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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Indigenous Kenyan percussion instruments
Picture Making (Percussion Instruments) - Method of playing percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Identify percussion instruments from different Kenyan communities - Name communities where percussion instruments originate from - Appreciate percussion instruments from different Kenyan communities |
- Observe pictures of percussion instruments from different Kenyan communities
-Identify percussion instruments from different Kenyan communities -Name the communities where percussion instruments originate from -Discuss how each instrument is played -Watch a video clip on the performance of Kenyan percussion instruments |
How are percussion instruments from different Kenyan communities identified?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 3
-Digital devices -Percussion instruments - Mentor Creative Arts Grade 4 Learner's Book, pg. 4 |
- Observation
-Oral questions
-Written assignments
|
|
| 1 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Classifying percussion instruments
Picture Making (Percussion Instruments) - Parts of percussion instruments Picture Making (Percussion Instruments) - Functions of parts of percussion instruments Picture Making (Percussion Instruments) - Researching parts of percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Classify percussion instruments as melodic and non-melodic - Differentiate between melodic and non-melodic percussion instruments - Appreciate various types of percussion instruments |
- Study pictures of different percussion instruments
-Listen to sounds from melodic and non-melodic percussion instruments -Classify percussion instruments as melodic and non-melodic -Fill in a table with melodic and non-melodic percussion instruments |
How are percussion instruments classified?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 5
-Melodic and non-melodic percussion instruments -Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 6 -Drums - Mentor Creative Arts Grade 4 Learner's Book, pg. 7 -Percussion instruments - Mentor Creative Arts Grade 4 Learner's Book, pg. 8 -Drawing materials |
- Observation
-Oral questions
-Written tests
|
|
| 1 | 3 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Improvising rhythmic patterns
Picture Making (Percussion Instruments) - Making charcoal sticks Picture Making (Percussion Instruments) - Procedure for making charcoal sticks |
By the end of the
lesson, the learner
should be able to:
- Play a drum while counting - Play call and response patterns on a drum - Improvise a response to a given call - Show interest in playing rhythmic patterns |
- Play a drum while counting
-Take turns to play call and response patterns on a drum -Improvise responses to given calls -Create original rhythmic patterns and play them on percussion instruments |
How can rhythmic patterns be improvised using percussion instruments?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 8
-Drums and other percussion instruments - Mentor Creative Arts Grade 4 Learner's Book, pg. 10 -Materials for making charcoal sticks - Mentor Creative Arts Grade 4 Learner's Book, pg. 11 |
- Observation
-Performance assessment
-Peer assessment
|
|
| 1 | 4 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Tonal value in art
Picture Making (Percussion Instruments) - Drawing shapes with charcoal sticks Picture Making (Percussion Instruments) - Creating tonal shading |
By the end of the
lesson, the learner
should be able to:
- Explain the meaning of tone or value in art - Discuss tone or value as an element of art - Appreciate tone as an important element in art |
- Research on the meaning of tone or value as an element of art
-Discuss tone or value as an element of art -Use digital devices to view artworks showing tonal values |
What is the importance of tonal value in drawing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 12
-Digital devices -Charts showing tonal values -Charcoal sticks -Drawing paper - Mentor Creative Arts Grade 4 Learner's Book, pg. 13 |
- Observation
-Oral questions
-Written assignments
|
|
| 1 | 5 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Drawing percussion instruments
Picture Making (Percussion Instruments) - Smudging technique |
By the end of the
lesson, the learner
should be able to:
- Sketch a percussion instrument using charcoal sticks - Determine where light falls on the object - Create highlight and shadow areas in a drawing |
- Place a drum on a table
-Sketch the drum using charcoal sticks -Determine where light falls on the drum -Identify the highlight and shadow areas -Begin shading the darker areas |
How can highlights and shadows be created in a drawing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 14
-Percussion instruments -Charcoal sticks -Drawing paper -Cloths for smudging |
- Observation
-Project work
-Portfolio assessment
|
|
| 1 | 6 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Creating a portfolio
Picture Making (Percussion Instruments) - Drawing different percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Collect drawings for a portfolio - Create a portfolio using colored paper - Appreciate own and others' artwork |
- Collect all drawings
-Paste drawings on colored manila paper -Display work in class -Comment about drawings -Complete peer assessment cards |
Why is it important to keep artwork in a portfolio?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 15
-Drawings -Colored manila paper -Glue -Pictures of percussion instruments -Charcoal sticks -Drawing paper |
- Observation
-Portfolio assessment
-Peer assessment
|
|
| 2 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Drawing Kenyan percussion instruments
Picture Making (Percussion Instruments) - Identifying percussion instruments by playing method |
By the end of the
lesson, the learner
should be able to:
- Draw percussion instruments from Kenyan communities - Shade drawings using charcoal sticks - Value artwork from different communities |
- Draw two percussion instruments from Kenyan communities
-Shade the percussion instruments using charcoal sticks -Apply smudging technique using a piece of cloth -Show work to parents/guardians for comments |
What makes percussion instruments from different communities unique?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 16
-Pictures of percussion instruments -Charcoal sticks -Drawing paper |
- Observation
-Project work
-Home assignment
|
|
| 2 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Making percussion instruments
Picture Making (Percussion Instruments) - Assembling percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Identify materials for making percussion instruments - Assemble materials for making percussion instruments - Show interest in making percussion instruments |
- Identify locally available materials for making percussion instruments
-Collect materials for making percussion instruments -Sort and organize materials according to the type of instrument to be made -Store materials safely |
What materials can be used to make percussion instruments?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 3-7
-Locally available materials for making percussion instruments -Materials for making percussion instruments -Tools for assembling |
- Observation
-Oral questions
-Project work
|
|
| 2 | 3 |
Creating and Execution
|
Netball - Introduction to Netball skills
Netball - Chest pass technique |
By the end of the
lesson, the learner
should be able to:
- Identify the game of Netball - State the number of players in a Netball team - Develop interest in playing Netball |
- Study a picture of learners playing Netball
-Identify the game being played -Discuss the number of players in each team -Share experiences of playing Netball |
Why is Netball played as a team sport?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 17
-Pictures of Netball games -Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 18 -Netball balls |
- Observation
-Oral questions
-Written assignments
|
|
| 2 | 4 |
Creating and Execution
|
Netball - Demonstrating chest pass
Netball - Practicing chest pass Netball - Overhead pass technique |
