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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Creating and Performing in Creative Arts and Sports
|
Melody - Introduction to variation
|
By the end of the
lesson, the learner
should be able to:
- Define variation in musical composition - Identify variations in musical examples - Show interest in melodic development |
- Watch videos demonstrating melody variation
- Observe how melodies can be varied - Discuss types of variation in music |
How can a melody be made interesting?
|
- KLB Top Scholar (pg. 64)
- Digital resources - Audio examples - Video demonstrations |
- Observation
- Oral questions
- Written assignments
|
|
| 1 | 2 |
Creating and Performing in Creative Arts and Sports
|
Melody - Rhythmic variation
|
By the end of the
lesson, the learner
should be able to:
- Explain rhythmic variation technique - Identify rhythmic variations in examples - Show interest in rhythmic modification |
- Study examples of rhythmic variation
- Analyze how note lengths are altered - Compare original and varied melodies |
How can rhythm changes affect a melody?
|
- KLB Top Scholar (pg. 65)
- Music notation examples - Audio demonstrations - Staff paper |
- Observation
- Written exercises
- Listening assessment
|
|
| 1 | 3 |
Creating and Performing in Creative Arts and Sports
|
Melody - Melodic variation
|
By the end of the
lesson, the learner
should be able to:
- Explain melodic variation technique - Identify pitch changes in varied melodies - Show interest in pitch modification |
- Study examples of melodic variation
- Analyze how pitches are altered - Compare original and varied melodies |
How can changing pitch intervals affect a melody?
|
- KLB Top Scholar (pg. 65)
- Music notation examples - Audio demonstrations - Staff paper |
- Observation
- Written exercises
- Listening assessment
|
|
| 1 | 4 |
Creating and Performing in Creative Arts and Sports
|
Melody - Dynamic variation
|
By the end of the
lesson, the learner
should be able to:
- Explain dynamic variation technique - Apply volume changes to create variety - Show interest in expressive performance |
- Study examples of dynamic variation
- Analyze how volume is altered - Perform melodies with dynamic changes |
How do dynamics affect the character of a melody?
|
- KLB Top Scholar (pg. 66)
- Music notation examples - Audio demonstrations - Musical instruments |
- Observation
- Practical assessment
- Performance evaluation
|
|
| 1 | 5 |
Creating and Performing in Creative Arts and Sports
|
Melody - Variation demonstrations
Melody - Variation practice |
By the end of the
lesson, the learner
should be able to:
- Perform melodies with variations - Identify variation techniques in performance - Show interest in musical expression |
- Sing familiar tunes with tonic sol-fa
- Vary melodies using different techniques - Describe variations used in performances |
Which variation techniques are most effective for specific melodies?
|
- KLB Top Scholar (pg. 67)
- Familiar tunes - Musical instruments - Performance space - Given melodies - Staff paper |
- Observation
- Practical assessment
- Performance evaluation
|
|
| 2 | 1 |
Creating and Performing in Creative Arts and Sports
|
Melody - Melodic structure
|
By the end of the
lesson, the learner
should be able to:
- Identify characteristics of good melodies - Analyze stepwise motion and leaps - Show interest in melody construction |
- Watch videos on melodic structure
- Discuss characteristics of good melodies - Analyze examples of well-constructed melodies |
What are the characteristics of a good melody?
|
- KLB Top Scholar (pg. 68)
- Digital resources - Music notation examples - Audio demonstrations |
- Observation
- Oral questions
- Written assignments
|
|
| 2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Melody - Incomplete and complete endings
|
By the end of the
lesson, the learner
should be able to:
- Distinguish between incomplete and complete endings - Identify ending notes in melodies - Show interest in melodic resolution |
- Study examples of incomplete and complete endings
- Identify supertonic, dominant, and leading note endings - Analyze complete endings on tonic |
Why is the distinction between incomplete and complete endings important?
