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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Foundations of Creative Arts and Sports
|
Careers in Creative Arts and Sports - Identifying careers
|
By the end of the
lesson, the learner
should be able to:
- Identify various careers in Creative Arts and Sports - List careers in Creative Arts and Sports areas - Show interest in exploring Creative Arts and Sports careers |
- Research using digital devices or print materials to identify careers in Creative Arts and Sports
- Discuss in groups different career opportunities - Study findings on careers written in tables - Compile a list of identified careers |
What are the career opportunities related to Creative Arts and Sports?
|
- KLB Top Scholar (pg. 1)
- Digital resources - Charts showing careers in Creative Arts and Sports - Career reference materials |
- Observation
- Oral questions
- Written assignments
|
|
| 1 | 2 |
Foundations of Creative Arts and Sports
|
Careers in Creative Arts and Sports - Roles of personnel
Careers in Creative Arts and Sports - Personnel roles in depth Careers in Creative Arts and Sports - Entrepreneurial opportunities |
By the end of the
lesson, the learner
should be able to:
- Identify roles performed by personnel in Creative Arts and Sports - Explain the responsibilities of different career professionals - Appreciate the diversity of roles in Creative Arts and Sports |
- Visit virtual or actual Creative Arts spaces
- Watch photo slideshows of careers in Creative Arts and Sports - Observe roles performed by personnel - Discuss observed roles in groups |
Which roles are performed by personnel in Creative Arts and Sports?
|
- KLB Top Scholar (pg. 2)
- Digital resources - Visit to Creative Arts and Sports spaces - Video presentations - KLB Top Scholar (pg. 4) - Career profiles - Role description charts - KLB Top Scholar (pg. 5) - Business samples - Entrepreneurship materials |
- Observation
- Oral questions
- Written reports
|
|
| 1 | 3-4 |
Foundations of Creative Arts and Sports
|
Components of Creative Arts and Sports - Elements of a play
Components of Creative Arts and Sports - Play language and setting Components of Creative Arts and Sports - Power in physical fitness Components of Creative Arts and Sports - Four corner power activity Components of Creative Arts and Sports - Reaction time |
By the end of the
lesson, the learner
should be able to:
- Describe the elements of a play - Identify theme, characters, plot, and conflict in plays - Appreciate plays as a form of creative expression - Define power as a component of physical fitness - Perform activities demonstrating power - Apply power concepts in physical activities |
- Watch actual or virtual play performances
- Identify key elements of a play - Discuss the basic elements including story, theme, plot, characters - Analyze elements in a sample play - Observe virtual activities showing power in physical fitness - Discuss the importance of power in sports - Demonstrate activities that improve power - Perform vertical jumps, squat jumps, power lunges |
How does one create harmony in play elements?
Why should athletes avoid performance enhancers to develop physical fitness? |
- KLB Top Scholar (pg. 9)
- Digital resources - Play scripts - Play videos/recordings - KLB Top Scholar (pg. 10) - Sample play scripts - Element charts - KLB Top Scholar (pg. 12) - Digital resources - Physical fitness equipment - Activity demonstration videos - KLB Top Scholar (pg. 14) - Exercise space - Fitness equipment - KLB Top Scholar (pg. 15) - Reaction time equipment (balls, rulers) |
- Observation
- Oral questions
- Written analysis
- Observation - Practical assessment - Performance evaluation |
|
| 1 | 5 |
Foundations of Creative Arts and Sports
|
Components of Creative Arts and Sports - Activities with music
Components of Creative Arts and Sports - Grand stave Components of Creative Arts and Sports - Note grouping |
By the end of the
lesson, the learner
should be able to:
- Perform fitness activities with musical accompaniment - Coordinate movements with musical cues - Appreciate the relationship between music and physical fitness |
- Use digital devices to play music during activities
- Practice ruler test, ball drop, and speed activities with music - Coordinate movements with musical cues - Adjust activities based on tempo changes |
How does music enhance physical fitness activities?
|
- KLB Top Scholar (pg. 16)
- Digital resources - Music player - Fitness equipment - KLB Top Scholar (pg. 17) - Music notation charts - Keyboard diagrams - KLB Top Scholar (pg. 19) - Music notation examples - Rhythm worksheets |
- Observation
- Practical assessment
- Coordination evaluation
|
|
| 2 | 1 |
Foundations of Creative Arts and Sports
Creating and Performing in Creative Arts and Sports Creating and Performing in Creative Arts and Sports |
Components of Creative Arts and Sports - F major scale
Drawing and Painting - Picture-making techniques Drawing and Painting - Digital resources |
By the end of the
lesson, the learner
should be able to:
- Understand the structure of a major scale - Construct the scale of F major on a staff - Apply key signature concepts to scale construction |
- Watch videos illustrating major scale construction
- Study the pattern of tones and semitones in major scales - Construct F major scale on treble and bass staff - Identify accidentals in the F major scale |
What is the pattern of notes in the F major scale?
