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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Indigenous Kenyan percussion instruments
|
By the end of the
lesson, the learner
should be able to:
- Identify indigenous Kenyan percussion instruments by name and community - Describe the methods of playing percussion instruments - Show interest in learning about indigenous percussion instruments |
- Watch virtual or actual samples of percussion instruments to identify name, community and method of playing
-Discuss the characteristics of different percussion instruments -Draw and label parts of a percussion instrument |
How is a percussion instrument made?
|
KLB Visionary Creative Arts, pg. 2 Digital devices with internet access
|
Observation Oral questions Written assignments
|
|
| 2 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Classification of instruments
Picture Making (Percussion Instruments) - Parts of percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Classify indigenous Kenyan percussion instruments as melodic and non-melodic - Identify examples of melodic and non-melodic percussion instruments - Appreciate diversity in musical instruments |
- Look at pictures of different indigenous percussion instruments
-Discuss the difference between melodic and non-melodic instruments -Group instruments based on their classification -Listen to sounds produced by different percussion instruments |
What are the differences between melodic and non-melodic percussion instruments?
|
KLB Visionary Creative Arts, pg. 4 Realia: indigenous percussion instruments
KLB Visionary Creative Arts, pg. 5 Realia: percussion instruments |
Observation Oral questions Written assignments
|
|
| 2 | 3 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Rhythmic patterns
Picture Making (Percussion Instruments) - Making charcoal sticks |
By the end of the
lesson, the learner
should be able to:
- Play different rhythms on a percussion instrument - Create a rhythmic pattern to accompany a song - Value the cultural importance of percussion music |
- Listen to rhythmic patterns played on percussion instruments
-Imitate rhythmic patterns by clapping -Create own rhythmic patterns -Play rhythmic patterns on percussion instruments |
How can we create interesting rhythmic patterns on percussion instruments?
|
KLB Visionary Creative Arts, pg. 7 Indigenous percussion instruments
KLB Visionary Creative Arts, pg. 9 Thin sticks, cutting tools, tin container, fire |
Observation Performance assessment Peer evaluation
|
|
| 2 | 4 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Drawing with charcoal sticks
Picture Making (Percussion Instruments) - Tonal value in drawing |
By the end of the
lesson, the learner
should be able to:
- Draw lines of varied thickness using charcoal sticks - Experiment with pressure to create different line weights - Show creativity in using charcoal as a drawing medium |
- Experiment by drawing simple shapes and lines using charcoal sticks
-Practice applying different pressure to create varied line thickness -Create a variety of marks and textures using the charcoal sticks |
How can we use charcoal sticks to create different lines?
|
KLB Visionary Creative Arts, pg. 11 Charcoal sticks, drawing paper
KLB Visionary Creative Arts, pg. 13 Charcoal sticks, drawing paper |
Observation Portfolio Practical test
|
|
| 2 | 5 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Creating tone strips
Picture Making (Percussion Instruments) - Drawing a percussion instrument |
By the end of the
lesson, the learner
should be able to:
- Create a continuous tonal strip from dark to light - Apply smudging technique to create smooth gradation - Show patience in creating gradual tonal changes |
- Draw rectangular strips on paper
-Apply charcoal heavily on one end of the strip -Create a gradual change from dark to light -Compare different tonal strips created |
What is the importance of tonal variation in drawing?
|
KLB Visionary Creative Arts, pg. 13 Charcoal sticks, drawing paper
KLB Visionary Creative Arts, pg. 14 Percussion instruments, charcoal sticks, drawing paper |
Observation Project work Portfolio
|
|
| 3 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Adding details
|
By the end of the
lesson, the learner
should be able to:
- Add fine details to a percussion instrument drawing - Create surface textures using charcoal techniques - Show attention to detail in artwork |
- Study different surface textures on percussion instruments
-Practice drawing different textures using charcoal -Add detailed textures to percussion instrument drawings -Create shadows to ground the object |
How do details enhance a drawing?