|
- KLB Top Scholar (pg. 69)
- Music notation examples - Audio demonstrations - Musical instruments |
- Observation
- Written exercises
- Listening assessment
|
|
| 2 | 3 |
Creating and Performing in Creative Arts and Sports
|
Melody - Repetition in melodies
|
By the end of the
lesson, the learner
should be able to:
- Explain the role of repetition in melodies - Identify repeated sections in musical examples - Show interest in melodic development |
- Study examples of melodic repetition
- Analyze how repetition creates unity - Discuss how to balance repetition and variation |
How does repetition contribute to melodic unity?
|
- KLB Top Scholar (pg. 69)
- Music notation examples - Audio demonstrations - Staff paper |
- Observation
- Written exercises
- Listening assessment
|
|
| 2 | 4 |
Creating and Performing in Creative Arts and Sports
|
Melody - Answering phrases
|
By the end of the
lesson, the learner
should be able to:
- Write answering phrases to given openings - Apply variation techniques to answering phrases - Show confidence in melody composition |
- Write answering phrases to given opening phrases
- Create variations in answering phrases - Apply appropriate endings to phrases |
How should answering phrases relate to opening phrases?
|
- KLB Top Scholar (pg. 70)
- Given opening phrases - Staff paper - Musical instruments |
- Observation
- Written exercises
- Composition assessment
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Melody - Opening phrases
|
By the end of the
lesson, the learner
should be able to:
- Improvise opening phrases for given answers - Create varied opening phrases - Show confidence in melody creation |
- Improvise opening phrases for given answering phrases
- Vary pitches to create interesting openings - Ensure compatibility with answering phrases |
How should opening phrases prepare for answering phrases?
|
- KLB Top Scholar (pg. 70)
- Given answering phrases - Staff paper - Musical instruments |
- Observation
- Written exercises
- Composition assessment
|
|
| 3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Melody - Four-bar melody composition
|
By the end of the
lesson, the learner
should be able to:
- Compose a four-bar melody in F major - Apply appropriate phrase structure - Show confidence in melody composition |
- Compose four-bar melodies in F major and 4/4 time
- Include opening and answering phrases - Apply appropriate endings - Add phrase marks and dynamics |
How can phrase structure enhance a four-bar melody?
|
- KLB Top Scholar (pg. 71)
- Staff paper - Musical instruments - F major scale reference |
- Observation
- Written composition
- Performance assessment
|
|
| 3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Melody - Melody notation
|
By the end of the
lesson, the learner
should be able to:
- Notate melodies correctly on staff paper - Apply proper notation conventions - Show interest in music notation |
- Notate four-bar melodies on treble staff
- Apply key and time signatures correctly - Include phrase marks and dynamics - Use proper note grouping |
Why is proper notation important for melody writing?
|
- KLB Top Scholar (pg. 71)
- Staff paper - Music notation examples - F major scale reference |
- Observation
- Written exercises
- Notation assessment
|
|
| 3 | 3 |
Creating and Performing in Creative Arts and Sports
|
Melody - Melody performance
|
By the end of the
lesson, the learner
should be able to:
- Perform technical exercises in F major - Sight sing or play composed melodies - Show confidence in musical performance |
- Perform the F major scale and tonic arpeggio
- Sight sing or play composed melodies - Perform melodies with proper phrasing and dynamics |
How do technical exercises improve melody performance?
|
- KLB Top Scholar (pg. 72)
- Composed melodies - Musical instruments - Performance space |
- Observation
- Performance assessment
- Peer feedback
|
|
| 3 | 4 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Introduction to passes
|
By the end of the
lesson, the learner
should be able to:
- Identify different passes in Rugby - Describe the position and hand placement for passes - Show interest in Rugby passing techniques |
- Observe pictures of Rugby passes
- Discuss positions of players passing and receiving - Analyze hand placement for effective passes |
What are the best ways to advance a ball in a game of Rugby?
|
- KLB Top Scholar (pg. 72)
- Digital resources - Pictures of Rugby passes - Videos of Rugby games |
- Observation
- Oral questions
- Written assignments
|
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Basic pass
Rugby - Pop pass |
By the end of the
lesson, the learner
should be able to:
- Demonstrate proper grip for basic pass - Execute correct stance for passing - Show interest in basic passing technique |
- Practice proper grip across the seams
- Demonstrate stance with feet apart - Execute the basic pass with proper follow-through - Perform basic pass while stationary |
How should players grip the ball for an effective basic pass?