|
- KLB Top Scholar (pg. 21)
- Digital resources - Music staff paper - Scale diagrams - KLB Top Scholar (pg. 26) - Sample drawings and paintings - Pictures of drawings and paintings - KLB Top Scholar (pg. 27) - Drawings and paintings - Books and magazines with art |
- Observation
- Written exercises
- Scale construction
|
|
| 2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Color in compositions
Drawing and Painting - Texture in compositions Drawing and Painting - Color wheel |
By the end of the
lesson, the learner
should be able to:
- Explain the role of color in compositions - Identify how color creates harmony and mood - Show interest in the use of color in art |
- Discuss the role of color in compositions
- Examine how color is used to describe objects - Analyze how color creates harmony and conveys message |
How is unity and harmony created in compositions?
|
- KLB Top Scholar (pg. 27)
- Digital resources - Color charts - Sample compositions with different color schemes - KLB Top Scholar (pg. 28) - Pictures showing different textures - Textured materials - KLB Top Scholar (pg. 29) - Color wheels |
- Observation
- Oral questions
- Written assignments
|
|
| 2 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Creating a color wheel
Drawing and Painting - Analogous colors Drawing and Painting - Color gradation strip Drawing and Painting - Scenery composition Drawing and Painting - Painting a landscape |
By the end of the
lesson, the learner
should be able to:
- Draw and divide a circle into 12 equal sections - Paint primary, secondary and tertiary colors correctly - Create a color wheel for identifying colors - Define a color gradation strip - Create a color gradation strip using analogous colors - Show interest in color values |
- Draw a circle and divide into 12 equal sections
- Paint primary colors in appropriate sections - Mix and paint secondary and tertiary colors - Clean the working area and materials - Create a color gradation strip divided into sections - Create a continuous blended gradation strip - Experiment with different pairs of analogous colors |
Which colors are primary, secondary, and tertiary?
Why is color gradation important in painting? |
- KLB Top Scholar (pg. 30)
- Paint and brushes - Drawing paper - Color wheel examples - KLB Top Scholar (pg. 31) - Digital resources - Color wheel - Examples of analogous color schemes - KLB Top Scholar (pg. 32) - Paint and brushes - Drawing paper - Examples of color gradation strips - KLB Top Scholar (pg. 33) - Digital resources - Landscape and seascape examples - Pictures of scenery - KLB Top Scholar (pg. 34) - Reference materials for landscapes |
- Observation
- Practical assessment
- Portfolio assessment
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Drawing and Painting - Landscape details
Drawing and Painting - Display and critique Rhythm - Note extension effects |
By the end of the
lesson, the learner
should be able to:
- Add details to a landscape composition - Apply analogous colors for harmony - Show interest in landscape painting |
- Paint the composition using analogous colors
- Add details such as leaves and shadows - Focus on dark tones and shadows for emphasis |
How can analogous colors create harmony in a landscape?
|
- KLB Top Scholar (pg. 35)
- Paint and brushes - Partially completed landscape - Reference materials - KLB Top Scholar (pg. 36) - Completed landscape paintings - Display space - Assessment criteria - KLB Top Scholar (pg. 37) - Digital resources - Audio recordings - Music scores with note extensions |
- Observation
- Practical assessment
- Portfolio assessment
|
|
| 3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Dotted notes
Rhythm - Tied notes Rhythm - French rhythm names |
By the end of the
lesson, the learner
should be able to:
- Explain the effect of dots on note values - Calculate the length of dotted notes - Show interest in music notation |
- Study examples of dotted notes
- Practice identifying dotted notes in music - Calculate the value of dotted notes |
How does a dot affect the value of a note?
|
- KLB Top Scholar (pg. 38)
- Music notation examples - Staff paper - Audio examples of dotted rhythms - KLB Top Scholar (pg. 39) - Audio examples of tied notes - Chart of French rhythm names - Rhythm examples - Audio demonstrations |
- Observation
- Written exercises
- Practical assessment
|
|
| 3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Accented and weak beats
Rhythm - Sight reading rhythms Rhythm - Composing rhythms |
By the end of the
lesson, the learner
should be able to:
- Identify accented and weak beats in 4/4 time - Demonstrate strong and weak beats through clapping - Show interest in time signatures |
- Watch and listen to songs with clear beats
- Identify the time signature and strongest beat - Clap beats with emphasis on accented beats |
Which is the strongest beat in 4/4 time?