By the end of the
lesson, the learner
should be able to:
- Demonstrate chest pass in Netball following proper technique - Observe safety measures when performing chest pass - Show interest in mastering chest pass technique |
- Hold the ball at chest level using both hands
-Spread fingers around the ball -Stand with feet shoulder-width apart facing partner -Bend knees slightly -Step in the direction of the pass -Release the ball to partner's chest level -Keep arms extended forward with palms facing outward |
What is the correct progression when performing chest pass?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 19
-Netball balls -Open space - Mentor Creative Arts Grade 4 Learner's Book, pg. 20 -Digital devices |
- Observation
-Demonstration
-Peer assessment
|
|
| 2 | 5 |
Creating and Execution
|
Netball - Demonstrating overhead pass
Netball - Practicing overhead pass |
By the end of the
lesson, the learner
should be able to:
- Demonstrate overhead pass in Netball following proper technique - Observe safety measures when performing overhead pass - Show interest in mastering overhead pass technique |
- Hold the ball firmly above head level using both hands
-Spread fingers well -Stand with one foot slightly forward -Bend knees slightly -Release the ball forward using wrist and fingers -Keep arms and fingers pointing in the direction of the pass |
What is the correct progression when performing overhead pass?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 21
-Netball balls -Open space - Mentor Creative Arts Grade 4 Learner's Book, pg. 22 |
- Observation
-Demonstration
-Peer assessment
|
|
| 2 | 6 |
Creating and Execution
|
Netball - Double-handed catching
Netball - Demonstrating double-handed catching |
By the end of the
lesson, the learner
should be able to:
- Explain how to perform double-handed catching - Identify games that involve catching skills - Show interest in learning double-handed catching |
- Study a picture of a person catching a ball
-Discuss how the ball is caught -Identify games that involve the catching skill -Discuss the importance of double-handed catching in ball games |
Why is correct hand positioning important in catching?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 23
-Netball balls -Digital devices -Open space |
- Observation
-Oral questions
-Written assignments
|
|
| 3 | 1 |
Creating and Execution
|
Netball - Practicing double-handed catching
Netball - Introduction to macramé technique |
By the end of the
lesson, the learner
should be able to:
- Practice double-handed catching with a partner - Catch the ball accurately using double-handed technique - Observe safety measures when practicing catching |
- Mark two circles on the ground 2 meters apart
-Stand in each circle as shown -Throw and catch the ball using double-handed catching -Repeat the activity several times -Observe safety measures |
How can double-handed catching be practiced effectively?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 24
-Netball balls -Open space -Markers - Mentor Creative Arts Grade 4 Learner's Book, pg. 25 -Macramé materials (yarns, strings, fabrics) -Scissors |
- Observation
-Performance assessment
-Peer assessment
|
|
| 3 | 2 |
Creating and Execution
|
Netball - Making a ball using macramé technique (1)
Netball - Making a ball using macramé technique (2) |
By the end of the
lesson, the learner
should be able to:
- Collect materials for making a ball using macramé - Begin the ball-making process using knotting techniques - Show interest in creating using macramé |
- Collect strings or yarn for making a ball
-Begin by making a loop with the string -Tie the ends in overhand knots to secure the loop -Begin creating vertical strings around the ball -Follow safety measures when handling materials |
How can macramé technique be used to make a ball?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 26
-Macramé materials (yarns, strings, fabrics) -Scissors |
- Observation
-Project work
-Peer assessment
|
|
| 3 | 3 |
Creating and Execution
|
Netball - Completing a ball using macramé
Netball - Practicing Netball skills |
By the end of the
lesson, the learner
should be able to:
- Complete making a ball using macramé technique - Cut excess rope or string neatly - Show pride in completed work |
- Complete the criss-crossing pattern
-Cut excess rope or string using scissors -Show completed ball in class -Clean working space after completing the project |
How is a macramé ball project finalized?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 26
-Macramé materials (yarns, strings, fabrics) -Scissors - Mentor Creative Arts Grade 4 Learner's Book, pg. 27 -Netball balls -Open space -Markers |
- Observation
-Project work
-Peer assessment
|
|
| 3 | 4 |
Creating and Execution
|
Netball - Drawing playing Netball
Netball - Color classification Netball - Preparing materials for mixing colors |
By the end of the
lesson, the learner
should be able to:
- Draw a picture of family members playing Netball - Paint the picture using secondary colors - Value family recreational activities |
- Draw a picture of siblings and self playing Netball
-Paint the picture using secondary colors -Present the drawing to classmates -Discuss the importance of family recreational activities |
How can secondary colors be used effectively in painting?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 28
-Drawing paper -Paint -Brushes - Mentor Creative Arts Grade 4 Learner's Book, pg. 30 -Primary and secondary color charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 31 -Palettes -Water containers |
- Observation
-Project work
-Portfolio assessment
|
|
| 3 | 5 |
Creating and Execution
|
Netball - Mixing primary colors (yellow and blue)
Netball - Mixing primary colors (red and yellow) |
By the end of the
lesson, the learner
should be able to:
- Mix yellow and blue to create a secondary color - Identify the secondary color created - Show interest in color mixing |
- Pour a small amount of yellow paint on a palette
-Add an equal amount of blue paint -Mix the two colors using a paintbrush -Identify the secondary color created (green) -Clean brushes after mixing |
What secondary color is created by mixing yellow and blue?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 31
-Paint (yellow and blue) -Brushes -Palettes -Water containers - Mentor Creative Arts Grade 4 Learner's Book, pg. 32 -Paint (red and yellow) |
- Observation
-Project work
-Oral questions
|
|
| 3 | 6 |
Creating and Execution
|
Netball - Mixing primary colors (red and blue)
Netball - Creating a color wheel |
By the end of the
lesson, the learner
should be able to:
- Mix red and blue to create a secondary color - Identify the secondary color created - Show creativity in color mixing |
- Pour a small amount of red paint on a palette
-Add an equal amount of blue paint -Mix the two colors using a paintbrush -Identify the secondary color created (purple) -Clean brushes after mixing |
What secondary color is created by mixing red and blue?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 32
-Paint (red and blue) -Brushes -Palettes -Water containers -Drawing paper -Paint |
- Observation
-Project work
-Oral questions
|
|
| 4 | 1 |
Creating and Execution
|
Netball - Color tones (light tones)
Netball - Mixing orange with white |
By the end of the
lesson, the learner
should be able to:
- Explain what tone is in color - Create light tones by adding white to a color - Value the importance of tonal variation |
- Learn that tone is the lightness or darkness of a color
-Understand that adding white makes a color lighter -Draw five equal rectangles to make a color strip -Prepare to mix secondary colors with white |
How does adding white affect the tone of a color?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 33
-Paint (secondary colors and white) -Brushes -Palettes -Drawing paper -Paint (orange and white) |
- Observation
-Oral questions
-Written assignments
|
|
| 4 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Introduction to rhythmic patterns
Rhythm and Pattern Making - Rhythm in songs |
By the end of the
lesson, the learner
should be able to:
- Identify rhythmic activities - Clap or tap while counting - Show interest in rhythmic activities |