|
- KLB Top Scholar (pg. 73)
- Rugby balls - Open space for practice - Video demonstrations - KLB Top Scholar (pg. 74) |
- Observation
- Practical assessment
- Peer assessment
|
|
| 4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Spin pass
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate proper grip for spin pass - Execute correct technique for spin passing - Show interest in spin passing technique |
- Practice proper grip with fingers across seam
- Demonstrate stance with feet apart - Execute the spin pass with flicking motion - Perform spin pass while stationary |
Why is the spin pass used for long-distance passing?
|
- KLB Top Scholar (pg. 75)
- Rugby balls - Open space for practice - Video demonstrations |
- Observation
- Practical assessment
- Peer assessment
|
|
| 4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Pass demonstrations
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate all types of Rugby passes - Provide constructive feedback on passes - Show interest in passing improvement |
- Demonstrate basic, pop, and spin passes
- Take turns performing different passes - Provide feedback using polite language - Use feedback to improve technique |
How can proper technique improve passing accuracy?
|
- KLB Top Scholar (pg. 76)
- Rugby balls - Open space for practice - Feedback guidelines |
- Observation
- Practical assessment
- Peer assessment
|
|
| 4 | 3 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Pass practice activities
|
By the end of the
lesson, the learner
should be able to:
- Perform passing activities for skill development - Execute passes while in motion - Show interest in dynamic passing practice |
- Perform basic pass activities in pairs
- Execute pop pass activities with defenders - Practice spin pass with partners - Increase passing distance progressively |
How do passing drills improve game performance?
|
- KLB Top Scholar (pg. 77)
- Rugby balls - Open space for practice - Marking cones |
- Observation
- Practical assessment
- Skill development evaluation
|
|
| 4 | 4 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Kicking techniques
|
By the end of the
lesson, the learner
should be able to:
- Identify different kicks in Rugby - Analyze the stance and ball placement for kicks - Show interest in Rugby kicking techniques |
- Study pictures of different Rugby kicks
- Discuss ball placement during kicks - Analyze stance at the start of kicks |
What is the difference between place and drop kicks?
|
- KLB Top Scholar (pg. 78)
- Digital resources - Pictures of Rugby kicks - Videos of kicking techniques |
- Observation
- Oral questions
- Written assignments
|
|
| 4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Drop kick
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate proper grip for drop kick - Execute correct drop kick technique - Show interest in drop kicking technique |
- Practice proper grip with point downwards
- Demonstrate stance with slight bend - Execute drop kick with proper ball drop - Perform follow-through motion |
What makes a successful drop kick in Rugby?
|
- KLB Top Scholar (pg. 79)
- Rugby balls - Open space for practice - Video demonstrations |
- Observation
- Practical assessment
- Peer assessment
|
|
| 5 | 1 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Place kick
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate proper ball placement for place kick - Execute correct place kick technique - Show interest in place kicking technique |
- Practice proper ball placement on tee/mound
- Demonstrate run-up technique - Execute place kick with proper foot contact - Perform follow-through motion |
How does the run-up affect place kick accuracy?
|
- KLB Top Scholar (pg. 80)
- Rugby balls - Kicking tees/mounds - Open space for practice |
- Observation
- Practical assessment
- Peer assessment
|
|
| 5 | 2 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Kicking demonstrations
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate place and drop kicks - Provide constructive feedback on kicks - Show interest in kicking improvement |
- Demonstrate place and drop kicks
- Take turns performing different kicks - Provide feedback using polite language - Use feedback to improve technique |
How can proper technique improve kicking accuracy?
|
- KLB Top Scholar (pg. 81)
- Rugby balls - Kicking tees/mounds - Open space for practice |
- Observation
- Practical assessment
- Peer assessment
|
|
| 5 | 3 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Kick practice activities
|
By the end of the
lesson, the learner
should be able to:
- Perform kicking activities for skill development - Execute kicks with increasing accuracy - Show interest in targeted kicking practice |
- Practice drop kick activities with markers
- Execute place kick activities with tees - Increase kicking distance progressively - Aim at specific targets |
How do kicking drills improve game performance?