|
- KLB Top Scholar (pg. 40)
- Digital resources - Audio examples in 4/4 time - Video demonstrations - KLB Top Scholar (pg. 41) - Rhythm examples - Percussion instruments - Audio demonstrations - KLB Top Scholar (pg. 42) - Composed rhythm examples |
- Observation
- Practical assessment
- Oral questions
|
|
| 3 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Rhythm - Four-bar rhythm composition
Rhythm - Notating rhythms Rhythm - Two-part rhythms Rhythm - Basketball routines Rhythm - Basketball dribbling patterns |
By the end of the
lesson, the learner
should be able to:
- Compose a four-bar rhythm in 4/4 time - Apply repetition and variation in rhythms - Show confidence in rhythm creation - Perform two-part rhythmic patterns - Alternate between rhythm and improvisation parts - Show interest in ensemble rhythm work |
- Study examples of composed four-bar rhythms
- Compose four-bar rhythms in 4/4 time - Clap or tap composed rhythms - Perform rhythms for feedback - Study two-part rhythm examples - Practice performing rhythm and improvisation parts - Take turns playing different rhythm parts |
How can one create an interesting four-bar rhythm?
How do two-part rhythms create musical interest? |
- KLB Top Scholar (pg. 43)
- Staff paper - Percussion instruments - Composed rhythm examples - KLB Top Scholar (pg. 44) - Music notation examples - Digital resources - KLB Top Scholar (pg. 45) - Two-part rhythm examples - Percussion instruments - Audio demonstrations - KLB Top Scholar (pg. 46) - Digital resources - Video of basketball routines - Staff paper - KLB Top Scholar (pg. 47) - Basketballs - Rhythm notation examples - Audio recordings of rhythms |
- Observation
- Written assessment
- Performance evaluation
- Observation - Practical assessment - Performance evaluation |
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Athletics and Mosaic - Triple jump phases
Athletics and Mosaic - Approach phase Athletics and Mosaic - Takeoff phase |
By the end of the
lesson, the learner
should be able to:
- Identify the phases in Triple jump - Explain the importance of each phase - Show interest in Triple jump technique |
- Observe figures showing Triple jump
- Discuss the phases of Triple jump - Analyze the importance of the approach run |
Why is it important for an athlete to make a fast run up during Triple jump?
|
- KLB Top Scholar (pg. 47)
- Digital resources - Pictures/diagrams of Triple jump - Videos of Triple jump - KLB Top Scholar (pg. 48) - Open space for practice - Cones for marking - Video demonstrations - KLB Top Scholar (pg. 49) |
- Observation
- Oral questions
- Written assignments
|
|
| 4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Athletics and Mosaic - Flight phase
Athletics and Mosaic - Landing phase Athletics and Mosaic - Triple jump practice |
By the end of the
lesson, the learner
should be able to:
- Describe the flight phase in Triple jump - Demonstrate the step and jump movements - Show interest in proper flight technique |
- Discuss the flight phase in detail
- Demonstrate the step and jump movements - Practice the step movement following a hop |
What techniques help maintain momentum during flight?
|
- KLB Top Scholar (pg. 50)
- Open space for practice - Sand pit (if available) - Video demonstrations - KLB Top Scholar (pg. 51) - Mats for safe landing - KLB Top Scholar (pg. 52) - Measuring tape |
- Observation
- Practical assessment
- Peer assessment
|
|
| 4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Athletics and Mosaic - Long distance running
Athletics and Mosaic - Standing start Athletics and Mosaic - Arm action and stride |
By the end of the
lesson, the learner
should be able to:
- Identify long distance races in athletics - Analyze body posture in long distance running - Show interest in long distance running |
- Study figures of long distance runners
- Describe body posture of athletes - Discuss types of long distance races |
How has long distance running benefited Kenya?
|
- KLB Top Scholar (pg. 52)
- Digital resources - Pictures of long distance runners - Videos of races - KLB Top Scholar (pg. 53) - Open space for practice - Starting line markings - Video demonstrations - KLB Top Scholar (pg. 54) - Cones for drills |
- Observation
- Oral questions
- Written assignments
|
|
| 4 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Athletics and Mosaic - Pacing and breathing
Athletics and Mosaic - Running activities Athletics and Mosaic - Mosaic characteristics Athletics and Mosaic - Exploring mosaic Athletics and Mosaic - Mosaic characteristics |
By the end of the
lesson, the learner
should be able to:
- Explain the concept of pacing in running - Demonstrate proper breathing technique - Show interest in endurance development - Define mosaic art technique - Identify materials used in mosaic creation - Show interest in mosaic as an art form |
- Discuss pacing and breathing techniques
- Demonstrate pacing strategies - Practice breathing rhythms while running - Perform pacing drills - Analyze mosaic compositions shown - Discuss how mosaic pictures are created - Identify materials used in mosaic art |
Why is pacing important in long distance running?