- Look at pictures of children doing rhythmic activities
-Clap hands or tap the table while counting 1, 2, 3, and 4 -Discuss different rhythmic activities -Share experiences of rhythmic activities |
How are rhythmic patterns created through clapping and tapping?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 42
-Digital devices -Song charts |
- Observation
-Oral questions
-Demonstration
|
|
| 4 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Rhythm in words
Rhythm and Pattern Making - French rhythm names |
By the end of the
lesson, the learner
should be able to:
- Clap the rhythm sounds of words - Identify short and long sounds in words - Show interest in rhythms of different words |
- Clap the rhythm sound of given words (plum, grape, mango, baba)
-Identify words that sound short when read -Identify words that sound long when read -Learn about syllables in words |
How do syllables affect the rhythm of words?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 43
-Word cards - Mentor Creative Arts Grade 4 Learner's Book, pg. 44 -Charts showing French rhythm names |
- Observation
-Oral questions
-Demonstration
|
|
| 4 | 4 |
Creating and Execution
|
Rhythm and Pattern Making - Practicing French rhythm names
Rhythm and Pattern Making - Identifying rhythm in words Rhythm and Pattern Making - Clapping syllables of words |
By the end of the
lesson, the learner
should be able to:
- Recite French rhythm names - Clap rhythms while reciting French rhythm names - Show interest in rhythmic patterns |
- Recite French rhythm names
-Practice clapping rhythms while reciting -Sound the beat while clapping -Perform rhythmic patterns in groups |
How can French rhythm names be practiced through clapping?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 44
-Charts showing rhythmic patterns - Mentor Creative Arts Grade 4 Learner's Book, pg. 45 -Word cards |
- Observation
-Performance assessment
-Peer assessment
|
|
| 4 | 5 |
Creating and Execution
|
Rhythm and Pattern Making - Note values and their French names
Rhythm and Pattern Making - Steady beat (clock) |
By the end of the
lesson, the learner
should be able to:
- Identify note values (crotchet and quavers) - Match note values with their French rhythm names - Value the importance of note values in music |
- Learn that long sounds and short sounds can be given French names
-Learn that the French rhythm name for a crotchet is 'taa' -Learn that a quaver has half a beat -Learn that the French rhythm name for a pair of quavers is 'ta-te' |
How are note values represented by French rhythm names?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 46
-Charts showing note values and French rhythm names - Mentor Creative Arts Grade 4 Learner's Book, pg. 47 -Clock |
- Observation
-Oral questions
-Written assignments
|
|
| 4 | 6 |
Creating and Execution
|
Rhythm and Pattern Making - Heartbeat rhythm
Rhythm and Pattern Making - Rhythm in children's song |
By the end of the
lesson, the learner
should be able to:
- Feel heartbeat - Imitate the sound of heartbeat - Compare heartbeat before and after running |
- Place hands on the left side of the chest
-Imitate the sound of the heartbeat -Clap the sound while reciting the crotchet French rhythm name -Feel heartbeat before and after running -Compare the difference in heartbeat |
How does the heartbeat relate to rhythm?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 47
-Open space for running - Mentor Creative Arts Grade 4 Learner's Book, pg. 48 -Song charts |
- Observation
-Demonstration
-Oral questions
|
|
| 5 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - Note symbols and rests
Rhythm and Pattern Making - Singing rhythm in songs |
By the end of the
lesson, the learner
should be able to:
- Match note symbols with their rests - Identify rests for different note values - Value the importance of rests in music |
- Match note symbols with their rests
-Identify rest representing quaver beat -Identify rest representing crotchet beat -Write rest for a pair of quavers -Learn that a rest in music means silence |
How are rests used in rhythmic patterns?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 49
-Charts showing note symbols and rests - Mentor Creative Arts Grade 4 Learner's Book, pg. 50 -Song charts |
- Observation
-Oral questions
-Written assignments
|
|
| 5 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Clapping rhythm of songs
Rhythm and Pattern Making - Free hand lettering (1) |
By the end of the
lesson, the learner
should be able to:
- Sing songs while clapping the beat - Use French rhythm names while clapping - Work together in group performances |
- Sing the song "Are You Sleeping" while clapping the beat
-Clap using French rhythm names -Take turns to sing the song in groups -One group sings while the other claps the rhythm -Sing familiar songs and clap the rhythm |
How do singing and clapping complement each other?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 51
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 52 -Charts showing letters of the alphabet -Writing materials |
- Observation
-Performance assessment
-Peer assessment
|
|
| 5 | 3 |
Creating and Execution
Performance and Display |
Rhythm and Pattern Making - Free hand lettering (2)
Rhythm and Pattern Making - Writing French rhythm names Athletics - Introduction to sprint starts and sprinting techniques |
By the end of the
lesson, the learner
should be able to:
- Understand what free hand lettering is - Identify ascending and descending letters - Value proper letter formation |
- Learn that free hand lettering refers to writing letters without using tools
-Learn about proper letter position -Understand that ascenders include d, f, h, k, l, t -Understand that descenders include g, j, p, q, y -Identify letters without ascenders or descenders |
Why is proper letter formation important in free hand lettering?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 53
-Charts showing letters with ascenders and descenders -Writing materials - Mentor Creative Arts Grade 4 Learner's Book, pg. 54 -Charts showing French rhythm names - Mentor Creative Arts pg. 80 - Digital devices for video demonstrations - Open space for practical activities |
- Observation
-Oral questions
-Written assignments
|
|
| 5 | 4 |
Performance and Display
|
Athletics - Medium sprint start technique demonstration
Athletics - Medium sprint start technique practice Athletics - Elongated sprint start technique demonstration Athletics - Elongated sprint start technique practice |
By the end of the
lesson, the learner
should be able to:
- Describe the steps of medium sprint start - Demonstrate "on your marks" position in medium sprint start - Appreciate the importance of proper body positioning in sprinting |
- Watch video clip/demonstration of medium sprint start
- Observe body positioning, foot placement, and hand positioning - Practice the "on your marks" position with proper stance and body alignment - Discuss safety measures when practicing sprint starts |
What is the importance of proper positioning in "on your marks" command?
|
- Mentor Creative Arts pg. 82
- Open space with marked lines - Digital devices for recording performances - Mentor Creative Arts pg. 83 - Open space with marked starting line - Whistle - Mentor Creative Arts pg. 84 - Open space with marked starting and finishing lines - Mentor Creative Arts pg. 85 - Digital devices for video demonstrations - Open space for practice - Mentor Creative Arts pg. 86 |
- Observation
- Skill progression chart
- Peer assessment
|
|
| 5 | 5 |
Performance and Display
|
Athletics - Body posture, acceleration, transition, and finish in sprinting
Athletics - Sprinting techniques practice Athletics - Reading and understanding the Kenya National Anthem |
By the end of the
lesson, the learner
should be able to:
- Describe the phases of sprinting technique - Explain how to accelerate when sprinting - Show interest in proper sprinting technique |
- Study pictures of sprinting technique
- Discuss body positioning in different phases of sprinting - Explore how to increase speed during acceleration - Learn about proper finishing technique |
How can proper body alignment improve sprinting speed?