|
KLB Visionary Creative Arts, pg. 14 Charcoal sticks, drawing paper
|
Observation Project work Display and critique
|
|
| 3 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Making a percussion instrument
|
By the end of the
lesson, the learner
should be able to:
- Collect materials for making a percussion instrument - Assemble parts to make a simple percussion instrument - Observe safety when making an instrument |
- Collect materials for making percussion instruments
-Assemble materials to make a simple instrument -Test the sound produced by the instrument -Make adjustments to improve sound quality |
What materials can be used to make percussion instruments?
|
KLB Visionary Creative Arts Various materials for making instruments
|
Observation Project work Peer evaluation
|
|
| 3 | 3 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Tuning a percussion instrument
|
By the end of the
lesson, the learner
should be able to:
- Identify ways of tuning percussion instruments - Tune a percussion instrument for better sound quality - Value well-tuned instruments |
- Explore different methods of tuning percussion instruments
-Practice tuning techniques on made instruments -Test sound quality before and after tuning -Compare sound from different tuned instruments |
How can we improve the sound of a percussion instrument?
|
KLB Visionary Creative Arts Percussion instruments
|
Observation Practical assessment Performance
|
|
| 3 | 4 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Performing rhythms
|
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns on a percussion instrument - Perform created rhythms to accompany a song - Show confidence when performing |
- Create rhythmic patterns on made percussion instruments
-Practice performing rhythms individually and in groups -Accompany songs with percussion rhythms -Record performances for evaluation |
How do percussion instruments enhance musical performances?
|
KLB Visionary Creative Arts Made percussion instruments
|
Observation Performance assessment Recording
|
|
| 3 | 5 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Environmental conservation
Picture Making (Percussion Instruments) - Creating a portfolio |
By the end of the
lesson, the learner
should be able to:
- Explain the importance of environmental conservation - Reuse materials in making percussion instruments - Value sustainable use of resources |
- Discuss environmental conservation in relation to making instruments
-Identify recyclable materials that can be used for instruments -Make instruments using recycled materials -Discuss sustainable resource use |
How can we conserve the environment when making instruments?
|
KLB Visionary Creative Arts Recyclable materials
KLB Visionary Creative Arts Colored paper, fabric, glue |
Observation Oral questions Project work
|
|
| 4 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Display and critique
|
By the end of the
lesson, the learner
should be able to:
- Display created percussion instruments and drawings - Critique own and others' work constructively - Appreciate feedback for improvement |
- Display percussion instruments and drawings
-Take turns talking about work process and challenges -Give and receive constructive feedback -Identify areas for improvement |
How can we improve our artwork through critique?
|
KLB Visionary Creative Arts Display area, instruments, drawings
|
Observation Oral presentation Peer evaluation
|
|
| 4 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Percussion in cultural events
|
By the end of the
lesson, the learner
should be able to:
- Explain the role of percussion in cultural events - Relate instruments to specific cultural ceremonies - Respect cultural diversity |
- Discuss the role of percussion instruments in cultural events
-Research specific cultural ceremonies where percussion is used -Present findings to the class -Appreciate cultural diversity |
Why are percussion instruments important in cultural ceremonies?
|
KLB Visionary Creative Arts Resource persons
|
Observation Oral presentation Written assignment
|
|
| 4 | 3 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Community involvement
|
By the end of the
lesson, the learner
should be able to:
- Identify ways to share knowledge about percussion - Plan a community presentation of instruments - Show willingness to share cultural knowledge |
- Plan ways to share knowledge about percussion instruments
-Create posters or invitations for a community event -Rehearse presentations for community members -Reflect on the importance of cultural preservation |
How can we share our knowledge about percussion instruments?
|
KLB Visionary Creative Arts Poster materials
|
Observation Oral presentation Project work
|
|
| 4 | 4 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Technology in music
|
By the end of the
lesson, the learner
should be able to:
- Use digital devices to record percussion performances - Edit and share recordings - Appreciate technology in music preservation |
- Use digital devices to record percussion performances
-Learn basic editing of audio recordings -Share recordings with peers -Discuss how technology helps preserve cultural music |
How can technology help preserve traditional music?