How are mosaic pictures created? |
- KLB Top Scholar (pg. 55)
- Open space for practice - Stopwatch - Video demonstrations - KLB Top Scholar (pg. 56) - Cones for marking - KLB Top Scholar (pg. 57) - Digital resources - Mosaic artwork examples - Pictures of mosaics - KLB Top Scholar (pg. 58) - Mosaic videos - Sample mosaic materials - KLB Top Scholar (pg. 59) - Mosaic materials |
- Observation
- Practical assessment
- Peer assessment
- Observation - Oral questions - Written assignments |
|
| 4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Athletics and Mosaic - Materials collection
Athletics and Mosaic - Athletics research Athletics and Mosaic - Surface preparation |
By the end of the
lesson, the learner
should be able to:
- Select appropriate materials for mosaic - Collect adhesives and support surfaces - Show interest in material preparation |
- Select and collect materials for mosaic
- Identify appropriate adhesives - Choose suitable support surfaces - Collect cutting tools |
What factors should be considered when selecting mosaic materials?
|
- KLB Top Scholar (pg. 59)
- Various mosaic materials - Adhesives - Support surfaces - Cutting tools - KLB Top Scholar (pg. 60) - Digital resources - Videos of athletics - Pictures of athletics events - Support surface material - Paint and brushes - Sketching materials - Athletics references |
- Observation
- Practical assessment
- Materials inventory
|
|
| 5 | 1 |
Creating and Performing in Creative Arts and Sports
|
Athletics and Mosaic - Materials preparation
Athletics and Mosaic - Mosaic creation Athletics and Mosaic - Mosaic completion |
By the end of the
lesson, the learner
should be able to:
- Cut materials into appropriate tesserae - Sort materials by color - Show interest in systematic preparation |
- Cut mosaic materials into small pieces
- Sort materials according to colors - Organize materials for efficient application |
How should tesserae be prepared for mosaic creation?
|
- KLB Top Scholar (pg. 61)
- Mosaic materials - Cutting tools - Sorting containers - Safety equipment - Prepared support surface - Cut tesserae - Adhesive - Application tools - KLB Top Scholar (pg. 62) - Partially completed mosaic - Trimming tools - Cleaning supplies |
- Observation
- Practical assessment
- Materials preparation quality
|
|
| 5 | 2 |
Creating and Performing in Creative Arts and Sports
|
Athletics and Mosaic - Display and critique
Athletics and Mosaic - Run and jump game |
By the end of the
lesson, the learner
should be able to:
- Display mosaic composition effectively - Critique own and others' mosaics - Show appreciation for artistic achievement |
- Display mosaic compositions
- Discuss techniques used in the mosaics - Critique materials and execution - Suggest improvements |
How could the mosaic composition be improved?
|
- KLB Top Scholar (pg. 62)
- Completed mosaic compositions - Display space - Critique guidelines - KLB Top Scholar (pg. 63) - Open space for activities - Marking cones - Measuring tape |
- Observation
- Peer assessment
- Self-assessment
- Teacher assessment
|
|
| 5 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Melody - Introduction to variation
Melody - Rhythmic variation Melody - Melodic variation Melody - Dynamic variation Melody - Variation demonstrations Melody - Variation practice |
By the end of the
lesson, the learner
should be able to:
- Define variation in musical composition - Identify variations in musical examples - Show interest in melodic development - Explain dynamic variation technique - Apply volume changes to create variety - Show interest in expressive performance |
- Watch videos demonstrating melody variation
- Observe how melodies can be varied - Discuss types of variation in music - Study examples of dynamic variation - Analyze how volume is altered - Perform melodies with dynamic changes |
How can a melody be made interesting?