|
- Mentor Creative Arts pg. 87
- Digital devices for video clips - Open space for demonstration - Mentor Creative Arts pg. 88 - Open space with marked lines - Stopwatch - Mentor Creative Arts pg. 91 - Chart with Kenya National Anthem words - Audio recording of Kenya National Anthem |
- Observation
- Oral questions
- Written assignments
|
|
| 5 | 6 |
Performance and Display
|
Athletics - Singing the Kenya National Anthem in groups
Athletics - Studying the Kenyan flag colors and arrangement |
By the end of the
lesson, the learner
should be able to:
- Sing the Kenya National Anthem with proper pronunciation - Apply appropriate tempo when singing the anthem - Show respect while singing the national anthem |
- Practice singing the Kenya National Anthem in groups
- Focus on accuracy in tune and proper pronunciation - Maintain appropriate tempo during singing - Observe appropriate etiquette during anthem performance |
How does singing the national anthem promote patriotism?
|
- Mentor Creative Arts pg. 91
- Audio recording of Kenya National Anthem - Chart with Kenya National Anthem words - Mentor Creative Arts pg. 90 - Digital devices for searching images - Chart showing the Kenyan flag |
- Observation
- Performance analysis
- Peer assessment
|
|
| 6 | 1 |
Performance and Display
|
Athletics - Sketching and painting the Kenyan flag
Athletics - Attaching the flag to a suitable handle Athletics - Practicing medium starts in pairs |
By the end of the
lesson, the learner
should be able to:
- Sketch the Kenyan flag on paper - Paint the flag using the correct colors - Value the importance of neatness in artwork |
- Sketch the Kenyan flag on paper
- Paint the flag observing the correct color arrangement - Apply proper painting techniques for neat results - Display completed flags for peer feedback |
How should colors be arranged on the Kenyan flag?
|
- Mentor Creative Arts pg. 91
- Paper, pencils, rulers - Paints (black, red, green, white) - Brushes - Mentor Creative Arts pg. 92 - Completed painted flags - Materials for handles (sticks, dowels) - Glue - Mentor Creative Arts pg. 89 - Open space with marked starting lines - Whistle |
- Observation
- Project assessment
- Peer critique
|
|
| 6 | 2 |
Performance and Display
|
Athletics - Practicing sprinting technique in pairs
Athletics - Participating in sprint competitions |
By the end of the
lesson, the learner
should be able to:
- Execute sprinting technique with proper body alignment - Maintain maximum speed during a sprint - Value the role of practice in improving performance |
- Practice proper sprinting technique in pairs
- Focus on start, arm and leg action, and finish - Mark lines to practice sprinting for short distances - Provide feedback to partners on technique |
What are the key elements of proper sprinting technique?
|
- Mentor Creative Arts pg. 89
- Open space with marked lines - Stopwatch - Open space with marked track - Whistle |
- Observation
- Performance analysis
- Peer assessment
|
|
| 6 | 3 |
Performance and Display
|
Athletics - Participating in sprint competitions
Athletics - Recording and critiquing sprint performances |
By the end of the
lesson, the learner
should be able to:
- Apply learned techniques in sprint races - Run to and from marked points with maximum speed - Show enthusiasm for athletic competitions |
- Mark starting and finishing lines for races
- Take turns to run races with maximum speed - Cheer for classmates during races - Use a stopwatch to time performances |
How can timing performances help improve sprint technique?
|
- Mentor Creative Arts pg. 90
- Open space with marked lines - Stopwatch - Whistle - Digital devices for recording - Open space for sprint activities - Playback equipment |
- Observation
- Performance analysis
- Timed results
|
|
| 6 | 4 |
Performance and Display
|
Athletics - Importance of the flag and anthem during events
Athletics - Sprint competition with flag and anthem |
By the end of the
lesson, the learner
should be able to:
- Explain why the flag is raised during athletic events - Describe the importance of singing the anthem at events - Value national symbols during sporting events |
- Study pictures of flag raising during athletic events
- Discuss the significance of raising the flag during events - Explore the importance of singing the anthem at events - Role-play a flag raising and anthem singing ceremony |
Why is flying the flag important during athletics events?
|
- Mentor Creative Arts pg. 92
- Pictures of athletic events with flag raising - Painted flags with handles - Audio recording of Kenya National Anthem - Open space with marked track - Kenyan flags - Audio equipment for anthem - Stopwatch |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 5 |
Performance and Display
|
Athletics - Athletic event appreciation
Athletics - Sprint skills assessment |
By the end of the
lesson, the learner
should be able to:
- Identify the sprint starts learned in sprinting - Describe the sprinting techniques learned - Appreciate the value of athletics in physical development |
- Review different sprint starts learned (medium, elongated)
- Summarize sprinting techniques learned throughout the unit - Discuss the importance of recovery after athletic activities - Share experiences from participating in sprint events |
What have we learned about sprint techniques that can help us in future athletic activities?
|
- Mentor Creative Arts pg. 92
- Charts showing sprint techniques - Digital devices with recorded performances - Open space with marked track - Kenyan flags - Assessment sheets |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 6 |
Performance and Display
|
Gymnastics - Introduction to balances and rolls in gymnastics
Gymnastics - Crab balance demonstration and practice |
By the end of the
lesson, the learner
should be able to:
- Define gymnastic balances and rolls - Identify different types of balances and rolls - Show interest in learning gymnastic skills |
- Observe pictures/videos of gymnastic balances and rolls
- Discuss different types of balances (head, crab) and rolls (backward, side) - Share personal experiences with gymnastics - Explore safety considerations in gymnastics |
How does performance of rolls and balances enhance gymnastics?
|
- Mentor Creative Arts pg. 94
- Digital devices for video demonstrations - Pictures of gymnastic positions - Safe practice area with mats - Mentor Creative Arts pg. 95 |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 1 |
Performance and Display
|
Gymnastics - Crab balance technique practice
Gymnastics - Side roll demonstration and practice Gymnastics - Side roll technique practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate pushing up into crab balance position - Maintain the crab balance position for several seconds - Show confidence in performing gymnastic skills |
- Practice placing hands below shoulders with fingers pointing to feet
- Practice lifting hips up into full crab position - Maintain the position while shifting weight to hands and legs - Practice lowering from the position safely |
What muscles are engaged during the crab balance?
|
- Mentor Creative Arts pg. 95
- Safe practice area with mats - Demonstration charts - Mentor Creative Arts pg. 96 - Digital devices for video demonstrations - Safe practice area with mats - Mentor Creative Arts pg. 97 |
- Observation
- Performance analysis
- Self-assessment
|
|
| 7 | 2 |
Performance and Display
|
Gymnastics - Singing patriotic songs during warm-up
Gymnastics - Playing rhythmic percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs suitable for warm-up - Sing patriotic songs with proper diction during warm-up - Appreciate the role of music in physical activities |
- Select appropriate patriotic songs for warm-up
- Practice singing songs with proper diction and rhythm - Perform general warm-up exercises while singing - Discuss how music enhances physical activities |
How does music support the performance of gymnastics?
