonstrate blending of analogous colors -Show color harmony through gradation -Value smooth color transitions |
In groups, learners are guided to:
-Paint color strips with pairs of analogous colors -Practice blending techniques for smooth gradation -Observe and discuss the results at color meeting points -Identify successful color harmony examples |
Why is smooth gradation important in color harmony?
|
- MENTOR pg. 37
-Paint supplies -Color strips -Brushes -Water containers -Sample gradations - MENTOR pg. 38 -Sample landscape paintings -Digital resources -Field trip location -Drawing materials |
- Practical activity
-Portfolio assessment
-Peer critique
-Observation
|
|
| 3 | 5 |
Creating And Performing
|
Drawing and Painting - Scenery Composition
|
By the end of the
lesson, the learner
should be able to:
-Sketch a scenery composition -Apply composition principles to landscapes -Create a balanced composition -Value good composition in art |
In groups, learners are guided to:
-Sketch outlines of landscape compositions -Apply horizon line and perspective principles -Consider balance of elements in their sketches -Share sketches for peer feedback |
How can you create a balanced landscape composition?
|
- MENTOR pg. 39
-Drawing books -Pencils -Rulers -Sample sketches -Digital resources - MENTOR pg. 40 -Watercolors -Brushes -Water containers -Paper |
- Portfolio assessment
-Observation
-Peer critique
-Practical activity
|
|
| 4 | 1 |
Creating And Performing
|
Drawing and Painting - Scenery Composition
|
By the end of the
lesson, the learner
should be able to:
-Apply dabbing technique for texture -Create textural effects on forms -Add details to composition -Value texture in creating realism |
In groups, learners are guided to:
-Practice dabbing technique for texture effects -Apply color on prepared backgrounds -Create tonal variations with darker/lighter colors -Add textural effects to enhance details |
How can the dabbing technique create realistic textures?
|
- MENTOR pg. 40
-Partially completed paintings -Paint supplies -Brushes -Water containers -Samples of textured paintings - MENTOR pg. 41 -Nearly completed paintings -Display area -Digital resources |
- Practical activity
-Observation
-Portfolio assessment
-Peer critique
|
|
| 4 | 2 |
Creating And Performing
|
Rhythm - Effects of Note Extension
Rhythm - Value Extension |
By the end of the
lesson, the learner
should be able to:
-Describe the effect of note extension on rhythmic patterns -State what dotted notes are -Clap durations of dotted notes -Appreciate note extension in rhythmic patterns |
In groups or pairs, learners are guided to:
-Listen to, sing or play tunes involving dotted notes to outline effects of note extension in rhythmic patterns -Clap the durations of dotted notes -Recite French rhythm names for rhythmic patterns |
What are the effects of note extension on rhythmic patterns?
|
- MENTOR pg. 42
-Digital resources -Lesson notes -Charts -Piano - MENTOR pg. 43 -Charts showing note values -Music notation examples -Percussion instruments |
- Assessment rubrics
-Oral questions
-Written questions
|
|
| 4 | 3 |
Creating And Performing
|
Rhythm - Dictation
Rhythm - Time Signature |
By the end of the
lesson, the learner
should be able to:
-Listen to rhythmic patterns played by teacher -Write down rhythmic patterns on monotone -Indicate time signature and bar lines -Insert French rhythm names -Compare work with classmates |
In pairs, learners are guided to:
-Listen to rhythmic patterns played by the teacher -Write down the rhythmic patterns on monotone -Indicate the time signature and bar lines -Insert the French rhythm names |
How can various note combinations be used to form rhythms in simple time?
|
- MENTOR pg. 43
-Digital resources -Lesson notes -Music instruments -Video clips - MENTOR pg. 44 -Charts showing beat patterns -Music in 4/4 time -Percussion instruments |
- Assessment rubrics
-Checklist
-Oral questions
-Written questions
|
|
| 4 | 4 |
Creating And Performing
|
Rhythm - Compose Rhythmic Pattern
Rhythm - Group Activity |
By the end of the
lesson, the learner
should be able to:
-Compose a four-bar rhythmic pattern in 4/4 time -Sing songs while marking strong and weak beats -Clap or tap rhythms -Appreciate rhythmic patterns in music |
In groups, learners are guided to:
-Sing songs with clear rhythmic patterns -Mark strong beats with a clap or tap while singing -Clap the song's rhythm while marking both strong and weak beats -Compose four-bar rhythmic patterns |
How can one improvise accompaniment patterns for sports?