How do dynamics affect the character of a melody? |
- KLB Top Scholar (pg. 64)
- Digital resources - Audio examples - Video demonstrations - KLB Top Scholar (pg. 65) - Music notation examples - Audio demonstrations - Staff paper - KLB Top Scholar (pg. 66) - Music notation examples - Audio demonstrations - Musical instruments - KLB Top Scholar (pg. 67) - Familiar tunes - Performance space - Given melodies - Staff paper |
- Observation
- Oral questions
- Written assignments
- Observation - Practical assessment - Performance evaluation |
|
| 5 | 5 |
Creating and Performing in Creative Arts and Sports
|
Melody - Melodic structure
Melody - Incomplete and complete endings Melody - Repetition in melodies |
By the end of the
lesson, the learner
should be able to:
- Identify characteristics of good melodies - Analyze stepwise motion and leaps - Show interest in melody construction |
- Watch videos on melodic structure
- Discuss characteristics of good melodies - Analyze examples of well-constructed melodies |
What are the characteristics of a good melody?
|
- KLB Top Scholar (pg. 68)
- Digital resources - Music notation examples - Audio demonstrations - KLB Top Scholar (pg. 69) - Musical instruments - Staff paper |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Melody - Answering phrases
Melody - Opening phrases Melody - Four-bar melody composition |
By the end of the
lesson, the learner
should be able to:
- Write answering phrases to given openings - Apply variation techniques to answering phrases - Show confidence in melody composition |
- Write answering phrases to given opening phrases
- Create variations in answering phrases - Apply appropriate endings to phrases |
How should answering phrases relate to opening phrases?
|
- KLB Top Scholar (pg. 70)
- Given opening phrases - Staff paper - Musical instruments - Given answering phrases - KLB Top Scholar (pg. 71) - F major scale reference |
- Observation
- Written exercises
- Composition assessment
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Melody - Melody notation
Melody - Melody performance |
By the end of the
lesson, the learner
should be able to:
- Notate melodies correctly on staff paper - Apply proper notation conventions - Show interest in music notation |
- Notate four-bar melodies on treble staff
- Apply key and time signatures correctly - Include phrase marks and dynamics - Use proper note grouping |
Why is proper notation important for melody writing?
|
- KLB Top Scholar (pg. 71)
- Staff paper - Music notation examples - F major scale reference - KLB Top Scholar (pg. 72) - Composed melodies - Musical instruments - Performance space |
- Observation
- Written exercises
- Notation assessment
|
|
| 6 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Introduction to passes
Rugby - Basic pass Rugby - Pop pass Rugby - Spin pass Rugby - Pass demonstrations Rugby - Pass practice activities |
By the end of the
lesson, the learner
should be able to:
- Identify different passes in Rugby - Describe the position and hand placement for passes - Show interest in Rugby passing techniques - Demonstrate proper grip for spin pass - Execute correct technique for spin passing - Show interest in spin passing technique |
- Observe pictures of Rugby passes
- Discuss positions of players passing and receiving - Analyze hand placement for effective passes - Practice proper grip with fingers across seam - Demonstrate stance with feet apart - Execute the spin pass with flicking motion - Perform spin pass while stationary |
What are the best ways to advance a ball in a game of Rugby?
Why is the spin pass used for long-distance passing? |
- KLB Top Scholar (pg. 72)
- Digital resources - Pictures of Rugby passes - Videos of Rugby games - KLB Top Scholar (pg. 73) - Rugby balls - Open space for practice - Video demonstrations - KLB Top Scholar (pg. 74) - KLB Top Scholar (pg. 75) - Rugby balls - Open space for practice - Video demonstrations - KLB Top Scholar (pg. 76) - Feedback guidelines - KLB Top Scholar (pg. 77) - Marking cones |
- Observation
- Oral questions
- Written assignments
- Observation - Practical assessment - Peer assessment |
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Kicking techniques
Rugby - Drop kick Rugby - Place kick |
By the end of the
lesson, the learner
should be able to:
- Identify different kicks in Rugby - Analyze the stance and ball placement for kicks - Show interest in Rugby kicking techniques |
- Study pictures of different Rugby kicks
- Discuss ball placement during kicks - Analyze stance at the start of kicks |
What is the difference between place and drop kicks?
|
- KLB Top Scholar (pg. 78)
- Digital resources - Pictures of Rugby kicks - Videos of kicking techniques - KLB Top Scholar (pg. 79) - Rugby balls - Open space for practice - Video demonstrations - KLB Top Scholar (pg. 80) - Kicking tees/mounds |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Kicking demonstrations
Rugby - Kick practice activities Rugby - Mini game |
By the end of the
lesson, the learner
should be able to:
- Demonstrate place and drop kicks - Provide constructive feedback on kicks - Show interest in kicking improvement |
- Demonstrate place and drop kicks
- Take turns performing different kicks - Provide feedback using polite language - Use feedback to improve technique |
How can proper technique improve kicking accuracy?