|
- Mentor Creative Arts pg. 100
- Audio recordings of patriotic songs - Charts with song lyrics - Open space for warm-up activities - Mentor Creative Arts pg. 97 - Percussion instruments (shakers, rattles, drums) - Demonstration charts of rhythmic patterns |
- Observation
- Performance assessment
- Peer feedback
|
|
| 7 | 3 |
Performance and Display
|
Gymnastics - Practicing the crab balance and side roll in pairs
Gymnastics - Group performance with percussion |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance with proper technique - Provide constructive feedback to peers - Value teamwork in learning gymnastics |
- Form pairs for practice of crab balance and side roll
- Take turns performing while partner observes - Provide feedback on technique and form - Use markers to create practice areas |
How does peer feedback improve gymnastic performance?
|
- Mentor Creative Arts pg. 97
- Safe practice area with mats - Markers (lime or ash) for circles - Assessment checklists - Mentor Creative Arts pg. 98 - Markers for circles - Percussion instruments |
- Observation
- Peer assessment
- Skill progression charts
|
|
| 7 | 4 |
Performance and Display
|
Gymnastics - Relay performance practice
Gymnastics - Reciting French rhythm names during roll performance |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance as a mobility technique - Execute side roll as part of a sequence - Show enthusiasm for gymnastic activities |
- Mark two lines for relay activities
- Practice crab balance walk from one line to another - Perform side roll to return to starting position - Cheer for teammates during performances |
What coordination skills are needed for gymnastic sequences?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for lines - Whistle - Cones for targets |
- Observation
- Performance analysis
- Team assessment
|
|
| 7 | 5 |
Performance and Display
|
Gymnastics - Crab balance with rhythmic patterns
Gymnastics - Peer assessment of gymnastics skills |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance with rhythmic movement - Coordinate movement with French rhythm names - Value the integration of rhythm and gymnastics |
- Mark a square on the ground for activity
- Stand at corners of the square - Perform crab balance on command - Move in crab walk while chanting 'taa' and 'ta-te' - Match steps to rhythm pattern |
How does rhythmic chanting improve coordination during crab walk?
|
- Mentor Creative Arts pg. 99
- Safe practice area with mats - Markers for square - Rhythm charts - Assessment checklists - Pencils |
- Observation
- Performance analysis
- Coordination assessment
|
|
| 7 | 6 |
Performance and Display
|
Gymnastics - Group game with gymnastic skills
Gymnastics - Using digital devices to photograph gymnastics performances |
By the end of the
lesson, the learner
should be able to:
- Integrate gymnastic skills into group games - Sing songs during group activities - Show enjoyment in combining skills with games |
- Form two groups (taggers and runners)
- Sing "Watoto Wangu" song during activity - Run from taggers after song - Perform crab balance when tagged - Pass under crab balance to save tagged players |
How do games enhance the practice of gymnastic skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area - Audio recording of song - Open space for game - Mentor Creative Arts pg. 97 - Digital devices with cameras - Safe practice area for gymnastics - Display equipment for reviewing photos |
- Observation
- Participation assessment
- Group dynamics evaluation
|
|
| 8 | 1 |
Performance and Display
|
Gymnastics - Creating a portfolio of gymnastics photographs
Gymnastics - Home practice and documentation Gymnastics - Skills assessment |
By the end of the
lesson, the learner
should be able to:
- Select appropriate photographs for portfolio - Store photographs in organized manner - Appreciate visual documentation of physical activities |
- Review photographs taken of gymnastic activities
- Select best photographs showing clear technique - Create digital folder/portfolio for storage - Organize photographs by skill type |
How can photography help improve gymnastic technique?
|
- Mentor Creative Arts pg. 98
- Digital devices with photography - Computer for portfolio organization - Photographs from previous lesson - Mentor Creative Arts pg. 100 - Planning templates - Digital devices for recording - List of safe home activities - Safe practice area with mats - Assessment checklists - Percussion instruments |
- Observation
- Portfolio assessment
- Self-evaluation
|
|
| 8 | 2 |
Performance and Display
|
Gymnastics - Self and peer assessment
Gymnastics - Skills integration |
By the end of the
lesson, the learner
should be able to:
- Evaluate own gymnastic performance - Assess peers' performances objectively - Appreciate the value of assessment in learning |
- Review criteria for successful gymnastic skills
- Perform crab balance and side roll for assessment - Complete self-assessment forms - Provide constructive feedback to peers |
How does assessment contribute to skill mastery?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment forms - Pencils - Percussion instruments - Audio equipment |
- Self-assessment
- Peer assessment
- Teacher observation
|
|
| 8 | 3 |
Performance and Display
|
Descant Recorder - Exploring and identifying parts of a descant recorder
Descant Recorder - Learning to hold and blow the descant recorder |
By the end of the
lesson, the learner
should be able to:
- Identify the parts of a descant recorder - Name the function of each part - Show interest in learning about musical instruments |
- Observe pictures/actual descant recorder
- Identify front and back views of the recorder - Name the parts (head joint, middle joint, foot joint) - Discuss the function of each part |
How can one identify the parts of a descant recorder?
|
- Mentor Creative Arts pg. 125
- Descant recorders - Charts showing recorder parts - Pictures of recorders - Mentor Creative Arts pg. 129 - Charts showing correct posture - Disinfectant wipes |
- Observation
- Oral questions
- Labeling activities
|
|
| 8 | 4 |
Performance and Display
|
Descant Recorder - Assembling and disassembling the recorder
Descant Recorder - Learning care and maintenance of the recorder |
By the end of the
lesson, the learner
should be able to:
- Separate recorder into its component parts - Reassemble recorder correctly - Value careful handling of musical instruments |
- Practice separating recorder into three pieces
- Connect head joint to middle joint correctly - Attach foot joint to assembled parts - Position finger holes correctly for playing - Test assembled recorder by gentle blowing |
Why is correct assembly important for recorder playing?
|
- Mentor Creative Arts pg. 128
- Descant recorders - Charts showing assembly steps - Demonstration models - Mentor Creative Arts pg. 129 - Cleaning rods - Clean cloths - Storage cases |
- Observation
- Performance assessment
- Sequential task evaluation
|
|
| 8 | 5 |
Performance and Display
|
Descant Recorder - Health considerations with recorders
Descant Recorder - Practicing holding and blowing with appropriate fingering |
By the end of the
lesson, the learner
should be able to:
- Explain the importance of hygiene with recorders - Identify diseases that can be caused by sharing - Value personal hygiene in music activities |
- Discuss importance of avoiding sharing recorders
- Identify communicable diseases related to sharing - Demonstrate proper cleaning before and after use - Practice proper storage to maintain hygiene |
Why is hygiene important when using the descant recorder?