|
- MENTOR pg. 44
-Digital resources -Music instruments -Video clips -Percussion instruments - MENTOR pg. 45 -Cardboard -Markers -Scissors -Bowl |
- Assessment rubrics
-Practical activity
-Checklist
|
|
| 4 | 5 |
Creating And Performing
|
Rhythm - Beat Numbering
Rhythm - Composition |
By the end of the
lesson, the learner
should be able to:
-Number beats in rhythmic patterns -Apply French rhythm names to patterns -Analyze rhythmic patterns -Value systematic approach to rhythm |
In groups, learners are guided to:
-Study rhythmic patterns with numbered beats -Number beats in given examples -Write corresponding French rhythm names -Compare and discuss results |
Why is beat numbering important in understanding rhythm?
|
- MENTOR pg. 45
-Rhythmic pattern examples -Digital resources -Music notation -Charts - MENTOR pg. 46 -Staff paper -Pencils -Percussion instruments |
- Written work
-Observation
-Assessment rubrics
-Class discussion
|
|
| 5 | 1 |
Creating And Performing
|
Rhythm - Group Performance
Rhythm - Notating Rhythmic Pattern |
By the end of the
lesson, the learner
should be able to:
-Perform composed rhythms in groups -Conduct rhythmic performances -Give constructive feedback -Value group rhythm creation |
In groups, learners are guided to:
-Share created rhythms with group members -Clap or tap each other's rhythms -Conduct the rhythms as others perform -Provide feedback on performances |
How can conducting help in maintaining rhythmic accuracy?
|
- MENTOR pg. 46
-Student compositions -Percussion instruments -Digital resources -Performance space -Music instruments -Charts |
- Group performance assessment
-Conducting assessment
-Peer evaluation
-Observation
|
|
| 5 | 2 |
Creating And Performing
|
Rhythm - Rhythm Writing Rules
Rhythm - Body Percussion |
By the end of the
lesson, the learner
should be able to:
-Apply rules for writing rhythm on staff -Position notes correctly on monotone -Follow stem direction rules -Value proper notation |
In groups, learners are guided to:
-Study rules for stem direction (up/down) -Practice writing notes on monotone -Follow proper staff notation conventions -Apply stem rules to their compositions |
Why are stem direction rules important in music notation?
|
- MENTOR pg. 47
-Staff paper -Pencils -Charts showing notation rules -Digital resources - MENTOR pg. 48 -Video examples of body percussion -Digital recording devices -Performance space -Music with clear rhythms |
- Written work
-Observation
-Assessment rubrics
-Portfolio check
|
|
| 5 | 3 |
Creating And Performing
|
Athletics and Mosaic - Triple Jump
Athletics and Mosaic - Approach and Take-off |
By the end of the
lesson, the learner
should be able to:
-Describe the phases in Triple jump -Identify the facility for Triple jump -Describe how Triple jump is similar to Long jump -Appreciate Triple jump as a field event |
In groups, learners are guided to:
-Observe a live or virtual performance of Triple jump to identify the phases -Discuss the execution of the skills -Analyze the photos of Triple jump facilities -Compare Triple jump and Long jump facilities |
What are the phases in Triple jump?
|
- MENTOR pg. 54
-Digital devices -Video clips -Open field - MENTOR pg. 55 -Cones -Markers -Digital resources |
- Oral questions
-Written questions
-Observation
|
|
| 5 | 4 |
Creating And Performing
|
Athletics and Mosaic - Hop and Step
Athletics and Mosaic - Jump and Landing |
By the end of the
lesson, the learner
should be able to:
-Demonstrate the hop phase in Triple jump -Execute proper step technique -Maintain balance and momentum -Value sequential execution of phases |
In groups, learners are guided to:
-Practice hopping with one leg from take-off -Execute cycling movement midair -Land on the same foot used for take-off -Practice stepping with power after hop |
What techniques help maintain momentum through the hop and step phases?
