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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 6 | 1 |
CREATING AND EXECUTING
|
Wind Musical Instruments (Drawing)
|
By the end of the
lesson, the learner
should be able to:
Identify indigenous wind musical instruments from Kenyan communities. Name the parts of a wind instrument. Value indigenous wind musical instruments from Kenyan communities. |
In groups, pairs or individually learners are guided to:
Identify indigenous wind musical instruments from Kenyan communities. Name the parts of a wind instrument. |
What are the benefits of identifying indigenous wind instruments in Kenyan communities?
|
Creative Arts Curriculum Design Grade 5
Wind instruments, reusable resources for making a wind instrument, brushes, drawing papers |
Oral questions Oral Report Observation
Written exercise
|
|
| 6 | 2 |
CREATING AND EXECUTING
|
Wind Musical Instruments (Drawing)
|
By the end of the
lesson, the learner
should be able to:
Identify indigenous wind musical instruments from Kenyan communities. Name the parts of a wind instrument. Value indigenous wind musical instruments from Kenyan communities. |
In groups, pairs or individually learners are guided to:
Identify indigenous wind musical instruments from Kenyan communities. Name the parts of a wind instrument. |
What are the benefits of identifying indigenous wind instruments in Kenyan communities?
|
Creative Arts Curriculum Design Grade 5
Wind instruments, reusable resources for making a wind instrument, brushes, drawing papers |
Oral questions Oral Report Observation
Written exercise
|
|
| 6 | 3-4 |
CREATING AND EXECUTING
|
Wind Musical Instruments (Drawing)
|
By the end of the
lesson, the learner
should be able to:
Explain the role of the parts of a wind instrument in sound production. Discuss how the parts of a wind instrumeent contribute towards sound production. Value indigenous wind musical instruments from Kenyan communities. Source locally available materials and make a wind instrument Make a wind instrument using locally available materials Value indigenous wind musical instruments from Kenyan communities. |
In groups, pairs or individually learners are guided to:
Explain the role of the parts of a wind instrument in sound production. Discuss how the parts of a wind instrumeent contribute towards sound production. In groups, pairs or individually learners are guided to: Source locally available materials and make a wind instrument Make a wind instrument using locally available materials |
What are the role of the parts of a wind instrument?
Which locally available materials do you need to make a wind instrument? |
Creative Arts Curriculum Design Grade 5
Wind instruments, reusable resources for making a wind instrument, brushes, drawing papers |
Oral questions Oral Report Observation
Written exercise
|
|
| 6 | 5 |
CREATING AND EXECUTING
|
Wind Musical Instruments (Drawing)
|
By the end of the
lesson, the learner
should be able to:
Source locally available materials and make a wind instrument Make a wind instrument using locally available materials Value indigenous wind musical instruments from Kenyan communities. |
In groups, pairs or individually learners are guided to:
Source locally available materials and make a wind instrument Make a wind instrument using locally available materials |
Which locally available materials do you need to make a wind instrument?
|
Creative Arts Curriculum Design Grade 5
Wind instruments, reusable resources for making a wind instrument, brushes, drawing papers |
Oral questions Oral Report Observation
Written exercise
|
|
| 6 | 6 |
CREATING AND EXECUTING
|
Wind Musical Instruments (Drawing)
|
By the end of the
lesson, the learner
should be able to:
Tune the wind instrument made for functionality. Care for an indigenous Kenyan musical wind instrument. Value indigenous wind musical instruments from Kenyan communities. |
In groups, pairs or individually learners are guided to:
Tune the wind instrument made for functionality. Care for an indigenous Kenyan musical wind instrument. |
Why is it necessary to care for and maintain a wind instrument?
|
Creative Arts Curriculum Design Grade 5
Wind instruments, reusable resources for making a wind instrument, brushes, drawing papers |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 1 |
CREATING AND EXECUTING
|
Wind Musical Instruments (Drawing)
Football |
By the end of the
lesson, the learner
should be able to:
Explore real/virtual drawings to discuss texture. Draw a wind instrument using crayon etching technique to express texture. Value indigenous wind musical instruments from Kenyan communities. |
In groups, pairs or individually learners are guided to:
Explore real/virtual drawings to discuss texture. Draw a wind instrument using crayon etching technique to express texture. |
How can you use crayon etching technique to draw a wind instrument?
|
Creative Arts Curriculum Design Grade 5
Wind instruments, reusable resources for making a wind instrument, brushes, drawing papers Digital devices, footballs, marked fields, goal posts, papier mâché, |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 2 |
CREATING AND EXECUTING
|
Football
|
By the end of the
lesson, the learner
should be able to:
Execute the skills of kicking in football. Practice kicking skills in Football. Appreciate playing Football game with the skills of kicking for enjoyment. |
In groups, pairs or individually learners are guided to:
Execute the skills of kicking in football. Practice kicking skills in Football. |
How can you execute the skill kicking of in Football?