|
KLB Visionary Creative Arts Digital recording devices
|
Observation Project work Recording
|
|
| 4 | 5 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate knowledge of percussion instruments - Show skills in drawing and creating instruments - Value the learning journey in this substrand |
- Complete assessment activities on percussion instruments
-Demonstrate drawing skills using charcoal -Play rhythmic patterns on made instruments -Reflect on learning journey |
What have we learned about percussion instruments and drawing?
|
KLB Visionary Creative Arts Assessment tools
|
Observation Written test Performance test
|
|
| 5 | 1 |
Creating and Execution
|
Netball - Skills of passing in Netball
|
By the end of the
lesson, the learner
should be able to:
- Describe the skills of passing in Netball - Demonstrate the chest pass technique - Value teamwork when practising passing skills |
- Observe demonstrations of chest pass technique
-Practice the stance, grip, release and follow through -Work in groups to practice passing skills -Discuss the importance of proper technique |
Why are the skills of passing important in the game of Netball?
|
KLB Visionary Creative Arts, pg. 16 Netballs or improvised balls Open space
|
Observation Skills test Oral questions
|
|
| 5 | 2 |
Creating and Execution
|
Netball - Chest pass technique
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate proper stance for chest pass - Execute chest pass with correct technique - Show responsibility in following instructions |
- Practice standing with feet shoulder width apart
-Hold the ball with thumbs behind and fingers spread -Step forward in the direction of the pass -Push and release the ball with proper follow-through |
What makes a good chest pass in Netball?
|
KLB Visionary Creative Arts, pg. 17 Netballs or improvised balls Open space
|
Observation Skills test Peer assessment
|
|
| 5 | 3 |
Creating and Execution
|
Netball - Overhead pass
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the overhead pass technique - Execute proper finger position and arm movement - Show confidence in performing the skill |
- Observe demonstrations of overhead pass technique
-Practice holding the ball above the head with proper grip -Step forward while executing the pass -Follow through with hands pointing at target |
How is the overhead pass useful in Netball?
|
KLB Visionary Creative Arts, pg. 18 Netballs or improvised balls Open space
|
Observation Skills test Practical assessment
|
|
| 5 | 4 |
Creating and Execution
|
Netball - Underarm pass
Netball - Double-handed catching |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the underarm pass technique - Execute proper hand position and arm movement - Show perseverance in mastering the skill |
- Observe demonstrations of underarm pass technique
-Practice the stance and arm position for underarm pass -Execute the pass with proper follow-through -Practice in pairs at varying distances |
When is the underarm pass most effective?
|
KLB Visionary Creative Arts, pg. 19 Netballs or improvised balls Open space
KLB Visionary Creative Arts, pg. 20 Netballs or improvised balls Open space |
Observation Skills test Practical assessment
|
|
| 5 | 5 |
Creating and Execution
|
Netball - Standing shot
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the standing shot technique - Execute proper hand position and arm movement - Show determination in developing shooting skills |
- Observe demonstrations of standing shot technique
-Practice the stance and arm position for shooting -Execute the shot with proper follow-through -Practice shooting at varying distances from the goal |
What is the correct technique for shooting in Netball?
|
KLB Visionary Creative Arts Netballs or improvised balls Goal posts
|
Observation Skills test Practical assessment
|
|
| 6 | 1 |
Creating and Execution
|
Netball - Shooting practice
|
By the end of the
lesson, the learner
should be able to:
- Apply proper technique in shooting practice - Improve shooting accuracy through practice - Show persistence in developing shooting skills |
- Review standing shot technique
-Practice shooting from different positions -Participate in shooting competitions -Track progress in shooting accuracy |
How can we improve our shooting accuracy?
|
KLB Visionary Creative Arts Netballs or improvised balls Goal posts
|
Observation Skills test Self-assessment
|
|
| 6 | 2 |
Creating and Execution
|
Netball - Combining skills
|
By the end of the
lesson, the learner
should be able to:
- Combine passing, catching and shooting skills - Execute skills in sequence - Show teamwork in skill practice |
- Practice passing, catching and shooting in sequence
-Work in small groups to create skill drills -Execute skill combinations at varying speeds -Give feedback to peers on skill execution |
How do we combine different skills in Netball?