|
- MENTOR pg. 56
-Open field -Markers -Digital resources -Video clips -Sand pit |
- Practical activity
-Assessment rubrics
-Observation
-Peer feedback
|
|
| 5 | 5 |
Creating And Performing
|
Athletics and Mosaic - Complete Triple Jump
Athletics and Mosaic - Long Distance Running |
By the end of the
lesson, the learner
should be able to:
-Perform Triple jump for skill acquisition -Integrate all phases of Triple jump -Execute with proper timing and coordination -Acknowledge own and others' efforts in performing |
In groups, learners are guided to:
-Mark a take-off line on the ground -Line up and practice complete Triple jump sequence -Take turns performing the full technique -Provide constructive feedback to peers |
How does proper sequencing of phases affect overall Triple jump performance?
|
- MENTOR pg. 57
-Open field -Sand pit -Markers -Digital recording devices - MENTOR pg. 58 -Digital resources -Textbooks -Pictures of famous runners -Videos of races |
- Complete performance assessment
-Observation
-Peer feedback
-Video analysis
|
|
| 6 | 1 |
Creating And Performing
|
Athletics and Mosaic - Starting Technique
Athletics and Mosaic - Arm Action and Stride |
By the end of the
lesson, the learner
should be able to:
-Demonstrate proper starting position -Execute proper body positioning -Apply correct foot placement -Value good foundation for running |
In groups, learners are guided to:
-Practice proper starting position -Position feet correctly behind the starting line -Bend knees slightly and lean forward -Practice starting on command |
How does proper starting technique affect long distance performance?
|
- MENTOR pg. 58
-Running track -Markers -Stopwatch -Digital resources |
- Practical activity
-Assessment rubrics
-Observation
-Peer feedback
|
|
| 6 | 2 |
Creating And Performing
|
Athletics and Mosaic - Pacing and Breathing
Athletics and Mosaic - Practice Run |
By the end of the
lesson, the learner
should be able to:
-Maintain consistent pacing in running -Apply proper breathing techniques -Regulate energy expenditure -Value energy conservation strategies |
In groups, learners are guided to:
-Practice maintaining consistent pace -Develop rhythmic breathing techniques -Keep the body relaxed while running -Discuss strategies for energy conservation |
Why is proper pacing crucial in long distance running?
|
- MENTOR pg. 59
-Running track -Stopwatch -Digital resources -Training plans -Water -First aid kit |
- Practical activity
-Assessment rubrics
-Observation
-Training log review
|
|
| 6 | 3 |
Creating And Performing
|
Athletics and Mosaic - Mosaic Characteristics
Athletics and Mosaic - Monomedia |
By the end of the
lesson, the learner
should be able to:
-Explore characteristics of mosaic in sample pictures -Define mosaic -Identify characteristic of mosaic -Appreciate mosaic as an art form |
In groups, learners are guided to:
-Source for actual and virtual samples of mosaic work to analyze characteristics with focus on mono media and spacing of materials -Discuss how the coil technique is used in mosaic -Discuss why clay is a suitable material for mosaic |
How can mosaic pictorial composition be used to improve the environment?
|
- MENTOR pg. 59
-Digital resources -Sample pictures -Textbooks - MENTOR pg. 60 -Sample mosaics -Collection of materials |
- Portfolio
-Observation
-Oral questions
|
|
| 6 | 4 |
Creating And Performing
|
Athletics and Mosaic - Materials Collection
Athletics and Mosaic - Planning and Sketching |
By the end of the
lesson, the learner
should be able to:
-Collect materials for mosaic creation -Identify suitable support surfaces -Select appropriate adhesives -Value recycling and resource management |
In groups, learners are guided to:
-Brainstorm locally available materials -Collect materials for mosaic of a Kenyan athlete -Sort and prepare materials by color -Discuss sustainability in material selection |
What considerations are important when selecting materials for mosaic?
|
- MENTOR pg. 60
-Collected materials -Storage containers -Digital resources -Sample mosaics -Drawing materials -Support surfaces -Color samples |
- Materials assessment
-Observation
-Group discussion
-Planning documents
|
|
| 6 | 5 |
Creating And Performing
|
Athletics and Mosaic - Creating Mosaic
Athletics and Mosaic - Completing Mosaic |
By the end of the
lesson, the learner
should be able to:
-Apply adhesive correctly -Place monomedia with proper spacing -Create backgrounds first -Work systematically on mosaic |
In groups, learners are guided to:
-Apply adhesive to sections of support surface -Place monomedia pieces with proper spacing -Work from background to foreground -Maintain consistent spacing and alignment |
What techniques ensure proper placement of monomedia in mosaic?