|
Creative Arts Curriculum Design Grade 5
Digital devices, footballs, marked fields, goal posts, papier mâché, |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 3-4 |
CREATING AND EXECUTING
|
Football
|
By the end of the
lesson, the learner
should be able to:
Practise stopping skills in Football. Execute the skills of stopping in football Appreciate playing Football game with the skills of stopping for enjoyment. |
In groups, pairs or individually learners are guided to:
Practise stopping skills in Football. Execute the skills of stopping in football |
How can you execute the skill stopping of in Football?
|
Creative Arts Curriculum Design Grade 5
Digital devices, footballs, marked fields, goal posts, papier mâché, |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 5 |
CREATING AND EXECUTING
|
Football
|
By the end of the
lesson, the learner
should be able to:
Practise dribbling skills in Football. Execute the skills of dribbling in football. Appreciate playing Football game with the skills of dribbling for enjoyment. |
In groups, pairs or individually learners are guided to:
Practise dribbling skills in Football. Execute the skills of dribbling in football. |
How can you execute the skill dribbling of in Football?
|
Creative Arts Curriculum Design Grade 5
Digital devices, footballs, marked fields, goal posts, papier mâché, |
Oral questions Oral Report Observation
Written exercise
|
|
| 7 | 6 |
CREATING AND EXECUTING
|
Football
|
By the end of the
lesson, the learner
should be able to:
Practise dribbling skills in Football. Execute the skills of dribbling in football. Appreciate playing Football game with the skills of dribbling for enjoyment. |
In groups, pairs or individually learners are guided to:
Practise dribbling skills in Football. Execute the skills of dribbling in football. |
How can you execute the skill dribbling of in Football?
|
Creative Arts Curriculum Design Grade 5
Digital devices, footballs, marked fields, goal posts, papier mâché, |
Oral questions Oral Report Observation
Written exercise
|
|
| 8 | 1 |
CREATING AND EXECUTING
|
Football
|
By the end of the
lesson, the learner
should be able to:
Use a mould to cast papier mâché cones following correct procedure. Prepare papier mâché for casting cones. Paint the cones for marking the playing area. Appreciate playing Football game on a field marked using cones for enjoyment. |
In groups, pairs or individually learners are guided to:
Use a mould to cast papier mâché cones following correct procedure. Prepare papier mâché for casting cones. Paint the cones for marking the playing area. |
What are the advantages of casting with papier mâché?
|
Creative Arts Curriculum Design Grade 5
Digital devices, footballs, marked fields, goal posts, papier mâché, |
Oral questions Oral Report Observation
Written exercise
|
|
| 8 | 2 |
CREATING AND EXECUTING
|
Football
Rhythm |
By the end of the
lesson, the learner
should be able to:
Mark the playing area using the cones. Play mini football games within the marked field while applying skills learnt. Appreciate playing Football game on a field marked using cones for enjoyment. |
In groups, pairs or individually learners are guided to:
Mark the playing area using the cones. Play mini football games within the marked field while applying skills learnt. |
Why is the Football game popular?
|
Creative Arts Curriculum Design Grade 5
Digital devices, footballs, marked fields, goal posts, papier mâché, Percussion instruments Bamboo sticks/fountain pen ink/ stick, cutting tools, ink, colours |
Oral questions Oral Report Observation
Written exercise
|
|
| 8 | 3 |
CREATING AND EXECUTING
|
Rhythm
|
By the end of the
lesson, the learner
should be able to:
Interpret rhythmic patterns involving minim their rests. Relate the French rhythm names to music note symbols and their rests: minim. Appreciate rhythm note values, symbols and their rests. |
In groups, pairs or individually learners are guided to:
Interpret rhythmic patterns involving minim their rests. Relate the French rhythm names to music note symbols and their rests: minim. |
How can you interpret rhythmic patterns involving minim and their rests?
|
Creative Arts Curriculum Design Grade 5
Percussion instruments Bamboo sticks/fountain pen ink/ stick, cutting tools, ink, colours |
Oral questions Oral Report Observation
Written exercise
|
|
| 8-9 |
Midterm |
||||||||
| 10 | 1 |
CREATING AND EXECUTING
|
Rhythm
|
By the end of the
lesson, the learner
should be able to:
Interpret rhythmic patterns involving crotchet their rests. Relate the French rhythm names to music note symbols and their rests: crotchet. Appreciate rhythm note values, symbols and their rests. |
In groups, pairs or individually learners are guided to:
Interpret rhythmic patterns involving crotchet their rests. Relate the French rhythm names to music note symbols and their rests: crotchet. |
How can you interpret rhythmic patterns involving crotchet and their rests?