|
KLB Visionary Creative Arts Netballs or improvised balls Open space
|
Observation Skills test Peer assessment
|
|
| 6 | 3 |
Creating and Execution
|
Netball - Identifying materials for ball making
|
By the end of the
lesson, the learner
should be able to:
- Identify materials for improvising a ball - Collect suitable materials from the environment - Value reusing materials from the environment |
- Identify and discuss materials suitable for making balls
-Collect materials from the environment -Sort and prepare materials for ball making -Discuss environmental conservation through reusing materials |
What materials can be used to improvise a Netball?
|
KLB Visionary Creative Arts, pg. 22 Old carrier bags, clothes, string
|
Observation Oral questions Project work
|
|
| 6 | 4 |
Creating and Execution
|
Netball - Macramé technique
|
By the end of the
lesson, the learner
should be able to:
- Explain the macramé technique - Demonstrate the overhand knot - Show interest in learning the technique |
- Demonstrate the overhand knot technique
-Practice tying overhand knots with string or rope -Create simple patterns using macramé -Discuss applications of macramé technique |
What is the macramé technique and how is it used?
|
KLB Visionary Creative Arts, pg. 22 String, rope, practice materials
|
Observation Practical assessment Project work
|
|
| 6 | 5 |
Creating and Execution
|
Netball - Making a ball
|
By the end of the
lesson, the learner
should be able to:
- Make a ball using the macramé technique - Apply overhand knots correctly - Show creativity in ball making |
- Crumple papers or clothes into a ball shape
-Cover with cloth or carrier bag -Tie with string using overhand knots -Complete the ball by covering all areas |
How is a ball improvised using the macramé technique?
|
KLB Visionary Creative Arts, pg. 23 Ball making materials
|
Observation Project work Practical assessment
|
|
| 7 | 1 |
Creating and Execution
|
Netball - Testing improvised balls
|
By the end of the
lesson, the learner
should be able to:
- Test improvised balls for functionality - Make adjustments to improve ball performance - Show persistence in creating functional balls |
- Test improvised balls for bouncing and handling
-Make adjustments to improve shape and firmness -Compare different improvised balls -Select best balls for use in practice |
How can we test and improve our improvised balls?
|
KLB Visionary Creative Arts Improvised balls
|
Observation Practical assessment Peer evaluation
|
|
| 7 | 2 |
Creating and Execution
|
Netball - Mini-game practice
|
By the end of the
lesson, the learner
should be able to:
- Apply the skills of passing and catching in a mini-game - Observe rules of fair play during the game - Demonstrate teamwork and cooperation |
- Review the skills of passing, catching and shooting
-Form teams for a mini Netball game -Practice applying the skills in game situations -Discuss strategies for effective play |
How do we apply the skills of passing, catching and shooting in a game?
|
KLB Visionary Creative Arts, pg. 24 Netballs or improvised balls Open space
|
Observation Performance assessment Peer evaluation
|
|
| 7 | 3 |
Creating and Execution
|
Netball - Classification of colours
Netball - Mixing primary colours |
By the end of the
lesson, the learner
should be able to:
- Identify primary and secondary colours - Classify colours as primary or secondary - Appreciate the role of colour in artwork |
- Identify colours in the surrounding environment
-Discuss the difference between primary and secondary colours -Classify various colours as primary or secondary -Create a colour wheel showing primary and secondary colours |
Why is colour classification important in painting?
|
KLB Visionary Creative Arts, pg. 27 Colour charts, paints, brushes, paper
KLB Visionary Creative Arts, pg. 28 Primary colour paints, palettes, paper |
Observation Written test Portfolio
|
|
| 7 | 4 |
Creating and Execution
|
Netball - Creating light tones
|
By the end of the
lesson, the learner
should be able to:
- Create light tones by adding white to secondary colours - Create tonal strips showing gradation - Show patience in creating gradual tonal changes |
- Draw rectangular strips on paper
-Mix secondary colours with varying amounts of white -Create gradual tonal strips from original to lightest shade -Compare tonal strips created |
How do we create lighter shades of colours?