|
- MENTOR pg. 61
-Prepared materials -Adhesive -Support surfaces -Work surfaces -Completed mosaic materials -Display area -Digital camera for documentation |
- Process assessment
-Observation
-Technical application review
-Progress documentation
|
|
| 7 |
Midterm |
||||||||
| 8 | 1 |
Creating And Performing
|
Melody - Variation Techniques
Melody - Analyzing Phrases |
By the end of the
lesson, the learner
should be able to:
-Describe the use of variation in composing a melody -Listen to melodies with variations -Identify different kinds of variations -Appreciate the role of variation in making music interesting |
In groups, learners are guided to:
-Sing familiar tunes and discuss how variation has been achieved in the different phrases of the melody -Listen to melody examples with variations -Identify rhythmic, melodic, and dynamic variations -Discuss what makes melodies appealing |
How can a melody be made interesting?
|
- MENTOR pg. 68
-Digital resources -Music recordings -Musical instruments - MENTOR pg. 69 -Music scores -Audio recordings |
- Oral questions
-Assessment rubrics
-Written questions
|
|
| 8 | 2 |
Creating And Performing
|
Melody - Rhythm Variation
Melody - Scale of F Major |
By the end of the
lesson, the learner
should be able to:
-Apply rhythm variation techniques -Change long notes to shorter values -Identify variations in example melodies -Value rhythm as element of variation |
In groups, learners are guided to:
-Study examples of rhythm variation -Compare original and varied rhythmic patterns -Identify how note values are changed -Create their own rhythm variations |
How does changing note values create rhythmic variation?
|
- MENTOR pg. 70
-Music scores -Digital resources -Staff paper -Percussion instruments - MENTOR pg. 71 -Musical instruments -Music notation software |
- Written exercises
-Practical demonstrations
-Assessment rubrics
-Portfolio review
|
|
| 8 | 3 |
Creating And Performing
|
Melody - Scale Practice
Melody - Answering Phrases |
By the end of the
lesson, the learner
should be able to:
-Play or sing the F major scale fluently -Apply correct intervals in the scale -Produce clear tone quality -Value technical precision in music |
In groups, learners are guided to:
-Practice the F major scale ascending and descending -Focus on accurate pitches and intervals -Apply proper breath control or fingering -Provide feedback to peers on technique |
How does mastery of scales benefit musical performance?
|
- MENTOR pg. 72
-Musical instruments -Scale notation -Digital resources -Keyboard or piano - MENTOR pg. 73 -Staff paper -Example phrases |
- Performance assessment
-Peer evaluation
-Observation
-Technical assessment
|
|
| 8 | 4 |
Creating And Performing
|
Melody - Opening Phrases
Melody - Composing Melodies |
By the end of the
lesson, the learner
should be able to:
-Analyze answering phrases -Create opening phrases for given answers -Apply compositional principles -Value creative problem-solving |
In groups, learners are guided to:
-Study example answering phrases -Identify features of the answering phrases -Create compatible opening phrases -Use melodic and rhythmic variations |
How can you create an effective opening phrase based on an answering phrase?
|
- MENTOR pg. 74
-Staff paper -Musical instruments -Digital resources -Example answer phrases - MENTOR pg. 76 -Music notation software |
- Composition assessment
-Creative process evaluation
-Performance of compositions
-Portfolio review
|
|
| 8 | 5 |
Creating And Performing
|
Melody - Notating Melodies
Melody - Performing Melodies |
By the end of the
lesson, the learner
should be able to:
-Notate four-bar melodies in 4/4 time -Add phrase marks and dynamics -Write music accurately on staff paper -Value the use of proper notation in music |
In groups, learners are guided to:
-Add phrase marks to the four-bar composed melodies -Indicate dynamics as loud for one phrase and soft for the other -Sight read the melodies composed by self and others -Listen to melodies written by self and others and give feedback |
Why is proper notation important in musical composition?