|
- KLB Top Scholar (pg. 82)
- Rugby balls - Kicking tees/mounds - Marking cones/targets |
- Observation
- Practical assessment
- Skill development evaluation
|
|
| 5 | 4 |
Creating and Performing in Creative Arts and Sports
|
Rugby - Mini game
|
By the end of the
lesson, the learner
should be able to:
- Apply passing and kicking skills in a game - Follow modified Rugby rules - Show interest in team play and sportsmanship |
- Play a mini Rugby game with modified rules
- Apply passing and kicking skills in the game - Observe safety and game rules - Demonstrate teamwork and sportsmanship |
How can passing and kicking skills be effectively applied in a game?
|
- KLB Top Scholar (pg. 83)
- Rugby balls - Field markings - Rule guidelines - Safety equipment |
- Observation
- Game performance assessment
- Teamwork evaluation
|
|
| 5 | 5 |
Creating and Performing in Creative Arts and Sports
|
Photography - Viewpoints in photography
Photography - Bird's eye view |
By the end of the
lesson, the learner
should be able to:
- Define viewpoint in photography - Identify different viewpoints in photography - Show interest in photography techniques |
- Study pictures showing different viewpoints
- Discuss differences observed in pictures - Identify photographer positions in relation to subjects |
What differences do you see in photographs taken from different positions?
|
- KLB Top Scholar (pg. 86)
- Digital resources - Sample photographs - Pictures showing different viewpoints - KLB Top Scholar (pg. 87) - Pictures taken from bird's eye view |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Photography - Normal eye view
|
By the end of the
lesson, the learner
should be able to:
- Define normal eye view in photography - Identify photographs taken from normal eye view - Show interest in different photography angles |
- Examine the normal eye view technique
- Study examples of normal eye view photographs - Discuss the effect of normal eye view on subjects |
Which digital devices can you use to take photographs?
|
- KLB Top Scholar (pg. 87)
- Digital resources - Sample photographs - Pictures taken from normal eye view |
- Observation
- Oral questions
- Picture analysis
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Photography - Worm's eye view
|
By the end of the
lesson, the learner
should be able to:
- Define worm's eye view in photography - Identify photographs taken from worm's eye view - Show interest in different photography angles |
- Examine the worm's eye view technique
- Study examples of worm's eye view photographs - Discuss the effect of worm's eye view on subjects |
How does a worm's eye view affect the appearance of subjects?
|
- KLB Top Scholar (pg. 88)
- Digital resources - Sample photographs - Pictures taken from worm's eye view |
- Observation
- Oral questions
- Picture analysis
|
|
| 6 | 3 |
Creating and Performing in Creative Arts and Sports
|
Photography - Research on viewpoints
|
By the end of the
lesson, the learner
should be able to:
- Research viewpoints in photography - Identify examples of different viewpoints - Show interest in photography techniques |
- Use digital devices to research viewpoints
- Find examples of different viewpoint photographs - Identify viewpoints used in sample photographs |
Which viewpoint is most effective for different subjects?
|
- KLB Top Scholar (pg. 88)
- Digital resources - Internet access - Sample photographs |
- Observation
- Research reports
- Oral presentations
|
|
| 6 | 4 |
Creating and Performing in Creative Arts and Sports
|
Photography - Scenery photography
|
By the end of the
lesson, the learner
should be able to:
- Define scenery photography - Explain tips for taking clear photographs - Show interest in nature photography |
- Discuss scenery photography techniques
- Learn tips for taking clear photographs - Examine sample scenery photographs |
How can you take clear scenery photographs?
|
- KLB Top Scholar (pg. 89)
- Digital resources - Sample scenery photographs - Photography tips |
- Observation
- Oral questions
- Written assignments
|
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Photography - Taking photographs
|
By the end of the
lesson, the learner
should be able to:
- Take photographs from different viewpoints - Apply proper camera techniques - Show interest in practical photography |
- Identify available digital devices for photography
- Take nature walks to identify scenic points - Take photographs from different viewpoints |
What scenic points showcase the beauty of our country?