|
- Mentor Creative Arts pg. 130
- Descant recorders - Cleaning supplies - Charts on hygiene - Storage cases - Finger position charts - Demonstration models |
- Observation
- Oral questions
- Written assignments
|
|
| 8 | 6 |
Performance and Display
|
Descant Recorder - Collecting materials for making a recorder case
Descant Recorder - Making a decorated case |
By the end of the
lesson, the learner
should be able to:
- Identify suitable materials for recorder case - Select appropriate materials based on function - Show creativity in resource selection |
- Discuss purposes of a recorder case
- Identify suitable materials (fabric, leather, yarn) - Collect recyclable materials for case making - Sort and prepare materials for use |
What materials are suitable for making a recorder case?
|
- Mentor Creative Arts pg. 132
- Sample materials (fabric, leather, yarn) - Recyclable materials - Storage containers - Collected materials - Needles, thread - Crochet hooks - Scissors |
- Observation
- Material selection assessment
- Resource collection evaluation
|
|
| 9 | 1 |
Performance and Display
|
Descant Recorder - Embellishing the case with found objects
Descant Recorder - Learning to play note B Descant Recorder - Learning to play note A |
By the end of the
lesson, the learner
should be able to:
- Select appropriate objects for embellishment - Attach objects securely to case - Demonstrate creative expression in design |
- Select found objects for embellishment
- Attach objects securely to recorder case - Ensure functionality is maintained - Present completed cases for feedback |
How does embellishment enhance the recorder case design?
|
- Mentor Creative Arts pg. 132
- Completed recorder cases - Found objects for decoration - Adhesives, thread - Mentor Creative Arts pg. 133 - Descant recorders - Charts showing B fingering - Digital devices for demonstrations - Mentor Creative Arts pg. 134 - Charts showing A fingering |
- Observation
- Project assessment
- Peer critique
|
|
| 9 | 2 |
Performance and Display
|
Descant Recorder - Learning to play note G
Descant Recorder - Practicing appropriate playing techniques |
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note G - Produce correct sound for note G - Value precision in musical performance |
- Watch demonstrations/videos of playing note G
- Practice closing back hole with left thumb - Place first, second, and third fingers on appropriate holes - Support recorder with right hand thumb - Blow gently to produce G note |
How is note G played on the descant recorder?
|
- Mentor Creative Arts pg. 135
- Descant recorders - Charts showing G fingering - Digital devices for demonstrations - Mentor Creative Arts pg. 136 - Charts showing proper technique - Mirror for self-observation |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
| 9 | 3 |
Performance and Display
|
Descant Recorder - Playing combined note patterns
Descant Recorder - Playing simple melodies |
By the end of the
lesson, the learner
should be able to:
- Play simple patterns combining G, A, B - Transition smoothly between notes - Demonstrate growing confidence in playing |
- Practice combined note patterns using G, A, B
- Focus on clean transitions between notes - Play simple exercises with alternating notes - Apply proper fingering technique |
How does finger movement affect note transitions?
|
- Mentor Creative Arts pg. 137
- Descant recorders - Combined note pattern charts - Transition exercises - Mentor Creative Arts pg. 138 - Notation for "Merrily We Roll Along" - Audio recording of melody |
- Observation
- Performance assessment
- Transition fluency evaluation
|
|
| 9 | 4 |
Performance and Display
|
Descant Recorder - Playing additional melodies
Swimming - Introduction to crouch and standing surface dives |
By the end of the
lesson, the learner
should be able to:
- Play "Hot Cross Buns" and other simple melodies - Apply correct fingering for each note - Demonstrate growing musical confidence |
- Practice playing "Hot Cross Buns" and other melodies
- Form groups for practice and performance - Take turns playing the melodies - Focus on note transitions and rhythm accuracy - Provide feedback to group members |
How does group practice enhance melody learning?
|
- Mentor Creative Arts pg. 139
- Descant recorders - Notation for "Hot Cross Buns" and other melodies - Audio recordings of melodies - Mentor Creative Arts pg. 144 - Digital devices for video demonstrations - Pictures of surface dives - Charts showing dive progressions |
- Observation
- Performance assessment
- Group participation evaluation
|
|
| 9 | 5 |
Performance and Display
|
Swimming - Watching demonstrations of surface dives
Swimming - Learning the progression of surface dives |
By the end of the
lesson, the learner
should be able to:
- Observe key elements of surface dive techniques - Identify the body positioning in surface dives - Value proper technique in swimming skills |
- Watch video clips/demonstrations of surface dives
- Observe body positioning of head and hands - Note starting and finishing positions - Discuss how to maintain balance during dives - Identify safety considerations |
What are the key elements of successful surface dives?
|
- Mentor Creative Arts pg. 144
- Digital devices for video demonstrations - Pictures of surface dive positions - Safety charts - Mentor Creative Arts pg. 146 - Charts showing dive progressions - Pictures of dive positions - Video demonstrations |
- Observation
- Oral questions
- Note-taking assessment
|
|
| 9 | 6 |
Performance and Display
|
Swimming - Water entry safety considerations
Swimming - Practicing the crouch surface dive with safety considerations |
By the end of the
lesson, the learner
should be able to:
- Identify important safety rules for swimming - Explain why pool depth must be checked before diving - Show responsibility regarding water safety |
- Discuss essential swimming safety rules
- Explore the importance of supervision - Learn about checking pool depth before diving - Discuss the danger of pushing others in water - Role-play safe water entry scenarios |
Why are safety precautions essential in swimming?
|
- Mentor Creative Arts pg. 146
- Water safety charts - Pictures of safe water practices - Safety equipment displays - Mentor Creative Arts pg. 147 - Safe practice area - Pictures of dive positions - Position markers |
- Observation
- Oral questions
- Role-play assessment
|
|
| 10 | 1 |
Performance and Display
|
Swimming - Practicing the standing surface dive with safety considerations
Swimming - Water games for confidence Swimming - Floating techniques |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the standing surface dive steps on land - Compare standing dive with crouch dive - Show confidence in skill progression |
- Practice standing dive positions on land
- Focus on proper body alignment - Follow the progression: stance, push-off, descent, entry - Practice in pairs with feedback - Compare with crouch dive technique |
What are the key differences between standing and crouch dives?
|
- Mentor Creative Arts pg. 147
- Safe practice area - Pictures of dive positions - Position markers - Mentor Creative Arts pg. 145 - Pictures of water games - Props for games (balls, floating objects) - Safety charts - Pictures of floating positions - Demonstration models |
- Observation
- Performance assessment
- Technique comparison evaluation
|
|
| 10 | 2 |
Performance and Display
|
Swimming - Mushroom float technique practice
Swimming - Supine floating technique |
By the end of the
lesson, the learner
should be able to:
- Demonstrate mushroom float on land - Describe the counting procedure for float - Show confidence in float technique |
- Practice proper mushroom float position on land
- Focus on hugging knees and tucking head - Practice counting to 10 while in position - Work in groups for balloon toss activity - Perform mushroom float when balloon touches water |
How does the mushroom float support water confidence?