|
- MENTOR pg. 78
-Staff paper -Music notation software -Digital resources -Musical instruments - MENTOR pg. 80 -Melody recordings -Performance space |
- Project
-Portfolio
-Assessment rubrics
-Written work
|
|
| 9 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Performing Passes in Basketball
Basketball and Logo Design - Performing the Overhead Pass |
By the end of the
lesson, the learner
should be able to:
- Distinguish passes in Basketball. - Perform passing skills in Basketball. - Appreciate each other's skills in Basketball game. |
The learner is guided to:
- Watch a live or virtual Basketball game and identify the passing skills in Basketball. - Discuss the execution of the skills. - Share ideas with classmates. |
How can a poster be made an effective means of communicating?
|
- Mentor Creative Arts and Sports Learner's Book pg. 123
- Digital devices - Basketball court - Basketball - Mentor Creative Arts and Sports Learner's Book pg. 124 - Digital resources |
- Observation
- Oral questions
- Assessment rubrics
- Written questions
|
|
| 9 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Performing the Bounce Pass
Basketball and Logo Design - Performing the Chest Pass |
By the end of the
lesson, the learner
should be able to:
- Explain the bounce pass technique. - Perform the bounce pass in Basketball. - Appreciate the importance of proper technique in passing. |
The learner is guided to:
- Perform warm up activities. - Demonstrate the bounce pass. - Practice the bounce pass in pairs. - Give feedback to each other. |
Why is it important to combine passing and dribbling in Basketball?
|
- Mentor Creative Arts and Sports Learner's Book pg. 126
- Basketball - Open space - Digital resources - Mentor Creative Arts and Sports Learner's Book pg. 127 - Digital devices |
- Practical activity
- Observation
- Checklist
- Peer assessment
|
|
| 9 | 3 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Practicing Different Passes
Basketball and Logo Design - Executing Dribbling in Basketball |
By the end of the
lesson, the learner
should be able to:
- Combine different passes in Basketball. - Perform passing drills in a group. - Value teamwork during group activities. |
The learner is guided to:
- Form a semi-circle with one learner in front. - Practice the chest, bounce, and overhead passes. - Change roles so everyone participates. - Give feedback to each other. |
Why is it important to combine passing and dribbling in Basketball?
|
- Mentor Creative Arts and Sports Learner's Book pg. 128
- Basketball - Open space - Digital resources - Digital devices - Video clips |
- Practical activity
- Observation
- Group assessment
- Peer feedback
|
|
| 9 | 4 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Performing High Dribble
Basketball and Logo Design - Performing Low Dribble |
By the end of the
lesson, the learner
should be able to:
- Explain the high dribble technique. - Demonstrate the high dribble in Basketball. - Show commitment to skill improvement. |
The learner is guided to:
- Study pictures of high dribble. - Describe body position of player. - Perform warm up activities. - Practice high dribble technique. - Observe safety measures. |
Why is it important to combine passing and dribbling in Basketball?
|
- Mentor Creative Arts and Sports Learner's Book pg. 129
- Basketball - Open space/court - Digital resources - Mentor Creative Arts and Sports Learner's Book pg. 130 |
- Practical activity
- Observation
- Checklist
- Peer feedback
|
|
| 9 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Combining Dribbling Skills
Basketball and Logo Design - Designing a Logo for a Basketball Team |
By the end of the
lesson, the learner
should be able to:
- Combine high and low dribbling techniques. - Perform dribbling drills. - Value teamwork during practice sessions. |
The learner is guided to:
- Perform warm up activities. - Practice high and low dribbling skills. - Perform dribbling drills between markers. - Switch between high and low dribble as appropriate. - Observe safety measures. |
Why is it important to combine passing and dribbling in Basketball?
|
- Mentor Creative Arts and Sports Learner's Book pg. 131
- Basketball - Cones/markers - Open space - Mentor Creative Arts and Sports Learner's Book pg. 132 - Digital devices - Sample logos - Chart papers |
- Practical activity
- Observation
- Peer assessment
- Checklist
|
|
| 10 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Creating a Basketball Team Logo
Basketball and Logo Design - Refining and Finalizing Logo Design |
By the end of the
lesson, the learner
should be able to:
- Plan a design for a Basketball team logo. - Sketch preliminary logo ideas. - Value originality in creative work. |
The learner is guided to:
- Identify a team name for designing the logo. - Create a slogan for the team. - Make sketches of logo designs. - Try various combinations of letters arranged in different ways. |
How can a poster be made an effective means of communicating?