|
- KLB Top Scholar (pg. 89)
- Digital devices with cameras - Scenic locations - Photography tips |
- Observation
- Practical assessment
- Photograph quality
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Photography - E-folder creation
|
By the end of the
lesson, the learner
should be able to:
- Create an e-folder for photographs - Select and store best photographs - Show interest in digital organization |
- Create a folder on the desktop
- Transfer photographs to the folder - Organize photographs effectively |
How can photographs be effectively organized digitally?
|
- KLB Top Scholar (pg. 90)
- Digital devices - Taken photographs - File management instructions |
- Observation
- Practical assessment
- Folder organization
|
|
| 7 | 2 |
Creating and Performing in Creative Arts and Sports
|
Photography - Captioning photographs
|
By the end of the
lesson, the learner
should be able to:
- Explain the purpose of captioning photographs - Add appropriate captions to photographs - Show interest in descriptive information |
- Discuss the purpose of captioning
- Examine examples of captioned photographs - Practice adding captions to photographs |
Why is captioning important for photographs?
|
- KLB Top Scholar (pg. 91)
- Digital devices - Photograph collection - Captioning examples |
- Observation
- Practical assessment
- Caption quality
|
|
| 7 | 3 |
Creating and Performing in Creative Arts and Sports
|
Photography - Slide presentation
|
By the end of the
lesson, the learner
should be able to:
- Create a slideshow presentation - Present photographs effectively - Show interest in digital presentation |
- Create a slide presentation of photographs
- Add captions and transitions - Present photographs for appreciation |
How can photographs be effectively presented in a slideshow?
|
- KLB Top Scholar (pg. 92)
- Digital devices - Presentation software - Organized photographs |
- Observation
- Practical assessment
- Presentation quality
|
|
| 7 | 4 |
Creating and Performing in Creative Arts and Sports
|
Photography - Saving presentations
|
By the end of the
lesson, the learner
should be able to:
- Save presentations properly - Create backups of photo collections - Show interest in digital preservation |
- Learn how to save presentations
- Practice file management techniques - Create backups of digital content |
Why is proper file management important for digital content?
|
- KLB Top Scholar (pg. 93)
- Digital devices - Storage media - File management instructions |
- Observation
- Practical assessment
- File organization
|
|
| 7 | 5 |
Creating and Performing in Creative Arts and Sports
|
Photography - Critique and appreciation
Descant Recorder - F major scale fingering |
By the end of the
lesson, the learner
should be able to:
- Critique photography slide shows - Provide constructive feedback - Show appreciation for photography work |
- Watch photo slideshows
- Discuss themes and scenic sites - Provide suggestions for improvement |
How can you improve your photo slide show presentation?
|
- KLB Top Scholar (pg. 93)
- Digital devices - Completed slideshows - Critique guidelines - KLB Top Scholar (pg. 94) - Digital resources - Descant recorders - Fingering charts |
- Observation
- Peer assessment
- Self-assessment
- Teacher assessment
|
|
| 8 |
Midterm break |
||||||||
| 9 | 1 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Recorder types
|
By the end of the
lesson, the learner
should be able to:
- Identify different types of recorders - Distinguish between Baroque and German recorders - Show interest in instrument variations |
- Examine different recorder types
- Compare Baroque and German fingering - Study fingering chart differences |
What are the differences between Baroque and German recorders?
|
- KLB Top Scholar (pg. 95)
- Digital resources - Recorder samples (if available) - Fingering charts |
- Observation
- Oral questions
- Written assignments
|
|
| 9 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Random note practice
|
By the end of the
lesson, the learner
should be able to:
- Play random notes on the descant recorder - Apply correct fingering technique - Show interest in note accuracy |
- Practice playing random notes (C, F, G, D, A, B♭, E)
- Apply correct fingering - Focus on sound quality |
What is the importance of applying technique when playing instrumental music?
|
- KLB Top Scholar (pg. 95)
- Descant recorders - Note charts - Music stands |
- Observation
- Practical assessment
- Sound quality evaluation
|
|
| 9 | 3 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Pinching technique
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the pinching technique - Explain the purpose of pinching - Show interest in advanced techniques |
- Study the pinching technique
- Watch tutorial demonstrating pinching - Practice pinching technique on note F |
How does the pinching technique affect the sound quality?