|
- Mentor Creative Arts pg. 148
- Safe practice area - Balloons for activity - Demonstration models - Pictures of supine floating |
- Observation
- Position demonstration assessment
- Group activity participation
|
|
| 10 | 3 |
Performance and Display
|
Swimming - Prone floating technique
Swimming - Gliding techniques introduction |
By the end of the
lesson, the learner
should be able to:
- Demonstrate prone floating position on land - Compare prone with supine floating - Appreciate various floating techniques |
- Study prone floating technique
- Practice horizontal position with face down - Extend arms forward with legs together - Align head with spine, eyes looking down - Compare with supine floating position |
How does the prone position differ from supine floating?
|
- Mentor Creative Arts pg. 149
- Pictures of prone floating - Safe practice area - Demonstration models - Pictures of gliding positions |
- Observation
- Position demonstration assessment
- Technique comparison evaluation
|
|
| 10 | 4 |
Performance and Display
|
Swimming - Prone gliding technique
Swimming - Supine gliding technique |
By the end of the
lesson, the learner
should be able to:
- Demonstrate prone gliding position on land - Describe the wall push technique - Value gliding as a swimming skill |
- Practice horizontal body position for prone gliding
- Position head in line with spine, face in water - Practice arm extension and leg positioning - Simulate wall push action on land - Maintain streamlined position |
What is the importance of streamlining in gliding?
|
- Mentor Creative Arts pg. 150
- Pictures of prone gliding - Safe practice area - Wall surface for practice - Mentor Creative Arts pg. 151 - Pictures of supine gliding |
- Observation
- Position demonstration assessment
- Streamline evaluation
|
|
| 10 | 5 |
Performance and Display
|
Swimming - Using digital devices to photograph diving performances
Swimming - Selecting appropriate photographs for e-portfolio |
By the end of the
lesson, the learner
should be able to:
- Use digital devices to take photographs - Focus on the center of interest in photography - Appreciate visual documentation of skills |
- Use digital devices to take photographs of dive positions
- Focus on center of interest in photographs - Take multiple shots from different angles - Consider lighting and clarity in photography |
Why is the center of interest important in photography?
|
- Mentor Creative Arts pg. 151
- Digital devices with cameras - Models demonstrating dive positions - Photo composition guides - Digital devices with photographs - Computer for portfolio organization - Selection criteria charts |
- Observation
- Photography technique assessment
- Center of interest evaluation
|
|
| 10 | 6 |
Performance and Display
|
Swimming - Discussing own and others' photographs
Swimming - Culminating assessment |
By the end of the
lesson, the learner
should be able to:
- Present selected photographs to peers - Discuss technical aspects visible in photos - Value photography as a learning tool |
- Present selected photographs to peers
- Discuss technical aspects visible in photographs - Provide feedback on photograph quality - Identify areas for improvement in technique - Respectfully comment on others' photographs |
How does photographic analysis enhance skill development?
|
- Mentor Creative Arts pg. 151
- Digital devices for displaying photographs - Presentation space - Feedback forms - Assessment forms - Visual aids of swimming techniques - Photographs from portfolio |
- Observation
- Presentation assessment
- Feedback quality evaluation
|
|
| 11 | 1 |
Performance and Display
|
Swimming - Water safety review
Swimming - Swimming skills documentation Swimming - Water activities planning |
By the end of the
lesson, the learner
should be able to:
- Summarize key water safety rules - Explain importance of supervision in swimming - Value safety in aquatic environments |
- Review all water safety rules covered
- Create water safety posters in groups - Present safety guidelines to class - Role-play emergency response scenarios - Discuss importance of pool hygiene |
How does understanding safety enhance swimming enjoyment?
|
- Mentor Creative Arts pg. 151
- Water safety charts - Poster-making materials - Safety equipment displays - Drawing materials - Booklet templates - Reference pictures of techniques - Planning templates - Reference materials on water activities |
- Observation
- Poster assessment
- Role-play evaluation
- Oral presentation
|
|
| 11 | 2 |
Performance and Display
|
Swimming - Community water safety
Songs - Introduction to different types of songs |
By the end of the
lesson, the learner
should be able to:
- Identify water safety issues in community - Create awareness materials for community - Show responsibility for community safety |
- Discuss water safety issues in local community
- Identify risk areas (rivers, lakes, pools) - Create safety awareness posters - Plan how to share safety information - Discuss role of children in water safety |
How can learners contribute to community water safety?
|
- Mentor Creative Arts pg. 151
- Local area maps - Poster-making materials - Information on local water bodies - Mentor Creative Arts pg. 101 - Pictures of people singing in different settings - Audio recordings of different song types - Chart showing song categories |
- Observation
- Poster assessment
- Community awareness plan
- Participation evaluation
|
|
| 11 | 3 |
Performance and Display
|
Songs - Sacred songs
Songs - Singing sacred songs expressively |
By the end of the
lesson, the learner
should be able to:
- Identify sacred songs and their settings - Discuss the purpose of sacred songs - Appreciate sacred songs from different traditions |
- Study pictures of worship settings
- Discuss types of songs sung in worship places - Listen to various sacred songs - Identify messages in sacred songs - Discuss appropriate behavior during sacred songs |
What moods can be expressed when singing sacred songs?
|
- Mentor Creative Arts pg. 102
- Audio recordings of sacred songs - Pictures of worship settings - Chart with song lyrics - Chart with song lyrics - Rhythm instruments |
- Observation
- Oral questions
- Listening assessment
|
|
| 11 | 4 |
Performance and Display
|
Songs - Patriotic songs
Songs - Singing patriotic songs expressively |
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs and their purpose - Describe characteristics of patriotic songs - Show pride in national songs |
- Study pictures of patriotic performances
- Listen to "Tuishangilie Kenya" and other patriotic songs - Discuss the message in patriotic songs - Explore the tempo and dynamics of patriotic songs - Learn about occasions for patriotic songs |
What messages are conveyed through patriotic songs?
|
- Mentor Creative Arts pg. 104
- Audio recordings of patriotic songs - Chart with patriotic song lyrics - Pictures of national celebrations - Performance space |
- Observation
- Oral questions
- Listening assessment
|
|
| 11 | 5 |
Performance and Display
|
Songs - Introduction to folk songs
Songs - Work folk songs |
By the end of the
lesson, the learner
should be able to:
- Define folk songs as traditional songs - Identify types of folk songs - Show interest in cultural musical heritage |
- Discuss meaning of folk songs
- Explore different types of folk songs (work, funeral, naming, initiation, marriage, worship) - Listen to examples of various folk songs - Identify communities of origin for songs - Discuss occasions for different folk songs |
How do Kenyan communities use folk songs?