|
- Mentor Creative Arts and Sports Learner's Book pg. 133
- Drawing books - Pencils - Digital devices - Mentor Creative Arts and Sports Learner's Book pg. 134 - Paint/colored pencils - Manila paper - Digital resources |
- Portfolio assessment
- Observation
- Peer feedback
- Project work
|
|
| 10 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Applying Skills in a Modified Game
Indigenous Kenyan Crafts - Pottery |
By the end of the
lesson, the learner
should be able to:
- Combine passing and dribbling skills in a game situation. - Play the Warrior game using Basketball skills. - Show sportsmanship during competitive activities. |
The learner is guided to:
- Perform warm up exercises. - Form two teams with assigned logos. - Play the Warrior game applying passing and dribbling skills. - Change roles to ensure everyone practices different skills. - Display team logos during the game. |
Why is it important to combine passing and dribbling in Basketball?
|
- Mentor Creative Arts and Sports Learner's Book pg. 134
- Basketball - Team logos - Open space - Digital resources - Mentor Creative Arts and Sports Learner's Book pg. 143 - Digital resources - Sample pottery items - Video clips |
- Practical activity
- Observation
- Peer assessment
- Team evaluation
|
|
| 10 | 3 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Pottery Techniques
Indigenous Kenyan Crafts - Preparing Clay for Pottery |
By the end of the
lesson, the learner
should be able to:
- Explain clay preparation procedures for pottery. - Identify suitable clay for pottery. - Value indigenous knowledge in craft making. |
The learner is guided to:
- Use digital devices to find information on clay sources and preparation. - Discuss different types of clay and their properties. - Share information on clay preparation procedures. - Identify local sources of clay for pottery. |
Why is clay the preferred material for pottery?
|
- Mentor Creative Arts and Sports Learner's Book pg. 144
- Digital resources - Sample clay - Video clips - Mentor Creative Arts and Sports Learner's Book pg. 145 - Clay - Water container - Sieves - Canvas/sacks |
- Oral discussions
- Written responses
- Question and answer
- Research reports
|
|
| 10 | 4 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Modeling a Vessel Using Coil Method
Indigenous Kenyan Crafts - Decorating and Drying Clay Vessel |
By the end of the
lesson, the learner
should be able to:
- Create uniform coils from prepared clay. - Model a vessel using the coil technique. - Show patience during the creative process. |
The learner is guided to:
- Make coils of uniform thickness. - Roll coils to form a base. - Score the clay coil and add slip. - Join the clay coils to form a vessel. - Smoothen the inside and outside of the vessel. |
Why is clay the preferred material for pottery?
|
- Mentor Creative Arts and Sports Learner's Book pg. 146
- Prepared clay - Water - Sponge - Working surface - Mentor Creative Arts and Sports Learner's Book pg. 147 - Clay vessels - Forks/spoons - Table knife - Textured objects |
- Practical activity
- Observation
- Product assessment
- Peer feedback
|
|
| 10 | 5 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Firing Clay Vessels
Indigenous Kenyan Crafts - Making a Frame Loom for Weaving |
By the end of the
lesson, the learner
should be able to:
- Explain the firing process for pottery. - Fire clay vessels using an open pit kiln. - Observe safety during the firing process. |
The learner is guided to:
- Dig a pit about 2 feet deep in a dry area. - Place firewood at the bottom and light a fire. - Place completely dry clay works on the charcoal. - Add more firewood and fire them for about 5 hours. - Cover the pit with soil and leave overnight. - Unearth the clay works the following day. |
Why is clay the preferred material for pottery?
|
- Mentor Creative Arts and Sports Learner's Book pg. 147
- Dry clay vessels - Firewood - Matches - Digging tools - Mentor Creative Arts and Sports Learner's Book pg. 148 - Digital resources - Sample looms - Video clips |
- Practical activity
- Observation
- Product assessment
- Safety checklist
|
|
| 11 | 1 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Constructing a Frame Loom
Indigenous Kenyan Crafts - Making a Fabric Using 2/1 Twill Weaving |
By the end of the
lesson, the learner
should be able to:
- Make a wooden mitre joint frame loom. - Prepare the loom for weaving. - Demonstrate teamwork during construction. |
The learner is guided to:
- Collaboratively make a wooden mitre joint frame loom. - Ensure equal spacing of nails around the frame. - Secure the joints for stability. - Prepare the loom for weaving. |
How is a fabric woven?