|
- KLB Top Scholar (pg. 96)
- Digital resources - Descant recorders - Video tutorials |
- Observation
- Practical assessment
- Sound quality evaluation
|
|
| 9 | 4 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - F major scale
|
By the end of the
lesson, the learner
should be able to:
- Play the F major scale ascending - Play the F major scale descending - Show interest in scale performance |
- Practice F major scale with key signature
- Practice F major scale without key signature - Focus on finger coordination and breath control |
How does playing scales help develop recorder technique?
|
- KLB Top Scholar (pg. 96)
- Descant recorders - F major scale notation - Music stands |
- Observation
- Practical assessment
- Performance evaluation
|
|
| 9 | 5 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Scale performance
|
By the end of the
lesson, the learner
should be able to:
- Perform F major scale with fluency - Apply correct fingering throughout - Show confidence in scale performance |
- Practice F major scale individually
- Focus on smooth transitions between notes - Apply proper breath control |
What challenges arise when playing the F major scale?
|
- KLB Top Scholar (pg. 97)
- Descant recorders - F major scale notation - Music stands |
- Observation
- Practical assessment
- Performance evaluation
|
|
| 10 | 1 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Solo preparation
|
By the end of the
lesson, the learner
should be able to:
- Explain the process of preparing for a solo - Identify steps in solo performance - Show interest in performance preparation |
- Discuss solo performance preparation
- Identify selection, study, practice steps - Explore interpretation and memorization |
What are the steps involved in preparing for a solo performance?
|
- KLB Top Scholar (pg. 97)
- Digital resources - Solo repertoire examples - Performance guides |
- Observation
- Oral questions
- Written assignments
|
|
| 10 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Solo piece practice
|
By the end of the
lesson, the learner
should be able to:
- Practice a solo piece in F major - Apply correct fingering and technique - Show interest in musical interpretation |
- Learn to play "In the Bleak Midwinter"
- Focus on correct fingering and rhythm - Apply proper breathing and phrasing |
How should playing techniques be applied in a solo piece?
|
- KLB Top Scholar (pg. 97)
- Descant recorders - "In the Bleak Midwinter" score - Music stands |
- Observation
- Practical assessment
- Performance progression
|
|
| 10 | 3 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Group rehearsal
|
By the end of the
lesson, the learner
should be able to:
- Rehearse a solo piece in groups - Apply dynamics and tempo markings - Show interest in expressive performance |
- Rehearse "In the Bleak Midwinter" in groups
- Apply indicated tempo and dynamics - Focus on musical expression |
How do dynamics and tempo affect musical expression?
|
- KLB Top Scholar (pg. 98)
- Descant recorders - "In the Bleak Midwinter" score - Music stands |
- Observation
- Group assessment
- Performance evaluation
|
|
| 10 | 4 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Solo performance
|
By the end of the
lesson, the learner
should be able to:
- Perform a solo piece in F major - Apply appropriate playing techniques - Show confidence in performance |
- Perform "In the Bleak Midwinter" individually
- Apply all learned techniques - Demonstrate musical expression |
How can a performance be made more expressive?
|
- KLB Top Scholar (pg. 98)
- Descant recorders - "In the Bleak Midwinter" score - Performance space |
- Observation
- Performance assessment
- Peer evaluation
|
|
| 10 | 5 |
Creating and Performing in Creative Arts and Sports
|
Play - Format of a play script
Play - Script analysis |
By the end of the
lesson, the learner
should be able to:
- Identify elements of a play script - Describe the format of a play script - Show interest in play structure |
- Read an extract of a play script
- Identify title, playwright, characters, acts, scenes - Discuss stage directions and dialogue |
What distinguishes a play script from other forms of writing?