|
- KLB Top Scholar (pg. 81)
- Rugby balls - Kicking tees/mounds - Open space for practice - KLB Top Scholar (pg. 82) - Marking cones/targets - KLB Top Scholar (pg. 83) - Field markings - Rule guidelines - Safety equipment |
- Observation
- Practical assessment
- Peer assessment
|
|
| 7 | 2 |
Creating and Performing in Creative Arts and Sports
|
Photography - Viewpoints in photography
Photography - Bird's eye view |
By the end of the
lesson, the learner
should be able to:
- Define viewpoint in photography - Identify different viewpoints in photography - Show interest in photography techniques |
- Study pictures showing different viewpoints
- Discuss differences observed in pictures - Identify photographer positions in relation to subjects |
What differences do you see in photographs taken from different positions?
|
- KLB Top Scholar (pg. 86)
- Digital resources - Sample photographs - Pictures showing different viewpoints - KLB Top Scholar (pg. 87) - Pictures taken from bird's eye view |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Photography - Normal eye view
Photography - Worm's eye view Photography - Research on viewpoints Photography - Scenery photography Photography - Taking photographs Photography - E-folder creation |
By the end of the
lesson, the learner
should be able to:
- Define normal eye view in photography - Identify photographs taken from normal eye view - Show interest in different photography angles - Define scenery photography - Explain tips for taking clear photographs - Show interest in nature photography |
- Examine the normal eye view technique
- Study examples of normal eye view photographs - Discuss the effect of normal eye view on subjects - Discuss scenery photography techniques - Learn tips for taking clear photographs - Examine sample scenery photographs |
Which digital devices can you use to take photographs?
How can you take clear scenery photographs? |
- KLB Top Scholar (pg. 87)
- Digital resources - Sample photographs - Pictures taken from normal eye view - KLB Top Scholar (pg. 88) - Pictures taken from worm's eye view - Internet access - KLB Top Scholar (pg. 89) - Digital resources - Sample scenery photographs - Photography tips - Digital devices with cameras - Scenic locations - KLB Top Scholar (pg. 90) - Digital devices - Taken photographs - File management instructions |
- Observation
- Oral questions
- Picture analysis
- Observation - Oral questions - Written assignments |
|
| 7 | 5 |
Creating and Performing in Creative Arts and Sports
|
Photography - Captioning photographs
Photography - Slide presentation Photography - Saving presentations |
By the end of the
lesson, the learner
should be able to:
- Explain the purpose of captioning photographs - Add appropriate captions to photographs - Show interest in descriptive information |
- Discuss the purpose of captioning
- Examine examples of captioned photographs - Practice adding captions to photographs |
Why is captioning important for photographs?
|
- KLB Top Scholar (pg. 91)
- Digital devices - Photograph collection - Captioning examples - KLB Top Scholar (pg. 92) - Presentation software - Organized photographs - KLB Top Scholar (pg. 93) - Storage media - File management instructions |
- Observation
- Practical assessment
- Caption quality
|
|
| 8 | 1 |
Creating and Performing in Creative Arts and Sports
|
Photography - Critique and appreciation
Descant Recorder - F major scale fingering |
By the end of the
lesson, the learner
should be able to:
- Critique photography slide shows - Provide constructive feedback - Show appreciation for photography work |
- Watch photo slideshows
- Discuss themes and scenic sites - Provide suggestions for improvement |
How can you improve your photo slide show presentation?
|
- KLB Top Scholar (pg. 93)
- Digital devices - Completed slideshows - Critique guidelines - KLB Top Scholar (pg. 94) - Digital resources - Descant recorders - Fingering charts |
- Observation
- Peer assessment
- Self-assessment
- Teacher assessment
|
|
| 8 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Recorder types
Descant Recorder - Random note practice Descant Recorder - Pinching technique |
By the end of the
lesson, the learner
should be able to:
- Identify different types of recorders - Distinguish between Baroque and German recorders - Show interest in instrument variations |
- Examine different recorder types
- Compare Baroque and German fingering - Study fingering chart differences |
What are the differences between Baroque and German recorders?
|
- KLB Top Scholar (pg. 95)
- Digital resources - Recorder samples (if available) - Fingering charts - Descant recorders - Note charts - Music stands - KLB Top Scholar (pg. 96) - Video tutorials |
- Observation
- Oral questions
- Written assignments
|
|
| 8 |
Mid-term break |
||||||||
| 9 | 1 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - F major scale
Descant Recorder - Scale performance Descant Recorder - Solo preparation |
By the end of the
lesson, the learner
should be able to:
- Play the F major scale ascending - Play the F major scale descending - Show interest in scale performance |
- Practice F major scale with key signature
- Practice F major scale without key signature - Focus on finger coordination and breath control |
How does playing scales help develop recorder technique?