|
- Mentor Creative Arts and Sports Learner's Book pg. 148
- Wooden planks - Nails - Hammer - Measuring tools - Mentor Creative Arts and Sports Learner's Book pg. 149 - Frame loom - Yarn/threads - Cardboard strip - Scissors |
- Practical activity
- Observation
- Product assessment
- Group evaluation
|
|
| 11 | 2 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Completing a Woven Fabric
Swimming - Body Positioning in Standing Dive |
By the end of the
lesson, the learner
should be able to:
- Complete a fabric using 2/1 twill weaving technique. - Finish the woven fabric properly. - Appreciate the final woven product. |
The learner is guided to:
- Continue weaving to desired size using 2/1 twill technique. - Cut the warp threads off the top of the frame. - Tie adjacent warp threads together. - Weave the ends through the back of the weave. - Trim long tails of warp threads. - Display completed work for appreciation. |
How is a fabric woven?
|
- Mentor Creative Arts and Sports Learner's Book pg. 150
- Frame loom with work in progress - Scissors - Additional yarn - Display area - Mentor Creative Arts and Sports Learner's Book pg. 157 - Digital resources - Video clips - Pictures |
- Product assessment
- Exhibition
- Peer feedback
- Portfolio
|
|
| 11 | 3 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Techniques for Standing Dive
Swimming - Performing Standing Dive |
By the end of the
lesson, the learner
should be able to:
- Explain the steps for performing a standing dive. - Identify safe areas for practicing dive techniques. - Show awareness of water safety rules. |
The learner is guided to:
- Watch video clips on standing dive technique. - Observe the body positioning before and during water entry. - Discuss proper execution of standing dive. - Identify safety measures for diving activities. |
How can swimming skills be performed safely?
|
- Mentor Creative Arts and Sports Learner's Book pg. 158
- Digital resources - Video clips - Swimming pool (if available) - Mentor Creative Arts and Sports Learner's Book pg. 159 - Swimming pool - Swimming attire - First aid kit |
- Oral discussions
- Written responses
- Observation
- Safety checklist
|
|
| 11 | 4 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Body Positioning in Butterfly Stroke
Swimming - Techniques for Butterfly Stroke |
By the end of the
lesson, the learner
should be able to:
- Describe the body positioning in butterfly stroke. - Identify phases in butterfly stroke. - Appreciate proper technique in swimming. |
The learner is guided to:
- Study pictures of butterfly stroke. - Identify and discuss body positioning of the swimmer. - Watch video clips on butterfly stroke phases. - Observe body, arm, and leg movements in the stroke. |
Why is synchrony important in butterfly stroke?
|
- Mentor Creative Arts and Sports Learner's Book pg. 160
- Digital resources - Video clips - Pictures - Mentor Creative Arts and Sports Learner's Book pg. 161 - Pictures - Diagrams |
- Oral discussions
- Written responses
- Observation
- Question and answer
|
|
| 11 | 5 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Performing Butterfly Stroke Components
Swimming - Performing Leg Actions in Butterfly Stroke |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the body positioning for butterfly stroke. - Practice arm actions for butterfly stroke. - Show confidence in water activities. |
The learner is guided to:
- Practice prone body position at the shallow end. - Use kickboard to practice arm actions. - Demonstrate arm actions while maintaining body position. - Give feedback to each other. - Observe safety measures. |
Why is synchrony important in butterfly stroke?
|
- Mentor Creative Arts and Sports Learner's Book pg. 162
- Swimming pool - Kickboards - Pull buoys - Swimming attire - Mentor Creative Arts and Sports Learner's Book pg. 163 - Swimming attire - First aid kit |
- Practical activity
- Observation
- Peer feedback
- Safety checklist
|
|
| 12 | 1 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Performing Breathing Technique in Butterfly Stroke
Swimming - Combining Butterfly Stroke Components |
By the end of the
lesson, the learner
should be able to:
- Demonstrate breathing technique for butterfly stroke. - Coordinate breathing with arm movements. - Show persistence in skill development. |
The learner is guided to:
- Use kickboard to practice breathing technique. - Raise head above water to breathe in during arm pull. - Immerse head back into water to breathe out. - Practice breathing coordination with arm movements. - Observe safety measures. |
Why is synchrony important in butterfly stroke?