|
- KLB Top Scholar (pg. 99)
- Sample play scripts - Digital resources - Extract of "Tijani's Courage" - KLB Top Scholar (pg. 100) - Recorded play performances - Script analysis guidelines |
- Observation
- Oral questions
- Written assignments
|
|
| 11 | 1 |
Creating and Performing in Creative Arts and Sports
|
Play - Script elements
|
By the end of the
lesson, the learner
should be able to:
- Match play script elements with descriptions - Explain the purpose of each element - Show interest in play construction |
- Match elements with their descriptions
- Discuss the purpose of playwright, characters, setting - Explain acts, scenes, and stage directions |
What is the purpose of stage directions in a play script?
|
- KLB Top Scholar (pg. 101)
- Play script examples - Element description cards - Matching exercise |
- Observation
- Oral questions
- Matching assessment
|
|
| 11 | 2 |
Creating and Performing in Creative Arts and Sports
|
Play - One act play structure
|
By the end of the
lesson, the learner
should be able to:
- Describe the structure of a one act play - Identify beginning, middle, and end - Show interest in play development |
- Read a one act play script
- Outline the main events - Discuss one act play structure |
How is the story of a one act play structured?
|
- KLB Top Scholar (pg. 101)
- Sample one act plays - Digital resources - Structure diagrams |
- Observation
- Oral questions
- Written outlines
|
|
| 11 | 3 |
Creating and Performing in Creative Arts and Sports
|
Play - Theme selection
|
By the end of the
lesson, the learner
should be able to:
- Select themes for one act plays - Identify contemporary societal issues - Show interest in social commentary |
- Research current societal issues
- Brainstorm theme ideas - Select themes for play development |
What societal issues can be addressed through plays?
|
- KLB Top Scholar (pg. 102)
- Digital resources - News articles - Social issue information |
- Observation
- Brainstorming results
- Theme selection
|
|
| 11 | 4 |
Creating and Performing in Creative Arts and Sports
|
Play - Plot creation
|
By the end of the
lesson, the learner
should be able to:
- Create a plot for a one act play - Incorporate trigger action and conflict - Show interest in story development |
- Identify beginning, trigger action, middle, resolution
- Create logical sequence of events - Develop conflict and resolution |
What makes a compelling plot in a one act play?
|
- KLB Top Scholar (pg. 103)
- Plot structure diagrams - Story development guides - Sample plots |
- Observation
- Plot outlines
- Peer review
|
|
| 11 | 5 |
Creating and Performing in Creative Arts and Sports
|
Play - Character development
|
By the end of the
lesson, the learner
should be able to:
- Create characters for a one act play - Develop protagonist and antagonist roles - Show interest in character complexity |
- Design characters for the play
- Develop character backgrounds and motivations - Create character relationships |
How do characters drive the action in a play?
|
- KLB Top Scholar (pg. 104)
- Character development guides - Character profile templates - Sample character descriptions |
- Observation
- Character profiles
- Peer review
|
|
| 12 | 1 |
Creating and Performing in Creative Arts and Sports
|
Play - Setting and dialogue
|
By the end of the
lesson, the learner
should be able to:
- Establish setting for a one act play - Create appropriate dialogue - Show interest in play elements |
- Determine time and place for the play
- Develop conversational dialogue - Consider language and style |
How does setting influence the action of a play?
|
- KLB Top Scholar (pg. 104)
- Setting examples - Dialogue writing guides - Sample dialogues |
- Observation
- Setting descriptions
- Dialogue samples
|
|
| 12 | 2 |
Creating and Performing in Creative Arts and Sports
|
Play - Script creation
|
By the end of the
lesson, the learner
should be able to:
- Create a complete one act play script - Apply proper script format - Show interest in creative writing |
- Write script with proper formatting
- Include characters, dialogue, stage directions - Follow plot structure |
What factors should be considered when creating a one act play?
|
- KLB Top Scholar (pg. 105)
- Script templates - Writing materials - Format guidelines |
- Observation
- Completed scripts
- Format assessment
|
|
| 12 | 3 |
Creating and Performing in Creative Arts and Sports
|
Play - Music and costumes
|
By the end of the
lesson, the learner
should be able to:
- Select music for play performance - Design costumes and props - Show interest in theatrical elements |
- Choose appropriate music for scenes
- Design relevant costumes and props - Consider color symbolism in design |
Why is it important to decorate props to be used for performance?