|
- KLB Top Scholar (pg. 96)
- Descant recorders - F major scale notation - Music stands - KLB Top Scholar (pg. 97) - Digital resources - Solo repertoire examples - Performance guides |
- Observation
- Practical assessment
- Performance evaluation
|
|
| 9 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Solo piece practice
Descant Recorder - Group rehearsal Descant Recorder - Solo performance |
By the end of the
lesson, the learner
should be able to:
- Practice a solo piece in F major - Apply correct fingering and technique - Show interest in musical interpretation |
- Learn to play "In the Bleak Midwinter"
- Focus on correct fingering and rhythm - Apply proper breathing and phrasing |
How should playing techniques be applied in a solo piece?
|
- KLB Top Scholar (pg. 97)
- Descant recorders - "In the Bleak Midwinter" score - Music stands - KLB Top Scholar (pg. 98) - Performance space |
- Observation
- Practical assessment
- Performance progression
|
|
| 9 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Play - Format of a play script
Play - Script analysis Play - Script elements Play - One act play structure Play - Theme selection |
By the end of the
lesson, the learner
should be able to:
- Identify elements of a play script - Describe the format of a play script - Show interest in play structure - Describe the structure of a one act play - Identify beginning, middle, and end - Show interest in play development |
- Read an extract of a play script
- Identify title, playwright, characters, acts, scenes - Discuss stage directions and dialogue - Read a one act play script - Outline the main events - Discuss one act play structure |
What distinguishes a play script from other forms of writing?
How is the story of a one act play structured? |
- KLB Top Scholar (pg. 99)
- Sample play scripts - Digital resources - Extract of "Tijani's Courage" - KLB Top Scholar (pg. 100) - Recorded play performances - Script analysis guidelines - KLB Top Scholar (pg. 101) - Play script examples - Element description cards - Matching exercise - KLB Top Scholar (pg. 101) - Sample one act plays - Digital resources - Structure diagrams - KLB Top Scholar (pg. 102) - News articles - Social issue information |
- Observation
- Oral questions
- Written assignments
- Observation - Oral questions - Written outlines |
|
| 9 | 5 |
Creating and Performing in Creative Arts and Sports
|
Play - Plot creation
Play - Character development Play - Setting and dialogue |
By the end of the
lesson, the learner
should be able to:
- Create a plot for a one act play - Incorporate trigger action and conflict - Show interest in story development |
- Identify beginning, trigger action, middle, resolution
- Create logical sequence of events - Develop conflict and resolution |
What makes a compelling plot in a one act play?
|
- KLB Top Scholar (pg. 103)
- Plot structure diagrams - Story development guides - Sample plots - KLB Top Scholar (pg. 104) - Character development guides - Character profile templates - Sample character descriptions - Setting examples - Dialogue writing guides - Sample dialogues |
- Observation
- Plot outlines
- Peer review
|
|
| 10 | 1 |
Creating and Performing in Creative Arts and Sports
|
Play - Script creation
Play - Music and costumes Play - Acting preparation |
By the end of the
lesson, the learner
should be able to:
- Create a complete one act play script - Apply proper script format - Show interest in creative writing |
- Write script with proper formatting
- Include characters, dialogue, stage directions - Follow plot structure |
What factors should be considered when creating a one act play?
|
- KLB Top Scholar (pg. 105)
- Script templates - Writing materials - Format guidelines - KLB Top Scholar (pg. 106) - Music samples - Costume design materials - Prop creation supplies - KLB Top Scholar (pg. 107) - Acting guides - Script analysis worksheets - Performance tips |
- Observation
- Completed scripts
- Format assessment
|
|
| 10 | 2 |
Creating and Performing in Creative Arts and Sports
|
Play - Movement and voice
Play - Rehearsal techniques Play - Warm-up activities |
By the end of the
lesson, the learner
should be able to:
- Demonstrate use of body movement - Apply voice variation techniques - Show interest in physical expression |
- Practice body movements to express emotions
- Experiment with voice pitch and tempo - Practice role playing different emotions |
How can voice and movement enhance character portrayal?
|
- KLB Top Scholar (pg. 108)
- Movement exercise guides - Voice training resources - Performance space - KLB Top Scholar (pg. 109) - Rehearsal guides - Performance materials - KLB Top Scholar (pg. 110) - Warm-up exercise guides - Exercise demonstrations |
- Observation
- Practical assessment
- Peer feedback
|
|
| 10 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Play - Performance preparation
Play - Performance analysis Play - Role allocation Play - Performance Basketball - Introduction to passing |
By the end of the
lesson, the learner
should be able to:
- Apply performance strategies - Implement stage presence techniques - Show interest in audience engagement - Perform a role in a one act play - Apply all learned performance techniques - Show confidence in theatrical performance |
- Discuss stage behavior and presence
- Learn strategies for forgetting lines - Practice voice projection and listening - Perform allocated roles in plays - Apply voice, movement, and character techniques - Engage with the audience |
What should actors do when they forget their lines?