|
KLB Visionary Creative Arts, pg. 28 Secondary colours, white paint, paper
|
Observation Project work Portfolio
|
|
| 7 | 5 |
Creating and Execution
|
Netball - Creating dark tones
|
By the end of the
lesson, the learner
should be able to:
- Create dark tones by adding black to secondary colours - Create tonal strips showing gradation - Value variety in colour tones |
- Draw rectangular strips on paper
-Mix secondary colours with varying amounts of black -Create gradual tonal strips from original to darkest shade -Compare light and dark tonal strips |
How do we create darker shades of colours?
|
KLB Visionary Creative Arts, pg. 28 Secondary colours, black paint, paper
|
Observation Project work Portfolio
|
|
| 8 |
Midterm |
||||||||
| 9 | 1 |
Creating and Execution
|
Netball - Painting a ball
|
By the end of the
lesson, the learner
should be able to:
- Draw the outline of a ball - Paint using secondary colours with attention to colour value - Show creativity in applying colour |
- Draw the outline of a ball
-Mix secondary colours for painting -Apply light and dark tones to create dimension -Add details to enhance the painting |
How is colour value used to create form in painting?
|
KLB Visionary Creative Arts, pg. 29 Paint, brushes, paper, water containers
|
Observation Project work Display and critique
|
|
| 9 | 2 |
Creating and Execution
|
Netball - Adding details to painting
|
By the end of the
lesson, the learner
should be able to:
- Add details to a ball painting - Create shadows and highlights - Show attention to detail in artwork |
- Add highlights to show light reflection
-Create shadow beneath the ball -Add texture details to the surface -Complete the painting with final touches |
How do highlights and shadows enhance a painting?
|
KLB Visionary Creative Arts, pg. 30 Paint, brushes, paper
|
Observation Project work Display and critique
|
|
| 9 | 3 |
Creating and Execution
|
Netball - Creating a montage
|
By the end of the
lesson, the learner
should be able to:
- Explain the concept of montage - Collect images related to Netball - Show creativity in composition |
- Observe samples of montage compositions
-Discuss how montage compositions are created -Collect images related to Netball -Plan a montage composition |
What is a montage and how is it created?
|
KLB Visionary Creative Arts, pg. 31 Old newspapers, magazines, calendars
|
Observation Oral questions Project work
|
|
| 9 | 4 |
Creating and Execution
|
Netball - Making a montage
|
By the end of the
lesson, the learner
should be able to:
- Create a montage based on Netball - Arrange images in an appealing composition - Show pride in creative work |
- Select and cut out images related to Netball
-Arrange images on a stiff surface -Stick images using adhesive -Add titles or captions if necessary |
How can we arrange images to create an effective montage?
|
KLB Visionary Creative Arts, pg. 32 Cut-out images, adhesive, stiff paper
|
Observation Project work Display and critique
|
|
| 9 | 5 |
Creating and Execution
|
Netball - Display and appreciation
|
By the end of the
lesson, the learner
should be able to:
- Display paintings and montage compositions - Appreciate own and others' artwork - Value constructive feedback |
- Display paintings and montage compositions
-Take turns talking about the creative process -Give constructive feedback to peers -Identify areas for improvement |
How can we improve our artwork through feedback?
|
KLB Visionary Creative Arts, pg. 32 Display area
|
Observation Oral presentation Peer evaluation
|
|
| 10 | 1 |
Creating and Execution
|
Netball - Application in school
|
By the end of the
lesson, the learner
should be able to:
- Identify ways to apply artistic skills in school - Create decorations for school spaces - Show willingness to contribute to school environment |
- Discuss ways to apply art skills in school
-Plan decorations for classroom or office -Create simple decorations using learned techniques -Display decorations in appropriate spaces |
How can we use our art skills to improve our school environment?