|
Creative Arts Curriculum Design Grade 5
Percussion instruments Bamboo sticks/fountain pen ink/ stick, cutting tools, ink, colours |
Oral questions Oral Report Observation
Written exercise
|
|
| 10 | 2 |
CREATING AND EXECUTING
|
Rhythm
|
By the end of the
lesson, the learner
should be able to:
Write the note symbols; a minim, crotchet, a pair of quavers and their rests on monotone. Create rhythms using music note values and their rests. Have fun creating rhythms using music note values and their rests. |
In groups, pairs or individually learners are guided to:
Write the note symbols; a minim, crotchet, a pair of quavers and their rests on monotone. Create rhythms using music note values and their rests. |
Which symbol represent a minim?
|
Creative Arts Curriculum Design Grade 5
Percussion instruments Bamboo sticks/fountain pen ink/ stick, cutting tools, ink, colours |
Oral questions Oral Report Observation
Written exercise
|
|
| 10 | 3-4 |
CREATING AND EXECUTING
|
Rhythm
|
By the end of the
lesson, the learner
should be able to:
Write the note symbols; a minim, crotchet, a pair of quavers and their rests on monotone. Create rhythms using music note values and their rests. Have fun creating rhythms using music note values and their rests. Make a calligraphy pen for writing. Write in calligraphy French rhythm names of a rhythmic pattern. Enjoy writing in calligraphy French rhythm names of a rhythmic pattern. |
In groups, pairs or individually learners are guided to:
Write the note symbols; a minim, crotchet, a pair of quavers and their rests on monotone. Create rhythms using music note values and their rests. In groups, pairs or individually learners are guided to: Make a calligraphy pen for writing. Write in calligraphy French rhythm names of a rhythmic pattern. |
Which symbol represent a pair of quavers?
Why is calligraphy lettering used in writing? |
Creative Arts Curriculum Design Grade 5
Percussion instruments Bamboo sticks/fountain pen ink/ stick, cutting tools, ink, colours |
Oral questions Oral Report Observation
Written exercise
|
|
| 10 | 5 |
CREATING AND EXECUTING
|
Rhythm
Painting and mosaic |
By the end of the
lesson, the learner
should be able to:
Aurally identify rhythm in two-beat patterns. Compose simple rhythms in two-beat patterns. Enjoy creating rhythms using music notes and their rests. |
In groups, pairs or individually learners are guided to:
Aurally identify rhythm in two-beat patterns. Compose simple rhythms in two-beat patterns. |
How can rhythmic patterns be created?
|
Creative Arts Curriculum Design Grade 5
Percussion instruments Bamboo sticks/fountain pen ink/ stick, cutting tools, ink, colours Coloured paper/banana fibres, suitable adhesives, supports, brushes. |
Oral questions Oral Report Observation
Written exercise
|
|
| 10 | 6 |
CREATING AND EXECUTING
|
Painting and mosaic
|
By the end of the
lesson, the learner
should be able to:
Identify primary and secondary colours on the colour wheel. Mix and paint a colour wheel with primary and secondary colours. Appreciate painting and mosaic as picture making technique. |
In groups, pairs or individually learners are guided to:
Identify primary and secondary colours on the colour wheel. Mix and paint a colour wheel with primary and secondary colours. |
Which are the secondary colours?
|
Creative Arts Curriculum Design Grade 5
Coloured paper/banana fibres, suitable adhesives, supports, brushes. |
Oral questions Oral Report Observation
Written exercise
|
|
| 11 | 1 |
CREATING AND EXECUTING
|
Painting and mosaic
|
By the end of the
lesson, the learner
should be able to:
Demonstrate wash out technique of painting (flat and graded wash). Paint a scenery composition using wash technique. Appreciate painting and mosaic as picture making technique. |
In groups, pairs or individually learners are guided to:
Demonstrate wash out technique of painting (flat and graded wash). Paint a scenery composition using wash technique. |
What does wash technique involve in painting?
|
Creative Arts Curriculum Design Grade 5
Coloured paper/banana fibres, suitable adhesives, supports, brushes. |
Oral questions Oral Report Observation
Written exercise
|
|
| 11 | 2 |
CREATING AND EXECUTING
|
Painting and mosaic
|
By the end of the
lesson, the learner
should be able to:
Collect recyclable coloured paper or banana fibres, suitable adhesives and supports materials for making mosaic. Prepare materials for making a mosaic picture. Appreciate painting and mosaic as picture making technique. |
In groups, pairs or individually learners are guided to:
Collect recyclable coloured paper or banana fibres, suitable adhesives and supports materials for making mosaic. Prepare materials for making a mosaic picture. |
What is a mosaic picture?