How effectively does the performance address the chosen societal issue? |
- KLB Top Scholar (pg. 110)
- Performance strategy guides - Performance space - Scenario practice - Recorded play performances - Analysis worksheets - Discussion guides - KLB Top Scholar (pg. 111) - Created play scripts - Role allocation guidelines - Cast lists - KLB Top Scholar (pg. 111) - Performance space - Costumes and props - Music resources - KLB Top Scholar (pg. 112) - Digital resources - Pictures of Basketball passes - Basketball videos |
- Observation
- Practical assessment
- Scenario responses
- Observation - Performance evaluation - Peer and teacher assessment |
|
| 10 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Video analysis
Basketball - Chest pass Basketball - Bounce pass |
By the end of the
lesson, the learner
should be able to:
- Analyze passing skills in Basketball videos - Identify different passing techniques - Show interest in game analysis |
- Watch video clip of Basketball game
- Observe passing skills in action - Describe various passing techniques |
Which ways of passing the ball are used in Basketball?
|
- KLB Top Scholar (pg. 113)
- Digital resources - Basketball game videos - Passing technique guides - KLB Top Scholar (pg. 114) - Basketballs - Open space for practice - Technique demonstrations - KLB Top Scholar (pg. 115) |
- Observation
- Oral discussions
- Video analysis reports
|
|
| 11 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Overhead pass
Basketball - Pass demonstrations Basketball - Passing practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate proper overhead pass technique - Execute stance, grip, and follow-through - Show interest in passing variations |
- Learn overhead pass technique
- Practice stance and grip - Execute preparatory, execution, and follow-through phases |
When would you use an overhead pass in a game?
|
- KLB Top Scholar (pg. 116)
- Basketballs - Open space for practice - Technique demonstrations - KLB Top Scholar (pg. 117) - Feedback guidelines - Drill instructions |
- Observation
- Practical assessment
- Technique evaluation
|
|
| 11 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Passing games
Basketball - Dribbling introduction Basketball - Low dribble |
By the end of the
lesson, the learner
should be able to:
- Participate in passing games - Apply passing skills in game situations - Show interest in competitive activities |
- Play overhead pass game
- Participate in catch game - Apply passing techniques in game context |
How can passing skills be applied in game situations?
|
- KLB Top Scholar (pg. 118)
- Basketballs - Open space for practice - Game instructions - Digital resources - Dribbling demonstrations - KLB Top Scholar (pg. 119) - Technique demonstrations |
- Observation
- Game participation
- Skill application
|
|
| 11 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Basketball - High dribble
Basketball - Dribble demonstrations Basketball - Dribbling practice Basketball - Logo introduction Basketball - Logo research |
By the end of the
lesson, the learner
should be able to:
- Demonstrate high dribble technique - Apply proper stance and hand position - Show interest in speed dribbling - Define logo and identification symbols - Identify logos for sports teams - Show interest in visual design |
- Learn high dribble technique
- Practice upright stance - Execute higher bounce control - Study sample logos - Identify teams represented by symbols - Discuss logo design principles |
When is a high dribble most effective?
How can you design a symbol for a sports team? |
- KLB Top Scholar (pg. 119)
- Basketballs - Open space for practice - Technique demonstrations - KLB Top Scholar (pg. 120) - Feedback guidelines - Cones for zigzag path - KLB Top Scholar (pg. 121) - Sample logos - Digital resources - Sports team logos - KLB Top Scholar (pg. 122) - Logo design tutorials - Logo samples |
- Observation
- Practical assessment
- Technique evaluation
- Observation - Oral questions - Written assignments |
|
| 11 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Logo characteristics
Basketball - Logo sketching Basketball - Logo finalization Basketball - Logo critique Basketball - Mini game |
By the end of the
lesson, the learner
should be able to:
- Explain characteristics of effective logos - Identify logo elements and symbolism - Show interest in logo meaning |
- Discuss logo definition and purpose
- Analyze elements in sample logos - Explore color symbolism in logos |
What do you consider when designing a logo for a team?
|
- KLB Top Scholar (pg. 123)
- Sample logos - Color symbolism guides - Design elements charts - Drawing paper - Pencils and rulers - Design sketching guides - KLB Top Scholar (pg. 124) - Colored pencils/paint - Brushes - Completed logo designs - Display space - Critique guidelines - KLB Top Scholar (pg. 125) - Basketballs - Team logos - Playing area - Safety equipment |
- Observation
- Oral questions
- Written assignments
|
|
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