|
- Mentor Creative Arts pg. 106
- Audio/video recordings of folk songs - Chart showing folk song categories - Map of Kenyan communities - Audio/video recordings of work folk songs - Chart with song lyrics - Pictures of traditional work activities |
- Observation
- Oral questions
- Listening assessment
|
|
| 11 | 6 |
Performance and Display
|
Songs - Naming folk songs
Songs - Initiation folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify naming folk songs and their purpose - Sing a naming folk song with appropriate expression - Appreciate cultural naming traditions |
- Listen to examples of naming folk songs
- Discuss the purpose of naming songs - Learn a naming folk song from a Kenyan community - Practice singing with appropriate expression - Perform naming folk song for classmates |
Why are naming ceremonies important in Kenyan communities?
|
- Mentor Creative Arts pg. 106
- Audio/video recordings of naming folk songs - Chart with song lyrics - Pictures of naming ceremonies - Mentor Creative Arts pg. 108 - Audio/video recordings of initiation folk songs - Pictures of initiation ceremonies |
- Observation
- Performance assessment
- Cultural understanding evaluation
|
|
| 12 | 1 |
Performance and Display
|
Songs - Marriage folk songs
Songs - Worship folk songs Songs - Exploring indigenous methods of costume decoration |
By the end of the
lesson, the learner
should be able to:
- Identify marriage folk songs and their purpose - Sing a marriage folk song with appropriate expression - Value cultural marriage traditions |
- Study pictures of marriage ceremonies
- Listen to examples of marriage folk songs - Learn "Mueni" Akamba marriage folk song - Discuss the message of the song - Perform with appropriate expression and gestures |
What is the purpose of marriage folk songs?
|
- Mentor Creative Arts pg. 109
- Audio/video recordings of marriage folk songs - Chart with "Mueni" lyrics and translation - Pictures of marriage ceremonies - Mentor Creative Arts pg. 110 - Audio/video recordings of worship folk songs - Chart with "Geithia mundu" lyrics and translation - Pictures of traditional worship settings - Mentor Creative Arts pg. 111 - Pictures of decorated costumes - Samples of decorated fabrics - Videos of costume decoration techniques - Charts showing decoration methods |
- Observation
- Performance assessment
- Cultural understanding evaluation
|
|
| 12 | 2 |
Performance and Display
|
Songs - Learning tie-dye techniques for costume decoration
Songs - Applying dye to fabric for costume decoration |
By the end of the
lesson, the learner
should be able to:
- Explain the process of tie-dye - Prepare fabric for tie-dye decoration - Show interest in traditional craft techniques |
- Demonstrate tie-dye circle technique
- Prepare fabric by folding and tying - Discuss use of natural vs. artificial dyes - Practice tying techniques for different patterns - Prepare fabrics for dyeing |
What traditional materials are used for dyeing fabrics?
|
- Mentor Creative Arts pg. 111
- Fabric for tie-dye - String/rubber bands for tying - Samples of tie-dye patterns - Demonstration charts - Prepared tied fabrics - Dye (artificial or natural) - Containers for dyeing - Protective gloves and aprons - Cleaning supplies |
- Observation
- Technique demonstration assessment
- Pattern preparation evaluation
|
|
| 12 | 3 |
Performance and Display
|
Songs - Learning beadwork techniques for costume decoration
Songs - Creating beadwork decorations for costumes |
By the end of the
lesson, the learner
should be able to:
- Explain beadwork decoration techniques - Identify recyclable materials for beadwork - Value sustainability in craft making |
- Explore traditional beadwork techniques
- Identify recyclable materials for beads - Discuss color and pattern significance - Collect materials for beadwork - Practice simple beading techniques |
What materials can be recycled to create decorative beads?
|
- Mentor Creative Arts pg. 111
- Samples of beadwork - Recyclable materials for beads - Threading materials - Pictures of traditional beadwork - Prepared recyclable beads - Costume pieces for decoration - Display materials |
- Observation
- Material selection assessment
- Technique demonstration evaluation
|
|
| 12 | 4 |
Performance and Display
|
Songs - Selecting folk songs for group performance
Songs - Group performance of folk songs with correct diction |
By the end of the
lesson, the learner
should be able to:
- Select appropriate folk songs for performance - Discuss performance roles for group members - Value collaborative music making |
- Review different types of folk songs learned
- Select songs for group performance - Assign roles (soloist, chorus, instrumentalist) - Discuss appropriate expression for each song - Plan costume needs for performance |
What factors determine appropriate folk song selection?
|
- Mentor Creative Arts pg. 111
- Audio recordings of folk songs - Charts with song lyrics - Role assignment sheets - Performance planning templates - Audio recordings for reference - Performance space - Decorated costumes |
- Observation
- Song selection assessment
- Role assignment evaluation
- Planning participation
|
|
| 12 | 5 |
Performance and Display
|
Songs - Playing percussion instruments to accompany folk songs
Songs - Learning care and maintenance of instruments |
By the end of the
lesson, the learner
should be able to:
- Play simple rhythms on percussion instruments - Accompany folk songs with percussion - Value the role of instruments in performance |
- Select appropriate percussion instruments
- Demonstrate techniques (hitting, shaking, plucking) - Practice simple rhythmic patterns - Accompany folk songs with percussion - Coordinate instrumental parts with singing |
How do percussion instruments enhance folk song performances?
|
- Mentor Creative Arts pg. 111
- Percussion instruments (drums, shakers, rattles) - Charts showing rhythmic patterns - Audio recordings of accompanied songs - Mentor Creative Arts pg. 112 - Percussion instruments - Cleaning materials - Storage containers - Instrument care charts |
- Observation
- Performance assessment
- Rhythm accuracy evaluation
- Coordination assessment
|
|
| 12 | 6 |
Performance and Display
|
Songs - Integrated folk song performance
Songs - Recording folk song performances Songs - Appreciation of percussion instruments in performances Songs - Cultural exchange through folk songs |
By the end of the
lesson, the learner
should be able to:
- Perform folk songs with instrumental accompaniment - Use decorated costumes in performance - Demonstrate cultural appreciation through performance |
- Rehearse folk songs with instrumental accompaniment
- Wear decorated costumes for performance - Apply all performance elements (expression, diction, gestures) - Perform for classmates - Receive and respond to feedback |
How do all performance elements work together in folk song presentation?
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- Mentor Creative Arts pg. 112
- Percussion instruments - Decorated costumes - Performance space - Feedback forms - Digital recording devices - Playback equipment - Storage devices - Audio recordings with percussion - Pictures of traditional instruments - Poster-making materials - Audio recordings from different communities - Charts comparing song traditions - Cultural artifacts |
- Observation
- Performance assessment
- Integration evaluation
- Audience feedback
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