|
- Mentor Creative Arts and Sports Learner's Book pg. 163
- Swimming pool - Kickboards - Pull buoys - Swimming attire - Mentor Creative Arts and Sports Learner's Book pg. 164 - Swimming attire - First aid kit |
- Practical activity
- Observation
- Peer feedback
- Safety checklist
|
|
| 12 | 2 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Playing Water Games
Kenyan Indigenous Games - Board Games |
By the end of the
lesson, the learner
should be able to:
- Combine standing dive and butterfly stroke in games. - Participate in team water activities. - Show sportsmanship during water games. |
The learner is guided to:
- Form groups and place floaters in shallow end. - Take turns to perform standing dive and swim using butterfly stroke to grab floaters. - Time each group's performance. - Appreciate each team's efforts. - Observe safety measures. |
How can swimming skills be performed safely?
|
- Mentor Creative Arts and Sports Learner's Book pg. 165
- Swimming pool - Floaters - Swimming attire - First aid kit - Mentor Creative Arts and Sports Learner's Book pg. 167 - Digital resources - Pictures of board games - Sample boards |
- Practical activity
- Observation
- Team assessment
- Safety checklist
|
|
| 12 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Learning Bao
Kenyan Indigenous Games - Playing Bao |
By the end of the
lesson, the learner
should be able to:
- Describe the Bao board game structure. - Identify the rules of playing Bao. - Value indigenous knowledge in games. |
The learner is guided to:
- Watch demonstrations of playing Bao. - Pay attention to game demonstration. - Note main points on how to play Bao. - Discuss important steps in playing the game. - Share ideas with classmates. |
Why are board games considered an indigenous game?
|
- Mentor Creative Arts and Sports Learner's Book pg. 168
- Digital resources - Bao boards - Seeds/stones - Video clips - Mentor Creative Arts and Sports Learner's Book pg. 170 - Seeds/stones/pebbles - Digital resources |
- Oral discussions
- Written responses
- Observation
- Question and answer
|
|
| 12 | 4 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Improvising Bao Board
Kenyan Indigenous Games - Playing Bao Game |
By the end of the
lesson, the learner
should be able to:
- Create improvised Bao boards. - Prepare materials for playing Bao. - Value creativity in game preparation. |
The learner is guided to:
- Improvise boards for playing Bao. - Use wooden planks, manila paper, or make holes in the ground. - Collect seeds, pebbles, or stones as playing pieces. - Prepare the board with correct number of pits. |
Why are board games considered an indigenous game?
|
- Mentor Creative Arts and Sports Learner's Book pg. 172
- Wooden planks - Manila paper - Seeds/stones - Carving tools - Mentor Creative Arts and Sports Learner's Book pg. 173 - Improvised Bao boards - Seeds/stones/pebbles - Digital resources |
- Practical activity
- Observation
- Product assessment
- Creativity evaluation
|
|
| 12 | 5 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Learning Shisima
Kenyan Indigenous Games - Playing Shisima Kenyan Indigenous Games - Playing with Background Music Kenyan Indigenous Games - Mental Health Benefits |
By the end of the
lesson, the learner
should be able to:
- Describe the Shisima board game. - Explain the origin and purpose of Shisima. - Appreciate cultural significance of games. |
The learner is guided to:
- Watch demonstrations of playing Shisima. - Note that Shisima is from the Tiriki community. - Learn that Shisima means "body of water" and imbalavali means "water bugs". - Understand the aim of bringing three beads in a row. |
How do indigenous board games enhance mental relaxation?
|
- Mentor Creative Arts and Sports Learner's Book pg. 174
- Digital resources - Shisima boards - Beads/stones - Video clips - Mentor Creative Arts and Sports Learner's Book pg. 175 - Improvised Shisima boards - Digital resources - Mentor Creative Arts and Sports Learner's Book pg. 176 - Board games - Playing pieces - Music players - Indigenous music - Mentor Creative Arts and Sports Learner's Book pg. 177 - Video clips - Reference materials |
- Oral discussions
- Written responses
- Observation
- Question and answer
|
|
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