|
KLB Visionary Creative Arts Art materials
|
Observation Project work Display
|
|
| 10 | 2 |
Creating and Execution
|
Netball - Community service
Netball - Assessment |
By the end of the
lesson, the learner
should be able to:
- Identify ways to share Netball skills with the community - Plan a community service activity - Show willingness to share knowledge |
- Discuss ways to share Netball skills with the community
-Plan a community service activity -Create posters or invitations for the activity -Reflect on the importance of community service |
How can we share our Netball skills with the community?
|
KLB Visionary Creative Arts Poster materials
KLB Visionary Creative Arts Assessment tools |
Observation Oral presentation Project work
|
|
| 10 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - French rhythm names
|
By the end of the
lesson, the learner
should be able to:
- Identify rhythmic patterns involving crotchet and quavers - Interpret rhythms using French rhythm names (taa, ta-te) - Show interest in learning rhythmic patterns |
- March to a steady beat saying "left, right, one, two"
-Clap/tap rhythms of words involving taa and ta-te -Associate pulse with the crotchet French rhythm name -Identify rhythms in familiar songs |
How can a rhythm be created?
|
KLB Visionary Creative Arts, pg. 36 Audio recordings of rhythmic patterns
|
Observation Oral assessment Practical test
|
|
| 10 | 4 |
Creating and Execution
|
Rhythm and Pattern Making - Pulse and rhythm
|
By the end of the
lesson, the learner
should be able to:
- Distinguish between pulse and rhythm - Maintain a steady pulse while clapping rhythms - Show consistency in maintaining pulse |
- Clap/tap the pulse of the clock and heartbeat
-Associate pulse with the crotchet (taa) -Maintain a steady pulse while clapping different rhythms -Practice tapping pulse with foot while clapping rhythms |
How are rhythms applied in daily life?
|
KLB Visionary Creative Arts, pg. 36 Audio recordings with clear rhythms
|
Observation Practical assessment Peer evaluation
|
|
| 10 | 5 |
Creating and Execution
|
Rhythm and Pattern Making - Identifying notes in songs
|
By the end of the
lesson, the learner
should be able to:
- Identify crotchets and quavers in familiar songs - Clap the rhythm while reciting French rhythm names - Show accuracy in rhythm identification |
- Listen to familiar topical songs
-Identify crotchets and quavers in the songs -Clap the rhythm while reciting French rhythm names -Create visual representations of song rhythms |
How can we identify different note values in songs?
|
KLB Visionary Creative Arts, pg. 36 Audio recordings of familiar songs
|
Observation Aural tests Practical assessment
|
|
| 11 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - Note values and rests
|
By the end of the
lesson, the learner
should be able to:
- Relate French rhythm names to music note symbols - Identify rests in rhythmic patterns - Appreciate silence as part of rhythm |
- Discuss how music is made up of sounds and silences
-Relate French rhythm names to music note symbols -Identify rests in rhythmic patterns -Write rhythms using music symbols |
What is the role of silence in music?
|
KLB Visionary Creative Arts, pg. 37 Charts with note values and rests
|
Observation Written test Oral questions
|
|
| 11 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Letter formation
|
By the end of the
lesson, the learner
should be able to:
- Identify parts of letters (ascenders, descenders, body) - Write lowercase letters with correct proportions - Show neatness in writing |
- Identify parts of letters (ascenders, descenders, body)
-Draw guidelines for ascender, body, and descender -Practice writing lowercase letters with correct proportions -Identify which letters have ascenders and descenders |
Why is proper letter formation important?
|
KLB Visionary Creative Arts, pg. 38 Rulers, pencils, paper
|
Observation Written work Portfolio
|
|
| 11 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Free hand lettering
|
By the end of the
lesson, the learner
should be able to:
- Write letters with consistent size and shape - Maintain proper spacing between letters - Show patience in developing writing skills |
- Practice free hand lettering of lowercase letters
-Focus on consistent letter size and shape -Maintain proper spacing between letters -Create simple words using free hand lettering |
How can we improve our free hand lettering?