|
Creative Arts Curriculum Design Grade 5
Coloured paper/banana fibres, suitable adhesives, supports, brushes. |
Oral questions Oral Report Observation
Written exercise
|
|
| 11 | 3-4 |
CREATING AND EXECUTING
|
Painting and mosaic
Melody |
By the end of the
lesson, the learner
should be able to:
Sketch on the support one form; a fruit/bird/animal or any other Create a mosaic picture to apply the characteristics. Appreciate painting and mosaic as picture making technique. Sing the sol-fa syllables d r m f s for pitch discrimination. Sing the sol-fa syllables in ascending and descending order. Appreciate melodies created by self and others. |
In groups, pairs or individually learners are guided to:
Sketch on the support one form; a fruit/bird/animal or any other Create a mosaic picture to apply the characteristics. In groups, pairs or individually learners are guided to: Sing the sol-fa syllables d r m f s for pitch discrimination. Sing the sol-fa syllables in ascending and descending order. |
How can spacing of the materials be applied in creating mosaic picture?
Which songs have their pitch based on the sol-fa syllables d r m f s? |
Creative Arts Curriculum Design Grade 5
Coloured paper/banana fibres, suitable adhesives, supports, brushes. Creative Arts Curriculum Design Grade 5 Pitching instrument/melodic instrument, improvised calligraphy pens, glue, coloured papers |
Oral questions Oral Report Observation
Written exercise
|
|
| 11 | 5 |
CREATING AND EXECUTING
|
Melody
|
By the end of the
lesson, the learner
should be able to:
Interpret the hand signs of the sol-fa syllables d r m f s. Perform the hand signs of the sol-fa syllables d r m f s. Appreciate melodies created by self and others. |
In groups, pairs or individually learners are guided to:
Interpret the hand signs of the sol-fa syllables d r m f s. Perform the hand signs of the sol-fa syllables d r m f s. |
Which are the Kodaly hand signs for d r m f s?
|
Creative Arts Curriculum Design Grade 5
Pitching instrument/melodic instrument, improvised calligraphy pens, glue, coloured papers |
Oral questions Oral Report Observation
Written exercise
|
|
| 11 | 6 |
CREATING AND EXECUTING
Creating and Execution Creating and Execution |
Melody
Rounders Rounders |
By the end of the
lesson, the learner
should be able to:
Interpret the hand signs of the sol-fa syllables d r m f s. Perform the hand signs of the sol-fa syllables d r m f s. Appreciate melodies created by self and others. |
In groups, pairs or individually learners are guided to:
Interpret the hand signs of the sol-fa syllables d r m f s. Perform the hand signs of the sol-fa syllables d r m f s. |
Which are the Kodaly hand signs for d r m f s?
|
Creative Arts Curriculum Design Grade 5
Pitching instrument/melodic instrument, improvised calligraphy pens, glue, coloured papers Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 12 | 1 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Identify the features of a rounders bat through practice. Carve a bat for playing the game of rounders from wood. Appreciate the features of a rounders bat. |
In groups, pairs or individually learners are guided to:
Identify the features of a rounders bat through practice. Carve a bat for playing the game of rounders from wood. |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 12 | 2 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Collect locally available materials for marking a rounder’s post Use locally available materials to mark and improvise rounders’ posts Observe caution while collecting locally available |
In groups, pairs or individually learners are guided to:
Collect locally available materials for marking a rounder’s post Use locally available materials to mark and improvise rounders’ posts |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 12 | 3-4 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting (stance) using the improvised bat -observing safety rules Value the safety of other players when playing the game of rounders. Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting follow-through and post running) using the improvised bat -observing safety rules Value the safety of other players when playing the game of rounders. |
In groups, pairs or individually learners are guided to:
Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting (stance) using the improvised bat -observing safety rules In groups, pairs or individually learners are guided to: Warm-up while singing appropriate songs observing expressive elements-dynamics, gestures, facial expressions Execute batting follow-through and post running) using the improvised bat -observing safety rules |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 12 | 5 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Distribute rounders bats equitably among themselves Demonstrate fielding in the game of rounders Value the safety of other players when playing the game of rounders. |
In groups, pairs or individually learners are guided to:
equitably among themselves Demonstrate fielding in the game of rounders |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
| 12 | 6 |
Creating and Execution
|
Rounders
|
By the end of the
lesson, the learner
should be able to:
Practise the skills of batting and fielding in the game of rounders Execute fielding, (catching the ball) in the game of rounders for skill acquisition Value the safety of other players when playing the game of rounders. |
In groups, pairs or individually learners are guided to:
Practise the skills of batting and fielding in the game of rounders Execute fielding, (catching the ball) in the game of rounders for skill acquisition |
Why is it important to follow-through after hitting the ball?
|
Creative Arts Curriculum Design Grade 5
Wood, carving tools, sandpaper, polish, marked field, carved bats, posts, balls, whistle Marked field, carved bats, posts, balls, whistle |
Oral questions Oral Report Observation
Written exercise
|
|
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