|
- KLB Top Scholar (pg. 106)
- Music samples - Costume design materials - Prop creation supplies |
- Observation
- Music selection
- Costume designs
|
|
| 12 | 4 |
Creating and Performing in Creative Arts and Sports
|
Play - Acting preparation
|
By the end of the
lesson, the learner
should be able to:
- Understand the process of acting a role - Analyze script for character development - Show interest in performance preparation |
- Discuss acting preparation steps
- Analyze scripts for character insights - Participate in casting process |
How can a play performance be made believable to an audience?
|
- KLB Top Scholar (pg. 107)
- Acting guides - Script analysis worksheets - Performance tips |
- Observation
- Oral discussions
- Written analyses
|
|
| 12 | 5 |
Creating and Performing in Creative Arts and Sports
|
Play - Movement and voice
Play - Rehearsal techniques |
By the end of the
lesson, the learner
should be able to:
- Demonstrate use of body movement - Apply voice variation techniques - Show interest in physical expression |
- Practice body movements to express emotions
- Experiment with voice pitch and tempo - Practice role playing different emotions |
How can voice and movement enhance character portrayal?
|
- KLB Top Scholar (pg. 108)
- Movement exercise guides - Voice training resources - Performance space - KLB Top Scholar (pg. 109) - Rehearsal guides - Performance materials |
- Observation
- Practical assessment
- Peer feedback
|
|
| 13 | 1 |
Creating and Performing in Creative Arts and Sports
|
Play - Warm-up activities
|
By the end of the
lesson, the learner
should be able to:
- Perform breathing and vocal exercises - Conduct physical warm-up activities - Show interest in performance preparation |
- Practice breathing exercises
- Implement vocal warm-ups - Perform physical preparation activities |
Why are warm-up activities important before a performance?
|
- KLB Top Scholar (pg. 110)
- Warm-up exercise guides - Performance space - Exercise demonstrations |
- Observation
- Practical assessment
- Technique evaluation
|
|
| 13 | 2 |
Creating and Performing in Creative Arts and Sports
|
Play - Performance preparation
|
By the end of the
lesson, the learner
should be able to:
- Apply performance strategies - Implement stage presence techniques - Show interest in audience engagement |
- Discuss stage behavior and presence
- Learn strategies for forgetting lines - Practice voice projection and listening |
What should actors do when they forget their lines?
|
- KLB Top Scholar (pg. 110)
- Performance strategy guides - Performance space - Scenario practice |
- Observation
- Practical assessment
- Scenario responses
|
|
| 13 | 3 |
Creating and Performing in Creative Arts and Sports
|
Play - Performance analysis
|
By the end of the
lesson, the learner
should be able to:
- Analyze play performances - Identify character roles and costumes - Show interest in performance elements |
- Watch a play performance
- Identify character roles and importance - Analyze costumes, props, and music use |
How does music enhance emotions and actions in a play?
|
- KLB Top Scholar (pg. 110)
- Recorded play performances - Analysis worksheets - Discussion guides |
- Observation
- Analysis reports
- Oral presentations
|
|
| 13 | 4 |
Creating and Performing in Creative Arts and Sports
|
Play - Role allocation
|
By the end of the
lesson, the learner
should be able to:
- Allocate roles for a one act play - Select appropriate roles for group members - Show interest in collaborative performance |
- Allocate roles from created play scripts
- Ensure all group members have roles - Begin memorizing lines |
What criteria should be used for role allocation?
|
- KLB Top Scholar (pg. 111)
- Created play scripts - Role allocation guidelines - Cast lists |
- Observation
- Role distribution
- Group cooperation
|
|
| 13 | 5 |
Creating and Performing in Creative Arts and Sports
|
Play - Performance
|
By the end of the
lesson, the learner
should be able to:
- Perform a role in a one act play - Apply all learned performance techniques - Show confidence in theatrical performance |
- Perform allocated roles in plays
- Apply voice, movement, and character techniques - Engage with the audience |
How effectively does the performance address the chosen societal issue?
|
- KLB Top Scholar (pg. 111)
- Performance space - Costumes and props - Music resources |
- Observation
- Performance evaluation
- Peer and teacher assessment
|
|
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