|
KLB Visionary Creative Arts, pg. 38 Lined paper, pencils
|
Observation Written work Portfolio
|
|
| 11 | 4 |
Creating and Execution
|
Rhythm and Pattern Making - Writing French rhythm names
|
By the end of the
lesson, the learner
should be able to:
- Write French rhythm names using free hand lettering - Form letters with correct proportions - Value neatness in written work |
- Draw guidelines for writing French rhythm names
-Practice writing 'taa' and 'ta-te' using free hand lettering -Ensure correct proportions of letters -Write rhythmic patterns using French rhythm names |
How can we write rhythmic patterns neatly?
|
KLB Visionary Creative Arts, pg. 39 Rulers, pencils, paper
|
Observation Written work Portfolio
|
|
| 11 | 5 |
Creating and Execution
|
Rhythm and Pattern Making - Rhythmic composition techniques
|
By the end of the
lesson, the learner
should be able to:
- Identify techniques used in rhythmic compositions - Analyze rhythmic patterns in familiar tunes - Show interest in analyzing music |
- Listen to rhythmic patterns in familiar tunes
-Discuss techniques used in composing rhythmic patterns -Identify variation of note values, repetition of patterns, and strong endings -Analyze rhythmic patterns in different songs |
What techniques are used to create interesting rhythms?
|
KLB Visionary Creative Arts, pg. 39 Audio recordings of songs
|
Observation Oral assessment Written analysis
|
|
| 12 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - Creating rhythmic patterns
Rhythm and Pattern Making - Dictation of rhythms |
By the end of the
lesson, the learner
should be able to:
- Create original rhythmic patterns - Apply compositional techniques in creating rhythms - Show integrity in creating original work |
- Apply composition techniques to create rhythmic patterns
-Use French rhythm names taa and ta-te -Share created rhythms with peers -Give constructive feedback on rhythms |
How do we create original rhythmic patterns?
|
KLB Visionary Creative Arts, pg. 40 Percussion instruments
KLB Visionary Creative Arts, pg. 41 Percussion instruments |
Observation Creative assessment Peer evaluation
|
|
| 12 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Block making
|
By the end of the
lesson, the learner
should be able to:
- Collect materials for making a printing block - Create a block from textured materials - Show creativity in block design |
- Collect materials with varied textures
-Create a block from banana stalk, wood or rubber -Prepare the block for printing -Test the block with a single print |
What materials can be used to make printing blocks?
|
KLB Visionary Creative Arts Textured materials (banana stalk, wood, rubber)
|
Observation Project work Practical assessment
|
|
| 12 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Creating repeat patterns
|
By the end of the
lesson, the learner
should be able to:
- Create an alternate repeat pattern - Print using water colours - Show neatness in printing work |
- Prepare paper for printing
-Apply water colour to the block -Print an all-over repeat pattern on paper -Create variations in the pattern through spacing and colour |
How are repeat patterns created through printing?
|
KLB Visionary Creative Arts Printing blocks, water colours, paper
|
Observation Project work Display and critique
|
|
| 12 | 4 |
Creating and Execution
|
Rhythm and Pattern Making - Hands and feet game
|
By the end of the
lesson, the learner
should be able to:
- Create a hands and feet hopscotch game - Associate movements with rhythm names - Show enjoyment in rhythm games |
- Make a playboard with hand and foot patterns
-Match hands and feet to the pictures on the ground -Associate foot steps with 'taa' and hand placements with 'ta-te' -Take turns playing the game |
How can games help us learn about rhythm?
|
KLB Visionary Creative Arts, pg. 43 Paper, materials for game board
|
Observation Practical assessment Peer evaluation
|
|
| 12 | 5 |
Creating and Execution
|
Rhythm and Pattern Making - Writing rhythmic patterns
Rhythm and Pattern Making - Assessment |
By the end of the
lesson, the learner
should be able to:
- Write rhythmic patterns using free hand lettering - Apply proper spacing and letter formation - Show pride in written work |
- Write rhythmic patterns from games using free hand lettering
-Apply proper spacing and letter formation -Create a collection of written patterns -Share patterns with peers |
How can we document rhythmic patterns through writing?
|
KLB Visionary Creative Arts Paper, pencils
KLB Visionary Creative Arts Assessment tools |
Observation Written work Portfolio
|
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